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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7FFCC5 it is the complementary color #80033A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7FFCC5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7FFCC5 shade: #84FCC0, #95FFD3, #A6FFE6, #B7FFF9 and #C8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7FFCC5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7FFCC5 shade: #7FFCC5, #6EEAB2, #5DD89F, #4CC68C and #3BB479

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7FFCC5 shade: #7DFBC4, #7DFBA2, #7DFB80, #9DFB7D and #BFFB7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7FFCC5 shade: #7DFBC4, #7DFBE6, #7DEFFB, #7DCDFB and #7DABFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7FFCC5 shade matches the following richer shades: #7DFBC4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7FFCC5 shade: #7DFBC4, #88F0C2, #93E6C1, #9DDBC0 and #A8D0BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7FFCC5 shade: #7DFB7F, #7DFBA1, #7DFBC2, #7DFBE4 and #7DF1FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7FFCC5 shade: #2DF99F, #55FAB1, #7DFBC4, #A5FCD6 and #CEFDE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7FFCC5 shade: #7FFCC5, #7D9DFB and #FB907D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7FFCC5 shade: #7FFCC5, #C27DFB and #FBC27D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7FFCC5 shade: #7FFCC5, #7D9DFB, #FB7DB6 and #FBDC7D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7FFCC5 shade: #7FFCC5, #847DFB, #FB7DB6 and #F5FB7D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 22 / 1

HEX #7FFCC5

RGB 127 252 197

HSL 153.6, 0.95%, 0.74%

LAB 90.85, -47.39, 15.76

 

Complementary color

CMYK 0 / 98 / 55 / 50

HEX #80033A

RGB 128 3 58

HSL 333.6, 0.95%, 0.26%

LAB 26.62, 49.94, 4.6

 

CMYK 48 / 0 / 24 / 1

HEX #84FCC0

RGB 132 252 192

HSL 150, 0.95%, 0.75%

LAB 90.93, -47.2, 18.46

 

CMYK 42 / 0 / 17 / 0

HEX #95FFD3

RGB 149 255 211

HSL 155.09, 1%, 0.79%

LAB 92.84, -40.45, 11.49

 

CMYK 35 / 0 / 10 / 0

HEX #A6FFE6

RGB 166 255 230

HSL 163.15, 1%, 0.83%

LAB 94.03, -32.02, 3.5

 

CMYK 28 / 0 / 2 / 0

HEX #B7FFF9

RGB 183 255 249

HSL 175, 1%, 0.86%

LAB 95.34, -23.31, -4.29

 

CMYK 22 / 0 / 0 / 0

HEX #C8FFFF

RGB 200 255 255

HSL 180, 1%, 0.89%

LAB 96.42, -17.18, -5.69

 

CMYK 50 / 0 / 22 / 1

HEX #7FFCC5

RGB 127 252 197

HSL 153.6, 0.95%, 0.74%

LAB 90.85, -47.39, 15.76

 

CMYK 53 / 0 / 24 / 8

HEX #6EEAB2

RGB 110 234 178

HSL 152.9, 0.75%, 0.67%

LAB 84.68, -47.49, 16.82

 

CMYK 57 / 0 / 26 / 15

HEX #5DD89F

RGB 93 216 159

HSL 152.2, 0.61%, 0.61%

LAB 78.43, -47.52, 17.97

 

CMYK 62 / 0 / 29 / 22

HEX #4CC68C

RGB 76 198 140

HSL 151.48, 0.52%, 0.54%

LAB 72.11, -47.44, 19.22

 

CMYK 67 / 0 / 33 / 29

HEX #3BB479

RGB 59 180 121

HSL 150.74, 0.51%, 0.47%

LAB 65.71, -47.2, 20.58

 

CMYK 50 / 0 / 22 / 2

HEX #7DFBC4

RGB 125 251 196

HSL 153.81, 0.94%, 0.74%

LAB 90.48, -47.62, 15.73

 

