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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #800E75 it is the complementary color #7FF18A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #800E75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #800E75 shade: #850E70, #962083, #A73296, #B844A9 and #C956BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #800E75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #800E75 shade: #800E75, #6F0062, #5E004F, #4D003C and #3C0029

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #800E75 shade: #800E75, #800E56, #800E37, #800E19 and #800E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #800E75 shade: #800E75, #6C0E80, #4D0E80, #2F0E80 and #100E80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #800E75 shade matches the following richer shades: #800E75 and #8C027E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #800E75 shade: #800E75, #74196C, #692562, #5D3059 and #523C50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #800E75 shade: #4D0E80, #6B0E80, #800E77, #800E58 and #800E3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #800E75 shade: #360631, #5B0A53, #800E75, #A51297 and #CA16B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #800E75 shade: #800E75, #802E0E and #0E805C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #800E75 shade: #800E75, #77800E and #0E7780

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #800E75 shade: #800E75, #802E0E, #0E8017 and #0E6080

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #800E75 shade: #800E75, #80500E, #0E8017 and #0E3D80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 9 / 50

HEX #800E75

RGB 128 14 117

HSL 305.79, 0.8%, 0.28%

LAB 29.88, 54.94, -29.38

 

Complementary color

CMYK 47 / 0 / 43 / 5

HEX #7FF18A

RGB 127 241 138

HSL 125.79, 0.8%, 0.72%

LAB 86.63, -53.27, 39.88

 

CMYK 0 / 89 / 16 / 48

HEX #850E70

RGB 133 14 112

HSL 310.59, 0.81%, 0.29%

LAB 30.57, 55.25, -25.04

 

CMYK 0 / 79 / 13 / 41

HEX #962083

RGB 150 32 131

HSL 309.66, 0.65%, 0.36%

LAB 36.28, 57.41, -27.81

 

CMYK 0 / 70 / 10 / 35

HEX #A73296

RGB 167 50 150

HSL 308.72, 0.54%, 0.43%

LAB 42.31, 58.36, -29.78

 

CMYK 0 / 63 / 8 / 28

HEX #B844A9

RGB 184 68 169

HSL 307.76, 0.46%, 0.49%

LAB 48.5, 58.58, -31.23

 

CMYK 0 / 57 / 6 / 21

HEX #C956BC

RGB 201 86 188

HSL 306.78, 0.52%, 0.56%

LAB 54.77, 58.38, -32.33

 

CMYK 0 / 89 / 9 / 50

HEX #800E75

RGB 128 14 117

HSL 305.79, 0.8%, 0.28%

LAB 29.88, 54.94, -29.38

 

CMYK 0 / 100 / 12 / 56

HEX #6F0062

RGB 111 0 98

HSL 307.03, 1%, 0.22%

LAB 24.52, 51.21, -25.81

 

CMYK 0 / 100 / 16 / 63

HEX #5E004F

RGB 94 0 79

HSL 309.57, 1%, 0.18%

LAB 19.82, 45, -20.76

 

CMYK 0 / 100 / 22 / 70

HEX #4D003C

RGB 77 0 60

HSL 313.25, 1%, 0.15%

LAB 14.98, 38.59, -15.42

 

CMYK 0 / 100 / 32 / 76

HEX #3C0029

RGB 60 0 41

HSL 319, 1%, 0.12%

LAB 9.96, 31.96, -9.67

 

CMYK 0 / 89 / 9 / 50

HEX #800E75

RGB 128 14 117

HSL 305.79, 0.8%, 0.28%

LAB 29.88, 54.94, -29.38

 

CMYK 0 / 89 / 33 / 50

HEX #800E56

RGB 128 14 86

HSL 322.11, 0.8%, 0.28%

LAB 28.31, 50.71, -11.72

 

CMYK 0 / 89 / 57 / 50

HEX #800E37

RGB 128 14 55

HSL 338.42, 0.8%, 0.28%

LAB 27.24, 47.67, 7.51

 

CMYK 0 / 89 / 80 / 50

HEX #800E19

RGB 128 14 25

HSL 354.21, 0.8%, 0.28%

LAB 26.66, 45.98, 26.77

 

CMYK 0 / 89 / 89 / 50

HEX #800E0E

RGB 128 14 14

HSL 0, 0.8%, 0.28%

LAB 26.55, 45.66, 33.1

 

CMYK 0 / 89 / 9 / 50

HEX #800E75

RGB 128 14 117

HSL 305.79, 0.8%, 0.28%

LAB 29.88, 54.94, -29.38

 

CMYK 16 / 89 / 0 / 50

HEX #6C0E80

RGB 108 14 128

HSL 289.47, 0.8%, 0.28%

LAB 26.91, 52.95, -41.32

 

CMYK 40 / 89 / 0 / 50

HEX #4D0E80

RGB 77 14 128

HSL 273.16, 0.8%, 0.28%

LAB 21.76, 47.94, -49.91

 

CMYK 63 / 89 / 0 / 50

HEX #2F0E80

RGB 47 14 128

HSL 257.37, 0.8%, 0.28%

LAB 17.81, 44.37, -56.56

 

CMYK 88 / 89 / 0 / 50

HEX #100E80

RGB 16 14 128

HSL 241.05, 0.8%, 0.28%

LAB 15.4, 42.37, -60.65

 

CMYK 0 / 89 / 9 / 50

HEX #800E75

RGB 128 14 117

HSL 305.79, 0.8%, 0.28%

LAB 29.88, 54.94, -29.38

 

CMYK 0 / 99 / 10 / 45

HEX #8C027E

RGB 140 2 126

HSL 306.09, 0.97%, 0.28%

LAB 32.09, 60.51, -31.42

 

