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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #83F523 it is the complementary color #7C0ADC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #83F523. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #83F523 shade: #88F51E, #99FF31, #AAFF44, #BBFF57 and #CCFF6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #83F523. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #83F523 shade: #83F523, #72E310, #61D100, #50BF00 and #3FAD00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #83F523 shade: #83F423, #BBF423, #F3F423, #F4BD23 and #F48423

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #83F523 shade: #83F423, #4AF423, #23F434, #23F46D and #23F4A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #83F523 shade matches the following richer shades: #83F423

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #83F523 shade: #83F423, #84E236, #86CF48, #88BC5B and #89AA6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #83F523 shade: #F4F423, #BCF423, #85F423, #4DF423 and #23F431

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #83F523 shade: #5BBD08, #6EE40A, #83F423, #99F64B and #AFF872

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #83F523 shade: #83F523, #23F4BC and #F423D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #83F523 shade: #83F523, #2385F4 and #F42385

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #83F523 shade: #83F523, #23F4BC, #9323F4 and #F4235B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #83F523 shade: #83F523, #23EDF4, #9323F4 and #F42A23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 86 / 4

HEX #83F523

RGB 131 245 35

HSL 92.57, 0.91%, 0.55%

LAB 87.12, -62.69, 79.51

 

Complementary color

CMYK 44 / 95 / 0 / 14

HEX #7C0ADC

RGB 124 10 220

HSL 272.57, 0.91%, 0.45%

LAB 37.24, 74.4, -79.53

 

CMYK 44 / 0 / 88 / 4

HEX #88F51E

RGB 136 245 30

HSL 90.42, 0.91%, 0.54%

LAB 87.31, -61.33, 80.67

 

CMYK 40 / 0 / 81 / 0

HEX #99FF31

RGB 153 255 49

HSL 89.71, 1%, 0.6%

LAB 91.01, -59.12, 80.18

 

CMYK 33 / 0 / 73 / 0

HEX #AAFF44

RGB 170 255 68

HSL 87.27, 1%, 0.63%

LAB 91.9, -52.56, 75.89

 

CMYK 27 / 0 / 66 / 0

HEX #BBFF57

RGB 187 255 87

HSL 84.29, 1%, 0.67%

LAB 92.91, -45.43, 70.54

 

CMYK 20 / 0 / 58 / 0

HEX #CCFF6A

RGB 204 255 106

HSL 80.54, 1%, 0.71%

LAB 94.05, -37.81, 64.43

 

CMYK 47 / 0 / 86 / 4

HEX #83F523

RGB 131 245 35

HSL 92.57, 0.91%, 0.55%

LAB 87.12, -62.69, 79.51

 

CMYK 50 / 0 / 93 / 11

HEX #72E310

RGB 114 227 16

HSL 92.13, 0.87%, 0.48%

LAB 81.05, -61.62, 77.16

 

CMYK 54 / 0 / 100 / 18

HEX #61D100

RGB 97 209 0

HSL 92.15, 1%, 0.41%

LAB 74.91, -60.25, 73.58

 

CMYK 58 / 0 / 100 / 25

HEX #50BF00

RGB 80 191 0

HSL 94.87, 1%, 0.37%

LAB 68.73, -58.49, 68.46

 

CMYK 64 / 0 / 100 / 32

HEX #3FAD00

RGB 63 173 0

HSL 98.15, 1%, 0.34%

LAB 62.46, -56.51, 63.29

 

CMYK 46 / 0 / 86 / 4

HEX #83F423

RGB 131 244 35

HSL 92.44, 0.9%, 0.55%

LAB 86.82, -62.33, 79.26

 

CMYK 23 / 0 / 86 / 4

HEX #BBF423

RGB 187 244 35

HSL 76.36, 0.9%, 0.55%

LAB 89.57, -43.14, 82.69

 

CMYK 0 / 0 / 86 / 4

HEX #F3F423

RGB 243 244 35

HSL 60.29, 0.9%, 0.55%

LAB 93.4, -20.83, 87.4

 

CMYK 0 / 23 / 86 / 4

HEX #F4BD23

RGB 244 189 35

HSL 44.21, 0.9%, 0.55%

LAB 79.47, 7.18, 76.18

 

CMYK 0 / 46 / 86 / 4

HEX #F48423

RGB 244 132 35

HSL 27.85, 0.9%, 0.55%

LAB 66.41, 36.96, 65.58

 

CMYK 46 / 0 / 86 / 4

HEX #83F423

RGB 131 244 35

HSL 92.44, 0.9%, 0.55%

LAB 86.82, -62.33, 79.26

 

CMYK 70 / 0 / 86 / 4

HEX #4AF423

RGB 74 244 35

HSL 108.8, 0.9%, 0.55%

LAB 85.14, -75.93, 77.14

 

CMYK 86 / 0 / 79 / 4

HEX #23F434

RGB 35 244 52

HSL 124.88, 0.9%, 0.55%

LAB 84.64, -80.04, 72.38

 

CMYK 86 / 0 / 55 / 4

HEX #23F46D

RGB 35 244 109

HSL 141.24, 0.9%, 0.55%

LAB 85.08, -74.58, 51.24

 

CMYK 86 / 0 / 32 / 4

HEX #23F4A5

RGB 35 244 165

HSL 157.32, 0.9%, 0.55%

LAB 85.89, -65.02, 24.98

 

CMYK 46 / 0 / 86 / 4

HEX #83F423

RGB 131 244 35

HSL 92.44, 0.9%, 0.55%

LAB 86.82, -62.33, 79.26

 

CMYK 46 / 0 / 86 / 4

HEX #83F423

RGB 131 244 35

HSL 92.44, 0.9%, 0.55%

LAB 86.82, -62.33, 79.26

 

