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Color name
HEX #7F6C29

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F6C29 it is the complementary color #8093D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F6C29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F6C29 shade: #846C24, #957E37, #A6904A, #B7A25D and #C8B470

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F6C29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F6C29 shade: #7F6C29, #6E5A16, #5D4803, #4C3600 and #3B2400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F6C29 shade: #7F6C29, #7F5429, #7F3D29 and #7F2929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F6C29 shade: #7F6C29, #7A7F29, #637F29, #4C7F29 and #357F29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F6C29 shade matches the following richer shades: #7F6C29, #8C731B, #9A7B0E and #A78200

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F6C29 shade: #7F6C29, #716436, #635C44, #565552 and #484D5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F6C29 shade: #7F3D29, #7F5429, #7F6B29, #7C7F29 and #657F29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F6C29 shade: #403715, #5F511F, #7F6C29, #9E8633 and #BDA13D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F6C29 shade: #7F6C29, #2C7F29 and #48297F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F6C29 shade: #7F6C29, #297F6B and #6B297F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F6C29 shade: #7F6C29, #2C7F29, #293D7F and #7C297F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F6C29 shade: #7F6C29, #297F40, #293D7F and #7F2968

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 68 / 50

HEX #7F6C29

RGB 127 108 41

HSL 46.74, 0.51%, 0.33%

LAB 46.17, -0.73, 39.06

 

Complementary color

CMYK 40 / 31 / 0 / 16

HEX #8093D6

RGB 128 147 214

HSL 226.74, 0.51%, 0.67%

LAB 61.92, 10.05, -36.45

 

CMYK 0 / 18 / 73 / 48

HEX #846C24

RGB 132 108 36

HSL 45, 0.57%, 0.33%

LAB 46.66, 1.31, 42.04

 

CMYK 0 / 15 / 63 / 42

HEX #957E37

RGB 149 126 55

HSL 45.32, 0.46%, 0.4%

LAB 53.59, 0.13, 41.02

 

CMYK 0 / 13 / 55 / 35

HEX #A6904A

RGB 166 144 74

HSL 45.65, 0.38%, 0.47%

LAB 60.38, -0.81, 39.77

 

CMYK 0 / 11 / 49 / 28

HEX #B7A25D

RGB 183 162 93

HSL 46, 0.38%, 0.54%

LAB 67.05, -1.57, 38.48

 

CMYK 0 / 10 / 44 / 22

HEX #C8B470

RGB 200 180 112

HSL 46.36, 0.44%, 0.61%

LAB 73.61, -2.2, 37.21

 

CMYK 0 / 15 / 68 / 50

HEX #7F6C29

RGB 127 108 41

HSL 46.74, 0.51%, 0.33%

LAB 46.17, -0.73, 39.06

 

CMYK 0 / 18 / 80 / 57

HEX #6E5A16

RGB 110 90 22

HSL 46.36, 0.67%, 0.26%

LAB 39.05, 0.59, 39.76

 

CMYK 0 / 23 / 97 / 64

HEX #5D4803

RGB 93 72 3

HSL 46, 0.94%, 0.19%

LAB 31.73, 2.3, 39.46

 

CMYK 0 / 29 / 100 / 70

HEX #4C3600

RGB 76 54 0

HSL 42.63, 1%, 0.15%

LAB 24.24, 4.7, 33.51

 

CMYK 0 / 39 / 100 / 77

HEX #3B2400

RGB 59 36 0

HSL 36.61, 1%, 0.12%

LAB 16.46, 7.47, 24.17

 

CMYK 0 / 15 / 68 / 50

HEX #7F6C29

RGB 127 108 41

HSL 46.74, 0.51%, 0.33%

LAB 46.17, -0.73, 39.06

 

CMYK 0 / 34 / 68 / 50

HEX #7F5429

RGB 127 84 41

HSL 30, 0.51%, 0.33%

LAB 39.6, 13.4, 31.83

 

