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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7FA9D1 it is the complementary color #80562E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7FA9D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7FA9D1 shade: #84A9CC, #95BBDF, #A6CDF2, #B7DFFF and #C8F1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7FA9D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7FA9D1 shade: #7FA9D1, #6E97BE, #5D85AB, #4C7398 and #3B6185

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7FA9D1 shade: #7FA9D1, #7F93D1, #817FD1, #977FD1 and #AD7FD1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7FA9D1 shade: #7FA9D1, #7F93D1 and #7F7FD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7FA9D1 shade matches the following richer shades: #7FA9D1, #71A9DF, #63A9ED and #55AAFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7FA9D1 shade: #7FA9D1, #8DA8C3, #9BA8B4, #A9A8A6 and #B7A798

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7FA9D1 shade: #7FD1CC, #7FBFD1, #7FA9D1, #7F93D1 and #807FD1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7FA9D1 shade: #4380BA, #6194C6, #7FA9D1, #9DBDDB and #BCD2E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7FA9D1 shade: #7FA9D1, #B77FD1 and #CAD17F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7FA9D1 shade: #7FA9D1, #D17FA9 and #A9D17F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7FA9D1 shade: #7FA9D1, #B77FD1, #D1A67F and #99D17F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7FA9D1 shade: #7FA9D1, #CF7FD1, #D1A67F and #80D17F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 19 / 0 / 18

HEX #7FA9D1

RGB 127 169 209

HSL 209.27, 0.47%, 0.66%

LAB 67.64, -4.04, -24.83

 

Complementary color

CMYK 0 / 33 / 64 / 50

HEX #80562E

RGB 128 86 46

HSL 29.27, 0.47%, 0.34%

LAB 40.32, 13.03, 29.94

 

CMYK 35 / 17 / 0 / 20

HEX #84A9CC

RGB 132 169 204

HSL 209.17, 0.41%, 0.66%

LAB 67.76, -3.99, -21.87

 

CMYK 33 / 16 / 0 / 13

HEX #95BBDF

RGB 149 187 223

HSL 209.19, 0.54%, 0.73%

LAB 74.35, -4.19, -22.13

 

CMYK 31 / 15 / 0 / 5

HEX #A6CDF2

RGB 166 205 242

HSL 209.21, 0.75%, 0.8%

LAB 80.84, -4.36, -22.39

 

CMYK 28 / 13 / 0 / 0

HEX #B7DFFF

RGB 183 223 255

HSL 206.67, 1%, 0.86%

LAB 87.03, -5.92, -19.81

 

CMYK 22 / 5 / 0 / 0

HEX #C8F1FF

RGB 200 241 255

HSL 195.27, 1%, 0.89%

LAB 92.76, -10.2, -11.11

 

CMYK 39 / 19 / 0 / 18

HEX #7FA9D1

RGB 127 169 209

HSL 209.27, 0.47%, 0.66%

LAB 67.64, -4.04, -24.83

 

CMYK 42 / 21 / 0 / 25

HEX #6E97BE

RGB 110 151 190

HSL 209.25, 0.38%, 0.59%

LAB 60.93, -3.75, -24.63

 

CMYK 46 / 22 / 0 / 33

HEX #5D85AB

RGB 93 133 171

HSL 209.23, 0.32%, 0.52%

LAB 54.07, -3.39, -24.44

 

CMYK 50 / 24 / 0 / 40

HEX #4C7398

RGB 76 115 152

HSL 209.21, 0.33%, 0.45%

LAB 47.06, -2.94, -24.29

 

CMYK 56 / 27 / 0 / 48

HEX #3B6185

RGB 59 97 133

HSL 209.19, 0.39%, 0.38%

LAB 39.87, -2.35, -24.15

 

CMYK 39 / 19 / 0 / 18

HEX #7FA9D1

RGB 127 169 209

HSL 209.27, 0.47%, 0.66%

LAB 67.64, -4.04, -24.83

 