CMYK 50 / 0 / 35 / 2

HEX #7DFBA2

RGB 125 251 162

HSL 137.62, 0.94%, 0.74%

LAB 89.84, -54, 32.16

 

CMYK 50 / 0 / 49 / 2

HEX #7DFB80

RGB 125 251 128

HSL 121.43, 0.94%, 0.74%

LAB 89.35, -59.13, 48.1

 

CMYK 37 / 0 / 50 / 2

HEX #9DFB7D

RGB 157 251 125

HSL 104.76, 0.94%, 0.74%

LAB 90.62, -50.35, 51.35

 

CMYK 24 / 0 / 50 / 2

HEX #BFFB7D

RGB 191 251 125

HSL 88.57, 0.94%, 0.74%

LAB 92.38, -38.97, 53.89

 

CMYK 50 / 0 / 22 / 2

HEX #7DFBC4

RGB 125 251 196

HSL 153.81, 0.94%, 0.74%

LAB 90.48, -47.62, 15.73

 

CMYK 50 / 0 / 8 / 2

HEX #7DFBE6

RGB 125 251 230

HSL 170, 0.94%, 0.74%

LAB 91.26, -40.12, -0.73

 

CMYK 50 / 5 / 0 / 2

HEX #7DEFFB

RGB 125 239 251

HSL 185.71, 0.94%, 0.74%

LAB 88.48, -29.33, -15.81

 

CMYK 50 / 18 / 0 / 2

HEX #7DCDFB

RGB 125 205 251

HSL 201.9, 0.94%, 0.74%

LAB 79.03, -12.29, -30.14

 

CMYK 50 / 32 / 0 / 2

HEX #7DABFB

RGB 125 171 251

HSL 218.1, 0.94%, 0.74%

LAB 69.79, 6.26, -44.49

 

CMYK 50 / 0 / 22 / 2

HEX #7DFBC4

RGB 125 251 196

HSL 153.81, 0.94%, 0.74%

LAB 90.48, -47.62, 15.73

 

CMYK 50 / 0 / 22 / 2

HEX #7DFBC4

RGB 125 251 196

HSL 153.81, 0.94%, 0.74%

LAB 90.48, -47.62, 15.73

 

CMYK 43 / 0 / 19 / 6

HEX #88F0C2

RGB 136 240 194

HSL 153.46, 0.78%, 0.74%

LAB 87.7, -40.56, 12.9

 

CMYK 36 / 0 / 16 / 10

HEX #93E6C1

RGB 147 230 193

HSL 153.25, 0.62%, 0.74%

LAB 85.33, -33.24, 10.11

 

CMYK 28 / 0 / 12 / 14

HEX #9DDBC0

RGB 157 219 192

HSL 153.87, 0.46%, 0.74%

LAB 82.72, -25.28, 6.97

 

CMYK 19 / 0 / 8 / 18

HEX #A8D0BF

RGB 168 208 191

HSL 154.5, 0.3%, 0.74%

LAB 80.29, -16.58, 4.08

 

CMYK 50 / 0 / 49 / 2

HEX #7DFB7F

RGB 125 251 127

HSL 120.95, 0.94%, 0.74%

LAB 89.34, -59.27, 48.56

 

CMYK 50 / 0 / 36 / 2

HEX #7DFBA1

RGB 125 251 161

HSL 137.14, 0.94%, 0.74%

LAB 89.83, -54.17, 32.64

 

CMYK 50 / 0 / 23 / 2

HEX #7DFBC2

RGB 125 251 194

HSL 152.86, 0.94%, 0.74%

LAB 90.44, -48.03, 16.7

 

CMYK 50 / 0 / 9 / 2

HEX #7DFBE4

RGB 125 251 228

HSL 169.05, 0.94%, 0.74%

LAB 91.21, -40.59, 0.24

 

CMYK 50 / 4 / 0 / 2

HEX #7DF1FB

RGB 125 241 251

HSL 184.76, 0.94%, 0.74%

LAB 89.03, -30.28, -14.97

 

