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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7FAA00 it is the complementary color #8055FF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7FAA00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7FAA00 shade: #84AA00, #95BC0E, #A6CE21, #B7E034 and #C8F247

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7FAA00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7FAA00 shade: #7FAA00, #6E9800, #5D8600, #4C7400 and #3B6200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7FAA00 shade: #7DA800, #A8A500, #A87800, #A84A00 and #A81D00

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7FAA00 shade: #7DA800, #50A800, #22A800, #00A80A and #00A837

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7FAA00 shade matches the following richer shades: #7DA800

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7FAA00 shade: #7DA800, #769A0D, #708D1B, #697F28 and #627136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7FAA00 shade: #A87800, #A8A500, #7EA800, #51A800 and #24A800

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7FAA00 shade: #405500, #5E7F00, #7DA800, #9CD100 and #BBFA00

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7FAA00 shade: #7FAA00, #00A84B and #8F00A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7FAA00 shade: #7FAA00, #007EA8 and #A8007E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7FAA00 shade: #7FAA00, #00A84B, #2A00A8 and #A8005C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7FAA00 shade: #7FAA00, #00A87E, #2A00A8 and #A8002A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 100 / 33

HEX #7FAA00

RGB 127 170 0

HSL 75.18, 1%, 0.33%

LAB 64.37, -34.28, 66

 

Complementary color

CMYK 50 / 67 / 0 / 0

HEX #8055FF

RGB 128 85 255

HSL 255.18, 1%, 0.67%

LAB 49.87, 57.29, -78.58

 

CMYK 22 / 0 / 100 / 33

HEX #84AA00

RGB 132 170 0

HSL 73.41, 1%, 0.33%

LAB 64.69, -32.24, 66.38

 

CMYK 21 / 0 / 93 / 26

HEX #95BC0E

RGB 149 188 14

HSL 73.45, 0.86%, 0.4%

LAB 71.14, -33.44, 70.15

 

CMYK 19 / 0 / 84 / 19

HEX #A6CE21

RGB 166 206 33

HSL 73.87, 0.72%, 0.47%

LAB 77.5, -34.42, 72.37

 

CMYK 18 / 0 / 77 / 12

HEX #B7E034

RGB 183 224 52

HSL 74.3, 0.74%, 0.54%

LAB 83.77, -35.21, 73.38

 

CMYK 17 / 0 / 71 / 5

HEX #C8F247

RGB 200 242 71

HSL 74.74, 0.87%, 0.61%

LAB 89.97, -35.84, 73.58

 

CMYK 25 / 0 / 100 / 33

HEX #7FAA00

RGB 127 170 0

HSL 75.18, 1%, 0.33%

LAB 64.37, -34.28, 66

 

CMYK 28 / 0 / 100 / 40

HEX #6E9800

RGB 110 152 0

HSL 76.58, 1%, 0.3%

LAB 57.82, -32.88, 60.55

 

CMYK 31 / 0 / 100 / 47

HEX #5D8600

RGB 93 134 0

HSL 78.36, 1%, 0.26%

LAB 51.13, -31.46, 54.97

 

CMYK 34 / 0 / 100 / 55

HEX #4C7400

RGB 76 116 0

HSL 80.69, 1%, 0.23%

LAB 44.27, -30.01, 49.27

 

CMYK 40 / 0 / 100 / 62

HEX #3B6200

RGB 59 98 0

HSL 83.88, 1%, 0.19%

LAB 37.23, -28.5, 43.41

 

CMYK 26 / 0 / 100 / 34

HEX #7DA800

RGB 125 168 0

HSL 75.36, 1%, 0.33%

LAB 63.64, -34.17, 65.4

 

CMYK 0 / 2 / 100 / 34

HEX #A8A500

RGB 168 165 0

HSL 58.93, 1%, 0.33%

LAB 65.93, -14.23, 68.51

 

CMYK 0 / 29 / 100 / 34

HEX #A87800

RGB 168 120 0

HSL 42.86, 1%, 0.33%

LAB 53.77, 10.24, 59.92

 

CMYK 0 / 56 / 100 / 34

HEX #A84A00

RGB 168 74 0

HSL 26.43, 1%, 0.33%

LAB 43.1, 35.55, 53.19

 

CMYK 0 / 83 / 100 / 34

HEX #A81D00

RGB 168 29 0

HSL 10.36, 1%, 0.33%

LAB 36.37, 53.67, 49.81

 

CMYK 26 / 0 / 100 / 34

HEX #7DA800

RGB 125 168 0

HSL 75.36, 1%, 0.33%

LAB 63.64, -34.17, 65.4

 

CMYK 52 / 0 / 100 / 34

HEX #50A800

RGB 80 168 0

HSL 91.43, 1%, 0.33%

LAB 61.4, -50.22, 62.69

 

CMYK 80 / 0 / 100 / 34

HEX #22A800

RGB 34 168 0

HSL 107.86, 1%, 0.33%

LAB 60.2, -60.29, 61.23

 

CMYK 100 / 0 / 94 / 34

HEX #00A80A

RGB 0 168 10

HSL 123.57, 1%, 0.33%

LAB 59.91, -62.79, 59.48

 

CMYK 100 / 0 / 67 / 34

HEX #00A837

RGB 0 168 55

HSL 139.64, 1%, 0.33%

LAB 60.14, -59.86, 46.48

 

CMYK 26 / 0 / 100 / 34

HEX #7DA800

RGB 125 168 0

HSL 75.36, 1%, 0.33%

LAB 63.64, -34.17, 65.4

 

