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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #83A5D1 it is the complementary color #7C5A2E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #83A5D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #83A5D1 shade: #88A5CC, #99B7DF, #AAC9F2, #BBDBFF and #CCEDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #83A5D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #83A5D1 shade: #83A5D1, #7293BE, #6181AB, #506F98 and #3F5D85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #83A5D1 shade: #84A5D1, #8491D1, #8C84D1, #A184D1 and #B584D1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #83A5D1 shade: #84A5D1, #8491D1 and #8484D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #83A5D1 shade matches the following richer shades: #84A5D1, #76A4DF, #68A2EC and #5BA0FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #83A5D1 shade: #84A5D1, #91A7C3, #9FA9B6, #ACABA8 and #BAAC9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #83A5D1 shade: #84D0D1, #84BBD1, #84A6D1, #8492D1 and #8A84D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #83A5D1 shade: #477ABB, #6690C6, #84A5D1, #A2BBDC and #C0D1E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #83A5D1 shade: #83A5D1, #BE84D1 and #C5D184

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #83A5D1 shade: #83A5D1, #D184A6 and #A6D184

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #83A5D1 shade: #83A5D1, #BE84D1, #D1AE84 and #97D184

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #83A5D1 shade: #83A5D1, #D184CD, #D1AE84 and #84D188

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 21 / 0 / 18

HEX #83A5D1

RGB 131 165 209

HSL 213.85, 0.46%, 0.67%

LAB 66.78, -0.74, -26.13

 

Complementary color

CMYK 0 / 27 / 63 / 51

HEX #7C5A2E

RGB 124 90 46

HSL 33.85, 0.46%, 0.33%

LAB 40.89, 8.8, 30.48

 

CMYK 33 / 19 / 0 / 20

HEX #88A5CC

RGB 136 165 204

HSL 214.41, 0.4%, 0.67%

LAB 66.9, -0.65, -23.15

 

CMYK 31 / 18 / 0 / 13

HEX #99B7DF

RGB 153 183 223

HSL 214.29, 0.52%, 0.74%

LAB 73.52, -0.89, -23.37

 

CMYK 30 / 17 / 0 / 5

HEX #AAC9F2

RGB 170 201 242

HSL 214.17, 0.73%, 0.81%

LAB 80.03, -1.1, -23.6

 

CMYK 27 / 14 / 0 / 0

HEX #BBDBFF

RGB 187 219 255

HSL 211.76, 1%, 0.87%

LAB 86.23, -2.69, -20.99

 

CMYK 20 / 7 / 0 / 0

HEX #CCEDFF

RGB 204 237 255

HSL 201.18, 1%, 0.9%

LAB 91.96, -6.98, -12.27

 

CMYK 37 / 21 / 0 / 18

HEX #83A5D1

RGB 131 165 209

HSL 213.85, 0.46%, 0.67%

LAB 66.78, -0.74, -26.13

 

CMYK 40 / 23 / 0 / 25

HEX #7293BE

RGB 114 147 190

HSL 213.95, 0.37%, 0.6%

LAB 60.04, -0.41, -25.98

 

CMYK 43 / 25 / 0 / 33

HEX #6181AB

RGB 97 129 171

HSL 214.05, 0.31%, 0.53%

LAB 53.15, -0.01, -25.85

 

CMYK 47 / 27 / 0 / 40

HEX #506F98

RGB 80 111 152

HSL 214.17, 0.31%, 0.45%

LAB 46.1, 0.48, -25.76

 

CMYK 53 / 30 / 0 / 48

HEX #3F5D85

RGB 63 93 133

HSL 214.29, 0.36%, 0.38%

LAB 38.86, 1.12, -25.71

 

CMYK 37 / 21 / 0 / 18

HEX #84A5D1

RGB 132 165 209

HSL 214.29, 0.46%, 0.67%

LAB 66.84, -0.47, -26.04

 

CMYK 37 / 31 / 0 / 18

HEX #8491D1

RGB 132 145 209

HSL 229.87, 0.46%, 0.67%

LAB 61.45, 10.91, -34.38

 

