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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #83F0C7 it is the complementary color #7C0F38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #83F0C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #83F0C7 shade: #88F0C2, #99FFD5, #AAFFE8, #BBFFFB and #CCFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #83F0C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #83F0C7 shade: #83F0C7, #72DEB4, #61CCA1, #50BA8E and #3FA87B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #83F0C7 shade: #84EFC7, #84EFAA, #84EF8D, #98EF84 and #B5EF84

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #83F0C7 shade: #84EFC7, #84EFE4, #84DEEF, #84C1EF and #84A4EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #83F0C7 shade matches the following richer shades: #84EFC7 and #79FACA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #83F0C7 shade: #84EFC7, #8FE4C4, #9AD9C1, #A5CEBF and #B1C3BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #83F0C7 shade: #84EF8D, #84EFAA, #84EFC6, #84EFE3 and #84DFEF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #83F0C7 shade: #3BE6A6, #5FEBB6, #84EFC7, #A9F4D8 and #CDF8E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #83F0C7 shade: #83F0C7, #8498EF and #EF9B84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #83F0C7 shade: #83F0C7, #C684EF and #EFC684

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #83F0C7 shade: #83F0C7, #8498EF, #EF84AD and #EFDC84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #83F0C7 shade: #83F0C7, #9084EF, #EF84AD and #E3EF84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 17 / 6

HEX #83F0C7

RGB 131 240 199

HSL 157.43, 0.78%, 0.73%

LAB 87.62, -40.77, 10.15

 

Complementary color

CMYK 0 / 88 / 55 / 51

HEX #7C0F38

RGB 124 15 56

HSL 337.43, 0.78%, 0.27%

LAB 26.48, 46.43, 5.65

 

CMYK 43 / 0 / 19 / 6

HEX #88F0C2

RGB 136 240 194

HSL 153.46, 0.78%, 0.74%

LAB 87.7, -40.56, 12.9

 

CMYK 40 / 0 / 16 / 0

HEX #99FFD5

RGB 153 255 213

HSL 155.29, 1%, 0.8%

LAB 93.06, -39, 10.79

 

CMYK 33 / 0 / 9 / 0

HEX #AAFFE8

RGB 170 255 232

HSL 163.76, 1%, 0.83%

LAB 94.27, -30.51, 2.84

 

CMYK 27 / 0 / 2 / 0

HEX #BBFFFB

RGB 187 255 251

HSL 176.47, 1%, 0.87%

LAB 95.6, -21.76, -4.91

 

CMYK 20 / 0 / 0 / 0

HEX #CCFFFF

RGB 204 255 255

HSL 180, 1%, 0.9%

LAB 96.65, -16.01, -5.32

 

CMYK 45 / 0 / 17 / 6

HEX #83F0C7

RGB 131 240 199

HSL 157.43, 0.78%, 0.73%

LAB 87.62, -40.77, 10.15

 

CMYK 49 / 0 / 19 / 13

HEX #72DEB4

RGB 114 222 180

HSL 156.67, 0.62%, 0.66%

LAB 81.35, -40.93, 11.11

 

CMYK 52 / 0 / 21 / 20

HEX #61CCA1

RGB 97 204 161

HSL 155.89, 0.51%, 0.59%

LAB 75.01, -41.04, 12.14

 

CMYK 57 / 0 / 24 / 27

HEX #50BA8E

RGB 80 186 142

HSL 155.09, 0.43%, 0.52%

LAB 68.59, -41.08, 13.26

 

CMYK 63 / 0 / 27 / 34

HEX #3FA87B

RGB 63 168 123

HSL 154.29, 0.45%, 0.45%

LAB 62.08, -41, 14.49

 

CMYK 45 / 0 / 17 / 6

HEX #84EFC7

RGB 132 239 199

HSL 157.57, 0.77%, 0.73%

LAB 87.37, -40.08, 9.8

 

CMYK 45 / 0 / 29 / 6

HEX #84EFAA

RGB 132 239 170

HSL 141.31, 0.77%, 0.73%

LAB 86.77, -45.81, 23.99

 

