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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #83F37F it is the complementary color #7C0C80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #83F37F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #83F37F shade: #88F37A, #99FF8D, #AAFFA0, #BBFFB3 and #CCFFC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #83F37F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #83F37F shade: #83F37F, #72E16C, #61CF59, #50BD46 and #3FAB33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #83F37F shade: #84F381, #A3F381, #C2F381, #E1F381 and #F3E681

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #83F37F shade: #84F381, #81F39B, #81F3BA, #81F3D9 and #81EEF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #83F37F shade matches the following richer shades: #84F381 and #7AFE75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #83F37F shade: #84F381, #8FE88C, #99DD97, #A4D1A2 and #AEC6AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #83F37F shade: #C3F381, #A5F381, #86F381, #81F399 and #81F3B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #83F37F shade: #3BEC35, #60EF5B, #84F381, #A9F6A6 and #CEFACC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #83F37F shade: #83F37F, #81E2F3 and #F381B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #83F37F shade: #83F37F, #8186F3 and #F38186

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #83F37F shade: #83F37F, #81E2F3, #ED81F3 and #F39281

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #83F37F shade: #83F37F, #81BFF3, #ED81F3 and #F3B481

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 48 / 5

HEX #83F37F

RGB 131 243 127

HSL 117.93, 0.83%, 0.73%

LAB 87.22, -54.53, 45.98

 

Complementary color

CMYK 3 / 91 / 0 / 50

HEX #7C0C80

RGB 124 12 128

HSL 297.93, 0.83%, 0.27%

LAB 29.68, 56.28, -36.7

 

CMYK 44 / 0 / 50 / 5

HEX #88F37A

RGB 136 243 122

HSL 113.06, 0.83%, 0.72%

LAB 87.36, -53.76, 48.56

 

CMYK 40 / 0 / 45 / 0

HEX #99FF8D

RGB 153 255 141

HSL 113.68, 1%, 0.78%

LAB 91.78, -51.22, 45.2

 

CMYK 33 / 0 / 37 / 0

HEX #AAFFA0

RGB 170 255 160

HSL 113.68, 1%, 0.81%

LAB 92.84, -43.39, 37.47

 

CMYK 27 / 0 / 30 / 0

HEX #BBFFB3

RGB 187 255 179

HSL 113.68, 1%, 0.85%

LAB 94.03, -35.13, 29.73

 

CMYK 20 / 0 / 22 / 0

HEX #CCFFC6

RGB 204 255 198

HSL 113.68, 1%, 0.89%

LAB 95.34, -26.57, 22.06

 

CMYK 46 / 0 / 48 / 5

HEX #83F37F

RGB 131 243 127

HSL 117.93, 0.83%, 0.73%

LAB 87.22, -54.53, 45.98

 

CMYK 49 / 0 / 52 / 12

HEX #72E16C

RGB 114 225 108

HSL 116.92, 0.66%, 0.65%

LAB 81.02, -54.53, 47.22

 

CMYK 53 / 0 / 57 / 19

HEX #61CF59

RGB 97 207 89

HSL 115.93, 0.55%, 0.58%

LAB 74.75, -54.4, 48.43

 

CMYK 58 / 0 / 63 / 26

HEX #50BD46

RGB 80 189 70

HSL 114.96, 0.47%, 0.51%

LAB 68.42, -54.06, 49.55

 

CMYK 63 / 0 / 70 / 33

HEX #3FAB33

RGB 63 171 51

HSL 114, 0.54%, 0.44%

LAB 62.02, -53.41, 50.41

 

CMYK 46 / 0 / 47 / 5

HEX #84F381

RGB 132 243 129

HSL 118.42, 0.83%, 0.73%

LAB 87.29, -53.98, 45.11

 

CMYK 33 / 0 / 47 / 5

HEX #A3F381

RGB 163 243 129

HSL 102.11, 0.83%, 0.73%

LAB 88.67, -44.56, 47.14

 

