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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F76B6 it is the complementary color #808949. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F76B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F76B6 shade: #8476B1, #9588C4, #A69AD7, #B7ACEA and #C8BEFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F76B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F76B6 shade: #7F76B6, #6E64A3, #5D5290, #4C407D and #3B2E6A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F76B6 shade: #7F77B5, #9077B5, #A177B5, #B277B5 and #B577A8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F76B6 shade: #7F77B5 and #7777B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F76B6 shade matches the following richer shades: #7F77B5, #7366C6, #6755D7, #5B44E8 and #4F33F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F76B6 shade: #7F77B5, #8C88A4, #989893, #A4A983 and #B0BA72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F76B6 shade: #7790B5, #777FB5, #7F77B5, #9077B5 and #A077B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F76B6 shade: #554C8D, #665CA7, #7F77B5, #9891C4 and #B2ACD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F76B6 shade: #7F76B6, #B577A0 and #87B577

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F76B6 shade: #7F76B6, #B57F77 and #77B57F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F76B6 shade: #7F76B6, #B577A0, #ADB577 and #77B58B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F76B6 shade: #7F76B6, #B5778E, #ADB577 and #77B59E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 35 / 0 / 29

HEX #7F76B6

RGB 127 118 182

HSL 248.44, 0.3%, 0.59%

LAB 52.78, 18.12, -32.6

 

Complementary color

CMYK 7 / 0 / 47 / 46

HEX #808949

RGB 128 137 73

HSL 68.44, 0.3%, 0.41%

LAB 55.03, -13.56, 33.05

 

CMYK 25 / 33 / 0 / 31

HEX #8476B1

RGB 132 118 177

HSL 254.24, 0.27%, 0.58%

LAB 52.99, 18.35, -29.36

 

CMYK 24 / 31 / 0 / 23

HEX #9588C4

RGB 149 136 196

HSL 253, 0.34%, 0.65%

LAB 59.87, 17.73, -29.41

 

CMYK 23 / 28 / 0 / 16

HEX #A69AD7

RGB 166 154 215

HSL 251.8, 0.43%, 0.72%

LAB 66.61, 17.18, -29.5

 

CMYK 22 / 26 / 0 / 8

HEX #B7ACEA

RGB 183 172 234

HSL 250.65, 0.6%, 0.8%

LAB 73.23, 16.67, -29.61

 

CMYK 21 / 25 / 0 / 1

HEX #C8BEFD

RGB 200 190 253

HSL 249.52, 0.94%, 0.87%

LAB 79.73, 16.21, -29.76

 

CMYK 30 / 35 / 0 / 29

HEX #7F76B6

RGB 127 118 182

HSL 248.44, 0.3%, 0.59%

LAB 52.78, 18.12, -32.6

 

CMYK 33 / 39 / 0 / 36

HEX #6E64A3

RGB 110 100 163

HSL 249.52, 0.26%, 0.52%

LAB 45.73, 18.88, -32.66

 

CMYK 35 / 43 / 0 / 44

HEX #5D5290

RGB 93 82 144

HSL 250.65, 0.27%, 0.44%

LAB 38.51, 19.77, -32.79

 

CMYK 39 / 49 / 0 / 51

HEX #4C407D

RGB 76 64 125

HSL 251.8, 0.32%, 0.37%

LAB 31.08, 20.82, -32.98

 

CMYK 44 / 57 / 0 / 58

HEX #3B2E6A

RGB 59 46 106

HSL 253, 0.39%, 0.3%

LAB 23.42, 22.09, -33.24

 

CMYK 30 / 34 / 0 / 29

HEX #7F77B5

RGB 127 119 181

HSL 247.74, 0.3%, 0.59%

LAB 53, 17.27, -31.69

 

CMYK 20 / 34 / 0 / 29

HEX #9077B5

RGB 144 119 181

HSL 264.19, 0.3%, 0.59%

LAB 54.51, 22.47, -29.21

 

