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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F78A5 it is the complementary color #80875A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F78A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F78A5 shade: #8478A0, #958AB3, #A69CC6, #B7AED9 and #C8C0EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F78A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F78A5 shade: #7F78A5, #6E6692, #5D547F, #4C426C and #3B3059

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F78A5 shade: #7F78A5, #8B78A5, #9778A5, #A378A5 and #A5789A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F78A5 shade: #7F78A5 and #7878A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F78A5 shade matches the following richer shades: #7F78A5, #7266B7, #6654C9, #5941DB and #4D2FED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F78A5 shade: #7F78A5, #8B8A93, #989C80, #A4AE6E and #B1C05C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F78A5 shade: #7889A5, #787DA5, #7F78A5, #8B78A5 and #9778A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F78A5 shade: #575179, #696192, #7F78A5, #9691B5 and #AEA9C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F78A5 shade: #7F78A5, #A57895 and #83A578

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F78A5 shade: #7F78A5, #A57F78 and #78A57F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F78A5 shade: #7F78A5, #A57895, #9EA578 and #78A588

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F78A5 shade: #7F78A5, #A57888, #9EA578 and #78A595

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 27 / 0 / 35

HEX #7F78A5

RGB 127 120 165

HSL 249.33, 0.2%, 0.56%

LAB 52.58, 12.61, -23.08

 

Complementary color

CMYK 5 / 0 / 33 / 47

HEX #80875A

RGB 128 135 90

HSL 69.33, 0.2%, 0.44%

LAB 54.72, -10.36, 23.38

 

CMYK 18 / 25 / 0 / 37

HEX #8478A0

RGB 132 120 160

HSL 258, 0.17%, 0.55%

LAB 52.81, 13.04, -19.78

 

CMYK 17 / 23 / 0 / 30

HEX #958AB3

RGB 149 138 179

HSL 256.1, 0.21%, 0.62%

LAB 59.73, 12.58, -20

 

CMYK 16 / 21 / 0 / 22

HEX #A69CC6

RGB 166 156 198

HSL 254.29, 0.27%, 0.69%

LAB 66.49, 12.16, -20.25

 

CMYK 16 / 20 / 0 / 15

HEX #B7AED9

RGB 183 174 217

HSL 252.56, 0.36%, 0.77%

LAB 73.12, 11.77, -20.51

 

CMYK 15 / 19 / 0 / 7

HEX #C8C0EC

RGB 200 192 236

HSL 250.91, 0.54%, 0.84%

LAB 79.63, 11.42, -20.79

 

CMYK 23 / 27 / 0 / 35

HEX #7F78A5

RGB 127 120 165

HSL 249.33, 0.2%, 0.56%

LAB 52.58, 12.61, -23.08

 

CMYK 25 / 30 / 0 / 43

HEX #6E6692

RGB 110 102 146

HSL 250.91, 0.18%, 0.49%

LAB 45.49, 13.16, -22.97

 

CMYK 27 / 34 / 0 / 50

HEX #5D547F

RGB 93 84 127

HSL 252.56, 0.2%, 0.41%

LAB 38.2, 13.79, -22.91

 

CMYK 30 / 39 / 0 / 58

HEX #4C426C

RGB 76 66 108

HSL 254.29, 0.24%, 0.34%

LAB 30.68, 14.55, -22.91

 

CMYK 34 / 46 / 0 / 65

HEX #3B3059

RGB 59 48 89

HSL 256.1, 0.3%, 0.27%

LAB 22.88, 15.47, -23

 

CMYK 23 / 27 / 0 / 35

HEX #7F78A5

RGB 127 120 165

HSL 249.33, 0.2%, 0.56%

LAB 52.58, 12.61, -23.08

 

CMYK 16 / 27 / 0 / 35

HEX #8B78A5

RGB 139 120 165

HSL 265.33, 0.2%, 0.56%

LAB 53.64, 16.53, -21.36

 