CMYK 39 / 30 / 0 / 18

HEX #7F93D1

RGB 127 147 209

HSL 225.37, 0.47%, 0.66%

LAB 61.64, 8.39, -34.1

 

CMYK 38 / 39 / 0 / 18

HEX #817FD1

RGB 129 127 209

HSL 241.46, 0.47%, 0.66%

LAB 56.53, 20.64, -42.09

 

CMYK 28 / 39 / 0 / 18

HEX #977FD1

RGB 151 127 209

HSL 257.56, 0.47%, 0.66%

LAB 58.38, 26.73, -39.06

 

CMYK 17 / 39 / 0 / 18

HEX #AD7FD1

RGB 173 127 209

HSL 273.66, 0.47%, 0.66%

LAB 60.49, 33.19, -35.61

 

CMYK 39 / 19 / 0 / 18

HEX #7FA9D1

RGB 127 169 209

HSL 209.27, 0.47%, 0.66%

LAB 67.64, -4.04, -24.83

 

CMYK 39 / 30 / 0 / 18

HEX #7F93D1

RGB 127 147 209

HSL 225.37, 0.47%, 0.66%

LAB 61.64, 8.39, -34.1

 

CMYK 39 / 39 / 0 / 18

HEX #7F7FD1

RGB 127 127 209

HSL 240, 0.47%, 0.66%

LAB 56.38, 20.11, -42.34

 

CMYK 39 / 19 / 0 / 18

HEX #7FA9D1

RGB 127 169 209

HSL 209.27, 0.47%, 0.66%

LAB 67.64, -4.04, -24.83

 

CMYK 49 / 24 / 0 / 13

HEX #71A9DF

RGB 113 169 223

HSL 209.45, 0.63%, 0.66%

LAB 67.44, -3.61, -32.92

 

CMYK 58 / 29 / 0 / 7

HEX #63A9ED

RGB 99 169 237

HSL 209.57, 0.79%, 0.66%

LAB 67.38, -2.34, -40.72

 

CMYK 66 / 32 / 0 / 2

HEX #55AAFB

RGB 85 170 251

HSL 209.28, 0.95%, 0.66%

LAB 67.76, -0.83, -47.81

 

CMYK 39 / 19 / 0 / 18

HEX #7FA9D1

RGB 127 169 209

HSL 209.27, 0.47%, 0.66%

LAB 67.64, -4.04, -24.83

 

CMYK 28 / 14 / 0 / 24

HEX #8DA8C3

RGB 141 168 195

HSL 210, 0.31%, 0.66%

LAB 67.73, -3.08, -16.88

 

CMYK 14 / 7 / 0 / 29

HEX #9BA8B4

RGB 155 168 180

HSL 208.8, 0.14%, 0.66%

LAB 68.22, -2.06, -7.73

 

CMYK 0 / 1 / 2 / 34

HEX #A9A8A6

RGB 169 168 166

HSL 40, 0.02%, 0.66%

LAB 68.89, -0.01, 1.15

 

CMYK 0 / 9 / 17 / 28

HEX #B7A798

RGB 183 167 152

HSL 29.03, 0.18%, 0.66%

LAB 69.45, 3.28, 9.85

 

CMYK 39 / 0 / 2 / 18

HEX #7FD1CC

RGB 127 209 204

HSL 176.34, 0.47%, 0.66%

LAB 78.74, -26.15, -5.41

 

CMYK 39 / 9 / 0 / 18

HEX #7FBFD1

RGB 127 191 209

HSL 193.17, 0.47%, 0.66%

LAB 73.79, -15.82, -15.49

 

CMYK 39 / 19 / 0 / 18

HEX #7FA9D1

RGB 127 169 209

HSL 209.27, 0.47%, 0.66%

LAB 67.64, -4.04, -24.83

 

CMYK 39 / 30 / 0 / 18

HEX #7F93D1

RGB 127 147 209

HSL 225.37, 0.47%, 0.66%

LAB 61.64, 8.39, -34.1

 

CMYK 39 / 39 / 0 / 18

HEX #807FD1

RGB 128 127 209

HSL 240.73, 0.47%, 0.66%

LAB 56.46, 20.38, -42.21

 

