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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #83FA18 it is the complementary color #7C05E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #83FA18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #83FA18 shade: #88FA13, #99FF26, #AAFF39, #BBFF4C and #CCFF5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #83FA18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #83FA18 shade: #83FA18, #72E805, #61D600, #50C400 and #3FB200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #83FA18 shade: #83FA19, #C0FA19, #FAF719, #FABA19 and #FA7D19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #83FA18 shade: #83FA19, #46FA19, #19FA27, #19FA64 and #19FAA1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #83FA18 shade matches the following richer shades: #83FA19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #83FA18 shade: #83FA19, #84E72C, #85D43F, #86C152 and #87AE65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #83FA18 shade: #FAF619, #C2FA19, #85FA19, #49FA19 and #19FA24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #83FA18 shade: #5BBD03, #6FE504, #83FA19, #99FB41 and #AFFB69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #83FA18 shade: #83FA18, #19FABA and #FA19E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #83FA18 shade: #83FA18, #1985FA and #FA1985

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #83FA18 shade: #83FA18, #19FABA, #8D19FA and #FA1958

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #83FA18 shade: #83FA18, #19F6FA, #8D19FA and #FA1C19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 90 / 2

HEX #83FA18

RGB 131 250 24

HSL 91.59, 0.96%, 0.54%

LAB 88.57, -64.81, 82.58

 

Complementary color

CMYK 46 / 98 / 0 / 9

HEX #7C05E7

RGB 124 5 231

HSL 271.59, 0.96%, 0.46%

LAB 38.13, 77.29, -84.36

 

CMYK 46 / 0 / 92 / 2

HEX #88FA13

RGB 136 250 19

HSL 89.61, 0.96%, 0.53%

LAB 88.76, -63.42, 83.44

 

CMYK 40 / 0 / 85 / 0

HEX #99FF26

RGB 153 255 38

HSL 88.2, 1%, 0.57%

LAB 90.98, -59.52, 82.6

 

CMYK 33 / 0 / 78 / 0

HEX #AAFF39

RGB 170 255 57

HSL 85.76, 1%, 0.61%

LAB 91.85, -53.12, 79.13

 

CMYK 27 / 0 / 70 / 0

HEX #BBFF4C

RGB 187 255 76

HSL 82.79, 1%, 0.65%

LAB 92.84, -46.13, 74.45

 

CMYK 20 / 0 / 63 / 0

HEX #CCFF5F

RGB 204 255 95

HSL 79.13, 1%, 0.69%

LAB 93.96, -38.65, 68.84

 

CMYK 48 / 0 / 90 / 2

HEX #83FA18

RGB 131 250 24

HSL 91.59, 0.96%, 0.54%

LAB 88.57, -64.81, 82.58

 

CMYK 51 / 0 / 98 / 9

HEX #72E805

RGB 114 232 5

HSL 91.19, 0.96%, 0.46%

LAB 82.54, -63.57, 79.4

 

CMYK 55 / 0 / 100 / 16

HEX #61D600

RGB 97 214 0

HSL 92.8, 1%, 0.42%

LAB 76.46, -62.01, 74.79

 

CMYK 59 / 0 / 100 / 23

HEX #50C400

RGB 80 196 0

HSL 95.51, 1%, 0.38%

LAB 70.31, -60.21, 69.71

 

CMYK 65 / 0 / 100 / 30

HEX #3FB200

RGB 63 178 0

HSL 98.76, 1%, 0.35%

LAB 64.08, -58.19, 64.57

 

CMYK 48 / 0 / 90 / 2

HEX #83FA19

RGB 131 250 25

HSL 91.73, 0.96%, 0.54%

LAB 88.57, -64.78, 82.44

 

CMYK 23 / 0 / 90 / 2

HEX #C0FA19

RGB 192 250 25

HSL 75.47, 0.96%, 0.54%

LAB 91.53, -44.06, 86.07

 

CMYK 0 / 1 / 90 / 2

HEX #FAF719

RGB 250 247 25

HSL 59.2, 0.96%, 0.54%

LAB 94.7, -19.56, 90.27

 

CMYK 0 / 26 / 90 / 2

HEX #FABA19

RGB 250 186 25

HSL 42.93, 0.96%, 0.54%

LAB 79.34, 11.11, 78.49

 

CMYK 0 / 50 / 90 / 2

HEX #FA7D19

RGB 250 125 25

HSL 26.67, 0.96%, 0.54%

LAB 65.8, 42.63, 68.4

 

CMYK 48 / 0 / 90 / 2

HEX #83FA19

RGB 131 250 25

HSL 91.73, 0.96%, 0.54%

LAB 88.57, -64.78, 82.44

 

CMYK 72 / 0 / 90 / 2

HEX #46FA19

RGB 70 250 25

HSL 108, 0.96%, 0.54%

LAB 86.87, -78.7, 80.32

 

CMYK 90 / 0 / 84 / 2

HEX #19FA27

RGB 25 250 39

HSL 123.73, 0.96%, 0.54%

LAB 86.37, -83.02, 77.16

 

CMYK 90 / 0 / 60 / 2

HEX #19FA64

RGB 25 250 100

HSL 140, 0.96%, 0.54%

LAB 86.75, -78.18, 57.14

 

CMYK 90 / 0 / 36 / 2

HEX #19FAA1

RGB 25 250 161

HSL 156.27, 0.96%, 0.54%

LAB 87.56, -68.52, 29.25

 

CMYK 48 / 0 / 90 / 2

HEX #83FA19

RGB 131 250 25

HSL 91.73, 0.96%, 0.54%

LAB 88.57, -64.78, 82.44

 

CMYK 48 / 0 / 90 / 2

HEX #83FA19

RGB 131 250 25

HSL 91.73, 0.96%, 0.54%

LAB 88.57, -64.78, 82.44

 

