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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #802C9A it is the complementary color #7FD365. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #802C9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #802C9A shade: #852C95, #963EA8, #A750BB, #B862CE and #C974E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #802C9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #802C9A shade: #802C9A, #6F1A87, #5E0874, #4D0061 and #3C004E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #802C9A shade: #802B9B, #9B2B97, #9B2B79, #9B2B5B and #9B2B3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #802C9A shade: #802B9B, #622B9B, #442B9B and #2B2B9B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #802C9A shade matches the following richer shades: #802B9B, #891BAB and #910BBB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #802C9A shade: #802B9B, #783B8B, #6F4B7A, #675C6A and #5E6C5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #802C9A shade: #432B9B, #612B9B, #7F2B9B, #9B2B99 and #9B2B7B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #802C9A shade: #4B195A, #66227A, #802B9B, #9B34BB and #AE4CCC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #802C9A shade: #802C9A, #9B2B31 and #2B9B52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #802C9A shade: #802C9A, #9B7F2B and #2B9B7F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #802C9A shade: #802C9A, #9B2B31, #479B2B and #2B9B95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #802C9A shade: #802C9A, #9B472B, #479B2B and #2B7F9B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 71 / 0 / 40

HEX #802C9A

RGB 128 44 154

HSL 285.82, 0.56%, 0.39%

LAB 35.45, 52.21, -43.48

 

Complementary color

CMYK 40 / 0 / 52 / 17

HEX #7FD365

RGB 127 211 101

HSL 105.82, 0.56%, 0.61%

LAB 77.3, -45.87, 46.16

 

CMYK 11 / 70 / 0 / 42

HEX #852C95

RGB 133 44 149

HSL 290.86, 0.54%, 0.38%

LAB 35.9, 52.35, -39.66

 

CMYK 11 / 63 / 0 / 34

HEX #963EA8

RGB 150 62 168

HSL 289.81, 0.46%, 0.45%

LAB 42.39, 52.33, -40.6

 

CMYK 11 / 57 / 0 / 27

HEX #A750BB

RGB 167 80 187

HSL 288.79, 0.44%, 0.52%

LAB 48.93, 51.91, -41.24

 

CMYK 11 / 52 / 0 / 19

HEX #B862CE

RGB 184 98 206

HSL 287.78, 0.52%, 0.6%

LAB 55.46, 51.29, -41.7

 

CMYK 11 / 48 / 0 / 12

HEX #C974E1

RGB 201 116 225

HSL 286.79, 0.64%, 0.67%

LAB 61.95, 50.57, -42.06

 

CMYK 17 / 71 / 0 / 40

HEX #802C9A

RGB 128 44 154

HSL 285.82, 0.56%, 0.39%

LAB 35.45, 52.21, -43.48

 

CMYK 18 / 81 / 0 / 47

HEX #6F1A87

RGB 111 26 135

HSL 286.79, 0.68%, 0.32%

LAB 29.08, 51.55, -42.18

 

CMYK 19 / 93 / 0 / 55

HEX #5E0874

RGB 94 8 116

HSL 287.78, 0.87%, 0.24%

LAB 23.05, 49.48, -40.04

 

CMYK 21 / 100 / 0 / 62

HEX #4D0061

RGB 77 0 97

HSL 287.63, 1%, 0.19%

LAB 17.65, 45, -36.54

 

CMYK 23 / 100 / 0 / 69

HEX #3C004E

RGB 60 0 78

HSL 286.15, 1%, 0.15%

LAB 12.68, 38.49, -31.91

 

CMYK 17 / 72 / 0 / 39

HEX #802B9B

RGB 128 43 155

HSL 285.54, 0.57%, 0.39%

LAB 35.37, 52.83, -44.21

 

CMYK 0 / 72 / 3 / 39

HEX #9B2B97

RGB 155 43 151

HSL 302.14, 0.57%, 0.39%

LAB 39.46, 58.17, -35

 

