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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #83FCCA it is the complementary color #7C0335. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #83FCCA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #83FCCA shade: #88FCC5, #99FFD8, #AAFFEB, #BBFFFE and #CCFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #83FCCA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #83FCCA shade: #83FCCA, #72EAB7, #61D8A4, #50C691 and #3FB47E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #83FCCA shade: #82FBC9, #82FBA9, #82FB88, #9DFB82 and #BEFB82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #83FCCA shade: #82FBC9, #82FBEA, #82ECFB, #82CBFB and #82ABFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #83FCCA shade matches the following richer shades: #82FBC9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #83FCCA shade: #82FBC9, #8DF1C7, #97E7C6, #A1DCC4 and #ABD2C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #83FCCA shade: #82FB88, #82FBA9, #82FBC9, #82FBE9 and #82EDFB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #83FCCA shade: #32F9A7, #5AFAB8, #82FBC9, #AAFCDA and #D3FDEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #83FCCA shade: #83FCCA, #829CFB and #FB9882

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #83FCCA shade: #83FCCA, #C982FB and #FBC982

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #83FCCA shade: #83FCCA, #829CFB, #FB82B5 and #FBE182

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #83FCCA shade: #83FCCA, #8C82FB, #FB82B5 and #F1FB82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 20 / 1

HEX #83FCCA

RGB 131 252 202

HSL 155.21, 0.95%, 0.75%

LAB 91.1, -45.42, 13.56

 

Complementary color

CMYK 0 / 98 / 57 / 51

HEX #7C0335

RGB 124 3 53

HSL 335.21, 0.95%, 0.25%

LAB 25.59, 48.54, 6.43

 

CMYK 46 / 0 / 22 / 1

HEX #88FCC5

RGB 136 252 197

HSL 151.55, 0.95%, 0.76%

LAB 91.18, -45.23, 16.27

 

CMYK 40 / 0 / 15 / 0

HEX #99FFD8

RGB 153 255 216

HSL 157.06, 1%, 0.8%

LAB 93.12, -38.39, 9.34

 

CMYK 33 / 0 / 8 / 0

HEX #AAFFEB

RGB 170 255 235

HSL 165.88, 1%, 0.83%

LAB 94.34, -29.88, 1.4

 

CMYK 27 / 0 / 0 / 0

HEX #BBFFFE

RGB 187 255 254

HSL 179.12, 1%, 0.87%

LAB 95.68, -21.11, -6.34

 

CMYK 20 / 0 / 0 / 0

HEX #CCFFFF

RGB 204 255 255

HSL 180, 1%, 0.9%

LAB 96.65, -16.01, -5.32

 

CMYK 48 / 0 / 20 / 1

HEX #83FCCA

RGB 131 252 202

HSL 155.21, 0.95%, 0.75%

LAB 91.1, -45.42, 13.56

 

CMYK 51 / 0 / 22 / 8

HEX #72EAB7

RGB 114 234 183

HSL 154.5, 0.74%, 0.68%

LAB 84.92, -45.55, 14.58

 

CMYK 55 / 0 / 24 / 15

HEX #61D8A4

RGB 97 216 164

HSL 153.78, 0.6%, 0.61%

LAB 78.66, -45.61, 15.67

 

CMYK 60 / 0 / 27 / 22

HEX #50C691

RGB 80 198 145

HSL 153.05, 0.51%, 0.55%

LAB 72.32, -45.59, 16.86

 

CMYK 65 / 0 / 30 / 29

HEX #3FB47E

RGB 63 180 126

HSL 152.31, 0.48%, 0.48%

LAB 65.91, -45.42, 18.16

 

CMYK 48 / 0 / 20 / 2

HEX #82FBC9

RGB 130 251 201

HSL 155.21, 0.94%, 0.75%

LAB 90.76, -45.43, 13.58

 

