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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F789D it is the complementary color #808762. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F789D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F789D shade: #847898, #958AAB, #A69CBE, #B7AED1 and #C8C0E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F789D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F789D shade: #7F789D, #6E668A, #5D5477, #4C4264 and #3B3051

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F789D shade: #7E769C, #88769C, #92769C, #9C769C and #9C7692

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F789D shade: #7E769C and #76769C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F789D shade matches the following richer shades: #7E769C, #7263AF, #6650C2, #5A3DD5 and #4E2BE8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F789D shade: #7E769C, #898989, #959C76, #A1AF63 and #ADC250

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F789D shade: #76849C, #767A9C, #7D769C, #87769C and #91769C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F789D shade: #56516F, #696287, #7E769C, #948EAD and #ABA6BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F789D shade: #7F789D, #9C768E and #7F9C76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F789D shade: #7F789D, #9C7D76 and #769C7D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F789D shade: #7F789D, #9C768E, #959C76 and #769C85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F789D shade: #7F789D, #9C7682, #959C76 and #769C90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 24 / 0 / 38

HEX #7F789D

RGB 127 120 157

HSL 251.35, 0.16%, 0.54%

LAB 52.26, 10.67, -18.91

 

Complementary color

CMYK 5 / 0 / 27 / 47

HEX #808762

RGB 128 135 98

HSL 71.35, 0.16%, 0.46%

LAB 54.86, -9.2, 19.08

 

CMYK 13 / 21 / 0 / 40

HEX #847898

RGB 132 120 152

HSL 262.5, 0.13%, 0.53%

LAB 52.51, 11.2, -15.57

 

CMYK 13 / 19 / 0 / 33

HEX #958AAB

RGB 149 138 171

HSL 260, 0.16%, 0.61%

LAB 59.44, 10.79, -15.88

 

CMYK 13 / 18 / 0 / 25

HEX #A69CBE

RGB 166 156 190

HSL 257.65, 0.21%, 0.68%

LAB 66.21, 10.41, -16.21

 

CMYK 12 / 17 / 0 / 18

HEX #B7AED1

RGB 183 174 209

HSL 255.43, 0.28%, 0.75%

LAB 72.85, 10.06, -16.54

 

CMYK 12 / 16 / 0 / 11

HEX #C8C0E4

RGB 200 192 228

HSL 253.33, 0.4%, 0.82%

LAB 79.37, 9.74, -16.89

 

CMYK 19 / 24 / 0 / 38

HEX #7F789D

RGB 127 120 157

HSL 251.35, 0.16%, 0.54%

LAB 52.26, 10.67, -18.91

 

CMYK 20 / 26 / 0 / 46

HEX #6E668A

RGB 110 102 138

HSL 253.33, 0.15%, 0.47%

LAB 45.15, 11.15, -18.71

 

CMYK 22 / 29 / 0 / 53

HEX #5D5477

RGB 93 84 119

HSL 255.43, 0.17%, 0.4%

LAB 37.84, 11.69, -18.54

 

CMYK 24 / 34 / 0 / 61

HEX #4C4264

RGB 76 66 100

HSL 257.65, 0.2%, 0.33%

LAB 30.29, 12.33, -18.43

 

CMYK 27 / 41 / 0 / 68

HEX #3B3051

RGB 59 48 81

HSL 260, 0.26%, 0.25%

LAB 22.44, 13.12, -18.39

 

CMYK 19 / 24 / 0 / 39

HEX #7E769C

RGB 126 118 156

HSL 252.63, 0.16%, 0.54%

LAB 51.6, 11.28, -19.35

 

CMYK 13 / 24 / 0 / 39

HEX #88769C

RGB 136 118 156

HSL 268.42, 0.16%, 0.54%

LAB 52.5, 14.65, -17.89

 

CMYK 6 / 24 / 0 / 39

HEX #92769C

RGB 146 118 156

HSL 284.21, 0.16%, 0.54%

LAB 53.46, 18.1, -16.35

 

CMYK 0 / 24 / 0 / 39

HEX #9C769C

RGB 156 118 156

HSL 300, 0.16%, 0.54%

LAB 54.48, 21.59, -14.71

 

CMYK 0 / 24 / 6 / 39

HEX #9C7692

RGB 156 118 146

HSL 315.79, 0.16%, 0.54%

LAB 54.13, 19.66, -9.4

 

CMYK 19 / 24 / 0 / 39

HEX #7E769C

RGB 126 118 156

HSL 252.63, 0.16%, 0.54%

LAB 51.6, 11.28, -19.35

 

CMYK 24 / 24 / 0 / 39

HEX #76769C

RGB 118 118 156

HSL 240, 0.16%, 0.54%

LAB 50.93, 8.66, -20.43

 

CMYK 19 / 24 / 0 / 39

HEX #7E769C

RGB 126 118 156

HSL 252.63, 0.16%, 0.54%

LAB 51.6, 11.28, -19.35

 

CMYK 35 / 43 / 0 / 31

HEX #7263AF

RGB 114 99 175

HSL 251.84, 0.32%, 0.54%

LAB 46.44, 23.93, -38.58

 

CMYK 47 / 59 / 0 / 24

HEX #6650C2

RGB 102 80 194

HSL 251.58, 0.48%, 0.54%

LAB 41.93, 37.87, -56.93

 

CMYK 58 / 71 / 0 / 16

HEX #5A3DD5

RGB 90 61 213

HSL 251.45, 0.64%, 0.54%

LAB 38.4, 52.08, -73.74

 

CMYK 66 / 81 / 0 / 9

HEX #4E2BE8

RGB 78 43 232

HSL 251.11, 0.8%, 0.54%

LAB 36.32, 64.64, -88.09

 