CMYK 45 / 0 / 41 / 6

HEX #84EF8D

RGB 132 239 141

HSL 125.05, 0.77%, 0.73%

LAB 86.29, -50.64, 37.99

 

CMYK 36 / 0 / 45 / 6

HEX #98EF84

RGB 152 239 132

HSL 108.79, 0.77%, 0.73%

LAB 87.03, -45.99, 43.54

 

CMYK 24 / 0 / 45 / 6

HEX #B5EF84

RGB 181 239 132

HSL 92.52, 0.77%, 0.73%

LAB 88.55, -36.32, 45.77

 

CMYK 45 / 0 / 17 / 6

HEX #84EFC7

RGB 132 239 199

HSL 157.57, 0.77%, 0.73%

LAB 87.37, -40.08, 9.8

 

CMYK 45 / 0 / 5 / 6

HEX #84EFE4

RGB 132 239 228

HSL 173.83, 0.77%, 0.73%

LAB 88.08, -33.54, -4.32

 

CMYK 45 / 7 / 0 / 6

HEX #84DEEF

RGB 132 222 239

HSL 189.53, 0.77%, 0.73%

LAB 83.64, -22.62, -16.73

 

CMYK 45 / 19 / 0 / 6

HEX #84C1EF

RGB 132 193 239

HSL 205.79, 0.77%, 0.73%

LAB 75.62, -7.65, -28.92

 

CMYK 45 / 31 / 0 / 6

HEX #84A4EF

RGB 132 164 239

HSL 222.06, 0.77%, 0.73%

LAB 67.79, 8.37, -41.06

 

CMYK 45 / 0 / 17 / 6

HEX #84EFC7

RGB 132 239 199

HSL 157.57, 0.77%, 0.73%

LAB 87.37, -40.08, 9.8

 

CMYK 52 / 0 / 19 / 2

HEX #79FACA

RGB 121 250 202

HSL 157.67, 0.93%, 0.73%

LAB 90.18, -46.84, 12.2

 

CMYK 45 / 0 / 17 / 6

HEX #84EFC7

RGB 132 239 199

HSL 157.57, 0.77%, 0.73%

LAB 87.37, -40.08, 9.8

 

CMYK 37 / 0 / 14 / 11

HEX #8FE4C4

RGB 143 228 196

HSL 157.41, 0.61%, 0.73%

LAB 84.64, -32.8, 7.53

 

CMYK 29 / 0 / 11 / 15

HEX #9AD9C1

RGB 154 217 193

HSL 157.14, 0.45%, 0.73%

LAB 82.03, -25, 5.42

 

CMYK 20 / 0 / 7 / 19

HEX #A5CEBF

RGB 165 206 191

HSL 158.05, 0.29%, 0.73%

LAB 79.56, -16.53, 3

 

CMYK 9 / 0 / 4 / 24

HEX #B1C3BC

RGB 177 195 188

HSL 156.67, 0.13%, 0.73%

LAB 77.29, -7.48, 1.41

 

CMYK 45 / 0 / 41 / 6

HEX #84EF8D

RGB 132 239 141

HSL 125.05, 0.77%, 0.73%

LAB 86.29, -50.64, 37.99

 

CMYK 45 / 0 / 29 / 6

HEX #84EFAA

RGB 132 239 170

HSL 141.31, 0.77%, 0.73%

LAB 86.77, -45.81, 23.99

 

CMYK 45 / 0 / 17 / 6

HEX #84EFC6

RGB 132 239 198

HSL 157.01, 0.77%, 0.73%

LAB 87.35, -40.29, 10.29

 

CMYK 45 / 0 / 5 / 6

HEX #84EFE3

RGB 132 239 227

HSL 173.27, 0.77%, 0.73%

LAB 88.06, -33.78, -3.84

 

CMYK 45 / 7 / 0 / 6

HEX #84DFEF

RGB 132 223 239

HSL 188.97, 0.77%, 0.73%

LAB 83.92, -23.11, -16.31

 