CMYK 64 / 31 / 0 / 27

HEX #4380BA

RGB 67 128 186

HSL 209.24, 0.47%, 0.5%

LAB 52.04, -1.44, -36.33

 

CMYK 51 / 25 / 0 / 22

HEX #6194C6

RGB 97 148 198

HSL 209.7, 0.47%, 0.58%

LAB 59.71, -2.94, -31.07

 

CMYK 39 / 19 / 0 / 18

HEX #7FA9D1

RGB 127 169 209

HSL 209.27, 0.47%, 0.66%

LAB 67.64, -4.04, -24.83

 

CMYK 28 / 14 / 0 / 14

HEX #9DBDDB

RGB 157 189 219

HSL 209.03, 0.46%, 0.74%

LAB 75.25, -3.95, -18.55

 

CMYK 18 / 9 / 0 / 10

HEX #BCD2E6

RGB 188 210 230

HSL 208.57, 0.46%, 0.82%

LAB 83.18, -3.22, -12.34

 

CMYK 39 / 19 / 0 / 18

HEX #7FA9D1

RGB 127 169 209

HSL 209.27, 0.47%, 0.66%

LAB 67.64, -4.04, -24.83

 

CMYK 12 / 39 / 0 / 18

HEX #B77FD1

RGB 183 127 209

HSL 280.98, 0.47%, 0.66%

LAB 61.52, 36.2, -33.91

 

CMYK 3 / 0 / 39 / 18

HEX #CAD17F

RGB 202 209 127

HSL 65.12, 0.47%, 0.66%

LAB 81.67, -14.72, 39.85

 

CMYK 39 / 19 / 0 / 18

HEX #7FA9D1

RGB 127 169 209

HSL 209.27, 0.47%, 0.66%

LAB 67.64, -4.04, -24.83

 

CMYK 0 / 39 / 19 / 18

HEX #D17FA9

RGB 209 127 169

HSL 329.27, 0.47%, 0.66%

LAB 63.01, 37.37, -8.75

 

CMYK 19 / 0 / 39 / 18

HEX #A9D17F

RGB 169 209 127

HSL 89.27, 0.47%, 0.66%

LAB 79.37, -27.25, 36.43

 

CMYK 39 / 19 / 0 / 18

HEX #7FA9D1

RGB 127 169 209

HSL 209.27, 0.47%, 0.66%

LAB 67.64, -4.04, -24.83

 

CMYK 12 / 39 / 0 / 18

HEX #B77FD1

RGB 183 127 209

HSL 280.98, 0.47%, 0.66%

LAB 61.52, 36.2, -33.91

 

CMYK 0 / 21 / 39 / 18

HEX #D1A67F

RGB 209 166 127

HSL 28.54, 0.47%, 0.66%

LAB 71.12, 10.58, 26.21

 

CMYK 27 / 0 / 39 / 18

HEX #99D17F

RGB 153 209 127

HSL 100.98, 0.47%, 0.66%

LAB 78.41, -32.96, 35

 

CMYK 39 / 19 / 0 / 18

HEX #7FA9D1

RGB 127 169 209

HSL 209.27, 0.47%, 0.66%

LAB 67.64, -4.04, -24.83

 

CMYK 1 / 39 / 0 / 18

HEX #CF7FD1

RGB 207 127 209

HSL 298.54, 0.47%, 0.66%

LAB 64.2, 43.52, -29.55

 

CMYK 0 / 21 / 39 / 18

HEX #D1A67F

RGB 209 166 127

HSL 28.54, 0.47%, 0.66%

LAB 71.12, 10.58, 26.21

 

CMYK 39 / 0 / 39 / 18

HEX #80D17F

RGB 128 209 127

HSL 119.27, 0.47%, 0.66%

LAB 77.11, -41.16, 33.07

 

Description

Color code: HEX #7FA9D1 | qconv.com Color code: HEX #7FA9D1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 169 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 169 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 19 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 19% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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