CMYK 19 / 24 / 0 / 39

HEX #7E769C

RGB 126 118 156

HSL 252.63, 0.16%, 0.54%

LAB 51.6, 11.28, -19.35

 

CMYK 0 / 0 / 0 / 46

HEX #898989

RGB 137 137 137

HSL 0, 0%, 0.54%

LAB 57.09, 0, -0.01

 

CMYK 4 / 0 / 24 / 39

HEX #959C76

RGB 149 156 118

HSL 71.05, 0.16%, 0.54%

LAB 62.91, -9.2, 19.11

 

CMYK 8 / 0 / 43 / 31

HEX #A1AF63

RGB 161 175 99

HSL 71.05, 0.32%, 0.54%

LAB 68.85, -16.89, 37.23

 

CMYK 11 / 0 / 59 / 24

HEX #ADC250

RGB 173 194 80

HSL 71.05, 0.48%, 0.54%

LAB 74.85, -23.36, 53.67

 

CMYK 24 / 15 / 0 / 39

HEX #76849C

RGB 118 132 156

HSL 217.89, 0.16%, 0.54%

LAB 54.82, 0.45, -14.51

 

CMYK 24 / 22 / 0 / 39

HEX #767A9C

RGB 118 122 156

HSL 233.68, 0.16%, 0.54%

LAB 52.03, 6.29, -18.75

 

CMYK 20 / 24 / 0 / 39

HEX #7D769C

RGB 125 118 156

HSL 251.05, 0.16%, 0.54%

LAB 51.52, 10.95, -19.49

 

CMYK 13 / 24 / 0 / 39

HEX #87769C

RGB 135 118 156

HSL 266.84, 0.16%, 0.54%

LAB 52.41, 14.31, -18.04

 

CMYK 7 / 24 / 0 / 39

HEX #91769C

RGB 145 118 156

HSL 282.63, 0.16%, 0.54%

LAB 53.36, 17.75, -16.51

 

CMYK 23 / 27 / 0 / 56

HEX #56516F

RGB 86 81 111

HSL 250, 0.16%, 0.38%

LAB 36.01, 9.09, -16.46

 

CMYK 22 / 27 / 0 / 47

HEX #696287

RGB 105 98 135

HSL 251.35, 0.16%, 0.46%

LAB 43.49, 11.15, -19.5

 

CMYK 19 / 24 / 0 / 39

HEX #7E769C

RGB 126 118 156

HSL 252.63, 0.16%, 0.54%

LAB 51.6, 11.28, -19.35

 

CMYK 14 / 18 / 0 / 32

HEX #948EAD

RGB 148 142 173

HSL 251.61, 0.16%, 0.62%

LAB 60.48, 8.6, -15.46

 

CMYK 10 / 13 / 0 / 25

HEX #ABA6BF

RGB 171 166 191

HSL 252, 0.16%, 0.7%

LAB 69.25, 6.72, -12.16

 

CMYK 19 / 24 / 0 / 38

HEX #7F789D

RGB 127 120 157

HSL 251.35, 0.16%, 0.54%

LAB 52.26, 10.67, -18.91

 

CMYK 0 / 24 / 9 / 39

HEX #9C768E

RGB 156 118 142

HSL 322.11, 0.16%, 0.54%

LAB 54, 18.92, -7.26

 

CMYK 19 / 0 / 24 / 39

HEX #7F9C76

RGB 127 156 118

HSL 105.79, 0.16%, 0.54%

LAB 61.3, -17.57, 16.65

 

CMYK 19 / 24 / 0 / 38

HEX #7F789D

RGB 127 120 157

HSL 251.35, 0.16%, 0.54%

LAB 52.26, 10.67, -18.91

 

CMYK 0 / 20 / 24 / 39

HEX #9C7D76

RGB 156 125 118

HSL 11.05, 0.16%, 0.54%

LAB 55.12, 10.86, 8.35

 

CMYK 24 / 0 / 20 / 39

HEX #769C7D

RGB 118 156 125

HSL 131.05, 0.16%, 0.54%

LAB 60.88, -19.52, 12.06

 

CMYK 19 / 24 / 0 / 38

HEX #7F789D

RGB 127 120 157

HSL 251.35, 0.16%, 0.54%

LAB 52.26, 10.67, -18.91

 

CMYK 0 / 24 / 9 / 39

HEX #9C768E

RGB 156 118 142

HSL 322.11, 0.16%, 0.54%

LAB 54, 18.92, -7.26

 

CMYK 4 / 0 / 24 / 39

HEX #959C76

RGB 149 156 118

HSL 71.05, 0.16%, 0.54%

LAB 62.91, -9.2, 19.11

 

CMYK 24 / 0 / 15 / 39

HEX #769C85

RGB 118 156 133

HSL 143.68, 0.16%, 0.54%

LAB 61.06, -17.94, 7.83

 

CMYK 19 / 24 / 0 / 38

HEX #7F789D

RGB 127 120 157

HSL 251.35, 0.16%, 0.54%

LAB 52.26, 10.67, -18.91

 

CMYK 0 / 24 / 17 / 39

HEX #9C7682

RGB 156 118 130

HSL 341.05, 0.16%, 0.54%

LAB 53.64, 16.81, -0.78

 

CMYK 4 / 0 / 24 / 39

HEX #959C76

RGB 149 156 118

HSL 71.05, 0.16%, 0.54%

LAB 62.91, -9.2, 19.11

 

CMYK 24 / 0 / 8 / 39

HEX #769C90

RGB 118 156 144

HSL 161.05, 0.16%, 0.54%

LAB 61.34, -15.63, 2.03

 

Description

Color code: HEX #7F789D | qconv.com Color code: HEX #7F789D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 120 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 120 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 24 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 24% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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