CMYK 42 / 0 / 76 / 11

HEX #84E236

RGB 132 226 54

HSL 92.79, 0.75%, 0.55%

LAB 81.6, -54.37, 69.75

 

CMYK 35 / 0 / 65 / 19

HEX #86CF48

RGB 134 207 72

HSL 92.44, 0.58%, 0.55%

LAB 76.17, -44.75, 57.83

 

CMYK 28 / 0 / 52 / 26

HEX #88BC5B

RGB 136 188 91

HSL 92.16, 0.42%, 0.55%

LAB 70.84, -33.79, 43.28

 

CMYK 19 / 0 / 35 / 33

HEX #89AA6E

RGB 137 170 110

HSL 93, 0.26%, 0.55%

LAB 65.9, -22.29, 27.34

 

CMYK 0 / 0 / 86 / 4

HEX #F4F423

RGB 244 244 35

HSL 60, 0.9%, 0.55%

LAB 93.47, -20.42, 87.5

 

CMYK 23 / 0 / 86 / 4

HEX #BCF423

RGB 188 244 35

HSL 76.08, 0.9%, 0.55%

LAB 89.63, -42.76, 82.76

 

CMYK 45 / 0 / 86 / 4

HEX #85F423

RGB 133 244 35

HSL 91.87, 0.9%, 0.55%

LAB 86.9, -61.72, 79.36

 

CMYK 68 / 0 / 86 / 4

HEX #4DF423

RGB 77 244 35

HSL 107.94, 0.9%, 0.55%

LAB 85.2, -75.4, 77.22

 

CMYK 86 / 0 / 80 / 4

HEX #23F431

RGB 35 244 49

HSL 124.02, 0.9%, 0.55%

LAB 84.63, -80.21, 73.19

 

CMYK 52 / 0 / 96 / 26

HEX #5BBD08

RGB 91 189 8

HSL 92.49, 0.92%, 0.39%

LAB 68.49, -54.61, 67.51

 

CMYK 52 / 0 / 96 / 11

HEX #6EE40A

RGB 110 228 10

HSL 92.48, 0.92%, 0.47%

LAB 81.19, -63.21, 77.83

 

CMYK 46 / 0 / 86 / 4

HEX #83F423

RGB 131 244 35

HSL 92.44, 0.9%, 0.55%

LAB 86.82, -62.33, 79.26

 

CMYK 38 / 0 / 70 / 4

HEX #99F64B

RGB 153 246 75

HSL 92.63, 0.9%, 0.63%

LAB 88.54, -54.2, 69.89

 

CMYK 29 / 0 / 54 / 3

HEX #AFF872

RGB 175 248 114

HSL 92.69, 0.91%, 0.71%

LAB 90.53, -44.36, 56.48

 

CMYK 47 / 0 / 86 / 4

HEX #83F523

RGB 131 245 35

HSL 92.57, 0.91%, 0.55%

LAB 87.12, -62.69, 79.51

 

CMYK 86 / 0 / 23 / 4

HEX #23F4BC

RGB 35 244 188

HSL 163.92, 0.9%, 0.55%

LAB 86.35, -59.96, 13.77

 

CMYK 0 / 86 / 11 / 4

HEX #F423D8

RGB 244 35 216

HSL 308.04, 0.9%, 0.55%

LAB 57.46, 87.82, -43.65

 

CMYK 47 / 0 / 86 / 4

HEX #83F523

RGB 131 245 35

HSL 92.57, 0.91%, 0.55%

LAB 87.12, -62.69, 79.51

 

CMYK 86 / 45 / 0 / 4

HEX #2385F4

RGB 35 133 244

HSL 211.87, 0.9%, 0.55%

LAB 55.75, 12.83, -63.16

 

CMYK 0 / 86 / 45 / 4

HEX #F42385

RGB 244 35 133

HSL 331.87, 0.9%, 0.55%

LAB 54.16, 78.84, -0.24

 

CMYK 47 / 0 / 86 / 4

HEX #83F523

RGB 131 245 35

HSL 92.57, 0.91%, 0.55%

LAB 87.12, -62.69, 79.51

 

CMYK 86 / 0 / 23 / 4

HEX #23F4BC

RGB 35 244 188

HSL 163.92, 0.9%, 0.55%

LAB 86.35, -59.96, 13.77

 

CMYK 40 / 86 / 0 / 4

HEX #9323F4

RGB 147 35 244

HSL 272.15, 0.9%, 0.55%

LAB 44.14, 77.23, -81.72

 

CMYK 0 / 86 / 63 / 4

HEX #F4235B

RGB 244 35 91

HSL 343.92, 0.9%, 0.55%

LAB 53.16, 75.97, 23.64

 

CMYK 47 / 0 / 86 / 4

HEX #83F523

RGB 131 245 35

HSL 92.57, 0.91%, 0.55%

LAB 87.12, -62.69, 79.51

 

CMYK 86 / 3 / 0 / 4

HEX #23EDF4

RGB 35 237 244

HSL 182.01, 0.9%, 0.55%

LAB 85.73, -42.27, -16.45

 

CMYK 40 / 86 / 0 / 4

HEX #9323F4

RGB 147 35 244

HSL 272.15, 0.9%, 0.55%

LAB 44.14, 77.23, -81.72

 

CMYK 0 / 83 / 86 / 4

HEX #F42A23

RGB 244 42 35

HSL 2.01, 0.9%, 0.55%

LAB 52.96, 72.51, 54.59

 

Description

Color code: HEX #83F523 | qconv.com Color code: HEX #83F523 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 245 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 245 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 86 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 86% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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