CMYK 8 / 27 / 0 / 35

HEX #9778A5

RGB 151 120 165

HSL 281.33, 0.2%, 0.56%

LAB 54.79, 20.56, -19.49

 

CMYK 1 / 27 / 0 / 35

HEX #A378A5

RGB 163 120 165

HSL 297.33, 0.2%, 0.56%

LAB 56.02, 24.65, -17.5

 

CMYK 0 / 27 / 7 / 35

HEX #A5789A

RGB 165 120 154

HSL 314.67, 0.2%, 0.56%

LAB 55.85, 23.25, -11.38

 

CMYK 23 / 27 / 0 / 35

HEX #7F78A5

RGB 127 120 165

HSL 249.33, 0.2%, 0.56%

LAB 52.58, 12.61, -23.08

 

CMYK 27 / 27 / 0 / 35

HEX #7878A5

RGB 120 120 165

HSL 240, 0.2%, 0.56%

LAB 52, 10.39, -24.02

 

CMYK 23 / 27 / 0 / 35

HEX #7F78A5

RGB 127 120 165

HSL 249.33, 0.2%, 0.56%

LAB 52.58, 12.61, -23.08

 

CMYK 38 / 44 / 0 / 28

HEX #7266B7

RGB 114 102 183

HSL 248.89, 0.36%, 0.56%

LAB 47.62, 24.34, -41.37

 

CMYK 49 / 58 / 0 / 21

HEX #6654C9

RGB 102 84 201

HSL 249.23, 0.52%, 0.56%

LAB 43.33, 37.59, -58.73

 

CMYK 59 / 70 / 0 / 14

HEX #5941DB

RGB 89 65 219

HSL 249.35, 0.68%, 0.56%

LAB 39.61, 51.6, -75.2

 

CMYK 68 / 80 / 0 / 7

HEX #4D2FED

RGB 77 47 237

HSL 249.47, 0.84%, 0.56%

LAB 37.34, 64.27, -89.23

 

CMYK 23 / 27 / 0 / 35

HEX #7F78A5

RGB 127 120 165

HSL 249.33, 0.2%, 0.56%

LAB 52.58, 12.61, -23.08

 

CMYK 5 / 6 / 0 / 42

HEX #8B8A93

RGB 139 138 147

HSL 246.67, 0.04%, 0.56%

LAB 57.82, 2.18, -4.66

 

CMYK 3 / 0 / 18 / 39

HEX #989C80

RGB 152 156 128

HSL 68.57, 0.12%, 0.56%

LAB 63.35, -6.46, 14.2

 

CMYK 6 / 0 / 37 / 32

HEX #A4AE6E

RGB 164 174 110

HSL 69.38, 0.28%, 0.56%

LAB 68.96, -13.87, 31.7

 

CMYK 8 / 0 / 52 / 25

HEX #B1C05C

RGB 177 192 92

HSL 69, 0.44%, 0.56%

LAB 74.71, -19.73, 48.06

 

CMYK 27 / 17 / 0 / 35

HEX #7889A5

RGB 120 137 165

HSL 217.33, 0.2%, 0.56%

LAB 56.68, 0.45, -16.85

 

CMYK 27 / 24 / 0 / 35

HEX #787DA5

RGB 120 125 165

HSL 233.33, 0.2%, 0.56%

LAB 53.36, 7.43, -21.93

 

CMYK 23 / 27 / 0 / 35

HEX #7F78A5

RGB 127 120 165

HSL 249.33, 0.2%, 0.56%

LAB 52.58, 12.61, -23.08

 

CMYK 16 / 27 / 0 / 35

HEX #8B78A5

RGB 139 120 165

HSL 265.33, 0.2%, 0.56%

LAB 53.64, 16.53, -21.36

 

CMYK 8 / 27 / 0 / 35

HEX #9778A5

RGB 151 120 165

HSL 281.33, 0.2%, 0.56%

LAB 54.79, 20.56, -19.49

 

