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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #801859 it is the complementary color #7FE7A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #801859. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #801859 shade: #851854, #962A67, #A73C7A, #B84E8D and #C960A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #801859. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #801859 shade: #801859, #6F0646, #5E0033, #4D0020 and #3C000D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #801859 shade: #801859, #80183D, #801821 and #801818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #801859 shade: #801859, #801875, #6F1880, #531880 and #371880

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #801859 shade matches the following richer shades: #801859 and #8C0C5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #801859 shade: #801859, #742456, #673153, #5B3D50 and #4F494D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #801859 shade: #6F1880, #801876, #80185A, #80183E and #801822

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #801859 shade: #3B0B29, #5D1141, #801859, #A31F71 and #C52589

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #801859 shade: #801859, #805318 and #18807D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #801859 shade: #801859, #5A8018 and #185A80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #801859 shade: #801859, #805318, #18803E and #184580

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #801859 shade: #801859, #807218, #18803E and #182680

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 30 / 50

HEX #801859

RGB 128 24 89

HSL 322.5, 0.68%, 0.3%

LAB 29.32, 48.55, -12.16

 

Complementary color

CMYK 45 / 0 / 28 / 9

HEX #7FE7A6

RGB 127 231 166

HSL 142.5, 0.68%, 0.7%

LAB 84.18, -44.41, 22.46

 

CMYK 0 / 82 / 37 / 48

HEX #851854

RGB 133 24 84

HSL 326.97, 0.69%, 0.31%

LAB 30.11, 49.27, -7.59

 

CMYK 0 / 72 / 31 / 41

HEX #962A67

RGB 150 42 103

HSL 326.11, 0.56%, 0.38%

LAB 36.21, 50.18, -10.33

 

CMYK 0 / 64 / 27 / 35

HEX #A73C7A

RGB 167 60 122

HSL 325.23, 0.47%, 0.45%

LAB 42.54, 50.26, -12.35

 

CMYK 0 / 58 / 23 / 28

HEX #B84E8D

RGB 184 78 141

HSL 324.34, 0.43%, 0.51%

LAB 48.96, 49.89, -13.88

 

CMYK 0 / 52 / 20 / 21

HEX #C960A0

RGB 201 96 160

HSL 323.43, 0.49%, 0.58%

LAB 55.4, 49.3, -15.11

 

CMYK 0 / 81 / 30 / 50

HEX #801859

RGB 128 24 89

HSL 322.5, 0.68%, 0.3%

LAB 29.32, 48.55, -12.16

 

CMYK 0 / 95 / 37 / 56

HEX #6F0646

RGB 111 6 70

HSL 323.43, 0.9%, 0.23%

LAB 23.51, 46.28, -8.61

 

CMYK 0 / 100 / 46 / 63

HEX #5E0033

RGB 94 0 51

HSL 327.45, 1%, 0.18%

LAB 18.45, 41.5, -3.36

 

CMYK 0 / 100 / 58 / 70

HEX #4D0020

RGB 77 0 32

HSL 335.06, 1%, 0.15%

LAB 13.72, 35.35, 3.13

 

CMYK 0 / 100 / 78 / 76

HEX #3C000D

RGB 60 0 13

HSL 347, 1%, 0.12%

LAB 8.91, 29.2, 8.64

 

CMYK 0 / 81 / 30 / 50

HEX #801859

RGB 128 24 89

HSL 322.5, 0.68%, 0.3%

LAB 29.32, 48.55, -12.16

 

CMYK 0 / 81 / 52 / 50

HEX #80183D

RGB 128 24 61

HSL 338.65, 0.68%, 0.3%

LAB 28.33, 45.54, 4.99

 

CMYK 0 / 81 / 74 / 50

HEX #801821

RGB 128 24 33

HSL 354.81, 0.68%, 0.3%

LAB 27.72, 43.64, 22.86

 

CMYK 0 / 81 / 81 / 50

HEX #801818

RGB 128 24 24

HSL 0, 0.68%, 0.3%

LAB 27.6, 43.26, 28.38

 

CMYK 0 / 81 / 30 / 50

HEX #801859

RGB 128 24 89

HSL 322.5, 0.68%, 0.3%

LAB 29.32, 48.55, -12.16

 

CMYK 0 / 81 / 9 / 50

HEX #801875

RGB 128 24 117

HSL 306.35, 0.68%, 0.3%

LAB 30.7, 52.55, -28.08

 

CMYK 13 / 81 / 0 / 50

HEX #6F1880

RGB 111 24 128

HSL 290.19, 0.68%, 0.3%

LAB 28.36, 50.82, -38.95

 

CMYK 35 / 81 / 0 / 50

HEX #531880

RGB 83 24 128

HSL 274.04, 0.68%, 0.3%

LAB 23.84, 45.47, -46.49

 

CMYK 57 / 81 / 0 / 50

HEX #371880

RGB 55 24 128

HSL 257.88, 0.68%, 0.3%

LAB 20.14, 41.06, -52.69

 

CMYK 0 / 81 / 30 / 50

HEX #801859

RGB 128 24 89

HSL 322.5, 0.68%, 0.3%

LAB 29.32, 48.55, -12.16

 

CMYK 0 / 91 / 34 / 45

HEX #8C0C5C

RGB 140 12 92

HSL 322.5, 0.84%, 0.3%

LAB 30.9, 54.63, -11.49

 

CMYK 0 / 81 / 30 / 50

HEX #801859

RGB 128 24 89

HSL 322.5, 0.68%, 0.3%

LAB 29.32, 48.55, -12.16

 

