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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7FB1E5 it is the complementary color #804E1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7FB1E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7FB1E5 shade: #84B1E0, #95C3F3, #A6D5FF, #B7E7FF and #C8F9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7FB1E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7FB1E5 shade: #7FB1E5, #6E9FD2, #5D8DBF, #4C7BAC and #3B6999

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7FB1E5 shade: #80B1E4, #8096E4, #8480E4, #A080E4 and #BB80E4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7FB1E5 shade: #80B1E4, #8096E4 and #8080E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7FB1E5 shade matches the following richer shades: #80B1E4, #73B1F1 and #67B1FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7FB1E5 shade: #80B1E4, #8CB1D8, #98B1CC, #A5B2BF and #B1B2B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7FB1E5 shade: #80E4E1, #80CDE4, #80B2E4, #8097E4 and #8380E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7FB1E5 shade: #3B87D6, #5D9CDD, #80B1E4, #A2C6EC and #C4DBF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7FB1E5 shade: #7FB1E5, #C680E4 and #DAE480

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7FB1E5 shade: #7FB1E5, #E480B2 and #B2E480

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7FB1E5 shade: #7FB1E5, #C680E4, #E4B280 and #9EE480

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7FB1E5 shade: #7FB1E5, #E480E4, #E4B280 and #80E480

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 23 / 0 / 10

HEX #7FB1E5

RGB 127 177 229

HSL 210.59, 0.66%, 0.7%

LAB 70.6, -2.96, -31.25

 

Complementary color

CMYK 0 / 39 / 80 / 50

HEX #804E1A

RGB 128 78 26

HSL 30.59, 0.66%, 0.3%

LAB 38.04, 16.58, 37.84

 

CMYK 41 / 21 / 0 / 12

HEX #84B1E0

RGB 132 177 224

HSL 210.65, 0.6%, 0.7%

LAB 70.69, -3.08, -28.37

 

CMYK 39 / 20 / 0 / 5

HEX #95C3F3

RGB 149 195 243

HSL 210.64, 0.8%, 0.77%

LAB 77.22, -3.38, -28.55

 

CMYK 35 / 16 / 0 / 0

HEX #A6D5FF

RGB 166 213 255

HSL 208.31, 1%, 0.83%

LAB 83.4, -5.39, -25.41

 

CMYK 28 / 9 / 0 / 0

HEX #B7E7FF

RGB 183 231 255

HSL 200, 1%, 0.86%

LAB 89.13, -10.04, -16.64

 

CMYK 22 / 2 / 0 / 0

HEX #C8F9FF

RGB 200 249 255

HSL 186.55, 1%, 0.89%

LAB 94.84, -14.22, -8.01

 

CMYK 45 / 23 / 0 / 10

HEX #7FB1E5

RGB 127 177 229

HSL 210.59, 0.66%, 0.7%

LAB 70.6, -2.96, -31.25

 

CMYK 48 / 24 / 0 / 18

HEX #6E9FD2

RGB 110 159 210

HSL 210.6, 0.53%, 0.63%

LAB 63.97, -2.53, -31.12

 

CMYK 51 / 26 / 0 / 25

HEX #5D8DBF

RGB 93 141 191

HSL 210.61, 0.43%, 0.56%

LAB 57.21, -2, -31.01

 

CMYK 56 / 28 / 0 / 33

HEX #4C7BAC

RGB 76 123 172

HSL 210.63, 0.39%, 0.49%

LAB 50.31, -1.33, -30.92

 

CMYK 61 / 31 / 0 / 40

HEX #3B6999

RGB 59 105 153

HSL 210.64, 0.44%, 0.42%

LAB 43.26, -0.45, -30.86

 

CMYK 44 / 22 / 0 / 11

HEX #80B1E4

RGB 128 177 228

HSL 210.6, 0.65%, 0.7%

LAB 70.62, -3, -30.68

 