CMYK 48 / 0 / 33 / 2

HEX #82FBA9

RGB 130 251 169

HSL 139.34, 0.94%, 0.75%

LAB 90.14, -51.56, 29.07

 

CMYK 48 / 0 / 46 / 2

HEX #82FB88

RGB 130 251 136

HSL 122.98, 0.94%, 0.75%

LAB 89.63, -56.74, 44.69

 

CMYK 37 / 0 / 48 / 2

HEX #9DFB82

RGB 157 251 130

HSL 106.61, 0.94%, 0.75%

LAB 90.68, -49.75, 49.09

 

CMYK 24 / 0 / 48 / 2

HEX #BEFB82

RGB 190 251 130

HSL 90.25, 0.94%, 0.75%

LAB 92.38, -38.79, 51.56

 

CMYK 48 / 0 / 20 / 2

HEX #82FBC9

RGB 130 251 201

HSL 155.21, 0.94%, 0.75%

LAB 90.76, -45.43, 13.58

 

CMYK 48 / 0 / 7 / 2

HEX #82FBEA

RGB 130 251 234

HSL 171.57, 0.94%, 0.75%

LAB 91.54, -38.1, -2.38

 

CMYK 48 / 6 / 0 / 2

HEX #82ECFB

RGB 130 236 251

HSL 187.44, 0.94%, 0.75%

LAB 87.82, -26.83, -16.76

 

CMYK 48 / 19 / 0 / 2

HEX #82CBFB

RGB 130 203 251

HSL 203.8, 0.94%, 0.75%

LAB 78.71, -10.12, -30.63

 

CMYK 48 / 32 / 0 / 2

HEX #82ABFB

RGB 130 171 251

HSL 219.67, 0.94%, 0.75%

LAB 70.06, 7.39, -44.05

 

CMYK 48 / 0 / 20 / 2

HEX #82FBC9

RGB 130 251 201

HSL 155.21, 0.94%, 0.75%

LAB 90.76, -45.43, 13.58

 

CMYK 48 / 0 / 20 / 2

HEX #82FBC9

RGB 130 251 201

HSL 155.21, 0.94%, 0.75%

LAB 90.76, -45.43, 13.58

 

CMYK 41 / 0 / 17 / 5

HEX #8DF1C7

RGB 141 241 199

HSL 154.8, 0.78%, 0.75%

LAB 88.3, -38.69, 11.19

 

CMYK 35 / 0 / 14 / 9

HEX #97E7C6

RGB 151 231 198

HSL 155.25, 0.63%, 0.75%

LAB 85.91, -31.56, 8.35

 

CMYK 27 / 0 / 11 / 14

HEX #A1DCC4

RGB 161 220 196

HSL 155.59, 0.46%, 0.75%

LAB 83.31, -23.75, 5.73

 

CMYK 19 / 0 / 8 / 18

HEX #ABD2C2

RGB 171 210 194

HSL 155.38, 0.3%, 0.75%

LAB 81.1, -16.03, 3.67

 

CMYK 48 / 0 / 46 / 2

HEX #82FB88

RGB 130 251 136

HSL 122.98, 0.94%, 0.75%

LAB 89.63, -56.74, 44.69

 

CMYK 48 / 0 / 33 / 2

HEX #82FBA9

RGB 130 251 169

HSL 139.34, 0.94%, 0.75%

LAB 90.14, -51.56, 29.07

 

CMYK 48 / 0 / 20 / 2

HEX #82FBC9

RGB 130 251 201

HSL 155.21, 0.94%, 0.75%

LAB 90.76, -45.43, 13.58

 

CMYK 48 / 0 / 7 / 2

HEX #82FBE9

RGB 130 251 233

HSL 171.07, 0.94%, 0.75%

LAB 91.52, -38.33, -1.89

 

CMYK 48 / 6 / 0 / 2

HEX #82EDFB

RGB 130 237 251

HSL 186.94, 0.94%, 0.75%

LAB 88.1, -27.31, -16.35

 

