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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7FB5DA it is the complementary color #804A25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7FB5DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7FB5DA shade: #84B5D5, #95C7E8, #A6D9FB, #B7EBFF and #C8FDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7FB5DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7FB5DA shade: #7FB5DA, #6EA3C7, #5D91B4, #4C7FA1 and #3B6D8E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7FB5DA shade: #80B5DA, #809DDA, #8085DA, #9380DA and #AC80DA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7FB5DA shade: #80B5DA, #809DDA, #8085DA and #8080DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7FB5DA shade matches the following richer shades: #80B5DA, #73B8E7 and #66BAF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7FB5DA shade: #80B5DA, #8DB3CD, #9AB0BF, #A8AEB2 and #B5ABA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7FB5DA shade: #80DACE, #80CEDA, #80B6DA, #809EDA and #8086DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7FB5DA shade: #4090C7, #60A3D0, #80B5DA, #A0C8E3 and #C0DAEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7FB5DA shade: #7FB5DA, #B680DA and #DADA80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7FB5DA shade: #7FB5DA, #DA80B6 and #B6DA80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7FB5DA shade: #7FB5DA, #B680DA, #DAA480 and #A4DA80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7FB5DA shade: #7FB5DA, #D180DA, #DAA480 and #89DA80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 17 / 0 / 15

HEX #7FB5DA

RGB 127 181 218

HSL 204.4, 0.55%, 0.68%

LAB 71.3, -8.16, -24.18

 

Complementary color

CMYK 0 / 42 / 71 / 50

HEX #804A25

RGB 128 74 37

HSL 24.4, 0.55%, 0.32%

LAB 37.15, 19.51, 31.29

 

CMYK 38 / 15 / 0 / 16

HEX #84B5D5

RGB 132 181 213

HSL 203.7, 0.49%, 0.68%

LAB 71.39, -8.18, -21.28

 

CMYK 36 / 14 / 0 / 9

HEX #95C7E8

RGB 149 199 232

HSL 203.86, 0.64%, 0.75%

LAB 77.91, -8.33, -21.58

 

CMYK 34 / 14 / 0 / 2

HEX #A6D9FB

RGB 166 217 251

HSL 204, 0.91%, 0.82%

LAB 84.33, -8.47, -21.88

 

CMYK 28 / 8 / 0 / 0

HEX #B7EBFF

RGB 183 235 255

HSL 196.67, 1%, 0.86%

LAB 90.19, -12.07, -15.06

 

CMYK 22 / 1 / 0 / 0

HEX #C8FDFF

RGB 200 253 255

HSL 182.18, 1%, 0.89%

LAB 95.89, -16.2, -6.46

 

CMYK 42 / 17 / 0 / 15

HEX #7FB5DA

RGB 127 181 218

HSL 204.4, 0.55%, 0.68%

LAB 71.3, -8.16, -24.18

 

CMYK 45 / 18 / 0 / 22

HEX #6EA3C7

RGB 110 163 199

HSL 204.27, 0.44%, 0.61%

LAB 64.67, -7.9, -23.92

 

CMYK 48 / 19 / 0 / 29

HEX #5D91B4

RGB 93 145 180

HSL 204.14, 0.37%, 0.54%

LAB 57.92, -7.58, -23.67

 

CMYK 53 / 21 / 0 / 37

HEX #4C7FA1

RGB 76 127 161

HSL 204, 0.36%, 0.46%

LAB 51.02, -7.16, -23.43

 

CMYK 58 / 23 / 0 / 44

HEX #3B6D8E

RGB 59 109 142

HSL 203.86, 0.41%, 0.39%

LAB 43.97, -6.6, -23.2

 

CMYK 41 / 17 / 0 / 15

HEX #80B5DA

RGB 128 181 218

HSL 204.67, 0.55%, 0.68%

LAB 71.35, -7.91, -24.09

 

CMYK 41 / 28 / 0 / 15

HEX #809DDA

RGB 128 157 218

HSL 220.67, 0.55%, 0.68%

LAB 64.78, 5.42, -34.22

 