CMYK 0 / 89 / 9 / 50

HEX #800E75

RGB 128 14 117

HSL 305.79, 0.8%, 0.28%

LAB 29.88, 54.94, -29.38

 

CMYK 0 / 78 / 7 / 55

HEX #74196C

RGB 116 25 108

HSL 305.27, 0.65%, 0.28%

LAB 28.09, 48, -26.6

 

CMYK 0 / 65 / 7 / 59

HEX #692562

RGB 105 37 98

HSL 306.18, 0.48%, 0.28%

LAB 27.32, 38.54, -21.47

 

CMYK 0 / 48 / 4 / 64

HEX #5D3059

RGB 93 48 89

HSL 305.33, 0.32%, 0.28%

LAB 27.19, 27.08, -15.94

 

CMYK 0 / 27 / 2 / 68

HEX #523C50

RGB 82 60 80

HSL 305.45, 0.15%, 0.28%

LAB 28.39, 13.58, -8.35

 

CMYK 40 / 89 / 0 / 50

HEX #4D0E80

RGB 77 14 128

HSL 273.16, 0.8%, 0.28%

LAB 21.76, 47.94, -49.91

 

CMYK 16 / 89 / 0 / 50

HEX #6B0E80

RGB 107 14 128

HSL 288.95, 0.8%, 0.28%

LAB 26.73, 52.78, -41.61

 

CMYK 0 / 89 / 7 / 50

HEX #800E77

RGB 128 14 119

HSL 304.74, 0.8%, 0.28%

LAB 30, 55.25, -30.47

 

CMYK 0 / 89 / 31 / 50

HEX #800E58

RGB 128 14 88

HSL 321.05, 0.8%, 0.28%

LAB 28.4, 50.95, -12.91

 

CMYK 0 / 89 / 55 / 50

HEX #800E3A

RGB 128 14 58

HSL 336.84, 0.8%, 0.28%

LAB 27.32, 47.91, 5.59

 

CMYK 0 / 89 / 9 / 79

HEX #360631

RGB 54 6 49

HSL 306.25, 0.8%, 0.12%

LAB 10.08, 28.8, -15.53

 

CMYK 0 / 89 / 9 / 64

HEX #5B0A53

RGB 91 10 83

HSL 305.93, 0.8%, 0.2%

LAB 20.31, 42.42, -22.75

 

CMYK 0 / 89 / 9 / 50

HEX #800E75

RGB 128 14 117

HSL 305.79, 0.8%, 0.28%

LAB 29.88, 54.94, -29.38

 

CMYK 0 / 89 / 8 / 35

HEX #A51297

RGB 165 18 151

HSL 305.71, 0.8%, 0.36%

LAB 39.01, 66.67, -35.6

 

CMYK 0 / 89 / 8 / 21

HEX #CA16B9

RGB 202 22 185

HSL 305.67, 0.8%, 0.44%

LAB 47.79, 77.86, -41.53

 

CMYK 0 / 89 / 9 / 50

HEX #800E75

RGB 128 14 117

HSL 305.79, 0.8%, 0.28%

LAB 29.88, 54.94, -29.38

 

CMYK 0 / 64 / 89 / 50

HEX #802E0E

RGB 128 46 14

HSL 16.84, 0.8%, 0.28%

LAB 30.82, 33.91, 36.72

 

CMYK 89 / 0 / 28 / 50

HEX #0E805C

RGB 14 128 92

HSL 161.05, 0.8%, 0.28%

LAB 47.37, -38.44, 11.4

 

CMYK 0 / 89 / 9 / 50

HEX #800E75

RGB 128 14 117

HSL 305.79, 0.8%, 0.28%

LAB 29.88, 54.94, -29.38

 

CMYK 7 / 0 / 89 / 50

HEX #77800E

RGB 119 128 14

HSL 64.74, 0.8%, 0.28%

LAB 51.14, -16.79, 53.12

 

CMYK 89 / 7 / 0 / 50

HEX #0E7780

RGB 14 119 128

HSL 184.74, 0.8%, 0.28%

LAB 45.42, -23.52, -12.73

 

CMYK 0 / 89 / 9 / 50

HEX #800E75

RGB 128 14 117

HSL 305.79, 0.8%, 0.28%

LAB 29.88, 54.94, -29.38

 

CMYK 0 / 64 / 89 / 50

HEX #802E0E

RGB 128 46 14

HSL 16.84, 0.8%, 0.28%

LAB 30.82, 33.91, 36.72

 

CMYK 89 / 0 / 82 / 50

HEX #0E8017

RGB 14 128 23

HSL 124.74, 0.8%, 0.28%

LAB 46.44, -49.5, 44.69

 

CMYK 89 / 25 / 0 / 50

HEX #0E6080

RGB 14 96 128

HSL 196.84, 0.8%, 0.28%

LAB 37.87, -10.74, -24.33

 

CMYK 0 / 89 / 9 / 50

HEX #800E75

RGB 128 14 117

HSL 305.79, 0.8%, 0.28%

LAB 29.88, 54.94, -29.38

 

CMYK 0 / 38 / 89 / 50

HEX #80500E

RGB 128 80 14

HSL 34.74, 0.8%, 0.28%

LAB 38.48, 14.97, 43.07

 

CMYK 89 / 0 / 82 / 50

HEX #0E8017

RGB 14 128 23

HSL 124.74, 0.8%, 0.28%

LAB 46.44, -49.5, 44.69

 

CMYK 89 / 52 / 0 / 50

HEX #0E3D80

RGB 14 61 128

HSL 215.26, 0.8%, 0.28%

LAB 26.7, 12.17, -42.08

 

Description

Color code: HEX #800E75 | qconv.com Color code: HEX #800E75 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 14 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 14 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 9 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 9% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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