CMYK 20 / 0 / 47 / 5

HEX #C2F381

RGB 194 243 129

HSL 85.79, 0.83%, 0.73%

LAB 90.39, -33.86, 49.65

 

CMYK 7 / 0 / 47 / 5

HEX #E1F381

RGB 225 243 129

HSL 69.47, 0.83%, 0.73%

LAB 92.44, -22.28, 52.62

 

CMYK 0 / 5 / 47 / 5

HEX #F3E681

RGB 243 230 129

HSL 53.16, 0.83%, 0.73%

LAB 90.43, -8.89, 50.49

 

CMYK 46 / 0 / 47 / 5

HEX #84F381

RGB 132 243 129

HSL 118.42, 0.83%, 0.73%

LAB 87.29, -53.98, 45.11

 

CMYK 47 / 0 / 36 / 5

HEX #81F39B

RGB 129 243 155

HSL 133.68, 0.83%, 0.73%

LAB 87.55, -50.89, 32.64

 

CMYK 47 / 0 / 23 / 5

HEX #81F3BA

RGB 129 243 186

HSL 150, 0.83%, 0.73%

LAB 88.12, -45.25, 17.6

 

CMYK 47 / 0 / 11 / 5

HEX #81F3D9

RGB 129 243 217

HSL 166.32, 0.83%, 0.73%

LAB 88.82, -38.64, 2.49

 

CMYK 47 / 2 / 0 / 5

HEX #81EEF3

RGB 129 238 243

HSL 182.63, 0.83%, 0.73%

LAB 88.11, -30.06, -12.15

 

CMYK 46 / 0 / 47 / 5

HEX #84F381

RGB 132 243 129

HSL 118.42, 0.83%, 0.73%

LAB 87.29, -53.98, 45.11

 

CMYK 52 / 0 / 54 / 0

HEX #7AFE75

RGB 122 254 117

HSL 117.81, 0.99%, 0.73%

LAB 90, -62.42, 53.94

 

CMYK 46 / 0 / 47 / 5

HEX #84F381

RGB 132 243 129

HSL 118.42, 0.83%, 0.73%

LAB 87.29, -53.98, 45.11

 

CMYK 38 / 0 / 40 / 9

HEX #8FE88C

RGB 143 232 140

HSL 118.04, 0.67%, 0.73%

LAB 84.71, -44.65, 36.54

 

CMYK 31 / 0 / 32 / 13

HEX #99DD97

RGB 153 221 151

HSL 118.29, 0.51%, 0.73%

LAB 82.23, -34.92, 27.75

 

CMYK 22 / 0 / 22 / 18

HEX #A4D1A2

RGB 164 209 162

HSL 117.45, 0.34%, 0.73%

LAB 79.67, -23.75, 18.61

 

CMYK 12 / 0 / 13 / 22

HEX #AEC6AD

RGB 174 198 173

HSL 117.6, 0.18%, 0.73%

LAB 77.52, -12.86, 9.81

 

CMYK 20 / 0 / 47 / 5

HEX #C3F381

RGB 195 243 129

HSL 85.26, 0.83%, 0.73%

LAB 90.45, -33.5, 49.74

 

CMYK 32 / 0 / 47 / 5

HEX #A5F381

RGB 165 243 129

HSL 101.05, 0.83%, 0.73%

LAB 88.77, -43.91, 47.29

 

CMYK 45 / 0 / 47 / 5

HEX #86F381

RGB 134 243 129

HSL 117.37, 0.83%, 0.73%

LAB 87.37, -53.42, 45.23

 

CMYK 47 / 0 / 37 / 5

HEX #81F399

RGB 129 243 153

HSL 132.63, 0.83%, 0.73%

LAB 87.52, -51.22, 33.61

 

CMYK 47 / 0 / 24 / 5

HEX #81F3B8

RGB 129 243 184

HSL 148.95, 0.83%, 0.73%

LAB 88.08, -45.65, 18.57

 