CMYK 43 / 0 / 81 / 9

HEX #84E72C

RGB 132 231 44

HSL 91.76, 0.8%, 0.54%

LAB 83.04, -56.8, 73.91

 

CMYK 37 / 0 / 70 / 17

HEX #85D43F

RGB 133 212 63

HSL 91.81, 0.63%, 0.54%

LAB 77.54, -47.85, 62.73

 

CMYK 31 / 0 / 58 / 24

HEX #86C152

RGB 134 193 82

HSL 91.89, 0.47%, 0.54%

LAB 72.11, -37.74, 48.99

 

CMYK 22 / 0 / 42 / 32

HEX #87AE65

RGB 135 174 101

HSL 92.05, 0.31%, 0.54%

LAB 66.8, -26.27, 33.23

 

CMYK 0 / 2 / 90 / 2

HEX #FAF619

RGB 250 246 25

HSL 58.93, 0.96%, 0.54%

LAB 94.44, -19.08, 90.07

 

CMYK 22 / 0 / 90 / 2

HEX #C2FA19

RGB 194 250 25

HSL 74.93, 0.96%, 0.54%

LAB 91.64, -43.31, 86.21

 

CMYK 47 / 0 / 90 / 2

HEX #85FA19

RGB 133 250 25

HSL 91.2, 0.96%, 0.54%

LAB 88.65, -64.19, 82.53

 

CMYK 71 / 0 / 90 / 2

HEX #49FA19

RGB 73 250 25

HSL 107.2, 0.96%, 0.54%

LAB 86.93, -78.21, 80.39

 

CMYK 90 / 0 / 86 / 2

HEX #19FA24

RGB 25 250 36

HSL 122.93, 0.96%, 0.54%

LAB 86.36, -83.14, 77.77

 

CMYK 52 / 0 / 98 / 26

HEX #5BBD03

RGB 91 189 3

HSL 91.61, 0.97%, 0.38%

LAB 68.48, -54.7, 68.08

 

CMYK 52 / 0 / 98 / 10

HEX #6FE504

RGB 111 229 4

HSL 91.47, 0.97%, 0.46%

LAB 81.53, -63.37, 78.63

 

CMYK 48 / 0 / 90 / 2

HEX #83FA19

RGB 131 250 25

HSL 91.73, 0.96%, 0.54%

LAB 88.57, -64.78, 82.44

 

CMYK 39 / 0 / 74 / 2

HEX #99FB41

RGB 153 251 65

HSL 91.61, 0.96%, 0.62%

LAB 89.93, -56.79, 74.65

 

CMYK 30 / 0 / 58 / 2

HEX #AFFB69

RGB 175 251 105

HSL 91.23, 0.95%, 0.7%

LAB 91.29, -46.5, 61.3

 

CMYK 48 / 0 / 90 / 2

HEX #83FA18

RGB 131 250 24

HSL 91.59, 0.96%, 0.54%

LAB 88.57, -64.81, 82.58

 

CMYK 90 / 0 / 26 / 2

HEX #19FABA

RGB 25 250 186

HSL 162.93, 0.96%, 0.54%

LAB 88.03, -63.23, 17.15

 

CMYK 0 / 90 / 10 / 2

HEX #FA19E0

RGB 250 25 224

HSL 306.93, 0.96%, 0.54%

LAB 58.42, 91.37, -46.59

 

CMYK 48 / 0 / 90 / 2

HEX #83FA18

RGB 131 250 24

HSL 91.59, 0.96%, 0.54%

LAB 88.57, -64.81, 82.58

 

CMYK 90 / 47 / 0 / 2

HEX #1985FA

RGB 25 133 250

HSL 211.2, 0.96%, 0.54%

LAB 55.97, 14.54, -66.13

 

CMYK 0 / 90 / 47 / 2

HEX #FA1985

RGB 250 25 133

HSL 331.2, 0.96%, 0.54%

LAB 54.78, 81.74, 0.79

 

CMYK 48 / 0 / 90 / 2

HEX #83FA18

RGB 131 250 24

HSL 91.59, 0.96%, 0.54%

LAB 88.57, -64.81, 82.58

 

CMYK 90 / 0 / 26 / 2

HEX #19FABA

RGB 25 250 186

HSL 162.93, 0.96%, 0.54%

LAB 88.03, -63.23, 17.15

 

CMYK 44 / 90 / 0 / 2

HEX #8D19FA

RGB 141 25 250

HSL 270.93, 0.96%, 0.54%

LAB 43.15, 80.04, -86.74

 

CMYK 0 / 90 / 65 / 2

HEX #FA1958

RGB 250 25 88

HSL 343.2, 0.96%, 0.54%

LAB 53.73, 78.85, 26.42

 

CMYK 48 / 0 / 90 / 2

HEX #83FA18

RGB 131 250 24

HSL 91.59, 0.96%, 0.54%

LAB 88.57, -64.81, 82.58

 

CMYK 90 / 2 / 0 / 2

HEX #19F6FA

RGB 25 246 250

HSL 181.07, 0.96%, 0.54%

LAB 88.46, -44.98, -15.51

 

CMYK 44 / 90 / 0 / 2

HEX #8D19FA

RGB 141 25 250

HSL 270.93, 0.96%, 0.54%

LAB 43.15, 80.04, -86.74

 

CMYK 0 / 89 / 90 / 2

HEX #FA1C19

RGB 250 28 25

HSL 0.8, 0.96%, 0.54%

LAB 53.19, 76.49, 59.52

 

Description

Color code: HEX #83FA18 | qconv.com Color code: HEX #83FA18 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 250 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 250 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 90 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 90% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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