CMYK 11 / 34 / 0 / 29

HEX #A177B5

RGB 161 119 181

HSL 280.65, 0.3%, 0.59%

LAB 56.19, 27.86, -26.47

 

CMYK 2 / 34 / 0 / 29

HEX #B277B5

RGB 178 119 181

HSL 297.1, 0.3%, 0.59%

LAB 58.03, 33.37, -23.49

 

CMYK 0 / 34 / 7 / 29

HEX #B577A8

RGB 181 119 168

HSL 312.58, 0.3%, 0.59%

LAB 57.89, 31.94, -16.21

 

CMYK 30 / 34 / 0 / 29

HEX #7F77B5

RGB 127 119 181

HSL 247.74, 0.3%, 0.59%

LAB 53, 17.27, -31.69

 

CMYK 34 / 34 / 0 / 29

HEX #7777B5

RGB 119 119 181

HSL 240, 0.3%, 0.59%

LAB 52.34, 14.92, -32.75

 

CMYK 30 / 34 / 0 / 29

HEX #7F77B5

RGB 127 119 181

HSL 247.74, 0.3%, 0.59%

LAB 53, 17.27, -31.69

 

CMYK 42 / 48 / 0 / 22

HEX #7366C6

RGB 115 102 198

HSL 248.13, 0.46%, 0.59%

LAB 48.54, 28.86, -48.57

 

CMYK 52 / 60 / 0 / 16

HEX #6755D7

RGB 103 85 215

HSL 248.31, 0.62%, 0.59%

LAB 44.64, 41.4, -64.65

 

CMYK 61 / 71 / 0 / 9

HEX #5B44E8

RGB 91 68 232

HSL 248.41, 0.78%, 0.59%

LAB 41.51, 54.14, -79.49

 

CMYK 68 / 80 / 0 / 2

HEX #4F33F9

RGB 79 51 249

HSL 248.48, 0.94%, 0.59%

LAB 39.36, 66.07, -92.66

 

CMYK 30 / 34 / 0 / 29

HEX #7F77B5

RGB 127 119 181

HSL 247.74, 0.3%, 0.59%

LAB 53, 17.27, -31.69

 

CMYK 15 / 17 / 0 / 36

HEX #8C88A4

RGB 140 136 164

HSL 248.57, 0.13%, 0.59%

LAB 57.91, 7.33, -14.28

 

CMYK 0 / 0 / 3 / 40

HEX #989893

RGB 152 152 147

HSL 60, 0.02%, 0.59%

LAB 62.71, -0.95, 2.62

 

CMYK 3 / 0 / 22 / 34

HEX #A4A983

RGB 164 169 131

HSL 67.89, 0.18%, 0.59%

LAB 67.95, -8.34, 19.07

 

CMYK 5 / 0 / 39 / 27

HEX #B0BA72

RGB 176 186 114

HSL 68.33, 0.34%, 0.59%

LAB 73.26, -14.79, 35.33

 

CMYK 34 / 20 / 0 / 29

HEX #7790B5

RGB 119 144 181

HSL 215.81, 0.3%, 0.59%

LAB 59.16, 0.27, -22.2

 

CMYK 34 / 30 / 0 / 29

HEX #777FB5

RGB 119 127 181

HSL 232.26, 0.3%, 0.59%

LAB 54.49, 10.16, -29.41

 

CMYK 30 / 34 / 0 / 29

HEX #7F77B5

RGB 127 119 181

HSL 247.74, 0.3%, 0.59%

LAB 53, 17.27, -31.69

 

CMYK 20 / 34 / 0 / 29

HEX #9077B5

RGB 144 119 181

HSL 264.19, 0.3%, 0.59%

LAB 54.51, 22.47, -29.21

 

CMYK 12 / 34 / 0 / 29

HEX #A077B5

RGB 160 119 181

HSL 279.68, 0.3%, 0.59%

LAB 56.09, 27.54, -26.64

 