CMYK 82 / 0 / 36 / 2

HEX #2DF99F

RGB 45 249 159

HSL 153.53, 0.94%, 0.58%

LAB 87.39, -67.21, 30.07

 

CMYK 66 / 0 / 29 / 2

HEX #55FAB1

RGB 85 250 177

HSL 153.45, 0.94%, 0.66%

LAB 88.67, -59, 22.79

 

CMYK 50 / 0 / 22 / 2

HEX #7DFBC4

RGB 125 251 196

HSL 153.81, 0.94%, 0.74%

LAB 90.48, -47.62, 15.73

 

CMYK 35 / 0 / 15 / 1

HEX #A5FCD6

RGB 165 252 214

HSL 153.79, 0.94%, 0.82%

LAB 92.78, -34.18, 9.96

 

CMYK 19 / 0 / 8 / 1

HEX #CEFDE8

RGB 206 253 232

HSL 153.19, 0.92%, 0.9%

LAB 95.66, -18.97, 5.1

 

CMYK 50 / 0 / 22 / 1

HEX #7FFCC5

RGB 127 252 197

HSL 153.6, 0.95%, 0.74%

LAB 90.85, -47.39, 15.76

 

CMYK 50 / 37 / 0 / 2

HEX #7D9DFB

RGB 125 157 251

HSL 224.76, 0.94%, 0.74%

LAB 66.09, 14.27, -50.32

 

CMYK 0 / 43 / 50 / 2

HEX #FB907D

RGB 251 144 125

HSL 9.05, 0.94%, 0.74%

LAB 70.83, 38.47, 27.76

 

CMYK 50 / 0 / 22 / 1

HEX #7FFCC5

RGB 127 252 197

HSL 153.6, 0.95%, 0.74%

LAB 90.85, -47.39, 15.76

 

CMYK 23 / 50 / 0 / 2

HEX #C27DFB

RGB 194 125 251

HSL 272.86, 0.94%, 0.74%

LAB 64.24, 49.5, -52.88

 

CMYK 0 / 23 / 50 / 2

HEX #FBC27D

RGB 251 194 125

HSL 32.86, 0.94%, 0.74%

LAB 82.15, 12.38, 42.37

 

CMYK 50 / 0 / 22 / 1

HEX #7FFCC5

RGB 127 252 197

HSL 153.6, 0.95%, 0.74%

LAB 90.85, -47.39, 15.76

 

CMYK 50 / 37 / 0 / 2

HEX #7D9DFB

RGB 125 157 251

HSL 224.76, 0.94%, 0.74%

LAB 66.09, 14.27, -50.32

 

CMYK 0 / 50 / 27 / 2

HEX #FB7DB6

RGB 251 125 182

HSL 332.86, 0.94%, 0.74%

LAB 68.43, 54.16, -7.46

 

CMYK 0 / 12 / 50 / 2

HEX #FBDC7D

RGB 251 220 125

HSL 45.24, 0.94%, 0.74%

LAB 88.53, -1.02, 50.25

 

CMYK 50 / 0 / 22 / 1

HEX #7FFCC5

RGB 127 252 197

HSL 153.6, 0.95%, 0.74%

LAB 90.85, -47.39, 15.76

 

CMYK 47 / 50 / 0 / 2

HEX #847DFB

RGB 132 125 251

HSL 243.33, 0.94%, 0.74%

LAB 58.54, 34.53, -62.31

 

CMYK 0 / 50 / 27 / 2

HEX #FB7DB6

RGB 251 125 182

HSL 332.86, 0.94%, 0.74%

LAB 68.43, 54.16, -7.46

 

CMYK 2 / 0 / 50 / 2

HEX #F5FB7D

RGB 245 251 125

HSL 62.86, 0.94%, 0.74%

LAB 95.95, -18.76, 59.01

 

Description

Color code: HEX #7FFCC5 | qconv.com Color code: HEX #7FFCC5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 252 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 252 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 22 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 22% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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