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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8000F5 it is the complementary color #7FFF0A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8000F5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8000F5 shade: #8500F0, #9612FF, #A724FF, #B836FF and #C948FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8000F5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8000F5 shade: #8000F5, #6F00E2, #5E00CF, #4D00BC and #3C00A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8000F5 shade: #7F00F4, #C100F4, #F400E5, #F400A3 and #F40061

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8000F5 shade: #7F00F4, #3D00F4 and #0000F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8000F5 shade matches the following richer shades: #7F00F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8000F5 shade: #7F00F4, #7F13E0, #7E27CD, #7D3BB9 and #7C4FA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8000F5 shade: #0004F4, #3D00F4, #7E00F4, #BF00F4 and #F400E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8000F5 shade: #5400A2, #6A00CB, #7F00F4, #941FFF and #A748FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8000F5 shade: #8000F5, #F40045 and #00F41C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8000F5 shade: #8000F5, #F47E00 and #00F47E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8000F5 shade: #8000F5, #F40045, #76F400 and #00F4AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8000F5 shade: #8000F5, #F40400, #76F400 and #00F0F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 100 / 0 / 4

HEX #8000F5

RGB 128 0 245

HSL 271.35, 1%, 0.48%

LAB 39.88, 81.11, -89.38

 

Complementary color

CMYK 50 / 0 / 96 / 0

HEX #7FFF0A

RGB 127 255 10

HSL 91.35, 1%, 0.52%

LAB 89.88, -67.95, 85.05

 

CMYK 45 / 100 / 0 / 6

HEX #8500F0

RGB 133 0 240

HSL 273.25, 1%, 0.47%

LAB 40.04, 80.49, -86.27

 

CMYK 41 / 93 / 0 / 0

HEX #9612FF

RGB 150 18 255

HSL 273.42, 1%, 0.54%

LAB 44.43, 83.13, -87.4

 

CMYK 35 / 86 / 0 / 0

HEX #A724FF

RGB 167 36 255

HSL 275.89, 1%, 0.57%

LAB 47.88, 81.74, -81.65

 

CMYK 28 / 79 / 0 / 0

HEX #B836FF

RGB 184 54 255

HSL 278.81, 1%, 0.61%

LAB 51.89, 79.34, -75

 

CMYK 21 / 72 / 0 / 0

HEX #C948FF

RGB 201 72 255

HSL 282.3, 1%, 0.64%

LAB 56.36, 76.22, -67.65

 

CMYK 48 / 100 / 0 / 4

HEX #8000F5

RGB 128 0 245

HSL 271.35, 1%, 0.48%

LAB 39.88, 81.11, -89.38

 

CMYK 51 / 100 / 0 / 11

HEX #6F00E2

RGB 111 0 226

HSL 269.47, 1%, 0.44%

LAB 35.73, 75.8, -85.52

 

CMYK 55 / 100 / 0 / 19

HEX #5E00CF

RGB 94 0 207

HSL 267.25, 1%, 0.41%

LAB 31.54, 70.45, -81.56

 

CMYK 59 / 100 / 0 / 26

HEX #4D00BC

RGB 77 0 188

HSL 264.57, 1%, 0.37%

LAB 27.32, 65.06, -77.46

 

CMYK 64 / 100 / 0 / 34

HEX #3C00A9

RGB 60 0 169

HSL 261.3, 1%, 0.33%

LAB 23.09, 59.64, -73.17

 

CMYK 48 / 100 / 0 / 4

HEX #7F00F4

RGB 127 0 244

HSL 271.23, 1%, 0.48%

LAB 39.65, 80.82, -89.2

 

CMYK 21 / 100 / 0 / 4

HEX #C100F4

RGB 193 0 244

HSL 287.46, 1%, 0.48%

LAB 49.34, 87.75, -72.95

 

CMYK 0 / 100 / 6 / 4

HEX #F400E5

RGB 244 0 229

HSL 303.69, 1%, 0.48%

LAB 56.97, 92.98, -51.78

 

CMYK 0 / 100 / 33 / 4

HEX #F400A3

RGB 244 0 163

HSL 319.92, 1%, 0.48%

LAB 53.9, 85.27, -18.5

 

CMYK 0 / 100 / 60 / 4

HEX #F40061

RGB 244 0 97

HSL 336.15, 1%, 0.48%

LAB 51.95, 80.15, 18.39

 

CMYK 48 / 100 / 0 / 4

HEX #7F00F4

RGB 127 0 244

HSL 271.23, 1%, 0.48%

LAB 39.65, 80.82, -89.2

 

CMYK 75 / 100 / 0 / 4

HEX #3D00F4

RGB 61 0 244

HSL 255, 1%, 0.48%

LAB 32.97, 77.39, -100.5

 

CMYK 100 / 100 / 0 / 4

HEX #0000F4

RGB 0 0 244

HSL 240, 1%, 0.48%

LAB 30.72, 76.6, -104.32

 

CMYK 48 / 100 / 0 / 4

HEX #7F00F4

RGB 127 0 244

HSL 271.23, 1%, 0.48%

LAB 39.65, 80.82, -89.2

 

CMYK 48 / 100 / 0 / 4

HEX #7F00F4

RGB 127 0 244

HSL 271.23, 1%, 0.48%

LAB 39.65, 80.82, -89.2

 

CMYK 43 / 92 / 0 / 12

HEX #7F13E0

RGB 127 19 224

HSL 271.61, 0.84%, 0.48%

LAB 38.48, 74.2, -79.78

 