CMYK 41 / 39 / 0 / 15

HEX #8085DA

RGB 128 133 218

HSL 236.67, 0.55%, 0.68%

LAB 58.44, 19.36, -44.15

 

CMYK 33 / 41 / 0 / 15

HEX #9380DA

RGB 147 128 218

HSL 252.67, 0.55%, 0.68%

LAB 58.7, 27.33, -43.64

 

CMYK 21 / 41 / 0 / 15

HEX #AC80DA

RGB 172 128 218

HSL 269.33, 0.55%, 0.68%

LAB 61.02, 34.37, -39.83

 

CMYK 41 / 17 / 0 / 15

HEX #80B5DA

RGB 128 181 218

HSL 204.67, 0.55%, 0.68%

LAB 71.35, -7.91, -24.09

 

CMYK 41 / 28 / 0 / 15

HEX #809DDA

RGB 128 157 218

HSL 220.67, 0.55%, 0.68%

LAB 64.78, 5.42, -34.22

 

CMYK 41 / 39 / 0 / 15

HEX #8085DA

RGB 128 133 218

HSL 236.67, 0.55%, 0.68%

LAB 58.44, 19.36, -44.15

 

CMYK 41 / 41 / 0 / 15

HEX #8080DA

RGB 128 128 218

HSL 240, 0.55%, 0.68%

LAB 57.16, 22.32, -46.17

 

CMYK 41 / 17 / 0 / 15

HEX #80B5DA

RGB 128 181 218

HSL 204.67, 0.55%, 0.68%

LAB 71.35, -7.91, -24.09

 

CMYK 50 / 20 / 0 / 9

HEX #73B8E7

RGB 115 184 231

HSL 204.31, 0.71%, 0.68%

LAB 72.02, -9.03, -30.2

 

CMYK 58 / 24 / 0 / 4

HEX #66BAF4

RGB 102 186 244

HSL 204.51, 0.87%, 0.68%

LAB 72.54, -8.95, -36.48

 

CMYK 41 / 17 / 0 / 15

HEX #80B5DA

RGB 128 181 218

HSL 204.67, 0.55%, 0.68%

LAB 71.35, -7.91, -24.09

 

CMYK 31 / 13 / 0 / 20

HEX #8DB3CD

RGB 141 179 205

HSL 204.38, 0.39%, 0.68%

LAB 71.08, -6.62, -17.31

 

CMYK 19 / 8 / 0 / 25

HEX #9AB0BF

RGB 154 176 191

HSL 204.32, 0.22%, 0.68%

LAB 70.65, -4.33, -10.19

 

CMYK 6 / 2 / 0 / 30

HEX #A8AEB2

RGB 168 174 178

HSL 204, 0.06%, 0.68%

LAB 70.74, -1.32, -2.79

 

CMYK 0 / 6 / 9 / 29

HEX #B5ABA5

RGB 181 171 165

HSL 22.5, 0.1%, 0.68%

LAB 70.64, 2.52, 4.36

 

CMYK 41 / 0 / 6 / 15

HEX #80DACE

RGB 128 218 206

HSL 172, 0.55%, 0.68%

LAB 81.39, -29.78, -2.56

 

CMYK 41 / 6 / 0 / 15

HEX #80CEDA

RGB 128 206 218

HSL 188, 0.55%, 0.68%

LAB 78.34, -20.95, -13.51

 

CMYK 41 / 17 / 0 / 15

HEX #80B6DA

RGB 128 182 218

HSL 204, 0.55%, 0.68%

LAB 71.63, -8.44, -23.67

 

CMYK 41 / 28 / 0 / 15

HEX #809EDA

RGB 128 158 218

HSL 220, 0.55%, 0.68%

LAB 65.05, 4.85, -33.81

 

CMYK 41 / 39 / 0 / 15

HEX #8086DA

RGB 128 134 218

HSL 236, 0.55%, 0.68%

LAB 58.7, 18.77, -43.74

 

