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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #83B1FF it is the complementary color #7C4E00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #83B1FF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #83B1FF shade: #88B1FA, #99C3FF, #AAD5FF, #BBE7FF and #CCF9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #83B1FF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #83B1FF shade: #83B1FF, #729FEC, #618DD9, #507BC6 and #3F69B3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #83B1FF shade: #84B2FF, #8491FF, #9984FF, #BA84FF and #DB84FF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #83B1FF shade: #84B2FF, #8491FF and #8484FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #83B1FF shade matches the following richer shades: #84B2FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #83B1FF shade: #84B2FF, #8EB4F5, #98B7EB, #A2B9E1 and #ACBCD7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #83B1FF shade: #84F4FF, #84D4FF, #84B3FF, #8492FF and #9684FF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #83B1FF shade: #327EFF, #5B98FF, #84B2FF, #ADCBFF and #D7E5FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #83B1FF shade: #83B1FF, #E884FF and #E4FF84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #83B1FF shade: #83B1FF, #FF84B3 and #B3FF84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #83B1FF shade: #83B1FF, #E884FF, #FFD084 and #9BFF84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #83B1FF shade: #83B1FF, #FF84F0, #FFD084 and #84FF92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 31 / 0 / 0

HEX #83B1FF

RGB 131 177 255

HSL 217.74, 1%, 0.76%

LAB 71.89, 5.41, -43.35

 

Complementary color

CMYK 0 / 37 / 100 / 51

HEX #7C4E00

RGB 124 78 0

HSL 37.74, 1%, 0.24%

LAB 37.36, 13.93, 46.32

 

CMYK 46 / 29 / 0 / 2

HEX #88B1FA

RGB 136 177 250

HSL 218.42, 0.92%, 0.76%

LAB 71.95, 5.14, -40.53

 

CMYK 40 / 24 / 0 / 0

HEX #99C3FF

RGB 153 195 255

HSL 215.29, 1%, 0.8%

LAB 77.89, 0.82, -33.93

 

CMYK 33 / 16 / 0 / 0

HEX #AAD5FF

RGB 170 213 255

HSL 209.65, 1%, 0.83%

LAB 83.63, -4.31, -25.04

 

CMYK 27 / 9 / 0 / 0

HEX #BBE7FF

RGB 187 231 255

HSL 201.18, 1%, 0.87%

LAB 89.36, -8.9, -16.27

 

CMYK 20 / 2 / 0 / 0

HEX #CCF9FF

RGB 204 249 255

HSL 187.06, 1%, 0.9%

LAB 95.08, -13.03, -7.64

 

CMYK 49 / 31 / 0 / 0

HEX #83B1FF

RGB 131 177 255

HSL 217.74, 1%, 0.76%

LAB 71.89, 5.41, -43.35

 

CMYK 52 / 33 / 0 / 7

HEX #729FEC

RGB 114 159 236

HSL 217.87, 0.76%, 0.69%

LAB 65.3, 6.15, -43.39

 

CMYK 55 / 35 / 0 / 15

HEX #618DD9

RGB 97 141 217

HSL 218, 0.61%, 0.62%

LAB 58.6, 7.03, -43.46

 

CMYK 60 / 38 / 0 / 22

HEX #507BC6

RGB 80 123 198

HSL 218.14, 0.51%, 0.55%

LAB 51.78, 8.11, -43.56

 

CMYK 65 / 41 / 0 / 30

HEX #3F69B3

RGB 63 105 179

HSL 218.28, 0.48%, 0.47%

LAB 44.82, 9.46, -43.7

 

CMYK 48 / 30 / 0 / 0

HEX #84B2FF

RGB 132 178 255

HSL 217.56, 1%, 0.76%

LAB 72.21, 5.08, -42.85

 

CMYK 48 / 43 / 0 / 0

HEX #8491FF

RGB 132 145 255

HSL 233.66, 1%, 0.76%

LAB 63.65, 24.01, -56.34

 

CMYK 40 / 48 / 0 / 0

HEX #9984FF

RGB 153 132 255

HSL 250.24, 1%, 0.76%

LAB 62.08, 36.38, -58.75

 

CMYK 27 / 48 / 0 / 0

HEX #BA84FF

RGB 186 132 255

HSL 266.34, 1%, 0.76%

LAB 65.09, 44.6, -53.78

 

CMYK 14 / 48 / 0 / 0

HEX #DB84FF

RGB 219 132 255

HSL 282.44, 1%, 0.76%

LAB 68.59, 53.32, -48.01

 

CMYK 48 / 30 / 0 / 0

HEX #84B2FF

RGB 132 178 255

HSL 217.56, 1%, 0.76%

LAB 72.21, 5.08, -42.85

 

CMYK 48 / 43 / 0 / 0

HEX #8491FF

RGB 132 145 255

HSL 233.66, 1%, 0.76%

LAB 63.65, 24.01, -56.34

 

CMYK 48 / 48 / 0 / 0

HEX #8484FF

RGB 132 132 255

HSL 240, 1%, 0.76%

LAB 60.45, 31.62, -61.45

 

CMYK 48 / 30 / 0 / 0

HEX #84B2FF

RGB 132 178 255

HSL 217.56, 1%, 0.76%

LAB 72.21, 5.08, -42.85

 

CMYK 48 / 30 / 0 / 0

HEX #84B2FF

RGB 132 178 255

HSL 217.56, 1%, 0.76%

LAB 72.21, 5.08, -42.85

 