CMYK 0 / 52 / 68 / 50

HEX #7F3D29

RGB 127 61 41

HSL 13.95, 0.51%, 0.33%

LAB 34, 26.81, 25.32

 

CMYK 0 / 68 / 68 / 50

HEX #7F2929

RGB 127 41 41

HSL 0, 0.51%, 0.33%

LAB 30.05, 37.1, 20.5

 

CMYK 0 / 15 / 68 / 50

HEX #7F6C29

RGB 127 108 41

HSL 46.74, 0.51%, 0.33%

LAB 46.17, -0.73, 39.06

 

CMYK 4 / 0 / 68 / 50

HEX #7A7F29

RGB 122 127 41

HSL 63.49, 0.51%, 0.33%

LAB 51.24, -13.66, 44.25

 

CMYK 22 / 0 / 68 / 50

HEX #637F29

RGB 99 127 41

HSL 79.53, 0.51%, 0.33%

LAB 49.49, -23.76, 41.87

 

CMYK 40 / 0 / 68 / 50

HEX #4C7F29

RGB 76 127 41

HSL 95.58, 0.51%, 0.33%

LAB 48.1, -32.86, 39.98

 

CMYK 58 / 0 / 68 / 50

HEX #357F29

RGB 53 127 41

HSL 111.63, 0.51%, 0.33%

LAB 47.1, -40.28, 38.6

 

CMYK 0 / 15 / 68 / 50

HEX #7F6C29

RGB 127 108 41

HSL 46.74, 0.51%, 0.33%

LAB 46.17, -0.73, 39.06

 

CMYK 0 / 18 / 81 / 45

HEX #8C731B

RGB 140 115 27

HSL 46.73, 0.68%, 0.33%

LAB 49.39, 0.63, 48.61

 

CMYK 0 / 20 / 91 / 40

HEX #9A7B0E

RGB 154 123 14

HSL 46.71, 0.83%, 0.33%

LAB 53.02, 2.28, 56.01

 

CMYK 0 / 22 / 100 / 35

HEX #A78200

RGB 167 130 0

HSL 46.71, 1%, 0.33%

LAB 56.27, 4.17, 61.58

 

CMYK 0 / 15 / 68 / 50

HEX #7F6C29

RGB 127 108 41

HSL 46.74, 0.51%, 0.33%

LAB 46.17, -0.73, 39.06

 

CMYK 0 / 12 / 52 / 56

HEX #716436

RGB 113 100 54

HSL 46.78, 0.35%, 0.33%

LAB 42.6, -1.52, 27.81

 

CMYK 0 / 7 / 31 / 61

HEX #635C44

RGB 99 92 68

HSL 46.45, 0.19%, 0.33%

LAB 39.11, -1.38, 14.86

 

CMYK 0 / 1 / 5 / 66

HEX #565552

RGB 86 85 82

HSL 45, 0.02%, 0.33%

LAB 36.15, -0.22, 1.89

 

CMYK 24 / 19 / 0 / 63

HEX #484D5F

RGB 72 77 95

HSL 226.96, 0.14%, 0.33%

LAB 32.94, 2.46, -11.2

 

CMYK 0 / 52 / 68 / 50

HEX #7F3D29

RGB 127 61 41

HSL 13.95, 0.51%, 0.33%

LAB 34, 26.81, 25.32

 

CMYK 0 / 34 / 68 / 50

HEX #7F5429

RGB 127 84 41

HSL 30, 0.51%, 0.33%

LAB 39.6, 13.4, 31.83

 

CMYK 0 / 16 / 68 / 50

HEX #7F6B29

RGB 127 107 41

HSL 46.05, 0.51%, 0.33%

LAB 45.89, -0.15, 38.76

 

CMYK 2 / 0 / 68 / 50

HEX #7C7F29

RGB 124 127 41

HSL 62.09, 0.51%, 0.33%

LAB 51.41, -12.76, 44.48

 

CMYK 20 / 0 / 68 / 50

HEX #657F29

RGB 101 127 41

HSL 78.14, 0.51%, 0.33%

LAB 49.62, -22.91, 42.06

 