CMYK 33 / 37 / 0 / 18

HEX #8C84D1

RGB 140 132 209

HSL 246.23, 0.46%, 0.67%

LAB 58.68, 20.7, -38.66

 

CMYK 23 / 37 / 0 / 18

HEX #A184D1

RGB 161 132 209

HSL 262.6, 0.46%, 0.67%

LAB 60.5, 26.78, -35.67

 

CMYK 13 / 37 / 0 / 18

HEX #B584D1

RGB 181 132 209

HSL 278.18, 0.46%, 0.67%

LAB 62.45, 32.82, -32.49

 

CMYK 37 / 21 / 0 / 18

HEX #84A5D1

RGB 132 165 209

HSL 214.29, 0.46%, 0.67%

LAB 66.84, -0.47, -26.04

 

CMYK 37 / 31 / 0 / 18

HEX #8491D1

RGB 132 145 209

HSL 229.87, 0.46%, 0.67%

LAB 61.45, 10.91, -34.38

 

CMYK 37 / 37 / 0 / 18

HEX #8484D1

RGB 132 132 209

HSL 240, 0.46%, 0.67%

LAB 58.05, 18.5, -39.69

 

CMYK 37 / 21 / 0 / 18

HEX #84A5D1

RGB 132 165 209

HSL 214.29, 0.46%, 0.67%

LAB 66.84, -0.47, -26.04

 

CMYK 47 / 26 / 0 / 13

HEX #76A4DF

RGB 118 164 223

HSL 213.71, 0.62%, 0.67%

LAB 66.31, 0.37, -34.64

 

CMYK 56 / 31 / 0 / 7

HEX #68A2EC

RGB 104 162 236

HSL 213.64, 0.78%, 0.67%

LAB 65.62, 2.31, -42.92

 

CMYK 64 / 36 / 0 / 2

HEX #5BA0FA

RGB 91 160 250

HSL 213.96, 0.94%, 0.67%

LAB 65.17, 5.53, -51.33

 

CMYK 37 / 21 / 0 / 18

HEX #84A5D1

RGB 132 165 209

HSL 214.29, 0.46%, 0.67%

LAB 66.84, -0.47, -26.04

 

CMYK 26 / 14 / 0 / 24

HEX #91A7C3

RGB 145 167 195

HSL 213.6, 0.29%, 0.67%

LAB 67.72, -1.31, -16.86

 

CMYK 13 / 7 / 0 / 29

HEX #9FA9B6

RGB 159 169 182

HSL 213.91, 0.14%, 0.67%

LAB 68.84, -0.84, -7.88

 

CMYK 0 / 1 / 2 / 33

HEX #ACABA8

RGB 172 171 168

HSL 45, 0.02%, 0.67%

LAB 69.98, -0.2, 1.66

 

CMYK 0 / 8 / 17 / 27

HEX #BAAC9B

RGB 186 172 155

HSL 32.9, 0.18%, 0.67%

LAB 71.08, 2.18, 10.55

 

CMYK 37 / 0 / 0 / 18

HEX #84D0D1

RGB 132 208 209

HSL 180.78, 0.46%, 0.67%

LAB 78.82, -23.16, -7.94

 

CMYK 37 / 11 / 0 / 18

HEX #84BBD1

RGB 132 187 209

HSL 197.14, 0.46%, 0.67%

LAB 72.92, -12.4, -16.77

 

CMYK 37 / 21 / 0 / 18

HEX #84A6D1

RGB 132 166 209

HSL 213.51, 0.46%, 0.67%

LAB 67.11, -1.02, -25.62

 

CMYK 37 / 30 / 0 / 18

HEX #8492D1

RGB 132 146 209

HSL 229.09, 0.46%, 0.67%

LAB 61.71, 10.33, -33.96

 

CMYK 34 / 37 / 0 / 18

HEX #8A84D1

RGB 138 132 209

HSL 244.68, 0.46%, 0.67%

LAB 58.52, 20.15, -38.92

 

