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Color name
HEX #7F6219

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F6219 it is the complementary color #809DE6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F6219. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F6219 shade: #846214, #957427, #A6863A, #B7984D and #C8AA60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F6219. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F6219 shade: #7F6219, #6E5006, #5D3E00, #4C2C00 and #3B1A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F6219 shade: #7F6219, #7F4619, #7F2B19 and #7F1919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F6219 shade: #7F6219, #7F7E19, #657F19, #497F19 and #2E7F19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F6219 shade matches the following richer shades: #7F6219, #8C670C and #986D00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F6219 shade: #7F6219, #735D25, #665732, #5A523E and #4E4D4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F6219 shade: #7F2A19, #7F4519, #7F6119, #7F7C19 and #677F19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F6219 shade: #3A2D0B, #5D4812, #7F6219, #A27D20 and #C49726

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F6219 shade: #7F6219, #237F19 and #37197F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F6219 shade: #7F6219, #197F61 and #61197F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F6219 shade: #7F6219, #237F19, #19377F and #75197F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F6219 shade: #7F6219, #197F2D, #19377F and #7F196B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 80 / 50

HEX #7F6219

RGB 127 98 25

HSL 42.94, 0.67%, 0.3%

LAB 43.24, 4.22, 43.18

 

Complementary color

CMYK 44 / 32 / 0 / 10

HEX #809DE6

RGB 128 157 230

HSL 222.94, 0.67%, 0.7%

LAB 65.29, 8.81, -40.05

 

CMYK 0 / 26 / 85 / 48

HEX #846214

RGB 132 98 20

HSL 41.79, 0.74%, 0.3%

LAB 43.79, 6.42, 45.74

 

CMYK 0 / 22 / 74 / 42

HEX #957427

RGB 149 116 39

HSL 42, 0.59%, 0.37%

LAB 50.72, 4.8, 45.42

 

CMYK 0 / 19 / 65 / 35

HEX #A6863A

RGB 166 134 58

HSL 42.22, 0.48%, 0.44%

LAB 57.52, 3.51, 44.42

 

CMYK 0 / 17 / 58 / 28

HEX #B7984D

RGB 183 152 77

HSL 42.45, 0.42%, 0.51%

LAB 64.21, 2.45, 43.18

 

CMYK 0 / 15 / 52 / 22

HEX #C8AA60

RGB 200 170 96

HSL 42.69, 0.49%, 0.58%

LAB 70.78, 1.58, 41.88

 

CMYK 0 / 23 / 80 / 50

HEX #7F6219

RGB 127 98 25

HSL 42.94, 0.67%, 0.3%

LAB 43.24, 4.22, 43.18

 

CMYK 0 / 27 / 95 / 57

HEX #6E5006

RGB 110 80 6

HSL 42.69, 0.9%, 0.23%

LAB 36.11, 6.05, 42.66

 

CMYK 0 / 33 / 100 / 64

HEX #5D3E00

RGB 93 62 0

HSL 40, 1%, 0.18%

LAB 28.83, 8.44, 38.47

 

CMYK 0 / 42 / 100 / 70

HEX #4C2C00

RGB 76 44 0

HSL 34.74, 1%, 0.15%

LAB 21.35, 11.19, 30.52

 

CMYK 0 / 56 / 100 / 77

HEX #3B1A00

RGB 59 26 0

HSL 26.44, 1%, 0.12%

LAB 13.64, 14.14, 20.55

 

CMYK 0 / 23 / 80 / 50

HEX #7F6219

RGB 127 98 25

HSL 42.94, 0.67%, 0.3%

LAB 43.24, 4.22, 43.18

 

CMYK 0 / 45 / 80 / 50

HEX #7F4619

RGB 127 70 25

HSL 26.47, 0.67%, 0.3%

LAB 35.91, 20.77, 36.18

 

CMYK 0 / 66 / 80 / 50

HEX #7F2B19

RGB 127 43 25

HSL 10.59, 0.67%, 0.3%

LAB 30.18, 35.33, 30.42

 

CMYK 0 / 80 / 80 / 50

HEX #7F1919

RGB 127 25 25

HSL 0, 0.67%, 0.3%

LAB 27.51, 42.65, 27.62

 

CMYK 0 / 23 / 80 / 50

HEX #7F6219

RGB 127 98 25

HSL 42.94, 0.67%, 0.3%

LAB 43.24, 4.22, 43.18

 

CMYK 0 / 1 / 80 / 50

HEX #7F7E19

RGB 127 126 25

HSL 59.41, 0.67%, 0.3%

LAB 51.27, -11.67, 50.51

 

CMYK 20 / 0 / 80 / 50

HEX #657F19

RGB 101 127 25

HSL 75.29, 0.67%, 0.3%

LAB 49.52, -23.91, 48.15

 

CMYK 43 / 0 / 80 / 50

HEX #497F19

RGB 73 127 25

HSL 91.76, 0.67%, 0.3%

LAB 47.84, -35.15, 45.97

 

CMYK 64 / 0 / 80 / 50

HEX #2E7F19

RGB 46 127 25

HSL 107.65, 0.67%, 0.3%

LAB 46.75, -43.5, 44.56

 

CMYK 0 / 23 / 80 / 50

HEX #7F6219

RGB 127 98 25

HSL 42.94, 0.67%, 0.3%

LAB 43.24, 4.22, 43.18

 

CMYK 0 / 26 / 91 / 45

HEX #8C670C

RGB 140 103 12

HSL 42.66, 0.84%, 0.3%

LAB 46.05, 7.09, 50.34

 

CMYK 0 / 28 / 100 / 40

HEX #986D00

RGB 152 109 0

HSL 43.03, 1%, 0.3%

LAB 49.02, 9.06, 55.81

 