CMYK 68 / 28 / 0 / 22

HEX #4090C7

RGB 64 144 199

HSL 204.44, 0.55%, 0.52%

LAB 57.23, -6.82, -35.59

 

CMYK 54 / 22 / 0 / 18

HEX #60A3D0

RGB 96 163 208

HSL 204.11, 0.54%, 0.6%

LAB 64.35, -8.55, -29.47

 

CMYK 41 / 17 / 0 / 15

HEX #80B5DA

RGB 128 181 218

HSL 204.67, 0.55%, 0.68%

LAB 71.35, -7.91, -24.09

 

CMYK 30 / 12 / 0 / 11

HEX #A0C8E3

RGB 160 200 227

HSL 204.18, 0.54%, 0.76%

LAB 78.65, -7.02, -17.71

 

CMYK 19 / 8 / 0 / 7

HEX #C0DAEC

RGB 192 218 236

HSL 204.55, 0.54%, 0.84%

LAB 85.71, -4.88, -11.71

 

CMYK 42 / 17 / 0 / 15

HEX #7FB5DA

RGB 127 181 218

HSL 204.4, 0.55%, 0.68%

LAB 71.3, -8.16, -24.18

 

CMYK 17 / 41 / 0 / 15

HEX #B680DA

RGB 182 128 218

HSL 276, 0.55%, 0.68%

LAB 62.04, 37.28, -38.16

 

CMYK 0 / 0 / 41 / 15

HEX #DADA80

RGB 218 218 128

HSL 60, 0.55%, 0.68%

LAB 85.3, -12.85, 44.19

 

CMYK 42 / 17 / 0 / 15

HEX #7FB5DA

RGB 127 181 218

HSL 204.4, 0.55%, 0.68%

LAB 71.3, -8.16, -24.18

 

CMYK 0 / 41 / 17 / 15

HEX #DA80B6

RGB 218 128 182

HSL 324, 0.55%, 0.68%

LAB 64.74, 41.9, -13.42

 

CMYK 17 / 0 / 41 / 15

HEX #B6DA80

RGB 182 218 128

HSL 84, 0.55%, 0.68%

LAB 82.73, -26.65, 40.4

 

CMYK 42 / 17 / 0 / 15

HEX #7FB5DA

RGB 127 181 218

HSL 204.4, 0.55%, 0.68%

LAB 71.3, -8.16, -24.18

 

CMYK 17 / 41 / 0 / 15

HEX #B680DA

RGB 182 128 218

HSL 276, 0.55%, 0.68%

LAB 62.04, 37.28, -38.16

 

CMYK 0 / 25 / 41 / 15

HEX #DAA480

RGB 218 164 128

HSL 24, 0.55%, 0.68%

LAB 71.57, 15.37, 26.43

 

CMYK 25 / 0 / 41 / 15

HEX #A4DA80

RGB 164 218 128

HSL 96, 0.55%, 0.68%

LAB 81.62, -33.16, 38.76

 

CMYK 42 / 17 / 0 / 15

HEX #7FB5DA

RGB 127 181 218

HSL 204.4, 0.55%, 0.68%

LAB 71.3, -8.16, -24.18

 

CMYK 4 / 41 / 0 / 15

HEX #D180DA

RGB 209 128 218

HSL 294, 0.55%, 0.68%

LAB 65.01, 45.29, -33.31

 

CMYK 0 / 25 / 41 / 15

HEX #DAA480

RGB 218 164 128

HSL 24, 0.55%, 0.68%

LAB 71.57, 15.37, 26.43

 

CMYK 37 / 0 / 41 / 15

HEX #89DA80

RGB 137 218 128

HSL 114, 0.55%, 0.68%

LAB 80.19, -42.17, 36.64

 

Description

Color code: HEX #7FB5DA | qconv.com Color code: HEX #7FB5DA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 181 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 181 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 17 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 17% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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