CMYK 75 / 0 / 78 / 7

HEX #3BEC35

RGB 59 236 53

HSL 118.03, 0.83%, 0.57%

LAB 82.47, -75.03, 70.14

 

CMYK 60 / 0 / 62 / 6

HEX #60EF5B

RGB 96 239 91

HSL 117.97, 0.82%, 0.65%

LAB 84.47, -66.09, 58.67

 

CMYK 46 / 0 / 47 / 5

HEX #84F381

RGB 132 243 129

HSL 118.42, 0.83%, 0.73%

LAB 87.29, -53.98, 45.11

 

CMYK 31 / 0 / 33 / 4

HEX #A9F6A6

RGB 169 246 166

HSL 117.75, 0.82%, 0.81%

LAB 90.37, -38.81, 31.18

 

CMYK 18 / 0 / 18 / 2

HEX #CEFACC

RGB 206 250 204

HSL 117.39, 0.82%, 0.89%

LAB 94.25, -22.52, 17.49

 

CMYK 46 / 0 / 48 / 5

HEX #83F37F

RGB 131 243 127

HSL 117.93, 0.83%, 0.73%

LAB 87.22, -54.53, 45.98

 

CMYK 47 / 7 / 0 / 5

HEX #81E2F3

RGB 129 226 243

HSL 188.95, 0.83%, 0.73%

LAB 84.76, -24.24, -17.18

 

CMYK 0 / 47 / 26 / 5

HEX #F381B4

RGB 243 129 180

HSL 333.16, 0.83%, 0.73%

LAB 68.06, 49.36, -7

 

CMYK 46 / 0 / 48 / 5

HEX #83F37F

RGB 131 243 127

HSL 117.93, 0.83%, 0.73%

LAB 87.22, -54.53, 45.98

 

CMYK 47 / 45 / 0 / 5

HEX #8186F3

RGB 129 134 243

HSL 237.37, 0.83%, 0.73%

LAB 60.06, 26.25, -55.48

 

CMYK 0 / 47 / 45 / 5

HEX #F38186

RGB 243 129 134

HSL 357.37, 0.83%, 0.73%

LAB 66.88, 43.98, 17.24

 

CMYK 46 / 0 / 48 / 5

HEX #83F37F

RGB 131 243 127

HSL 117.93, 0.83%, 0.73%

LAB 87.22, -54.53, 45.98

 

CMYK 47 / 7 / 0 / 5

HEX #81E2F3

RGB 129 226 243

HSL 188.95, 0.83%, 0.73%

LAB 84.76, -24.24, -17.18

 

CMYK 2 / 47 / 0 / 5

HEX #ED81F3

RGB 237 129 243

HSL 296.84, 0.83%, 0.73%

LAB 69.59, 57.47, -39.73

 

CMYK 0 / 40 / 47 / 5

HEX #F39281

RGB 243 146 129

HSL 8.95, 0.83%, 0.73%

LAB 70.31, 34.8, 24.7

 

CMYK 46 / 0 / 48 / 5

HEX #83F37F

RGB 131 243 127

HSL 117.93, 0.83%, 0.73%

LAB 87.22, -54.53, 45.98

 

CMYK 47 / 21 / 0 / 5

HEX #81BFF3

RGB 129 191 243

HSL 207.37, 0.83%, 0.73%

LAB 75.08, -6.19, -31.93

 

CMYK 2 / 47 / 0 / 5

HEX #ED81F3

RGB 237 129 243

HSL 296.84, 0.83%, 0.73%

LAB 69.59, 57.47, -39.73

 

CMYK 0 / 26 / 47 / 5

HEX #F3B481

RGB 243 180 129

HSL 26.84, 0.83%, 0.73%

LAB 78.04, 16.9, 34.9

 

Description

Color code: HEX #83F37F | qconv.com Color code: HEX #83F37F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 243 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 243 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 48 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 48% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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