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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #800B88 it is the complementary color #7FF477. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #800B88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #800B88 shade: #850B83, #961D96, #A72FA9, #B841BC and #C953CF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #800B88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #800B88 shade: #800B88, #6F0075, #5E0062, #4D004F and #3C003C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #800B88 shade: #800B88, #880B6E, #880B4D, #880B2B and #880B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #800B88 shade: #800B88, #5E0B88, #3C0B88, #1B0B88 and #0B0B88

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #800B88 shade matches the following richer shades: #800B88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #800B88 shade: #800B88, #76177C, #6B2370, #612E64 and #573A58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #800B88 shade: #3D0B88, #5E0B88, #800B88, #880B6F and #880B4E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #800B88 shade: #38043C, #5C0762, #800B88, #A40EAE and #C811D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #800B88 shade: #800B88, #881B0B and #0B884E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #800B88 shade: #800B88, #88800B and #0B8880

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #800B88 shade: #800B88, #881B0B, #13880B and #0B7888

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #800B88 shade: #800B88, #88410B, #13880B and #0B5288

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 92 / 0 / 47

HEX #800B88

RGB 128 11 136

HSL 296.16, 0.85%, 0.29%

LAB 30.89, 58.53, -39.72

 

Complementary color

CMYK 48 / 0 / 51 / 4

HEX #7FF477

RGB 127 244 119

HSL 116.16, 0.85%, 0.71%

LAB 87.26, -57.05, 49.77

 

CMYK 0 / 92 / 2 / 48

HEX #850B83

RGB 133 11 131

HSL 300.98, 0.85%, 0.28%

LAB 31.5, 58.63, -35.59

 

CMYK 0 / 81 / 0 / 41

HEX #961D96

RGB 150 29 150

HSL 300, 0.68%, 0.35%

LAB 37.05, 61.22, -38.28

 

CMYK 1 / 72 / 0 / 34

HEX #A72FA9

RGB 167 47 169

HSL 299.02, 0.56%, 0.42%

LAB 42.93, 62.51, -40.18

 

CMYK 2 / 65 / 0 / 26

HEX #B841BC

RGB 184 65 188

HSL 298.05, 0.49%, 0.5%

LAB 49.01, 62.98, -41.55

 

CMYK 3 / 60 / 0 / 19

HEX #C953CF

RGB 201 83 207

HSL 297.1, 0.56%, 0.57%

LAB 55.18, 62.94, -42.56

 

CMYK 6 / 92 / 0 / 47

HEX #800B88

RGB 128 11 136

HSL 296.16, 0.85%, 0.29%

LAB 30.89, 58.53, -39.72

 

CMYK 5 / 100 / 0 / 54

HEX #6F0075

RGB 111 0 117

HSL 296.92, 1%, 0.23%

LAB 25.75, 54.21, -36.16

 

CMYK 4 / 100 / 0 / 62

HEX #5E0062

RGB 94 0 98

HSL 297.55, 1%, 0.19%

LAB 21.06, 48.03, -31.52

 

CMYK 3 / 100 / 0 / 69

HEX #4D004F

RGB 77 0 79

HSL 298.48, 1%, 0.15%

LAB 16.22, 41.64, -26.71

 

CMYK 0 / 100 / 0 / 76

HEX #3C003C

RGB 60 0 60

HSL 300, 1%, 0.12%

LAB 11.18, 35, -21.67

 

CMYK 6 / 92 / 0 / 47

HEX #800B88

RGB 128 11 136

HSL 296.16, 0.85%, 0.29%

LAB 30.89, 58.53, -39.72

 

CMYK 0 / 92 / 19 / 47

HEX #880B6E

RGB 136 11 110

HSL 312.48, 0.85%, 0.29%

LAB 30.88, 56.14, -23.24

 

CMYK 0 / 92 / 43 / 47

HEX #880B4D

RGB 136 11 77

HSL 328.32, 0.85%, 0.29%

LAB 29.44, 52.26, -3.9

 

CMYK 0 / 92 / 68 / 47

HEX #880B2B

RGB 136 11 43

HSL 344.64, 0.85%, 0.29%

LAB 28.51, 49.66, 17.62

 

CMYK 0 / 92 / 92 / 47

HEX #880B0B

RGB 136 11 11

HSL 0, 0.85%, 0.29%

LAB 28.11, 48.52, 36.55

 

CMYK 6 / 92 / 0 / 47

HEX #800B88

RGB 128 11 136

HSL 296.16, 0.85%, 0.29%

LAB 30.89, 58.53, -39.72

 

CMYK 31 / 92 / 0 / 47

HEX #5E0B88

RGB 94 11 136

HSL 279.84, 0.85%, 0.29%

LAB 24.94, 52.93, -49.65

 

CMYK 56 / 92 / 0 / 47

HEX #3C0B88

RGB 60 11 136

HSL 263.52, 0.85%, 0.29%

LAB 19.95, 48.73, -58.03

 

CMYK 80 / 92 / 0 / 47

HEX #1B0B88

RGB 27 11 136

HSL 247.68, 0.85%, 0.29%

LAB 16.75, 46.39, -63.44

 

CMYK 92 / 92 / 0 / 47

HEX #0B0B88

RGB 11 11 136

HSL 240, 0.85%, 0.29%

LAB 15.94, 45.86, -64.81

 

CMYK 6 / 92 / 0 / 47

HEX #800B88

RGB 128 11 136

HSL 296.16, 0.85%, 0.29%

LAB 30.89, 58.53, -39.72

 

CMYK 6 / 92 / 0 / 47

HEX #800B88

RGB 128 11 136

HSL 296.16, 0.85%, 0.29%

LAB 30.89, 58.53, -39.72

 

