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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7FA521 it is the complementary color #805ADE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7FA521. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7FA521 shade: #84A51C, #95B72F, #A6C942, #B7DB55 and #C8ED68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7FA521. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7FA521 shade: #7FA521, #6E930E, #5D8100, #4C6F00 and #3B5D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7FA521 shade: #7FA620, #A3A620, #A68420, #A66020 and #A63C20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7FA521 shade: #7FA620, #5BA620, #37A620, #20A62D and #20A651

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7FA521 shade matches the following richer shades: #7FA620, #86B610 and #8DC600

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7FA521 shade: #7FA620, #789530, #728541, #6B7551 and #646561

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7FA521 shade: #A68420, #A3A620, #80A620, #5CA620 and #39A620

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7FA521 shade: #4A6113, #65831A, #7FA620, #9AC827 and #ADD940

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7FA521 shade: #7FA521, #20A661 and #9620A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7FA521 shade: #7FA521, #2080A6 and #A62080

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7FA521 shade: #7FA521, #20A661, #4620A6 and #A62065

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7FA521 shade: #7FA521, #20A689, #4620A6 and #A6203D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 80 / 35

HEX #7FA521

RGB 127 165 33

HSL 77.27, 0.67%, 0.39%

LAB 62.95, -31.1, 58.61

 

Complementary color

CMYK 42 / 59 / 0 / 13

HEX #805ADE

RGB 128 90 222

HSL 257.27, 0.67%, 0.61%

LAB 48.48, 45.57, -62.31

 

CMYK 20 / 0 / 83 / 35

HEX #84A51C

RGB 132 165 28

HSL 74.45, 0.71%, 0.38%

LAB 63.26, -29.25, 60.4

 

CMYK 19 / 0 / 74 / 28

HEX #95B72F

RGB 149 183 47

HSL 75, 0.59%, 0.45%

LAB 69.8, -29.99, 61.04

 

CMYK 17 / 0 / 67 / 21

HEX #A6C942

RGB 166 201 66

HSL 75.56, 0.56%, 0.52%

LAB 76.24, -30.54, 60.86

 

CMYK 16 / 0 / 61 / 14

HEX #B7DB55

RGB 183 219 85

HSL 76.12, 0.65%, 0.6%

LAB 82.59, -30.96, 60.23

 

CMYK 16 / 0 / 56 / 7

HEX #C8ED68

RGB 200 237 104

HSL 76.69, 0.79%, 0.67%

LAB 88.85, -31.28, 59.35

 

CMYK 23 / 0 / 80 / 35

HEX #7FA521

RGB 127 165 33

HSL 77.27, 0.67%, 0.39%

LAB 62.95, -31.1, 58.61

 

CMYK 25 / 0 / 90 / 42

HEX #6E930E

RGB 110 147 14

HSL 76.69, 0.83%, 0.32%

LAB 56.3, -30.24, 57.1

 

CMYK 28 / 0 / 100 / 49

HEX #5D8100

RGB 93 129 0

HSL 76.74, 1%, 0.25%

LAB 49.53, -29.11, 53.75

 

CMYK 32 / 0 / 100 / 56

HEX #4C6F00

RGB 76 111 0

HSL 78.92, 1%, 0.22%

LAB 42.62, -27.64, 48

 

CMYK 37 / 0 / 100 / 64

HEX #3B5D00

RGB 59 93 0

HSL 81.94, 1%, 0.18%

LAB 35.52, -26.13, 42.09

 

CMYK 23 / 0 / 81 / 35

HEX #7FA620

RGB 127 166 32

HSL 77.46, 0.68%, 0.39%

LAB 63.25, -31.61, 59.17

 

CMYK 2 / 0 / 81 / 35

HEX #A3A620

RGB 163 166 32

HSL 61.34, 0.68%, 0.39%

LAB 65.88, -16.3, 62.5

 

