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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #800E12 it is the complementary color #7FF1ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #800E12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #800E12 shade: #850E0D, #962020, #A73233, #B84446 and #C95659

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #800E12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #800E12 shade: #800E12, #6F0000, #5E0000, #4D0000 and #3C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #800E12 shade: #800E12 and #800E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #800E12 shade: #800E12, #800E31, #800E4F, #800E6E and #730E80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #800E12 shade matches the following richer shades: #800E12 and #8C0207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #800E12 shade: #800E12, #74191D, #692527, #5D3032 and #523C3D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #800E12 shade: #800E50, #800E32, #800E13, #80270E and #80450E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #800E12 shade: #360607, #5B0A0D, #800E12, #A51217 and #CA161C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #800E12 shade: #800E12, #6F800E and #0E4180

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #800E12 shade: #800E12, #13800E and #0E1380

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #800E12 shade: #800E12, #6F800E, #0E807A and #1F0E80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #800E12 shade: #800E12, #4D800E, #0E807A and #410E80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 86 / 50

HEX #800E12

RGB 128 14 18

HSL 357.89, 0.8%, 0.28%

LAB 26.58, 45.76, 30.93

 

Complementary color

CMYK 47 / 0 / 2 / 5

HEX #7FF1ED

RGB 127 241 237

HSL 177.89, 0.8%, 0.72%

LAB 88.7, -33.41, -8.14

 

CMYK 0 / 89 / 90 / 48

HEX #850E0D

RGB 133 14 13

HSL 0.5, 0.82%, 0.29%

LAB 27.65, 47.11, 34.98

 

CMYK 0 / 79 / 79 / 41

HEX #962020

RGB 150 32 32

HSL 0, 0.65%, 0.36%

LAB 33.18, 47.95, 30.88

 

CMYK 0 / 70 / 69 / 35

HEX #A73233

RGB 167 50 51

HSL 359.49, 0.54%, 0.43%

LAB 39.13, 47.75, 27.09

 

CMYK 0 / 63 / 62 / 28

HEX #B84446

RGB 184 68 70

HSL 358.97, 0.46%, 0.49%

LAB 45.31, 47.02, 23.96

 

CMYK 0 / 57 / 56 / 21

HEX #C95659

RGB 201 86 89

HSL 358.43, 0.52%, 0.56%

LAB 51.6, 46.05, 21.39

 

CMYK 0 / 89 / 86 / 50

HEX #800E12

RGB 128 14 18

HSL 357.89, 0.8%, 0.28%

LAB 26.58, 45.76, 30.93

 

CMYK 0 / 100 / 100 / 56

HEX #6F0000

RGB 111 0 0

HSL 0, 1%, 0.22%

LAB 21.5, 43.4, 32.69

 

CMYK 0 / 100 / 100 / 63

HEX #5E0000

RGB 94 0 0

HSL 0, 1%, 0.18%

LAB 17.37, 38.61, 26.85

 

CMYK 0 / 100 / 100 / 70

HEX #4D0000

RGB 77 0 0

HSL 0, 1%, 0.15%

LAB 13.09, 33.66, 20.53

 

CMYK 0 / 100 / 100 / 76

HEX #3C0000

RGB 60 0 0

HSL 0, 1%, 0.12%

LAB 8.66, 28.53, 13.68

 

CMYK 0 / 89 / 86 / 50

HEX #800E12

RGB 128 14 18

HSL 357.89, 0.8%, 0.28%

LAB 26.58, 45.76, 30.93

 

CMYK 0 / 89 / 89 / 50

HEX #800E0E

RGB 128 14 14

HSL 0, 0.8%, 0.28%

LAB 26.55, 45.66, 33.1

 

CMYK 0 / 89 / 86 / 50

HEX #800E12

RGB 128 14 18

HSL 357.89, 0.8%, 0.28%

LAB 26.58, 45.76, 30.93

 

CMYK 0 / 89 / 62 / 50

HEX #800E31

RGB 128 14 49

HSL 341.58, 0.8%, 0.28%

LAB 27.09, 47.24, 11.38

 

CMYK 0 / 89 / 38 / 50

HEX #800E4F

RGB 128 14 79

HSL 325.79, 0.8%, 0.28%

LAB 28.03, 49.91, -7.51

 

CMYK 0 / 89 / 14 / 50

HEX #800E6E

RGB 128 14 110

HSL 309.47, 0.8%, 0.28%

LAB 29.49, 53.89, -25.53

 

CMYK 10 / 89 / 0 / 50

HEX #730E80

RGB 115 14 128

HSL 293.16, 0.8%, 0.28%

LAB 28.16, 54.22, -39.23

 

CMYK 0 / 89 / 86 / 50

HEX #800E12

RGB 128 14 18

HSL 357.89, 0.8%, 0.28%

LAB 26.58, 45.76, 30.93

 

CMYK 0 / 99 / 95 / 45

HEX #8C0207

RGB 140 2 7

HSL 357.83, 0.97%, 0.28%

LAB 28.47, 51.06, 38.85

 

CMYK 0 / 89 / 86 / 50

HEX #800E12

RGB 128 14 18

HSL 357.89, 0.8%, 0.28%

LAB 26.58, 45.76, 30.93

 

CMYK 0 / 78 / 75 / 55

HEX #74191D

RGB 116 25 29

HSL 357.36, 0.65%, 0.28%

LAB 25.25, 39.21, 21.92

 