CMYK 5 / 81 / 0 / 51

HEX #76177C

RGB 118 23 124

HSL 296.44, 0.69%, 0.29%

LAB 29.21, 51.83, -35

 

CMYK 4 / 69 / 0 / 56

HEX #6B2370

RGB 107 35 112

HSL 296.1, 0.52%, 0.29%

LAB 28.11, 42.64, -29.24

 

CMYK 3 / 54 / 0 / 61

HEX #612E64

RGB 97 46 100

HSL 296.67, 0.37%, 0.29%

LAB 27.89, 31.83, -21.97

 

CMYK 1 / 34 / 0 / 65

HEX #573A58

RGB 87 58 88

HSL 298, 0.21%, 0.29%

LAB 28.79, 18.55, -12.9

 

CMYK 55 / 92 / 0 / 47

HEX #3D0B88

RGB 61 11 136

HSL 264, 0.85%, 0.29%

LAB 20.08, 48.83, -57.81

 

CMYK 31 / 92 / 0 / 47

HEX #5E0B88

RGB 94 11 136

HSL 279.84, 0.85%, 0.29%

LAB 24.94, 52.93, -49.65

 

CMYK 6 / 92 / 0 / 47

HEX #800B88

RGB 128 11 136

HSL 296.16, 0.85%, 0.29%

LAB 30.89, 58.53, -39.72

 

CMYK 0 / 92 / 18 / 47

HEX #880B6F

RGB 136 11 111

HSL 312, 0.85%, 0.29%

LAB 30.93, 56.27, -23.8

 

CMYK 0 / 92 / 43 / 47

HEX #880B4E

RGB 136 11 78

HSL 327.84, 0.85%, 0.29%

LAB 29.47, 52.36, -4.51

 

CMYK 7 / 93 / 0 / 76

HEX #38043C

RGB 56 4 60

HSL 295.71, 0.88%, 0.13%

LAB 10.95, 32.34, -22.09

 

CMYK 6 / 93 / 0 / 62

HEX #5C0762

RGB 92 7 98

HSL 296.04, 0.87%, 0.21%

LAB 21.24, 45.96, -31.25

 

CMYK 6 / 92 / 0 / 47

HEX #800B88

RGB 128 11 136

HSL 296.16, 0.85%, 0.29%

LAB 30.89, 58.53, -39.72

 

CMYK 6 / 92 / 0 / 32

HEX #A40EAE

RGB 164 14 174

HSL 296.25, 0.85%, 0.37%

LAB 40.02, 70.6, -47.84

 

CMYK 6 / 92 / 0 / 16

HEX #C811D5

RGB 200 17 213

HSL 296.02, 0.85%, 0.45%

LAB 48.86, 82.28, -56.07

 

CMYK 6 / 92 / 0 / 47

HEX #800B88

RGB 128 11 136

HSL 296.16, 0.85%, 0.29%

LAB 30.89, 58.53, -39.72

 

CMYK 0 / 80 / 92 / 47

HEX #881B0B

RGB 136 27 11

HSL 7.68, 0.85%, 0.29%

LAB 29.52, 44.51, 37.68

 

CMYK 92 / 0 / 43 / 47

HEX #0B884E

RGB 11 136 78

HSL 152.16, 0.85%, 0.29%

LAB 49.77, -44.99, 22.62

 

CMYK 6 / 92 / 0 / 47

HEX #800B88

RGB 128 11 136

HSL 296.16, 0.85%, 0.29%

LAB 30.89, 58.53, -39.72

 

CMYK 0 / 6 / 92 / 47

HEX #88800B

RGB 136 128 11

HSL 56.16, 0.85%, 0.29%

LAB 52.62, -8.98, 55.53

 

CMYK 92 / 0 / 6 / 47

HEX #0B8880

RGB 11 136 128

HSL 176.16, 0.85%, 0.29%

LAB 50.96, -32.1, -4.44

 

CMYK 6 / 92 / 0 / 47

HEX #800B88

RGB 128 11 136

HSL 296.16, 0.85%, 0.29%

LAB 30.89, 58.53, -39.72

 

CMYK 0 / 80 / 92 / 47

HEX #881B0B

RGB 136 27 11

HSL 7.68, 0.85%, 0.29%

LAB 29.52, 44.51, 37.68

 

CMYK 86 / 0 / 92 / 47

HEX #13880B

RGB 19 136 11

HSL 116.16, 0.85%, 0.29%

LAB 49.22, -52.09, 50.31

 

CMYK 92 / 12 / 0 / 47

HEX #0B7888

RGB 11 120 136

HSL 187.68, 0.85%, 0.29%

LAB 46.02, -21.47, -16.59

 

CMYK 6 / 92 / 0 / 47

HEX #800B88

RGB 128 11 136

HSL 296.16, 0.85%, 0.29%

LAB 30.89, 58.53, -39.72

 

CMYK 0 / 52 / 92 / 47

HEX #88410B

RGB 136 65 11

HSL 25.92, 0.85%, 0.29%

LAB 36.06, 27.16, 42.64

 

CMYK 86 / 0 / 92 / 47

HEX #13880B

RGB 19 136 11

HSL 116.16, 0.85%, 0.29%

LAB 49.22, -52.09, 50.31

 

CMYK 92 / 40 / 0 / 47

HEX #0B5288

RGB 11 82 136

HSL 205.92, 0.85%, 0.29%

LAB 33.74, 1.01, -35.75

 

Description

Color code: HEX #800B88 | qconv.com Color code: HEX #800B88 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 11 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 11 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 92 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 92% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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