CMYK 0 / 20 / 81 / 35

HEX #A68420

RGB 166 132 32

HSL 44.78, 0.68%, 0.39%

LAB 56.8, 3.3, 54.57

 

CMYK 0 / 42 / 81 / 35

HEX #A66020

RGB 166 96 32

HSL 28.66, 0.68%, 0.39%

LAB 47.72, 23.57, 46.26

 

CMYK 0 / 64 / 81 / 35

HEX #A63C20

RGB 166 60 32

HSL 12.54, 0.68%, 0.39%

LAB 40.32, 42.26, 39.16

 

CMYK 23 / 0 / 81 / 35

HEX #7FA620

RGB 127 166 32

HSL 77.46, 0.68%, 0.39%

LAB 63.25, -31.61, 59.17

 

CMYK 45 / 0 / 81 / 35

HEX #5BA620

RGB 91 166 32

HSL 93.58, 0.68%, 0.39%

LAB 61.31, -44.97, 56.68

 

CMYK 67 / 0 / 81 / 35

HEX #37A620

RGB 55 166 32

HSL 109.7, 0.68%, 0.39%

LAB 60.06, -54.83, 55.06

 

CMYK 81 / 0 / 73 / 35

HEX #20A62D

RGB 32 166 45

HSL 125.82, 0.68%, 0.39%

LAB 59.68, -57.78, 50.1

 

CMYK 81 / 0 / 51 / 35

HEX #20A651

RGB 32 166 81

HSL 141.94, 0.68%, 0.39%

LAB 60.05, -53.34, 34.18

 

CMYK 23 / 0 / 81 / 35

HEX #7FA620

RGB 127 166 32

HSL 77.46, 0.68%, 0.39%

LAB 63.25, -31.61, 59.17

 

CMYK 26 / 0 / 91 / 29

HEX #86B610

RGB 134 182 16

HSL 77.35, 0.84%, 0.39%

LAB 68.43, -36.66, 67.29

 

CMYK 29 / 0 / 100 / 22

HEX #8DC600

RGB 141 198 0

HSL 77.27, 1%, 0.39%

LAB 73.58, -41.28, 73.4

 

CMYK 23 / 0 / 81 / 35

HEX #7FA620

RGB 127 166 32

HSL 77.46, 0.68%, 0.39%

LAB 63.25, -31.61, 59.17

 

CMYK 19 / 0 / 68 / 42

HEX #789530

RGB 120 149 48

HSL 77.23, 0.51%, 0.39%

LAB 57.75, -25.41, 47.99

 

CMYK 14 / 0 / 51 / 48

HEX #728541

RGB 114 133 65

HSL 76.76, 0.34%, 0.39%

LAB 52.66, -18.25, 34.1

 

CMYK 9 / 0 / 31 / 54

HEX #6B7551

RGB 107 117 81

HSL 76.67, 0.18%, 0.39%

LAB 47.55, -10.43, 18.66

 

CMYK 1 / 0 / 4 / 60

HEX #646561

RGB 100 101 97

HSL 75, 0.02%, 0.39%

LAB 42.58, -1.21, 2.12

 

CMYK 0 / 20 / 81 / 35

HEX #A68420

RGB 166 132 32

HSL 44.78, 0.68%, 0.39%

LAB 56.8, 3.3, 54.57

 

CMYK 2 / 0 / 81 / 35

HEX #A3A620

RGB 163 166 32

HSL 61.34, 0.68%, 0.39%

LAB 65.88, -16.3, 62.5

 

CMYK 23 / 0 / 81 / 35

HEX #80A620

RGB 128 166 32

HSL 77.01, 0.68%, 0.39%

LAB 63.31, -31.21, 59.25

 

CMYK 45 / 0 / 81 / 35

HEX #5CA620

RGB 92 166 32

HSL 93.13, 0.68%, 0.39%

LAB 61.35, -44.64, 56.74

 

CMYK 66 / 0 / 81 / 35

HEX #39A620

RGB 57 166 32

HSL 108.81, 0.68%, 0.39%

LAB 60.11, -54.4, 55.13

 