CMYK 0 / 65 / 63 / 59

HEX #692527

RGB 105 37 39

HSL 358.24, 0.48%, 0.28%

LAB 25.18, 30.62, 14.75

 

CMYK 0 / 48 / 46 / 64

HEX #5D3032

RGB 93 48 50

HSL 357.33, 0.32%, 0.28%

LAB 25.78, 20.62, 7.87

 

CMYK 0 / 27 / 26 / 68

HEX #523C3D

RGB 82 60 61

HSL 357.27, 0.15%, 0.28%

LAB 27.74, 9.85, 3.15

 

CMYK 0 / 89 / 38 / 50

HEX #800E50

RGB 128 14 80

HSL 325.26, 0.8%, 0.28%

LAB 28.07, 50.02, -8.12

 

CMYK 0 / 89 / 61 / 50

HEX #800E32

RGB 128 14 50

HSL 341.05, 0.8%, 0.28%

LAB 27.11, 47.31, 10.74

 

CMYK 0 / 89 / 85 / 50

HEX #800E13

RGB 128 14 19

HSL 357.37, 0.8%, 0.28%

LAB 26.59, 45.79, 30.36

 

CMYK 0 / 70 / 89 / 50

HEX #80270E

RGB 128 39 14

HSL 13.16, 0.8%, 0.28%

LAB 29.59, 37.19, 35.69

 

CMYK 0 / 46 / 89 / 50

HEX #80450E

RGB 128 69 14

HSL 28.95, 0.8%, 0.28%

LAB 35.75, 21.42, 40.82

 

CMYK 0 / 89 / 87 / 79

HEX #360607

RGB 54 6 7

HSL 358.75, 0.8%, 0.12%

LAB 8.39, 23.66, 10.25

 

CMYK 0 / 89 / 86 / 64

HEX #5B0A0D

RGB 91 10 13

HSL 357.78, 0.8%, 0.2%

LAB 17.78, 35.2, 21.78

 

CMYK 0 / 89 / 86 / 50

HEX #800E12

RGB 128 14 18

HSL 357.89, 0.8%, 0.28%

LAB 26.58, 45.76, 30.93

 

CMYK 0 / 89 / 86 / 35

HEX #A51217

RGB 165 18 23

HSL 357.96, 0.8%, 0.36%

LAB 34.99, 55.64, 38.8

 

CMYK 0 / 89 / 86 / 21

HEX #CA161C

RGB 202 22 28

HSL 358, 0.8%, 0.44%

LAB 43.08, 65.06, 46.27

 

CMYK 0 / 89 / 86 / 50

HEX #800E12

RGB 128 14 18

HSL 357.89, 0.8%, 0.28%

LAB 26.58, 45.76, 30.93

 

CMYK 13 / 0 / 89 / 50

HEX #6F800E

RGB 111 128 14

HSL 68.95, 0.8%, 0.28%

LAB 50.51, -20.42, 52.33

 

CMYK 89 / 49 / 0 / 50

HEX #0E4180

RGB 14 65 128

HSL 213.16, 0.8%, 0.28%

LAB 27.93, 9.36, -40.09

 

CMYK 0 / 89 / 86 / 50

HEX #800E12

RGB 128 14 18

HSL 357.89, 0.8%, 0.28%

LAB 26.58, 45.76, 30.93

 

CMYK 85 / 0 / 89 / 50

HEX #13800E

RGB 19 128 14

HSL 117.37, 0.8%, 0.28%

LAB 46.46, -49.48, 47.26

 

CMYK 89 / 85 / 0 / 50

HEX #0E1380

RGB 14 19 128

HSL 237.37, 0.8%, 0.28%

LAB 16.09, 39.97, -59.49

 

CMYK 0 / 89 / 86 / 50

HEX #800E12

RGB 128 14 18

HSL 357.89, 0.8%, 0.28%

LAB 26.58, 45.76, 30.93

 

CMYK 13 / 0 / 89 / 50

HEX #6F800E

RGB 111 128 14

HSL 68.95, 0.8%, 0.28%

LAB 50.51, -20.42, 52.33

 

CMYK 89 / 0 / 5 / 50

HEX #0E807A

RGB 14 128 122

HSL 176.84, 0.8%, 0.28%

LAB 48.18, -29.96, -5.04

 

CMYK 76 / 89 / 0 / 50

HEX #1F0E80

RGB 31 14 128

HSL 248.95, 0.8%, 0.28%

LAB 16.32, 43.12, -59.08

 

CMYK 0 / 89 / 86 / 50

HEX #800E12

RGB 128 14 18

HSL 357.89, 0.8%, 0.28%

LAB 26.58, 45.76, 30.93

 

CMYK 40 / 0 / 89 / 50

HEX #4D800E

RGB 77 128 14

HSL 86.84, 0.8%, 0.28%

LAB 48.32, -34.63, 49.61

 

CMYK 89 / 0 / 5 / 50

HEX #0E807A

RGB 14 128 122

HSL 176.84, 0.8%, 0.28%

LAB 48.18, -29.96, -5.04

 

CMYK 49 / 89 / 0 / 50

HEX #410E80

RGB 65 14 128

HSL 266.84, 0.8%, 0.28%

LAB 20.03, 46.33, -52.83

 

Description

Color code: HEX #800E12 | qconv.com Color code: HEX #800E12 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 14 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 14 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 86 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 86% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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