CMYK 39 / 81 / 0 / 20

HEX #7E27CD

RGB 126 39 205

HSL 271.45, 0.68%, 0.48%

LAB 38.37, 64.78, -69.02

 

CMYK 32 / 68 / 0 / 27

HEX #7D3BB9

RGB 125 59 185

HSL 271.43, 0.52%, 0.48%

LAB 39.56, 51.71, -55.38

 

CMYK 25 / 52 / 0 / 35

HEX #7C4FA5

RGB 124 79 165

HSL 271.4, 0.35%, 0.48%

LAB 42.14, 35.97, -39.42

 

CMYK 100 / 98 / 0 / 4

HEX #0004F4

RGB 0 4 244

HSL 239.02, 1%, 0.48%

LAB 30.92, 75.95, -103.98

 

CMYK 75 / 100 / 0 / 4

HEX #3D00F4

RGB 61 0 244

HSL 255, 1%, 0.48%

LAB 32.97, 77.39, -100.5

 

CMYK 48 / 100 / 0 / 4

HEX #7E00F4

RGB 126 0 244

HSL 270.98, 1%, 0.48%

LAB 39.53, 80.74, -89.42

 

CMYK 22 / 100 / 0 / 4

HEX #BF00F4

RGB 191 0 244

HSL 286.97, 1%, 0.48%

LAB 49.02, 87.5, -73.48

 

CMYK 0 / 100 / 5 / 4

HEX #F400E8

RGB 244 0 232

HSL 302.95, 1%, 0.48%

LAB 57.13, 93.38, -53.2

 

CMYK 48 / 100 / 0 / 36

HEX #5400A2

RGB 84 0 162

HSL 271.11, 1%, 0.32%

LAB 25.24, 59.67, -65.26

 

CMYK 48 / 100 / 0 / 20

HEX #6A00CB

RGB 106 0 203

HSL 271.33, 1%, 0.4%

LAB 32.65, 70.49, -77.35

 

CMYK 48 / 100 / 0 / 4

HEX #7F00F4

RGB 127 0 244

HSL 271.23, 1%, 0.48%

LAB 39.65, 80.82, -89.2

 

CMYK 42 / 88 / 0 / 0

HEX #941FFF

RGB 148 31 255

HSL 271.34, 1%, 0.56%

LAB 44.94, 80.6, -86.57

 

CMYK 35 / 72 / 0 / 0

HEX #A748FF

RGB 167 72 255

HSL 271.15, 1%, 0.64%

LAB 51.92, 70.03, -75.06

 

CMYK 48 / 100 / 0 / 4

HEX #8000F5

RGB 128 0 245

HSL 271.35, 1%, 0.48%

LAB 39.88, 81.11, -89.38

 

CMYK 0 / 100 / 72 / 4

HEX #F40045

RGB 244 0 69

HSL 343.03, 1%, 0.48%

LAB 51.45, 78.82, 34.67

 

CMYK 100 / 0 / 89 / 4

HEX #00F41C

RGB 0 244 28

HSL 126.89, 1%, 0.48%

LAB 84.37, -82.79, 77.47

 

CMYK 48 / 100 / 0 / 4

HEX #8000F5

RGB 128 0 245

HSL 271.35, 1%, 0.48%

LAB 39.88, 81.11, -89.38

 

CMYK 0 / 48 / 100 / 4

HEX #F47E00

RGB 244 126 0

HSL 30.98, 1%, 0.48%

LAB 65.09, 39.52, 72.05

 

CMYK 100 / 0 / 48 / 4

HEX #00F47E

RGB 0 244 126

HSL 150.98, 1%, 0.48%

LAB 85.1, -73.63, 43.29

 

CMYK 48 / 100 / 0 / 4

HEX #8000F5

RGB 128 0 245

HSL 271.35, 1%, 0.48%

LAB 39.88, 81.11, -89.38

 

CMYK 0 / 100 / 72 / 4

HEX #F40045

RGB 244 0 69

HSL 343.03, 1%, 0.48%

LAB 51.45, 78.82, 34.67

 

CMYK 52 / 0 / 100 / 4

HEX #76F400

RGB 118 244 0

HSL 90.98, 1%, 0.48%

LAB 86.28, -66.73, 82.83

 

CMYK 100 / 0 / 28 / 4

HEX #00F4AF

RGB 0 244 175

HSL 163.03, 1%, 0.48%

LAB 85.9, -64.27, 19.84

 

CMYK 48 / 100 / 0 / 4

HEX #8000F5

RGB 128 0 245

HSL 271.35, 1%, 0.48%

LAB 39.88, 81.11, -89.38

 

CMYK 0 / 98 / 100 / 4

HEX #F40400

RGB 244 4 0

HSL 0.98, 1%, 0.48%

LAB 51.06, 77.19, 65.05

 

CMYK 52 / 0 / 100 / 4

HEX #76F400

RGB 118 244 0

HSL 90.98, 1%, 0.48%

LAB 86.28, -66.73, 82.83

 

CMYK 100 / 2 / 0 / 4

HEX #00F0F4

RGB 0 240 244

HSL 180.98, 1%, 0.48%

LAB 86.43, -44.76, -15.42

 

Description

Color code: HEX #8000F5 | qconv.com Color code: HEX #8000F5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, none green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 0 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 100 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 100% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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