CMYK 0 / 72 / 22 / 39

HEX #9B2B79

RGB 155 43 121

HSL 318.21, 0.57%, 0.39%

LAB 37.98, 53.57, -18.88

 

CMYK 0 / 72 / 41 / 39

HEX #9B2B5B

RGB 155 43 91

HSL 334.29, 0.57%, 0.39%

LAB 36.84, 49.86, -1.66

 

CMYK 0 / 72 / 61 / 39

HEX #9B2B3D

RGB 155 43 61

HSL 350.36, 0.57%, 0.39%

LAB 36.05, 47.19, 16.46

 

CMYK 17 / 72 / 0 / 39

HEX #802B9B

RGB 128 43 155

HSL 285.54, 0.57%, 0.39%

LAB 35.37, 52.83, -44.21

 

CMYK 37 / 72 / 0 / 39

HEX #622B9B

RGB 98 43 155

HSL 269.46, 0.57%, 0.39%

LAB 31.09, 46.57, -51.33

 

CMYK 56 / 72 / 0 / 39

HEX #442B9B

RGB 68 43 155

HSL 253.39, 0.57%, 0.39%

LAB 27.64, 41.19, -57.12

 

CMYK 72 / 72 / 0 / 39

HEX #2B2B9B

RGB 43 43 155

HSL 240, 0.57%, 0.39%

LAB 25.59, 37.81, -60.56

 

CMYK 17 / 72 / 0 / 39

HEX #802B9B

RGB 128 43 155

HSL 285.54, 0.57%, 0.39%

LAB 35.37, 52.83, -44.21

 

CMYK 20 / 84 / 0 / 33

HEX #891BAB

RGB 137 27 171

HSL 285.83, 0.73%, 0.39%

LAB 36.07, 63.02, -52.66

 

CMYK 22 / 94 / 0 / 27

HEX #910BBB

RGB 145 11 187

HSL 285.68, 0.89%, 0.39%

LAB 37.57, 70.26, -59.67

 

CMYK 17 / 72 / 0 / 39

HEX #802B9B

RGB 128 43 155

HSL 285.54, 0.57%, 0.39%

LAB 35.37, 52.83, -44.21

 

CMYK 14 / 58 / 0 / 45

HEX #783B8B

RGB 120 59 139

HSL 285.75, 0.4%, 0.39%

LAB 35.96, 39.92, -33.58

 

CMYK 9 / 39 / 0 / 52

HEX #6F4B7A

RGB 111 75 122

HSL 285.96, 0.24%, 0.39%

LAB 37.51, 24.19, -20.75

 

CMYK 3 / 13 / 0 / 58

HEX #675C6A

RGB 103 92 106

HSL 287.14, 0.07%, 0.39%

LAB 40.54, 7.29, -6.36

 

CMYK 13 / 0 / 17 / 58

HEX #5E6C5A

RGB 94 108 90

HSL 106.67, 0.09%, 0.39%

LAB 44.01, -9.05, 8.32

 

CMYK 57 / 72 / 0 / 39

HEX #432B9B

RGB 67 43 155

HSL 252.86, 0.57%, 0.39%

LAB 27.54, 41.03, -57.28

 

CMYK 37 / 72 / 0 / 39

HEX #612B9B

RGB 97 43 155

HSL 268.93, 0.57%, 0.39%

LAB 30.96, 46.37, -51.55

 

CMYK 18 / 72 / 0 / 39

HEX #7F2B9B

RGB 127 43 155

HSL 285, 0.57%, 0.39%

LAB 35.22, 52.61, -44.47

 

CMYK 0 / 72 / 1 / 39

HEX #9B2B99

RGB 155 43 153

HSL 301.07, 0.57%, 0.39%

LAB 39.57, 58.5, -36.03

 

CMYK 0 / 72 / 21 / 39

HEX #9B2B7B

RGB 155 43 123

HSL 317.14, 0.57%, 0.39%

LAB 38.07, 53.85, -19.99

 

