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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7FB941 it is the complementary color #8046BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7FB941. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7FB941 shade: #84B93C, #95CB4F, #A6DD62, #B7EF75 and #C8FF88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7FB941. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7FB941 shade: #7FB941, #6EA72E, #5D951B, #4C8308 and #3B7100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7FB941 shade: #7EB840, #9FB840, #B8B240, #B89140 and #B87140

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7FB941 shade: #7EB840, #5EB840, #40B843, #40B864 and #40B884

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7FB941 shade matches the following richer shades: #7EB840, #7FCD2C, #80E118 and #80F504

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7FB941 shade: #7EB840, #7EA455, #7D9069, #7C7C7D and #7C6891

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7FB941 shade: #B8B240, #9EB840, #7EB840, #5EB840 and #40B842

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7FB941 shade: #557B2B, #699A36, #7EB840, #93C65D and #A7D07B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7FB941 shade: #7FB941, #40B892 and #B840AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7FB941 shade: #7FB941, #407EB8 and #B8407E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7FB941 shade: #7FB941, #40B892, #7A40B8 and #B84066

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7FB941 shade: #7FB941, #40B8B6, #7A40B8 and #B84042

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 65 / 27

HEX #7FB941

RGB 127 185 65

HSL 89, 0.48%, 0.49%

LAB 69.18, -38.24, 53.1

 

Complementary color

CMYK 33 / 63 / 0 / 25

HEX #8046BE

RGB 128 70 190

HSL 269, 0.48%, 0.51%

LAB 42.29, 48.06, -53.9

 

CMYK 29 / 0 / 68 / 27

HEX #84B93C

RGB 132 185 60

HSL 85.44, 0.51%, 0.48%

LAB 69.42, -36.77, 55.49

 

CMYK 27 / 0 / 61 / 20

HEX #95CB4F

RGB 149 203 79

HSL 86.13, 0.54%, 0.55%

LAB 75.86, -37.03, 54.79

 

CMYK 25 / 0 / 56 / 13

HEX #A6DD62

RGB 166 221 98

HSL 86.83, 0.64%, 0.63%

LAB 82.22, -37.19, 53.85

 

CMYK 23 / 0 / 51 / 6

HEX #B7EF75

RGB 183 239 117

HSL 87.54, 0.79%, 0.7%

LAB 88.49, -37.27, 52.8

 

CMYK 22 / 0 / 47 / 0

HEX #C8FF88

RGB 200 255 136

HSL 87.73, 1%, 0.77%

LAB 94.13, -36.4, 51.03

 

CMYK 31 / 0 / 65 / 27

HEX #7FB941

RGB 127 185 65

HSL 89, 0.48%, 0.49%

LAB 69.18, -38.24, 53.1

 

CMYK 34 / 0 / 72 / 35

HEX #6EA72E

RGB 110 167 46

HSL 88.26, 0.57%, 0.42%

LAB 62.63, -37.91, 53.58

 

CMYK 38 / 0 / 82 / 42

HEX #5D951B

RGB 93 149 27

HSL 87.54, 0.69%, 0.35%

LAB 55.99, -37.36, 53.29

 

CMYK 42 / 0 / 94 / 49

HEX #4C8308

RGB 76 131 8

HSL 86.83, 0.88%, 0.27%

LAB 49.24, -36.49, 51.57

 

CMYK 48 / 0 / 100 / 56

HEX #3B7100

RGB 59 113 0

HSL 88.67, 1%, 0.22%

LAB 42.37, -35.16, 47.41

 

CMYK 32 / 0 / 65 / 28

HEX #7EB840

RGB 126 184 64

HSL 89, 0.48%, 0.49%

LAB 68.81, -38.24, 53.11

 

CMYK 14 / 0 / 65 / 28

HEX #9FB840

RGB 159 184 64

HSL 72.5, 0.48%, 0.49%

LAB 70.89, -25.36, 55.94

 

