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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #83DEFF it is the complementary color #7C2100. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #83DEFF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #83DEFF shade: #88DEFA, #99F0FF, #AAFFFF, #BBFFFF and #CCFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #83DEFF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #83DEFF shade: #83DEFF, #72CCEC, #61BAD9, #50A8C6 and #3F96B3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #83DEFF shade: #84DEFF, #84BDFF, #849CFF, #8D84FF and #AE84FF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #83DEFF shade: #84DEFF, #84BDFF, #849CFF and #8484FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #83DEFF shade matches the following richer shades: #84DEFF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #83DEFF shade: #84DEFF, #8ED9F5, #98D5EB, #A2D0E1 and #ACCBD7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #83DEFF shade: #84FFDC, #84FFFC, #84E0FF, #84BFFF and #849FFF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #83DEFF shade: #32C8FF, #5BD3FF, #84DEFF, #ADE9FF and #D7F4FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #83DEFF shade: #83DEFF, #BB84FF and #FFEC84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #83DEFF shade: #83DEFF, #FF84E0 and #E0FF84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #83DEFF shade: #83DEFF, #BB84FF, #FFA384 and #C7FF84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #83DEFF shade: #83DEFF, #E084FF, #FFA384 and #A3FF84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 13 / 0 / 0

HEX #83DEFF

RGB 131 222 255

HSL 195.97, 1%, 0.76%

LAB 84.12, -18.62, -24.47

 

Complementary color

CMYK 0 / 73 / 100 / 51

HEX #7C2100

RGB 124 33 0

HSL 15.97, 1%, 0.24%

LAB 27.77, 38, 39.72

 

CMYK 46 / 11 / 0 / 2

HEX #88DEFA

RGB 136 222 250

HSL 194.74, 0.92%, 0.76%

LAB 84.16, -18.82, -21.74

 

CMYK 40 / 6 / 0 / 0

HEX #99F0FF

RGB 153 240 255

HSL 188.82, 1%, 0.8%

LAB 90, -22.48, -15.49

 

CMYK 33 / 0 / 0 / 0

HEX #AAFFFF

RGB 170 255 255

HSL 180, 1%, 0.83%

LAB 94.86, -25.48, -8.16

 

CMYK 27 / 0 / 0 / 0

HEX #BBFFFF

RGB 187 255 255

HSL 180, 1%, 0.87%

LAB 95.71, -20.9, -6.81

 

CMYK 20 / 0 / 0 / 0

HEX #CCFFFF

RGB 204 255 255

HSL 180, 1%, 0.9%

LAB 96.65, -16.01, -5.32

 

CMYK 49 / 13 / 0 / 0

HEX #83DEFF

RGB 131 222 255

HSL 195.97, 1%, 0.76%

LAB 84.12, -18.62, -24.47

 

CMYK 52 / 14 / 0 / 7

HEX #72CCEC

RGB 114 204 236

HSL 195.74, 0.76%, 0.69%

LAB 77.77, -18.35, -24.1

 

CMYK 55 / 14 / 0 / 15

HEX #61BAD9

RGB 97 186 217

HSL 195.5, 0.61%, 0.62%

LAB 71.33, -17.99, -23.7

 

CMYK 60 / 15 / 0 / 22

HEX #50A8C6

RGB 80 168 198

HSL 195.25, 0.51%, 0.55%

LAB 64.79, -17.53, -23.29

 

CMYK 65 / 16 / 0 / 30

HEX #3F96B3

RGB 63 150 179

HSL 195, 0.48%, 0.47%

LAB 58.15, -16.92, -22.84

 

CMYK 48 / 13 / 0 / 0

HEX #84DEFF

RGB 132 222 255

HSL 196.1, 1%, 0.76%

LAB 84.16, -18.4, -24.41

 

CMYK 48 / 26 / 0 / 0

HEX #84BDFF

RGB 132 189 255

HSL 212.2, 1%, 0.76%

LAB 75.15, -1.01, -38.25

 

CMYK 48 / 39 / 0 / 0

HEX #849CFF

RGB 132 156 255

HSL 228.29, 1%, 0.76%

LAB 66.45, 17.61, -51.91

 

CMYK 45 / 48 / 0 / 0

HEX #8D84FF

RGB 141 132 255

HSL 244.39, 1%, 0.76%

LAB 61.12, 33.61, -60.34

 

CMYK 32 / 48 / 0 / 0

HEX #AE84FF

RGB 174 132 255

HSL 260.49, 1%, 0.76%

LAB 63.93, 41.53, -55.69

 

CMYK 48 / 13 / 0 / 0

HEX #84DEFF

RGB 132 222 255

HSL 196.1, 1%, 0.76%

LAB 84.16, -18.4, -24.41

 

CMYK 48 / 26 / 0 / 0

HEX #84BDFF

RGB 132 189 255

HSL 212.2, 1%, 0.76%

LAB 75.15, -1.01, -38.25

 

CMYK 48 / 39 / 0 / 0

HEX #849CFF

RGB 132 156 255

HSL 228.29, 1%, 0.76%

LAB 66.45, 17.61, -51.91

 

CMYK 48 / 48 / 0 / 0

HEX #8484FF

RGB 132 132 255

HSL 240, 1%, 0.76%

LAB 60.45, 31.62, -61.45

 

CMYK 48 / 13 / 0 / 0

HEX #84DEFF

RGB 132 222 255

HSL 196.1, 1%, 0.76%

LAB 84.16, -18.4, -24.41

 

CMYK 48 / 13 / 0 / 0

HEX #84DEFF

RGB 132 222 255

HSL 196.1, 1%, 0.76%

LAB 84.16, -18.4, -24.41

 