CMYK 28 / 33 / 0 / 53

HEX #575179

RGB 87 81 121

HSL 249, 0.2%, 0.4%

LAB 36.54, 12.1, -21.84

 

CMYK 28 / 34 / 0 / 43

HEX #696192

RGB 105 97 146

HSL 249.8, 0.2%, 0.48%

LAB 43.69, 14.62, -25.79

 

CMYK 23 / 27 / 0 / 35

HEX #7F78A5

RGB 127 120 165

HSL 249.33, 0.2%, 0.56%

LAB 52.58, 12.61, -23.08

 

CMYK 17 / 20 / 0 / 29

HEX #9691B5

RGB 150 145 181

HSL 248.33, 0.2%, 0.64%

LAB 61.72, 9.35, -18.1

 

CMYK 12 / 15 / 0 / 22

HEX #AEA9C6

RGB 174 169 198

HSL 250.34, 0.2%, 0.72%

LAB 70.49, 7.54, -14.13

 

CMYK 23 / 27 / 0 / 35

HEX #7F78A5

RGB 127 120 165

HSL 249.33, 0.2%, 0.56%

LAB 52.58, 12.61, -23.08

 

CMYK 0 / 27 / 10 / 35

HEX #A57895

RGB 165 120 149

HSL 321.33, 0.2%, 0.56%

LAB 55.69, 22.34, -8.72

 

CMYK 21 / 0 / 27 / 35

HEX #83A578

RGB 131 165 120

HSL 105.33, 0.2%, 0.56%

LAB 64.24, -20.41, 19.61

 

CMYK 23 / 27 / 0 / 35

HEX #7F78A5

RGB 127 120 165

HSL 249.33, 0.2%, 0.56%

LAB 52.58, 12.61, -23.08

 

CMYK 0 / 23 / 27 / 35

HEX #A57F78

RGB 165 127 120

HSL 9.33, 0.2%, 0.56%

LAB 56.62, 13.62, 9.45

 

CMYK 27 / 0 / 23 / 35

HEX #78A57F

RGB 120 165 127

HSL 129.33, 0.2%, 0.56%

LAB 63.7, -23.05, 14.92

 

CMYK 23 / 27 / 0 / 35

HEX #7F78A5

RGB 127 120 165

HSL 249.33, 0.2%, 0.56%

LAB 52.58, 12.61, -23.08

 

CMYK 0 / 27 / 10 / 35

HEX #A57895

RGB 165 120 149

HSL 321.33, 0.2%, 0.56%

LAB 55.69, 22.34, -8.72

 

CMYK 4 / 0 / 27 / 35

HEX #9EA578

RGB 158 165 120

HSL 69.33, 0.2%, 0.56%

LAB 66.16, -10.18, 22.55

 

CMYK 27 / 0 / 18 / 35

HEX #78A588

RGB 120 165 136

HSL 141.33, 0.2%, 0.56%

LAB 63.9, -21.31, 10.2

 

CMYK 23 / 27 / 0 / 35

HEX #7F78A5

RGB 127 120 165

HSL 249.33, 0.2%, 0.56%

LAB 52.58, 12.61, -23.08

 

CMYK 0 / 27 / 18 / 35

HEX #A57888

RGB 165 120 136

HSL 338.67, 0.2%, 0.56%

LAB 55.29, 20.09, -1.75

 

CMYK 4 / 0 / 27 / 35

HEX #9EA578

RGB 158 165 120

HSL 69.33, 0.2%, 0.56%

LAB 66.16, -10.18, 22.55

 

CMYK 27 / 0 / 10 / 35

HEX #78A595

RGB 120 165 149

HSL 158.67, 0.2%, 0.56%

LAB 64.22, -18.62, 3.41

 

Description

Color code: HEX #7F78A5 | qconv.com Color code: HEX #7F78A5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 120 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 120 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 27 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 27% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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