CMYK 42 / 27 / 0 / 4

HEX #8EB4F5

RGB 142 180 245

HSL 217.86, 0.84%, 0.76%

LAB 72.88, 3.55, -36.35

 

CMYK 35 / 22 / 0 / 8

HEX #98B7EB

RGB 152 183 235

HSL 217.59, 0.67%, 0.76%

LAB 73.89, 1.87, -29.32

 

CMYK 28 / 18 / 0 / 12

HEX #A2B9E1

RGB 162 185 225

HSL 218.1, 0.51%, 0.76%

LAB 74.71, 1.12, -22.6

 

CMYK 20 / 13 / 0 / 16

HEX #ACBCD7

RGB 172 188 215

HSL 217.67, 0.35%, 0.76%

LAB 75.85, 0.22, -15.38

 

CMYK 48 / 4 / 0 / 0

HEX #84F4FF

RGB 132 244 255

HSL 185.37, 1%, 0.76%

LAB 90.24, -29.22, -15.22

 

CMYK 48 / 17 / 0 / 0

HEX #84D4FF

RGB 132 212 255

HSL 200.98, 1%, 0.76%

LAB 81.41, -13.27, -28.6

 

CMYK 48 / 30 / 0 / 0

HEX #84B3FF

RGB 132 179 255

HSL 217.07, 1%, 0.76%

LAB 72.47, 4.52, -42.43

 

CMYK 48 / 43 / 0 / 0

HEX #8492FF

RGB 132 146 255

HSL 233.17, 1%, 0.76%

LAB 63.9, 23.43, -55.94

 

CMYK 41 / 48 / 0 / 0

HEX #9684FF

RGB 150 132 255

HSL 248.78, 1%, 0.76%

LAB 61.83, 35.68, -59.16

 

CMYK 80 / 51 / 0 / 0

HEX #327EFF

RGB 50 126 255

HSL 217.76, 1%, 0.6%

LAB 54.89, 22.43, -70.62

 

CMYK 64 / 40 / 0 / 0

HEX #5B98FF

RGB 91 152 255

HSL 217.68, 1%, 0.68%

LAB 63.26, 11.87, -57.1

 

CMYK 48 / 30 / 0 / 0

HEX #84B2FF

RGB 132 178 255

HSL 217.56, 1%, 0.76%

LAB 72.21, 5.08, -42.85

 

CMYK 32 / 20 / 0 / 0

HEX #ADCBFF

RGB 173 203 255

HSL 218.05, 1%, 0.84%

LAB 81.19, 1.83, -28.75

 

CMYK 16 / 10 / 0 / 0

HEX #D7E5FF

RGB 215 229 255

HSL 219, 1%, 0.92%

LAB 90.65, 0.49, -14.16

 

CMYK 49 / 31 / 0 / 0

HEX #83B1FF

RGB 131 177 255

HSL 217.74, 1%, 0.76%

LAB 71.89, 5.41, -43.35

 

CMYK 9 / 48 / 0 / 0

HEX #E884FF

RGB 232 132 255

HSL 288.78, 1%, 0.76%

LAB 70.09, 56.83, -45.56

 

CMYK 11 / 0 / 48 / 0

HEX #E4FF84

RGB 228 255 132

HSL 73.17, 1%, 0.76%

LAB 95.86, -26.55, 55.41

 

CMYK 49 / 31 / 0 / 0

HEX #83B1FF

RGB 131 177 255

HSL 217.74, 1%, 0.76%

LAB 71.89, 5.41, -43.35

 

CMYK 0 / 48 / 30 / 0

HEX #FF84B3

RGB 255 132 179

HSL 337.07, 1%, 0.76%

LAB 70.19, 51.69, -3.11

 

CMYK 30 / 0 / 48 / 0

HEX #B3FF84

RGB 179 255 132

HSL 97.07, 1%, 0.76%

LAB 92.91, -44.1, 51.14

 

CMYK 49 / 31 / 0 / 0

HEX #83B1FF

RGB 131 177 255

HSL 217.74, 1%, 0.76%

LAB 71.89, 5.41, -43.35

 

CMYK 9 / 48 / 0 / 0

HEX #E884FF

RGB 232 132 255

HSL 288.78, 1%, 0.76%

LAB 70.09, 56.83, -45.56

 

CMYK 0 / 18 / 48 / 0

HEX #FFD084

RGB 255 208 132

HSL 37.07, 1%, 0.76%

LAB 86.03, 7.34, 43.8

 

CMYK 39 / 0 / 48 / 0

HEX #9BFF84

RGB 155 255 132

HSL 108.78, 1%, 0.76%

LAB 91.75, -51.77, 49.46

 

CMYK 49 / 31 / 0 / 0

HEX #83B1FF

RGB 131 177 255

HSL 217.74, 1%, 0.76%

LAB 71.89, 5.41, -43.35

 

CMYK 0 / 48 / 6 / 0

HEX #FF84F0

RGB 255 132 240

HSL 307.32, 1%, 0.76%

LAB 72.26, 60.56, -33.77

 

CMYK 0 / 18 / 48 / 0

HEX #FFD084

RGB 255 208 132

HSL 37.07, 1%, 0.76%

LAB 86.03, 7.34, 43.8

 

CMYK 48 / 0 / 43 / 0

HEX #84FF92

RGB 132 255 146

HSL 126.83, 1%, 0.76%

LAB 91.01, -56.37, 41.63

 

Description

Color code: HEX #83B1FF | qconv.com Color code: HEX #83B1FF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 177 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 177 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 31 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 31% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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