CMYK 17 / 72 / 0 / 65

HEX #4B195A

RGB 75 25 90

HSL 286.15, 0.57%, 0.23%

LAB 19.76, 34.39, -28.49

 

CMYK 16 / 72 / 0 / 52

HEX #66227A

RGB 102 34 122

HSL 286.36, 0.56%, 0.31%

LAB 27.77, 43.88, -36.18

 

CMYK 17 / 72 / 0 / 39

HEX #802B9B

RGB 128 43 155

HSL 285.54, 0.57%, 0.39%

LAB 35.37, 52.83, -44.21

 

CMYK 17 / 72 / 0 / 27

HEX #9B34BB

RGB 155 52 187

HSL 285.78, 0.56%, 0.47%

LAB 42.78, 61.4, -51.16

 

CMYK 15 / 63 / 0 / 20

HEX #AE4CCC

RGB 174 76 204

HSL 285.94, 0.56%, 0.55%

LAB 50.13, 58.91, -49.1

 

CMYK 17 / 71 / 0 / 40

HEX #802C9A

RGB 128 44 154

HSL 285.82, 0.56%, 0.39%

LAB 35.45, 52.21, -43.48

 

CMYK 0 / 72 / 68 / 39

HEX #9B2B31

RGB 155 43 49

HSL 356.79, 0.57%, 0.39%

LAB 35.83, 46.43, 23.77

 

CMYK 72 / 0 / 47 / 39

HEX #2B9B52

RGB 43 155 82

HSL 140.89, 0.57%, 0.39%

LAB 56.65, -47.58, 29.44

 

CMYK 17 / 71 / 0 / 40

HEX #802C9A

RGB 128 44 154

HSL 285.82, 0.56%, 0.39%

LAB 35.45, 52.21, -43.48

 

CMYK 0 / 18 / 72 / 39

HEX #9B7F2B

RGB 155 127 43

HSL 45, 0.57%, 0.39%

LAB 54.37, 1.55, 47.58

 

CMYK 72 / 0 / 18 / 39

HEX #2B9B7F

RGB 43 155 127

HSL 165, 0.57%, 0.39%

LAB 57.55, -37.82, 5.78

 

CMYK 17 / 71 / 0 / 40

HEX #802C9A

RGB 128 44 154

HSL 285.82, 0.56%, 0.39%

LAB 35.45, 52.21, -43.48

 

CMYK 0 / 72 / 68 / 39

HEX #9B2B31

RGB 155 43 49

HSL 356.79, 0.57%, 0.39%

LAB 35.83, 46.43, 23.77

 

CMYK 54 / 0 / 72 / 39

HEX #479B2B

RGB 71 155 43

HSL 105, 0.57%, 0.39%

LAB 57.03, -46.07, 48.46

 

CMYK 72 / 0 / 4 / 39

HEX #2B9B95

RGB 43 155 149

HSL 176.79, 0.57%, 0.39%

LAB 58.16, -31.75, -5.83

 

CMYK 17 / 71 / 0 / 40

HEX #802C9A

RGB 128 44 154

HSL 285.82, 0.56%, 0.39%

LAB 35.45, 52.21, -43.48

 

CMYK 0 / 54 / 72 / 39

HEX #9B472B

RGB 155 71 43

HSL 15, 0.57%, 0.39%

LAB 40.65, 33.07, 33.02

 

CMYK 54 / 0 / 72 / 39

HEX #479B2B

RGB 71 155 43

HSL 105, 0.57%, 0.39%

LAB 57.03, -46.07, 48.46

 

CMYK 72 / 18 / 0 / 39

HEX #2B7F9B

RGB 43 127 155

HSL 195, 0.57%, 0.39%

LAB 49.57, -15.44, -22.28

 

Description

Color code: HEX #802C9A | qconv.com Color code: HEX #802C9A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 44 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 44 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 71 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 71% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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