CMYK 44 / 34 / 0 / 11

HEX #8096E4

RGB 128 150 228

HSL 226.8, 0.65%, 0.7%

LAB 63.35, 12.27, -41.99

 

CMYK 42 / 44 / 0 / 11

HEX #8480E4

RGB 132 128 228

HSL 242.4, 0.65%, 0.7%

LAB 57.99, 26.15, -50.44

 

CMYK 30 / 44 / 0 / 11

HEX #A080E4

RGB 160 128 228

HSL 259.2, 0.65%, 0.7%

LAB 60.35, 33.41, -46.54

 

CMYK 18 / 44 / 0 / 11

HEX #BB80E4

RGB 187 128 228

HSL 275.4, 0.65%, 0.7%

LAB 63.01, 40.91, -42.16

 

CMYK 44 / 22 / 0 / 11

HEX #80B1E4

RGB 128 177 228

HSL 210.6, 0.65%, 0.7%

LAB 70.62, -3, -30.68

 

CMYK 44 / 34 / 0 / 11

HEX #8096E4

RGB 128 150 228

HSL 226.8, 0.65%, 0.7%

LAB 63.35, 12.27, -41.99

 

CMYK 44 / 44 / 0 / 11

HEX #8080E4

RGB 128 128 228

HSL 240, 0.65%, 0.7%

LAB 57.68, 25.18, -50.94

 

CMYK 44 / 22 / 0 / 11

HEX #80B1E4

RGB 128 177 228

HSL 210.6, 0.65%, 0.7%

LAB 70.62, -3, -30.68

 

CMYK 52 / 27 / 0 / 5

HEX #73B1F1

RGB 115 177 241

HSL 210.48, 0.82%, 0.7%

LAB 70.48, -2.28, -38.02

 

CMYK 59 / 30 / 0 / 1

HEX #67B1FD

RGB 103 177 253

HSL 210.4, 0.97%, 0.7%

LAB 70.47, -1.02, -44.58

 

CMYK 44 / 22 / 0 / 11

HEX #80B1E4

RGB 128 177 228

HSL 210.6, 0.65%, 0.7%

LAB 70.62, -3, -30.68

 

CMYK 35 / 18 / 0 / 15

HEX #8CB1D8

RGB 140 177 216

HSL 210.79, 0.49%, 0.7%

LAB 70.86, -3.05, -23.69

 

CMYK 25 / 13 / 0 / 20

HEX #98B1CC

RGB 152 177 204

HSL 211.15, 0.34%, 0.7%

LAB 71.2, -2.52, -16.52

 

CMYK 14 / 7 / 0 / 25

HEX #A5B2BF

RGB 165 178 191

HSL 210, 0.17%, 0.7%

LAB 71.96, -1.84, -8.16

 

CMYK 1 / 1 / 0 / 30

HEX #B1B2B3

RGB 177 178 179

HSL 210, 0.01%, 0.7%

LAB 72.52, -0.16, -0.64

 

CMYK 44 / 0 / 1 / 11

HEX #80E4E1

RGB 128 228 225

HSL 178.2, 0.65%, 0.7%

LAB 84.75, -29.99, -7.69

 

CMYK 44 / 10 / 0 / 11

HEX #80CDE4

RGB 128 205 228

HSL 193.8, 0.65%, 0.7%

LAB 78.38, -17.86, -18.83

 

CMYK 44 / 22 / 0 / 11

HEX #80B2E4

RGB 128 178 228

HSL 210, 0.65%, 0.7%

LAB 70.89, -3.54, -30.25

 

CMYK 44 / 34 / 0 / 11

HEX #8097E4

RGB 128 151 228

HSL 226.2, 0.65%, 0.7%

LAB 63.61, 11.69, -41.58

 

CMYK 43 / 44 / 0 / 11

HEX #8380E4

RGB 131 128 228

HSL 241.8, 0.65%, 0.7%

LAB 57.91, 25.91, -50.57

 