CMYK 80 / 0 / 33 / 2

HEX #32F9A7

RGB 50 249 167

HSL 155.28, 0.94%, 0.59%

LAB 87.59, -65.18, 26.3

 

CMYK 64 / 0 / 26 / 2

HEX #5AFAB8

RGB 90 250 184

HSL 155.25, 0.94%, 0.67%

LAB 88.93, -56.72, 19.57

 

CMYK 48 / 0 / 20 / 2

HEX #82FBC9

RGB 130 251 201

HSL 155.21, 0.94%, 0.75%

LAB 90.76, -45.43, 13.58

 

CMYK 33 / 0 / 13 / 1

HEX #AAFCDA

RGB 170 252 218

HSL 155.12, 0.93%, 0.83%

LAB 93.11, -31.98, 8.4

 

CMYK 17 / 0 / 7 / 1

HEX #D3FDEC

RGB 211 253 236

HSL 155.71, 0.91%, 0.91%

LAB 96.06, -16.65, 3.66

 

CMYK 48 / 0 / 20 / 1

HEX #83FCCA

RGB 131 252 202

HSL 155.21, 0.95%, 0.75%

LAB 91.1, -45.42, 13.56

 

CMYK 48 / 38 / 0 / 2

HEX #829CFB

RGB 130 156 251

HSL 227.11, 0.94%, 0.75%

LAB 66.13, 15.98, -50.24

 

CMYK 0 / 39 / 48 / 2

HEX #FB9882

RGB 251 152 130

HSL 10.91, 0.94%, 0.75%

LAB 72.61, 34.81, 27.41

 

CMYK 48 / 0 / 20 / 1

HEX #83FCCA

RGB 131 252 202

HSL 155.21, 0.95%, 0.75%

LAB 91.1, -45.42, 13.56

 

CMYK 20 / 48 / 0 / 2

HEX #C982FB

RGB 201 130 251

HSL 275.21, 0.94%, 0.75%

LAB 66.02, 48.7, -50.02

 

CMYK 0 / 20 / 48 / 2

HEX #FBC982

RGB 251 201 130

HSL 35.21, 0.94%, 0.75%

LAB 83.91, 9.19, 42.06

 

CMYK 48 / 0 / 20 / 1

HEX #83FCCA

RGB 131 252 202

HSL 155.21, 0.95%, 0.75%

LAB 91.1, -45.42, 13.56

 

CMYK 48 / 38 / 0 / 2

HEX #829CFB

RGB 130 156 251

HSL 227.11, 0.94%, 0.75%

LAB 66.13, 15.98, -50.24

 

CMYK 0 / 48 / 28 / 2

HEX #FB82B5

RGB 251 130 181

HSL 334.71, 0.94%, 0.75%

LAB 69.33, 51.61, -5.55

 

CMYK 0 / 10 / 48 / 2

HEX #FBE182

RGB 251 225 130

HSL 47.11, 0.94%, 0.75%

LAB 89.85, -3.12, 49.45

 

CMYK 48 / 0 / 20 / 1

HEX #83FCCA

RGB 131 252 202

HSL 155.21, 0.95%, 0.75%

LAB 91.1, -45.42, 13.56

 

CMYK 44 / 48 / 0 / 2

HEX #8C82FB

RGB 140 130 251

HSL 244.96, 0.94%, 0.75%

LAB 60.34, 33.4, -59.39

 

CMYK 0 / 48 / 28 / 2

HEX #FB82B5

RGB 251 130 181

HSL 334.71, 0.94%, 0.75%

LAB 69.33, 51.61, -5.55

 

CMYK 4 / 0 / 48 / 2

HEX #F1FB82

RGB 241 251 130

HSL 64.96, 0.94%, 0.75%

LAB 95.71, -19.87, 56.37

 

Description

Color code: HEX #83FCCA | qconv.com Color code: HEX #83FCCA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 252 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 252 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 20 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 20% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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