CMYK 0 / 3 / 65 / 28

HEX #B8B240

RGB 184 178 64

HSL 57, 0.48%, 0.49%

LAB 71.15, -11.83, 56.81

 

CMYK 0 / 21 / 65 / 28

HEX #B89140

RGB 184 145 64

HSL 40.5, 0.48%, 0.49%

LAB 62.35, 5.79, 47.41

 

CMYK 0 / 39 / 65 / 28

HEX #B87140

RGB 184 113 64

HSL 24.5, 0.48%, 0.49%

LAB 54.42, 23.52, 38.47

 

CMYK 32 / 0 / 65 / 28

HEX #7EB840

RGB 126 184 64

HSL 89, 0.48%, 0.49%

LAB 68.81, -38.24, 53.11

 

CMYK 49 / 0 / 65 / 28

HEX #5EB840

RGB 94 184 64

HSL 105, 0.48%, 0.49%

LAB 67.3, -48.92, 51.03

 

CMYK 65 / 0 / 64 / 28

HEX #40B843

RGB 64 184 67

HSL 121.5, 0.48%, 0.49%

LAB 66.35, -56.23, 48.42

 

CMYK 65 / 0 / 46 / 28

HEX #40B864

RGB 64 184 100

HSL 138, 0.48%, 0.49%

LAB 66.74, -51.73, 33.04

 

CMYK 65 / 0 / 28 / 28

HEX #40B884

RGB 64 184 132

HSL 154, 0.48%, 0.49%

LAB 67.3, -45.61, 16.83

 

CMYK 32 / 0 / 65 / 28

HEX #7EB840

RGB 126 184 64

HSL 89, 0.48%, 0.49%

LAB 68.81, -38.24, 53.11

 

CMYK 38 / 0 / 79 / 20

HEX #7FCD2C

RGB 127 205 44

HSL 89.07, 0.65%, 0.49%

LAB 75.05, -48.14, 66.5

 

CMYK 43 / 0 / 89 / 12

HEX #80E118

RGB 128 225 24

HSL 88.96, 0.81%, 0.49%

LAB 81.02, -56.45, 76.26

 

CMYK 48 / 0 / 98 / 4

HEX #80F504

RGB 128 245 4

HSL 89.13, 0.97%, 0.49%

LAB 86.95, -64.19, 83.19

 

CMYK 32 / 0 / 65 / 28

HEX #7EB840

RGB 126 184 64

HSL 89, 0.48%, 0.49%

LAB 68.81, -38.24, 53.11

 

CMYK 23 / 0 / 48 / 36

HEX #7EA455

RGB 126 164 85

HSL 88.86, 0.32%, 0.49%

LAB 63.05, -26.81, 36.65

 

CMYK 13 / 0 / 27 / 44

HEX #7D9069

RGB 125 144 105

HSL 89.23, 0.16%, 0.49%

LAB 57.39, -14.17, 18.53

 

CMYK 1 / 1 / 0 / 51

HEX #7C7C7D

RGB 124 124 125

HSL 240, 0%, 0.49%

LAB 52.04, 0.2, -0.55

 

CMYK 14 / 28 / 0 / 43

HEX #7C6891

RGB 124 104 145

HSL 269.27, 0.16%, 0.49%

LAB 47.27, 16.37, -19.51

 

CMYK 0 / 3 / 65 / 28

HEX #B8B240

RGB 184 178 64

HSL 57, 0.48%, 0.49%

LAB 71.15, -11.83, 56.81

 

CMYK 14 / 0 / 65 / 28

HEX #9EB840

RGB 158 184 64

HSL 73, 0.48%, 0.49%

LAB 70.82, -25.77, 55.84

 

CMYK 32 / 0 / 65 / 28

HEX #7EB840

RGB 126 184 64

HSL 89, 0.48%, 0.49%

LAB 68.81, -38.24, 53.11

 

CMYK 49 / 0 / 65 / 28

HEX #5EB840

RGB 94 184 64

HSL 105, 0.48%, 0.49%

LAB 67.3, -48.92, 51.03

 