CMYK 42 / 11 / 0 / 4

HEX #8ED9F5

RGB 142 217 245

HSL 196.31, 0.84%, 0.76%

LAB 82.9, -16.17, -20.99

 

CMYK 35 / 9 / 0 / 8

HEX #98D5EB

RGB 152 213 235

HSL 195.9, 0.67%, 0.76%

LAB 81.98, -14.08, -17.01

 

CMYK 28 / 8 / 0 / 12

HEX #A2D0E1

RGB 162 208 225

HSL 196.19, 0.51%, 0.76%

LAB 80.87, -11.1, -13.3

 

CMYK 20 / 6 / 0 / 16

HEX #ACCBD7

RGB 172 203 215

HSL 196.74, 0.35%, 0.76%

LAB 79.83, -7.75, -9.42

 

CMYK 48 / 0 / 14 / 0

HEX #84FFDC

RGB 132 255 220

HSL 162.93, 1%, 0.76%

LAB 92.39, -42.65, 6.12

 

CMYK 48 / 0 / 1 / 0

HEX #84FFFC

RGB 132 255 252

HSL 178.54, 1%, 0.76%

LAB 93.21, -35.15, -9.23

 

CMYK 48 / 12 / 0 / 0

HEX #84E0FF

RGB 132 224 255

HSL 195.12, 1%, 0.76%

LAB 84.71, -19.41, -23.57

 

CMYK 48 / 25 / 0 / 0

HEX #84BFFF

RGB 132 191 255

HSL 211.22, 1%, 0.76%

LAB 75.69, -2.1, -37.42

 

CMYK 48 / 38 / 0 / 0

HEX #849FFF

RGB 132 159 255

HSL 226.83, 1%, 0.76%

LAB 67.22, 15.88, -50.68

 

CMYK 80 / 22 / 0 / 0

HEX #32C8FF

RGB 50 200 255

HSL 196.1, 1%, 0.6%

LAB 75.58, -19.98, -37.8

 

CMYK 64 / 17 / 0 / 0

HEX #5BD3FF

RGB 91 211 255

HSL 196.1, 1%, 0.68%

LAB 79.63, -20.62, -31.46

 

CMYK 48 / 13 / 0 / 0

HEX #84DEFF

RGB 132 222 255

HSL 196.1, 1%, 0.76%

LAB 84.16, -18.4, -24.41

 

CMYK 32 / 9 / 0 / 0

HEX #ADE9FF

RGB 173 233 255

HSL 196.1, 1%, 0.84%

LAB 89.1, -13.82, -16.74

 

CMYK 16 / 4 / 0 / 0

HEX #D7F4FF

RGB 215 244 255

HSL 196.5, 1%, 0.92%

LAB 94.47, -7.2, -8.47

 

CMYK 49 / 13 / 0 / 0

HEX #83DEFF

RGB 131 222 255

HSL 195.97, 1%, 0.76%

LAB 84.12, -18.62, -24.47

 

CMYK 27 / 48 / 0 / 0

HEX #BB84FF

RGB 187 132 255

HSL 266.83, 1%, 0.76%

LAB 65.19, 44.85, -53.62

 

CMYK 0 / 7 / 48 / 0

HEX #FFEC84

RGB 255 236 132

HSL 50.73, 1%, 0.76%

LAB 92.98, -6.87, 52.39

 

CMYK 49 / 13 / 0 / 0

HEX #83DEFF

RGB 131 222 255

HSL 195.97, 1%, 0.76%

LAB 84.12, -18.62, -24.47

 

CMYK 0 / 48 / 12 / 0

HEX #FF84E0

RGB 255 132 224

HSL 315.12, 1%, 0.76%

LAB 71.65, 58.01, -25.92

 

CMYK 12 / 0 / 48 / 0

HEX #E0FF84

RGB 224 255 132

HSL 75.12, 1%, 0.76%

LAB 95.59, -28.05, 55.02

 

CMYK 49 / 13 / 0 / 0

HEX #83DEFF

RGB 131 222 255

HSL 195.97, 1%, 0.76%

LAB 84.12, -18.62, -24.47

 

CMYK 27 / 48 / 0 / 0

HEX #BB84FF

RGB 187 132 255

HSL 266.83, 1%, 0.76%

LAB 65.19, 44.85, -53.62

 

CMYK 0 / 36 / 48 / 0

HEX #FFA384

RGB 255 163 132

HSL 15.12, 1%, 0.76%

LAB 75.53, 30.81, 30.28

 

CMYK 22 / 0 / 48 / 0

HEX #C7FF84

RGB 199 255 132

HSL 87.32, 1%, 0.76%

LAB 94.02, -37.19, 52.75

 

CMYK 49 / 13 / 0 / 0

HEX #83DEFF

RGB 131 222 255

HSL 195.97, 1%, 0.76%

LAB 84.12, -18.62, -24.47

 

CMYK 12 / 48 / 0 / 0

HEX #E084FF

RGB 224 132 255

HSL 284.88, 1%, 0.76%

LAB 69.16, 54.67, -47.08

 

CMYK 0 / 36 / 48 / 0

HEX #FFA384

RGB 255 163 132

HSL 15.12, 1%, 0.76%

LAB 75.53, 30.81, 30.28

 

CMYK 36 / 0 / 48 / 0

HEX #A3FF84

RGB 163 255 132

HSL 104.88, 1%, 0.76%

LAB 92.12, -49.3, 49.99

 

Description

Color code: HEX #83DEFF | qconv.com Color code: HEX #83DEFF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 222 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 222 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 13 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 13% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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