CMYK 40 / 46 / 0 / 45

HEX #554C8D

RGB 85 76 141

HSL 248.31, 0.3%, 0.43%

LAB 36.03, 20.42, -34.93

 

CMYK 39 / 45 / 0 / 35

HEX #665CA7

RGB 102 92 167

HSL 248, 0.3%, 0.51%

LAB 43.17, 22.66, -39.12

 

CMYK 30 / 34 / 0 / 29

HEX #7F77B5

RGB 127 119 181

HSL 247.74, 0.3%, 0.59%

LAB 53, 17.27, -31.69

 

CMYK 22 / 26 / 0 / 23

HEX #9891C4

RGB 152 145 196

HSL 248.24, 0.3%, 0.67%

LAB 62.43, 13.48, -25.44

 

CMYK 15 / 18 / 0 / 18

HEX #B2ACD2

RGB 178 172 210

HSL 249.47, 0.3%, 0.75%

LAB 71.98, 9.76, -18.46

 

CMYK 30 / 35 / 0 / 29

HEX #7F76B6

RGB 127 118 182

HSL 248.44, 0.3%, 0.59%

LAB 52.78, 18.12, -32.6

 

CMYK 0 / 34 / 12 / 29

HEX #B577A0

RGB 181 119 160

HSL 320.32, 0.3%, 0.59%

LAB 57.61, 30.53, -12.02

 

CMYK 25 / 0 / 34 / 29

HEX #87B577

RGB 135 181 119

HSL 104.52, 0.3%, 0.59%

LAB 69.13, -27.11, 26.8

 

CMYK 30 / 35 / 0 / 29

HEX #7F76B6

RGB 127 118 182

HSL 248.44, 0.3%, 0.59%

LAB 52.78, 18.12, -32.6

 

CMYK 0 / 30 / 34 / 29

HEX #B57F77

RGB 181 127 119

HSL 7.74, 0.3%, 0.59%

LAB 58.35, 19.85, 12.72

 

CMYK 34 / 0 / 30 / 29

HEX #77B57F

RGB 119 181 127

HSL 127.74, 0.3%, 0.59%

LAB 68.39, -31.2, 21.36

 

CMYK 30 / 35 / 0 / 29

HEX #7F76B6

RGB 127 118 182

HSL 248.44, 0.3%, 0.59%

LAB 52.78, 18.12, -32.6

 

CMYK 0 / 34 / 12 / 29

HEX #B577A0

RGB 181 119 160

HSL 320.32, 0.3%, 0.59%

LAB 57.61, 30.53, -12.02

 

CMYK 4 / 0 / 34 / 29

HEX #ADB577

RGB 173 181 119

HSL 67.74, 0.3%, 0.59%

LAB 71.73, -12.79, 30.71

 

CMYK 34 / 0 / 23 / 29

HEX #77B58B

RGB 119 181 139

HSL 139.35, 0.3%, 0.59%

LAB 68.63, -28.99, 15.19

 

CMYK 30 / 35 / 0 / 29

HEX #7F76B6

RGB 127 118 182

HSL 248.44, 0.3%, 0.59%

LAB 52.78, 18.12, -32.6

 

CMYK 0 / 34 / 22 / 29

HEX #B5778E

RGB 181 119 142

HSL 337.74, 0.3%, 0.59%

LAB 57.05, 27.59, -2.44

 

CMYK 4 / 0 / 34 / 29

HEX #ADB577

RGB 173 181 119

HSL 67.74, 0.3%, 0.59%

LAB 71.73, -12.79, 30.71

 

CMYK 34 / 0 / 13 / 29

HEX #77B59E

RGB 119 181 158

HSL 157.74, 0.3%, 0.59%

LAB 69.07, -25.1, 5.41

 

Description

Color code: HEX #7F76B6 | qconv.com Color code: HEX #7F76B6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 118 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 118 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 35 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 35% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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