CMYK 0 / 69 / 26 / 55

HEX #742456

RGB 116 36 86

HSL 322.5, 0.53%, 0.3%

LAB 28.5, 40.32, -11.64

 

CMYK 0 / 52 / 19 / 60

HEX #673153

RGB 103 49 83

HSL 322.22, 0.36%, 0.3%

LAB 28.65, 28.93, -9.64

 

CMYK 0 / 33 / 12 / 64

HEX #5B3D50

RGB 91 61 80

HSL 322, 0.2%, 0.3%

LAB 29.76, 16.54, -6.18

 

CMYK 0 / 8 / 3 / 69

HEX #4F494D

RGB 79 73 77

HSL 320, 0.04%, 0.3%

LAB 31.72, 3.35, -1.48

 

CMYK 13 / 81 / 0 / 50

HEX #6F1880

RGB 111 24 128

HSL 290.19, 0.68%, 0.3%

LAB 28.36, 50.82, -38.95

 

CMYK 0 / 81 / 8 / 50

HEX #801876

RGB 128 24 118

HSL 305.77, 0.68%, 0.3%

LAB 30.76, 52.71, -28.62

 

CMYK 0 / 81 / 30 / 50

HEX #80185A

RGB 128 24 90

HSL 321.92, 0.68%, 0.3%

LAB 29.36, 48.68, -12.75

 

CMYK 0 / 81 / 52 / 50

HEX #80183E

RGB 128 24 62

HSL 338.08, 0.68%, 0.3%

LAB 28.35, 45.63, 4.36

 

CMYK 0 / 81 / 73 / 50

HEX #801822

RGB 128 24 34

HSL 354.23, 0.68%, 0.3%

LAB 27.73, 43.69, 22.23

 

CMYK 0 / 81 / 31 / 77

HEX #3B0B29

RGB 59 11 41

HSL 322.5, 0.69%, 0.14%

LAB 11.48, 26.67, -7.36

 

CMYK 0 / 82 / 30 / 64

HEX #5D1141

RGB 93 17 65

HSL 322.11, 0.69%, 0.22%

LAB 20.48, 38.12, -10.14

 

CMYK 0 / 81 / 30 / 50

HEX #801859

RGB 128 24 89

HSL 322.5, 0.68%, 0.3%

LAB 29.32, 48.55, -12.16

 

CMYK 0 / 81 / 31 / 36

HEX #A31F71

RGB 163 31 113

HSL 322.73, 0.68%, 0.38%

LAB 37.77, 58.4, -14.07

 

CMYK 0 / 81 / 30 / 23

HEX #C52589

RGB 197 37 137

HSL 322.5, 0.68%, 0.46%

LAB 45.63, 67.83, -16.33

 

CMYK 0 / 81 / 30 / 50

HEX #801859

RGB 128 24 89

HSL 322.5, 0.68%, 0.3%

LAB 29.32, 48.55, -12.16

 

CMYK 0 / 35 / 81 / 50

HEX #805318

RGB 128 83 24

HSL 34.04, 0.68%, 0.3%

LAB 39.31, 13.53, 39.95

 

CMYK 81 / 0 / 2 / 50

HEX #18807D

RGB 24 128 125

HSL 178.27, 0.68%, 0.3%

LAB 48.4, -28.18, -6.47

 

CMYK 0 / 81 / 30 / 50

HEX #801859

RGB 128 24 89

HSL 322.5, 0.68%, 0.3%

LAB 29.32, 48.55, -12.16

 

CMYK 30 / 0 / 81 / 50

HEX #5A8018

RGB 90 128 24

HSL 81.92, 0.68%, 0.3%

LAB 49.1, -29.09, 47.83

 

CMYK 81 / 30 / 0 / 50

HEX #185A80

RGB 24 90 128

HSL 201.92, 0.68%, 0.3%

LAB 36.11, -6.13, -27.08

 

CMYK 0 / 81 / 30 / 50

HEX #801859

RGB 128 24 89

HSL 322.5, 0.68%, 0.3%

LAB 29.32, 48.55, -12.16

 

CMYK 0 / 35 / 81 / 50

HEX #805318

RGB 128 83 24

HSL 34.04, 0.68%, 0.3%

LAB 39.31, 13.53, 39.95

 

CMYK 81 / 0 / 52 / 50

HEX #18803E

RGB 24 128 62

HSL 141.92, 0.68%, 0.3%

LAB 46.95, -43.73, 27.77

 

CMYK 81 / 46 / 0 / 50

HEX #184580

RGB 24 69 128

HSL 214.04, 0.68%, 0.3%

LAB 29.44, 7.59, -37.66

 

CMYK 0 / 81 / 30 / 50

HEX #801859

RGB 128 24 89

HSL 322.5, 0.68%, 0.3%

LAB 29.32, 48.55, -12.16

 

CMYK 0 / 11 / 81 / 50

HEX #807218

RGB 128 114 24

HSL 51.92, 0.68%, 0.3%

LAB 47.87, -4.58, 47.82

 

CMYK 81 / 0 / 52 / 50

HEX #18803E

RGB 24 128 62

HSL 141.92, 0.68%, 0.3%

LAB 46.95, -43.73, 27.77

 

CMYK 81 / 70 / 0 / 50

HEX #182680

RGB 24 38 128

HSL 231.92, 0.68%, 0.3%

LAB 20.59, 29.2, -52.03

 

Description

Color code: HEX #801859 | qconv.com Color code: HEX #801859 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 24 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 24 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 30 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 30% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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