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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F8199 it is the complementary color #807E66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F8199. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F8199 shade: #848194, #9593A7, #A6A5BA, #B7B7CD and #C8C9E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F8199. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F8199 shade: #7F8199, #6E6F86, #5D5D73, #4C4B60 and #3B394D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F8199 shade: #7F8198, #847F98, #8B7F98, #927F98 and #987F98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F8199 shade: #7F8198 and #7F7F98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F8199 shade matches the following richer shades: #7F8198, #6D71AB, #5A62BE, #4752D0 and #3542E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F8199 shade: #7F8198, #929186, #A4A073, #B7B061 and #C9C04E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F8199 shade: #7F8F98, #7F8898, #7F8198, #847F98 and #8A7F98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F8199 shade: #58596D, #6A6C84, #7F8198, #9698AB and #ADAEBD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F8199 shade: #7F8199, #987F95 and #8B987F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F8199 shade: #7F8199, #987F81 and #81987F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F8199 shade: #7F8199, #987F95, #98967F and #7F9882

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F8199 shade: #7F8199, #987F8E, #98967F and #7F988A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 16 / 0 / 40

HEX #7F8199

RGB 127 129 153

HSL 235.38, 0.11%, 0.55%

LAB 54.57, 4.46, -13.09

 

Complementary color

CMYK 0 / 2 / 20 / 50

HEX #807E66

RGB 128 126 102

HSL 55.38, 0.11%, 0.45%

LAB 52.36, -3.55, 13.37

 

CMYK 11 / 13 / 0 / 42

HEX #848194

RGB 132 129 148

HSL 249.47, 0.08%, 0.54%

LAB 54.81, 5.06, -9.79

 

CMYK 11 / 12 / 0 / 35

HEX #9593A7

RGB 149 147 167

HSL 246, 0.1%, 0.62%

LAB 61.69, 4.8, -10.22

 

CMYK 11 / 11 / 0 / 27

HEX #A6A5BA

RGB 166 165 186

HSL 242.86, 0.13%, 0.69%

LAB 68.43, 4.55, -10.65

 

CMYK 11 / 11 / 0 / 20

HEX #B7B7CD

RGB 183 183 205

HSL 240, 0.18%, 0.76%

LAB 75.04, 4.32, -11.08

 

CMYK 11 / 10 / 0 / 12

HEX #C8C9E0

RGB 200 201 224

HSL 237.5, 0.28%, 0.83%

LAB 81.53, 4.1, -11.51

 

CMYK 17 / 16 / 0 / 40

HEX #7F8199

RGB 127 129 153

HSL 235.38, 0.11%, 0.55%

LAB 54.57, 4.46, -13.09

 

CMYK 18 / 17 / 0 / 47

HEX #6E6F86

RGB 110 111 134

HSL 237.5, 0.1%, 0.48%

LAB 47.5, 4.75, -12.75

 

CMYK 19 / 19 / 0 / 55

HEX #5D5D73

RGB 93 93 115

HSL 240, 0.11%, 0.41%

LAB 40.24, 5.07, -12.42

 

CMYK 21 / 22 / 0 / 62

HEX #4C4B60

RGB 76 75 96

HSL 242.86, 0.12%, 0.34%

LAB 32.73, 5.44, -12.13

 

CMYK 23 / 26 / 0 / 70

HEX #3B394D

RGB 59 57 77

HSL 246, 0.15%, 0.26%

LAB 24.93, 5.89, -11.88

 

CMYK 16 / 15 / 0 / 40

HEX #7F8198

RGB 127 129 152

HSL 235.2, 0.11%, 0.55%

LAB 54.53, 4.23, -12.56

 

CMYK 13 / 16 / 0 / 40

HEX #847F98

RGB 132 127 152

HSL 252, 0.11%, 0.55%

LAB 54.4, 7.11, -12.72

 

CMYK 9 / 16 / 0 / 40

HEX #8B7F98

RGB 139 127 152

HSL 268.8, 0.11%, 0.55%

LAB 55.01, 9.55, -11.75

 

CMYK 4 / 16 / 0 / 40

HEX #927F98

RGB 146 127 152

HSL 285.6, 0.11%, 0.55%

LAB 55.64, 12.03, -10.73

 

CMYK 0 / 16 / 0 / 40

HEX #987F98

RGB 152 127 152

HSL 300, 0.11%, 0.55%

LAB 56.21, 14.18, -9.82

 

CMYK 16 / 15 / 0 / 40

HEX #7F8198

RGB 127 129 152

HSL 235.2, 0.11%, 0.55%

LAB 54.53, 4.23, -12.56

 

CMYK 16 / 16 / 0 / 40

HEX #7F7F98

RGB 127 127 152

HSL 240, 0.11%, 0.55%

LAB 53.98, 5.39, -13.39

 

CMYK 16 / 15 / 0 / 40

HEX #7F8198

RGB 127 129 152

HSL 235.2, 0.11%, 0.55%

LAB 54.53, 4.23, -12.56

 

CMYK 36 / 34 / 0 / 33

HEX #6D71AB

RGB 109 113 171

HSL 236.13, 0.27%, 0.55%

LAB 49.5, 12.89, -31.46

 

CMYK 53 / 48 / 0 / 25

HEX #5A62BE

RGB 90 98 190

HSL 235.2, 0.43%, 0.55%

LAB 45.12, 23.04, -49.53

 

CMYK 66 / 61 / 0 / 18

HEX #4752D0

RGB 71 82 208

HSL 235.18, 0.59%, 0.55%

LAB 41.1, 35.59, -66.5

 

CMYK 77 / 71 / 0 / 11

HEX #3542E3

RGB 53 66 227

HSL 235.52, 0.76%, 0.55%

LAB 38.2, 49.65, -82.18

 