CMYK 0 / 23 / 80 / 50

HEX #7F6219

RGB 127 98 25

HSL 42.94, 0.67%, 0.3%

LAB 43.24, 4.22, 43.18

 

CMYK 0 / 19 / 68 / 55

HEX #735D25

RGB 115 93 37

HSL 43.08, 0.51%, 0.3%

LAB 40.58, 2.09, 34.62

 

CMYK 0 / 15 / 51 / 60

HEX #665732

RGB 102 87 50

HSL 42.69, 0.34%, 0.3%

LAB 37.61, 0.66, 23.67

 

CMYK 0 / 9 / 31 / 65

HEX #5A523E

RGB 90 82 62

HSL 42.86, 0.18%, 0.3%

LAB 35.12, -0.26, 12.96

 

CMYK 0 / 1 / 5 / 69

HEX #4E4D4A

RGB 78 77 74

HSL 45, 0.03%, 0.3%

LAB 32.75, -0.22, 1.92

 

CMYK 0 / 67 / 80 / 50

HEX #7F2A19

RGB 127 42 25

HSL 10, 0.67%, 0.3%

LAB 30.01, 35.81, 30.23

 

CMYK 0 / 46 / 80 / 50

HEX #7F4519

RGB 127 69 25

HSL 25.88, 0.67%, 0.3%

LAB 35.67, 21.35, 35.94

 

CMYK 0 / 24 / 80 / 50

HEX #7F6119

RGB 127 97 25

HSL 42.35, 0.67%, 0.3%

LAB 42.96, 4.8, 42.92

 

CMYK 0 / 2 / 80 / 50

HEX #7F7C19

RGB 127 124 25

HSL 58.24, 0.67%, 0.3%

LAB 50.68, -10.58, 49.98

 

CMYK 19 / 0 / 80 / 50

HEX #677F19

RGB 103 127 25

HSL 74.12, 0.67%, 0.3%

LAB 49.66, -23.04, 48.33

 

CMYK 0 / 22 / 81 / 77

HEX #3A2D0B

RGB 58 45 11

HSL 43.4, 0.68%, 0.14%

LAB 19.23, 1.54, 22.96

 

CMYK 0 / 23 / 81 / 64

HEX #5D4812

RGB 93 72 18

HSL 43.2, 0.68%, 0.22%

LAB 31.82, 2.87, 33.89

 

CMYK 0 / 23 / 80 / 50

HEX #7F6219

RGB 127 98 25

HSL 42.94, 0.67%, 0.3%

LAB 43.24, 4.22, 43.18

 

CMYK 0 / 23 / 80 / 36

HEX #A27D20

RGB 162 125 32

HSL 42.92, 0.67%, 0.38%

LAB 54.5, 5.38, 52.34

 

CMYK 0 / 23 / 81 / 23

HEX #C49726

RGB 196 151 38

HSL 42.91, 0.68%, 0.46%

LAB 64.97, 6.56, 61.05

 

CMYK 0 / 23 / 80 / 50

HEX #7F6219

RGB 127 98 25

HSL 42.94, 0.67%, 0.3%

LAB 43.24, 4.22, 43.18

 

CMYK 72 / 0 / 80 / 50

HEX #237F19

RGB 35 127 25

HSL 114.12, 0.67%, 0.3%

LAB 46.45, -45.97, 44.17

 

CMYK 57 / 80 / 0 / 50

HEX #37197F

RGB 55 25 127

HSL 257.65, 0.67%, 0.3%

LAB 20.2, 40.28, -51.95

 

CMYK 0 / 23 / 80 / 50

HEX #7F6219

RGB 127 98 25

HSL 42.94, 0.67%, 0.3%

LAB 43.24, 4.22, 43.18

 

CMYK 80 / 0 / 24 / 50

HEX #197F61

RGB 25 127 97

HSL 162.35, 0.67%, 0.3%

LAB 47.3, -35.64, 8.41

 

CMYK 24 / 80 / 0 / 50

HEX #61197F

RGB 97 25 127

HSL 282.35, 0.67%, 0.3%

LAB 26.07, 47.49, -42.14

 

CMYK 0 / 23 / 80 / 50

HEX #7F6219

RGB 127 98 25

HSL 42.94, 0.67%, 0.3%

LAB 43.24, 4.22, 43.18

 

CMYK 72 / 0 / 80 / 50

HEX #237F19

RGB 35 127 25

HSL 114.12, 0.67%, 0.3%

LAB 46.45, -45.97, 44.17

 

CMYK 80 / 57 / 0 / 50

HEX #19377F

RGB 25 55 127

HSL 222.35, 0.67%, 0.3%

LAB 25.17, 17.07, -43.92

 

CMYK 8 / 80 / 0 / 50

HEX #75197F

RGB 117 25 127

HSL 294.12, 0.67%, 0.3%

LAB 29.44, 51.56, -36.54

 

CMYK 0 / 23 / 80 / 50

HEX #7F6219

RGB 127 98 25

HSL 42.94, 0.67%, 0.3%

LAB 43.24, 4.22, 43.18

 

CMYK 80 / 0 / 65 / 50

HEX #197F2D

RGB 25 127 45

HSL 131.76, 0.67%, 0.3%

LAB 46.41, -45.74, 35.78

 

CMYK 80 / 57 / 0 / 50

HEX #19377F

RGB 25 55 127

HSL 222.35, 0.67%, 0.3%

LAB 25.17, 17.07, -43.92

 

CMYK 0 / 80 / 16 / 50

HEX #7F196B

RGB 127 25 107

HSL 311.76, 0.67%, 0.3%

LAB 30.08, 50.48, -22.68

 

Description

Color code: HEX #7F6219 | qconv.com Color code: HEX #7F6219 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 98 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 98 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 80 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 80% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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