CMYK 72 / 37 / 0 / 16

HEX #3B87D6

RGB 59 135 214

HSL 210.58, 0.65%, 0.54%

LAB 55.19, 2.94, -47.28

 

CMYK 58 / 29 / 0 / 13

HEX #5D9CDD

RGB 93 156 221

HSL 210.47, 0.65%, 0.62%

LAB 62.78, -1.22, -39.14

 

CMYK 44 / 22 / 0 / 11

HEX #80B1E4

RGB 128 177 228

HSL 210.6, 0.65%, 0.7%

LAB 70.62, -3, -30.68

 

CMYK 31 / 16 / 0 / 7

HEX #A2C6EC

RGB 162 198 236

HSL 210.81, 0.66%, 0.78%

LAB 78.53, -3.22, -22.71

 

CMYK 19 / 10 / 0 / 5

HEX #C4DBF3

RGB 196 219 243

HSL 210.64, 0.66%, 0.86%

LAB 86.44, -2.68, -14.29

 

CMYK 45 / 23 / 0 / 10

HEX #7FB1E5

RGB 127 177 229

HSL 210.59, 0.66%, 0.7%

LAB 70.6, -2.96, -31.25

 

CMYK 13 / 44 / 0 / 11

HEX #C680E4

RGB 198 128 228

HSL 282, 0.65%, 0.7%

LAB 64.2, 44.05, -40.23

 

CMYK 4 / 0 / 44 / 11

HEX #DAE480

RGB 218 228 128

HSL 66, 0.65%, 0.7%

LAB 87.94, -17.81, 47.48

 

CMYK 45 / 23 / 0 / 10

HEX #7FB1E5

RGB 127 177 229

HSL 210.59, 0.66%, 0.7%

LAB 70.6, -2.96, -31.25

 

CMYK 0 / 44 / 22 / 11

HEX #E480B2

RGB 228 128 178

HSL 330, 0.65%, 0.7%

LAB 65.86, 44.62, -9.35

 

CMYK 22 / 0 / 44 / 11

HEX #B2E480

RGB 178 228 128

HSL 90, 0.65%, 0.7%

LAB 85.26, -32.82, 43.54

 

CMYK 45 / 23 / 0 / 10

HEX #7FB1E5

RGB 127 177 229

HSL 210.59, 0.66%, 0.7%

LAB 70.6, -2.96, -31.25

 

CMYK 13 / 44 / 0 / 11

HEX #C680E4

RGB 198 128 228

HSL 282, 0.65%, 0.7%

LAB 64.2, 44.05, -40.23

 

CMYK 0 / 22 / 44 / 11

HEX #E4B280

RGB 228 178 128

HSL 30, 0.65%, 0.7%

LAB 76, 11.88, 32.48

 

CMYK 31 / 0 / 44 / 11

HEX #9EE480

RGB 158 228 128

HSL 102, 0.65%, 0.7%

LAB 84.13, -39.77, 41.88

 

CMYK 45 / 23 / 0 / 10

HEX #7FB1E5

RGB 127 177 229

HSL 210.59, 0.66%, 0.7%

LAB 70.6, -2.96, -31.25

 

CMYK 0 / 44 / 0 / 11

HEX #E480E4

RGB 228 128 228

HSL 300, 0.65%, 0.7%

LAB 67.68, 52.72, -34.54

 

CMYK 0 / 22 / 44 / 11

HEX #E4B280

RGB 228 178 128

HSL 30, 0.65%, 0.7%

LAB 76, 11.88, 32.48

 

CMYK 44 / 0 / 44 / 11

HEX #80E480

RGB 128 228 128

HSL 120, 0.65%, 0.7%

LAB 82.72, -49.13, 39.8

 

Description

Color code: HEX #7FB1E5 | qconv.com Color code: HEX #7FB1E5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 177 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 177 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 23 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 23% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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