CMYK 65 / 0 / 64 / 28

HEX #40B842

RGB 64 184 66

HSL 121, 0.48%, 0.49%

LAB 66.34, -56.34, 48.84

 

CMYK 31 / 0 / 65 / 52

HEX #557B2B

RGB 85 123 43

HSL 88.5, 0.48%, 0.33%

LAB 47.33, -27.36, 38.38

 

CMYK 32 / 0 / 65 / 40

HEX #699A36

RGB 105 154 54

HSL 89.4, 0.48%, 0.41%

LAB 58.4, -33.29, 45.81

 

CMYK 32 / 0 / 65 / 28

HEX #7EB840

RGB 126 184 64

HSL 89, 0.48%, 0.49%

LAB 68.81, -38.24, 53.11

 

CMYK 26 / 0 / 53 / 22

HEX #93C65D

RGB 147 198 93

HSL 89.14, 0.48%, 0.57%

LAB 74.43, -34.16, 46.77

 

CMYK 20 / 0 / 41 / 18

HEX #A7D07B

RGB 167 208 123

HSL 88.94, 0.47%, 0.65%

LAB 78.9, -28.02, 37.83

 

CMYK 31 / 0 / 65 / 27

HEX #7FB941

RGB 127 185 65

HSL 89, 0.48%, 0.49%

LAB 69.18, -38.24, 53.1

 

CMYK 65 / 0 / 21 / 28

HEX #40B892

RGB 64 184 146

HSL 161, 0.48%, 0.49%

LAB 67.61, -42.43, 9.63

 

CMYK 0 / 65 / 5 / 28

HEX #B840AE

RGB 184 64 174

HSL 305, 0.48%, 0.49%

LAB 48.15, 61.02, -34.72

 

CMYK 31 / 0 / 65 / 27

HEX #7FB941

RGB 127 185 65

HSL 89, 0.48%, 0.49%

LAB 69.18, -38.24, 53.1

 

CMYK 65 / 32 / 0 / 28

HEX #407EB8

RGB 64 126 184

HSL 209, 0.48%, 0.49%

LAB 51.24, -1.47, -36.45

 

CMYK 0 / 65 / 32 / 28

HEX #B8407E

RGB 184 64 126

HSL 329, 0.48%, 0.49%

LAB 46.13, 54.12, -9.11

 

CMYK 31 / 0 / 65 / 27

HEX #7FB941

RGB 127 185 65

HSL 89, 0.48%, 0.49%

LAB 69.18, -38.24, 53.1

 

CMYK 65 / 0 / 21 / 28

HEX #40B892

RGB 64 184 146

HSL 161, 0.48%, 0.49%

LAB 67.61, -42.43, 9.63

 

CMYK 34 / 65 / 0 / 28

HEX #7A40B8

RGB 122 64 184

HSL 269, 0.48%, 0.49%

LAB 40.02, 48.34, -54.07

 

CMYK 0 / 65 / 45 / 28

HEX #B84066

RGB 184 64 102

HSL 341, 0.48%, 0.49%

LAB 45.38, 51.45, 4.49

 

CMYK 31 / 0 / 65 / 27

HEX #7FB941

RGB 127 185 65

HSL 89, 0.48%, 0.49%

LAB 69.18, -38.24, 53.1

 

CMYK 65 / 0 / 1 / 28

HEX #40B8B6

RGB 64 184 182

HSL 179, 0.48%, 0.49%

LAB 68.57, -33.03, -8.77

 

CMYK 34 / 65 / 0 / 28

HEX #7A40B8

RGB 122 64 184

HSL 269, 0.48%, 0.49%

LAB 40.02, 48.34, -54.07

 

CMYK 0 / 65 / 64 / 28

HEX #B84042

RGB 184 64 66

HSL 359, 0.48%, 0.49%

LAB 44.59, 48.52, 25.45

 

Description

Color code: HEX #7FB941 | qconv.com Color code: HEX #7FB941 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 185 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 185 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 65 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 65% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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