CMYK 74 / 0 / 28 / 10

HEX #3BE6A6

RGB 59 230 166

HSL 157.54, 0.77%, 0.57%

LAB 81.99, -57.34, 19.13

 

CMYK 60 / 0 / 23 / 8

HEX #5FEBB6

RGB 95 235 182

HSL 157.29, 0.78%, 0.65%

LAB 84.6, -50.17, 14.57

 

CMYK 45 / 0 / 17 / 6

HEX #84EFC7

RGB 132 239 199

HSL 157.57, 0.77%, 0.73%

LAB 87.37, -40.08, 9.8

 

CMYK 31 / 0 / 11 / 4

HEX #A9F4D8

RGB 169 244 216

HSL 157.6, 0.77%, 0.81%

LAB 90.82, -28.9, 6.13

 

CMYK 17 / 0 / 6 / 3

HEX #CDF8E8

RGB 205 248 232

HSL 157.67, 0.75%, 0.89%

LAB 94.29, -16.83, 3.1

 

CMYK 45 / 0 / 17 / 6

HEX #83F0C7

RGB 131 240 199

HSL 157.43, 0.78%, 0.73%

LAB 87.62, -40.77, 10.15

 

CMYK 45 / 36 / 0 / 6

HEX #8498EF

RGB 132 152 239

HSL 228.79, 0.77%, 0.73%

LAB 64.64, 15.26, -46.01

 

CMYK 0 / 35 / 45 / 6

HEX #EF9B84

RGB 239 155 132

HSL 12.9, 0.77%, 0.73%

LAB 71.87, 28.85, 25.06

 

CMYK 45 / 0 / 17 / 6

HEX #83F0C7

RGB 131 240 199

HSL 157.43, 0.78%, 0.73%

LAB 87.62, -40.77, 10.15

 

CMYK 17 / 45 / 0 / 6

HEX #C684EF

RGB 198 132 239

HSL 277.01, 0.77%, 0.73%

LAB 65.55, 44.23, -44.19

 

CMYK 0 / 17 / 45 / 6

HEX #EFC684

RGB 239 198 132

HSL 37.01, 0.77%, 0.73%

LAB 82.06, 6.15, 38.45

 

CMYK 45 / 0 / 17 / 6

HEX #83F0C7

RGB 131 240 199

HSL 157.43, 0.78%, 0.73%

LAB 87.62, -40.77, 10.15

 

CMYK 45 / 36 / 0 / 6

HEX #8498EF

RGB 132 152 239

HSL 228.79, 0.77%, 0.73%

LAB 64.64, 15.26, -46.01

 

CMYK 0 / 45 / 28 / 6

HEX #EF84AD

RGB 239 132 173

HSL 337.01, 0.77%, 0.73%

LAB 67.92, 45.59, -3.32

 

CMYK 0 / 8 / 45 / 6

HEX #EFDC84

RGB 239 220 132

HSL 49.35, 0.77%, 0.73%

LAB 87.58, -5.17, 45.44

 

CMYK 45 / 0 / 17 / 6

HEX #83F0C7

RGB 131 240 199

HSL 157.43, 0.78%, 0.73%

LAB 87.62, -40.77, 10.15

 

CMYK 40 / 45 / 0 / 6

HEX #9084EF

RGB 144 132 239

HSL 246.73, 0.77%, 0.73%

LAB 60.48, 29.84, -52.53

 

CMYK 0 / 45 / 28 / 6

HEX #EF84AD

RGB 239 132 173

HSL 337.01, 0.77%, 0.73%

LAB 67.92, 45.59, -3.32

 

CMYK 5 / 0 / 45 / 6

HEX #E3EF84

RGB 227 239 132

HSL 66.73, 0.77%, 0.73%

LAB 91.56, -19.29, 50.16

 

Description

Color code: HEX #83F0C7 | qconv.com Color code: HEX #83F0C7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 240 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 240 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 17 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 17% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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