CMYK 16 / 15 / 0 / 40

HEX #7F8198

RGB 127 129 152

HSL 235.2, 0.11%, 0.55%

LAB 54.53, 4.23, -12.56

 

CMYK 0 / 1 / 8 / 43

HEX #929186

RGB 146 145 134

HSL 55, 0.05%, 0.55%

LAB 59.96, -1.68, 5.96

 

CMYK 0 / 2 / 30 / 36

HEX #A4A073

RGB 164 160 115

HSL 55.1, 0.21%, 0.55%

LAB 65.18, -5.82, 24.04

 

CMYK 0 / 4 / 47 / 28

HEX #B7B061

RGB 183 176 97

HSL 55.12, 0.37%, 0.55%

LAB 70.86, -8.61, 41.12

 

CMYK 0 / 4 / 61 / 21

HEX #C9C04E

RGB 201 192 78

HSL 55.61, 0.53%, 0.55%

LAB 76.48, -10.9, 56.95

 

CMYK 16 / 6 / 0 / 40

HEX #7F8F98

RGB 127 143 152

HSL 201.6, 0.11%, 0.55%

LAB 58.44, -3.76, -6.72

 

CMYK 16 / 11 / 0 / 40

HEX #7F8898

RGB 127 136 152

HSL 218.4, 0.11%, 0.55%

LAB 56.47, 0.2, -9.64

 

CMYK 16 / 15 / 0 / 40

HEX #7F8198

RGB 127 129 152

HSL 235.2, 0.11%, 0.55%

LAB 54.53, 4.23, -12.56

 

CMYK 13 / 16 / 0 / 40

HEX #847F98

RGB 132 127 152

HSL 252, 0.11%, 0.55%

LAB 54.4, 7.11, -12.72

 

CMYK 9 / 16 / 0 / 40

HEX #8A7F98

RGB 138 127 152

HSL 266.4, 0.11%, 0.55%

LAB 54.92, 9.2, -11.89

 

CMYK 19 / 18 / 0 / 57

HEX #58596D

RGB 88 89 109

HSL 237.14, 0.11%, 0.39%

LAB 38.42, 4.26, -11.53

 

CMYK 20 / 18 / 0 / 48

HEX #6A6C84

RGB 106 108 132

HSL 235.38, 0.11%, 0.47%

LAB 46.25, 4.68, -13.48

 

CMYK 16 / 15 / 0 / 40

HEX #7F8198

RGB 127 129 152

HSL 235.2, 0.11%, 0.55%

LAB 54.53, 4.23, -12.56

 

CMYK 12 / 11 / 0 / 33

HEX #9698AB

RGB 150 152 171

HSL 234.29, 0.11%, 0.63%

LAB 63.24, 3.18, -10.15

 

CMYK 8 / 8 / 0 / 26

HEX #ADAEBD

RGB 173 174 189

HSL 236.25, 0.11%, 0.71%

LAB 71.44, 2.59, -7.77

 

CMYK 17 / 16 / 0 / 40

HEX #7F8199

RGB 127 129 153

HSL 235.38, 0.11%, 0.55%

LAB 54.57, 4.46, -13.09

 

CMYK 0 / 16 / 2 / 40

HEX #987F95

RGB 152 127 149

HSL 307.2, 0.11%, 0.55%

LAB 56.11, 13.59, -8.23

 

CMYK 9 / 0 / 16 / 40

HEX #8B987F

RGB 139 152 127

HSL 91.2, 0.11%, 0.55%

LAB 61.2, -9.41, 11.6

 

CMYK 17 / 16 / 0 / 40

HEX #7F8199

RGB 127 129 153

HSL 235.38, 0.11%, 0.55%

LAB 54.57, 4.46, -13.09

 

CMYK 0 / 16 / 15 / 40

HEX #987F81

RGB 152 127 129

HSL 355.2, 0.11%, 0.55%

LAB 55.52, 9.93, 2.5

 

CMYK 15 / 0 / 16 / 40

HEX #81987F

RGB 129 152 127

HSL 115.2, 0.11%, 0.55%

LAB 60.48, -13.12, 10.48

 

CMYK 17 / 16 / 0 / 40

HEX #7F8199

RGB 127 129 153

HSL 235.38, 0.11%, 0.55%

LAB 54.57, 4.46, -13.09

 

CMYK 0 / 16 / 2 / 40

HEX #987F95

RGB 152 127 149

HSL 307.2, 0.11%, 0.55%

LAB 56.11, 13.59, -8.23

 

CMYK 0 / 1 / 16 / 40

HEX #98967F

RGB 152 150 127

HSL 55.2, 0.11%, 0.55%

LAB 61.67, -3.35, 12.41

 

CMYK 16 / 0 / 14 / 40

HEX #7F9882

RGB 127 152 130

HSL 127.2, 0.11%, 0.55%

LAB 60.41, -13.28, 8.67

 

CMYK 17 / 16 / 0 / 40

HEX #7F8199

RGB 127 129 153

HSL 235.38, 0.11%, 0.55%

LAB 54.57, 4.46, -13.09

 

CMYK 0 / 16 / 7 / 40

HEX #987F8E

RGB 152 127 142

HSL 324, 0.11%, 0.55%

LAB 55.89, 12.26, -4.5

 

CMYK 0 / 1 / 16 / 40

HEX #98967F

RGB 152 150 127

HSL 55.2, 0.11%, 0.55%

LAB 61.67, -3.35, 12.41

 

CMYK 16 / 0 / 9 / 40

HEX #7F988A

RGB 127 152 138

HSL 146.4, 0.11%, 0.55%

LAB 60.61, -11.7, 4.43

 

Description

Color code: HEX #7F8199 | qconv.com Color code: HEX #7F8199 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 129 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 129 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 16 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 16% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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