CMYK 26 / 0 / 100 / 34

HEX #7DA800

RGB 125 168 0

HSL 75.36, 1%, 0.33%

LAB 63.64, -34.17, 65.4

 

CMYK 23 / 0 / 92 / 40

HEX #769A0D

RGB 118 154 13

HSL 75.32, 0.84%, 0.33%

LAB 58.97, -30.27, 59.68

 

CMYK 21 / 0 / 81 / 45

HEX #708D1B

RGB 112 141 27

HSL 75.26, 0.68%, 0.33%

LAB 54.63, -26.06, 52.48

 

CMYK 17 / 0 / 69 / 50

HEX #697F28

RGB 105 127 40

HSL 75.17, 0.52%, 0.33%

LAB 49.9, -21.27, 42.87

 

CMYK 13 / 0 / 52 / 56

HEX #627136

RGB 98 113 54

HSL 75.25, 0.35%, 0.33%

LAB 45.18, -15.65, 30.63

 

CMYK 0 / 29 / 100 / 34

HEX #A87800

RGB 168 120 0

HSL 42.86, 1%, 0.33%

LAB 53.77, 10.24, 59.92

 

CMYK 0 / 2 / 100 / 34

HEX #A8A500

RGB 168 165 0

HSL 58.93, 1%, 0.33%

LAB 65.93, -14.23, 68.51

 

CMYK 25 / 0 / 100 / 34

HEX #7EA800

RGB 126 168 0

HSL 75, 1%, 0.33%

LAB 63.71, -33.77, 65.47

 

CMYK 52 / 0 / 100 / 34

HEX #51A800

RGB 81 168 0

HSL 91.07, 1%, 0.33%

LAB 61.44, -49.92, 62.74

 

CMYK 79 / 0 / 100 / 34

HEX #24A800

RGB 36 168 0

HSL 107.14, 1%, 0.33%

LAB 60.23, -60.01, 61.27

 

CMYK 25 / 0 / 100 / 67

HEX #405500

RGB 64 85 0

HSL 74.82, 1%, 0.17%

LAB 33.11, -19.9, 40.39

 

CMYK 26 / 0 / 100 / 50

HEX #5E7F00

RGB 94 127 0

HSL 75.59, 1%, 0.25%

LAB 48.96, -27.73, 53.34

 

CMYK 26 / 0 / 100 / 34

HEX #7DA800

RGB 125 168 0

HSL 75.36, 1%, 0.33%

LAB 63.64, -34.17, 65.4

 

CMYK 25 / 0 / 100 / 18

HEX #9CD100

RGB 156 209 0

HSL 75.22, 1%, 0.41%

LAB 77.68, -40.32, 76.91

 

CMYK 25 / 0 / 100 / 2

HEX #BBFA00

RGB 187 250 0

HSL 75.12, 1%, 0.49%

LAB 91.21, -46.25, 88.01

 

CMYK 25 / 0 / 100 / 33

HEX #7FAA00

RGB 127 170 0

HSL 75.18, 1%, 0.33%

LAB 64.37, -34.28, 66

 

CMYK 100 / 0 / 55 / 34

HEX #00A84B

RGB 0 168 75

HSL 146.79, 1%, 0.33%

LAB 60.35, -57.26, 37.5

 

CMYK 15 / 100 / 0 / 34

HEX #8F00A8

RGB 143 0 168

HSL 291.07, 1%, 0.33%

LAB 35.33, 67.95, -51.99

 

CMYK 25 / 0 / 100 / 33

HEX #7FAA00

RGB 127 170 0

HSL 75.18, 1%, 0.33%

LAB 64.37, -34.28, 66

 

CMYK 100 / 25 / 0 / 34

HEX #007EA8

RGB 0 126 168

HSL 195, 1%, 0.33%

LAB 49.19, -13.65, -30.49

 

CMYK 0 / 100 / 25 / 34

HEX #A8007E

RGB 168 0 126

HSL 315, 1%, 0.33%

LAB 37.54, 66.2, -22.48

 

CMYK 25 / 0 / 100 / 33

HEX #7FAA00

RGB 127 170 0

HSL 75.18, 1%, 0.33%

LAB 64.37, -34.28, 66

 

CMYK 100 / 0 / 55 / 34

HEX #00A84B

RGB 0 168 75

HSL 146.79, 1%, 0.33%

LAB 60.35, -57.26, 37.5

 

CMYK 75 / 100 / 0 / 34

HEX #2A00A8

RGB 42 0 168

HSL 255, 1%, 0.33%

LAB 21.28, 58.64, -75.62

 

CMYK 0 / 100 / 45 / 34

HEX #A8005C

RGB 168 0 92

HSL 327.14, 1%, 0.33%

LAB 36.17, 62.68, -2.99

 

CMYK 25 / 0 / 100 / 33

HEX #7FAA00

RGB 127 170 0

HSL 75.18, 1%, 0.33%

LAB 64.37, -34.28, 66

 

CMYK 100 / 0 / 25 / 34

HEX #00A87E

RGB 0 168 126

HSL 165, 1%, 0.33%

LAB 61.23, -46.99, 11.51

 

CMYK 75 / 100 / 0 / 34

HEX #2A00A8

RGB 42 0 168

HSL 255, 1%, 0.33%

LAB 21.28, 58.64, -75.62

 

CMYK 0 / 100 / 75 / 34

HEX #A8002A

RGB 168 0 42

HSL 345, 1%, 0.33%

LAB 34.99, 59.52, 27.8

 

Description

Color code: HEX #7FAA00 | qconv.com Color code: HEX #7FAA00 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 170 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 170 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 100 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 100% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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