CMYK 24 / 0 / 80 / 62

HEX #4A6113

RGB 74 97 19

HSL 77.69, 0.67%, 0.23%

LAB 37.94, -20.76, 38.72

 

CMYK 23 / 0 / 80 / 49

HEX #65831A

RGB 101 131 26

HSL 77.14, 0.67%, 0.31%

LAB 50.77, -25.85, 48.98

 

CMYK 23 / 0 / 81 / 35

HEX #7FA620

RGB 127 166 32

HSL 77.46, 0.68%, 0.39%

LAB 63.25, -31.61, 59.17

 

CMYK 23 / 0 / 81 / 22

HEX #9AC827

RGB 154 200 39

HSL 77.14, 0.67%, 0.47%

LAB 75.03, -36.23, 68.44

 

CMYK 20 / 0 / 71 / 15

HEX #ADD940

RGB 173 217 64

HSL 77.25, 0.67%, 0.55%

LAB 81.23, -35.32, 66.8

 

CMYK 23 / 0 / 80 / 35

HEX #7FA521

RGB 127 165 33

HSL 77.27, 0.67%, 0.39%

LAB 62.95, -31.1, 58.61

 

CMYK 81 / 0 / 42 / 35

HEX #20A661

RGB 32 166 97

HSL 149.1, 0.68%, 0.39%

LAB 60.29, -50.52, 26.13

 

CMYK 10 / 81 / 0 / 35

HEX #9620A6

RGB 150 32 166

HSL 292.84, 0.68%, 0.39%

LAB 38.32, 63.13, -45.91

 

CMYK 23 / 0 / 80 / 35

HEX #7FA521

RGB 127 165 33

HSL 77.27, 0.67%, 0.39%

LAB 62.95, -31.1, 58.61

 

CMYK 81 / 23 / 0 / 35

HEX #2080A6

RGB 32 128 166

HSL 197.01, 0.68%, 0.39%

LAB 50.1, -13.51, -27.89

 

CMYK 0 / 81 / 23 / 35

HEX #A62080

RGB 166 32 128

HSL 317.01, 0.68%, 0.39%

LAB 39.07, 60.72, -21.38

 

CMYK 23 / 0 / 80 / 35

HEX #7FA521

RGB 127 165 33

HSL 77.27, 0.67%, 0.39%

LAB 62.95, -31.1, 58.61

 

CMYK 81 / 0 / 42 / 35

HEX #20A661

RGB 32 166 97

HSL 149.1, 0.68%, 0.39%

LAB 60.29, -50.52, 26.13

 

CMYK 58 / 81 / 0 / 35

HEX #4620A6

RGB 70 32 166

HSL 257.01, 0.68%, 0.39%

LAB 26.98, 50.17, -64.87

 

CMYK 0 / 81 / 39 / 35

HEX #A62065

RGB 166 32 101

HSL 329.1, 0.68%, 0.39%

LAB 37.98, 57.55, -6.1

 

CMYK 23 / 0 / 80 / 35

HEX #7FA521

RGB 127 165 33

HSL 77.27, 0.67%, 0.39%

LAB 62.95, -31.1, 58.61

 

CMYK 81 / 0 / 17 / 35

HEX #20A689

RGB 32 166 137

HSL 167.01, 0.68%, 0.39%

LAB 61.12, -41.36, 5.25

 

CMYK 58 / 81 / 0 / 35

HEX #4620A6

RGB 70 32 166

HSL 257.01, 0.68%, 0.39%

LAB 26.98, 50.17, -64.87

 

CMYK 0 / 81 / 63 / 35

HEX #A6203D

RGB 166 32 61

HSL 347.01, 0.68%, 0.39%

LAB 36.89, 54.22, 17.96

 

Description

Color code: HEX #7FA521 | qconv.com Color code: HEX #7FA521 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 165 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 165 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 80 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 80% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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