CMYK 62 / 35 / 0 / 27

HEX #477ABB

RGB 71 122 187

HSL 213.62, 0.46%, 0.51%

LAB 50.51, 3.24, -39.3

 

CMYK 48 / 27 / 0 / 22

HEX #6690C6

RGB 102 144 198

HSL 213.75, 0.46%, 0.59%

LAB 58.83, 0.53, -32.41

 

CMYK 37 / 21 / 0 / 18

HEX #84A5D1

RGB 132 165 209

HSL 214.29, 0.46%, 0.67%

LAB 66.84, -0.47, -26.04

 

CMYK 26 / 15 / 0 / 14

HEX #A2BBDC

RGB 162 187 220

HSL 214.14, 0.45%, 0.75%

LAB 75.07, -1.15, -19.34

 

CMYK 17 / 10 / 0 / 9

HEX #C0D1E7

RGB 192 209 231

HSL 213.85, 0.45%, 0.83%

LAB 83.22, -1.24, -12.78

 

CMYK 37 / 21 / 0 / 18

HEX #83A5D1

RGB 131 165 209

HSL 213.85, 0.46%, 0.67%

LAB 66.78, -0.74, -26.13

 

CMYK 9 / 37 / 0 / 18

HEX #BE84D1

RGB 190 132 209

HSL 285.19, 0.46%, 0.67%

LAB 63.39, 35.59, -30.96

 

CMYK 6 / 0 / 37 / 18

HEX #C5D184

RGB 197 209 132

HSL 69.35, 0.46%, 0.67%

LAB 81.37, -16.08, 36.86

 

CMYK 37 / 21 / 0 / 18

HEX #83A5D1

RGB 131 165 209

HSL 213.85, 0.46%, 0.67%

LAB 66.78, -0.74, -26.13

 

CMYK 0 / 37 / 21 / 18

HEX #D184A6

RGB 209 132 166

HSL 333.51, 0.46%, 0.67%

LAB 64.01, 34.24, -5.56

 

CMYK 21 / 0 / 37 / 18

HEX #A6D184

RGB 166 209 132

HSL 93.51, 0.46%, 0.67%

LAB 79.26, -27.67, 33.71

 

CMYK 37 / 21 / 0 / 18

HEX #83A5D1

RGB 131 165 209

HSL 213.85, 0.46%, 0.67%

LAB 66.78, -0.74, -26.13

 

CMYK 9 / 37 / 0 / 18

HEX #BE84D1

RGB 190 132 209

HSL 285.19, 0.46%, 0.67%

LAB 63.39, 35.59, -30.96

 

CMYK 0 / 17 / 37 / 18

HEX #D1AE84

RGB 209 174 132

HSL 32.73, 0.46%, 0.67%

LAB 73.22, 6.86, 26.32

 

CMYK 28 / 0 / 37 / 18

HEX #97D184

RGB 151 209 132

HSL 105.19, 0.46%, 0.67%

LAB 78.37, -32.93, 32.38

 

CMYK 37 / 21 / 0 / 18

HEX #83A5D1

RGB 131 165 209

HSL 213.85, 0.46%, 0.67%

LAB 66.78, -0.74, -26.13

 

CMYK 0 / 37 / 2 / 18

HEX #D184CD

RGB 209 132 205

HSL 303.12, 0.46%, 0.67%

LAB 65.33, 40.76, -25.55

 

CMYK 0 / 17 / 37 / 18

HEX #D1AE84

RGB 209 174 132

HSL 32.73, 0.46%, 0.67%

LAB 73.22, 6.86, 26.32

 

CMYK 37 / 0 / 35 / 18

HEX #84D188

RGB 132 209 136

HSL 123.12, 0.46%, 0.67%

LAB 77.45, -38.51, 28.92

 

Description

Color code: HEX #83A5D1 | qconv.com Color code: HEX #83A5D1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 165 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 165 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 21 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 21% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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