CMYK 0 / 14 / 67 / 75

HEX #403715

RGB 64 55 21

HSL 47.44, 0.51%, 0.17%

LAB 23.26, -1.06, 22.36

 

CMYK 0 / 15 / 67 / 63

HEX #5F511F

RGB 95 81 31

HSL 46.88, 0.51%, 0.25%

LAB 34.84, -0.83, 30.77

 

CMYK 0 / 15 / 68 / 50

HEX #7F6C29

RGB 127 108 41

HSL 46.74, 0.51%, 0.33%

LAB 46.17, -0.73, 39.06

 

CMYK 0 / 15 / 68 / 38

HEX #9E8633

RGB 158 134 51

HSL 46.54, 0.51%, 0.41%

LAB 56.64, -0.53, 46.49

 

CMYK 0 / 15 / 68 / 26

HEX #BDA13D

RGB 189 161 61

HSL 46.88, 0.51%, 0.49%

LAB 67.01, -0.88, 53.9

 

CMYK 0 / 15 / 68 / 50

HEX #7F6C29

RGB 127 108 41

HSL 46.74, 0.51%, 0.33%

LAB 46.17, -0.73, 39.06

 

CMYK 65 / 0 / 68 / 50

HEX #2C7F29

RGB 44 127 41

HSL 117.91, 0.51%, 0.33%

LAB 46.81, -42.59, 38.2

 

CMYK 43 / 68 / 0 / 50

HEX #48297F

RGB 72 41 127

HSL 261.63, 0.51%, 0.33%

LAB 25.25, 34.71, -43.63

 

CMYK 0 / 15 / 68 / 50

HEX #7F6C29

RGB 127 108 41

HSL 46.74, 0.51%, 0.33%

LAB 46.17, -0.73, 39.06

 

CMYK 68 / 0 / 16 / 50

HEX #297F6B

RGB 41 127 107

HSL 166.05, 0.51%, 0.33%

LAB 47.89, -30.59, 3.43

 

CMYK 16 / 68 / 0 / 50

HEX #6B297F

RGB 107 41 127

HSL 286.05, 0.51%, 0.33%

LAB 30.02, 42.97, -35.69

 

CMYK 0 / 15 / 68 / 50

HEX #7F6C29

RGB 127 108 41

HSL 46.74, 0.51%, 0.33%

LAB 46.17, -0.73, 39.06

 

CMYK 65 / 0 / 68 / 50

HEX #2C7F29

RGB 44 127 41

HSL 117.91, 0.51%, 0.33%

LAB 46.81, -42.59, 38.2

 

CMYK 68 / 52 / 0 / 50

HEX #293D7F

RGB 41 61 127

HSL 226.05, 0.51%, 0.33%

LAB 27.69, 15.26, -39.81

 

CMYK 2 / 68 / 0 / 50

HEX #7C297F

RGB 124 41 127

HSL 297.91, 0.51%, 0.33%

LAB 32.71, 47.24, -31.25

 

CMYK 0 / 15 / 68 / 50

HEX #7F6C29

RGB 127 108 41

HSL 46.74, 0.51%, 0.33%

LAB 46.17, -0.73, 39.06

 

CMYK 68 / 0 / 50 / 50

HEX #297F40

RGB 41 127 64

HSL 136.05, 0.51%, 0.33%

LAB 47, -40.09, 26.84

 

CMYK 68 / 52 / 0 / 50

HEX #293D7F

RGB 41 61 127

HSL 226.05, 0.51%, 0.33%

LAB 27.69, 15.26, -39.81

 

CMYK 0 / 68 / 18 / 50

HEX #7F2968

RGB 127 41 104

HSL 316.05, 0.51%, 0.33%

LAB 32.03, 44.12, -17.73

 

Description

Color code: HEX #7F6C29 | qconv.com Color code: HEX #7F6C29 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 108 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 108 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 68 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 68% 50% C M Y K

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Provide designers and agencies with accurate color values.

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