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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #803750 it is the complementary color #7FC8AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #803750. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #803750 shade: #85374B, #96495E, #A75B71, #B86D84 and #C97F97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #803750. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #803750 shade: #803750, #6F253D, #5E132A, #4D0117 and #3C0004

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #803750 shade: #803750, #80373C and #803737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #803750 shade: #803750, #803764, #803777, #753780 and #613780

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #803750 shade matches the following richer shades: #803750, #8F284B, #9E1946 and #AD0A42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #803750 shade: #803750, #714554, #625459, #53635E and #457262

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #803750 shade: #803777, #803764, #803750, #80373D and #804437

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #803750 shade: #461E2C, #632A3E, #803750, #9D4362 and #B55475

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #803750 shade: #803750, #807537 and #376E80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #803750 shade: #803750, #508037 and #375080

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #803750 shade: #803750, #807537, #378066 and #374280

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #803750 shade: #803750, #758037, #378066 and #423780

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 38 / 50

HEX #803750

RGB 128 55 80

HSL 339.45, 0.4%, 0.36%

LAB 33.78, 34.29, 0.35

 

Complementary color

CMYK 37 / 0 / 13 / 22

HEX #7FC8AF

RGB 127 200 175

HSL 159.45, 0.4%, 0.64%

LAB 75.4, -28.4, 5.33

 

CMYK 0 / 59 / 44 / 48

HEX #85374B

RGB 133 55 75

HSL 344.62, 0.41%, 0.37%

LAB 34.45, 35.51, 4.65

 

CMYK 0 / 51 / 37 / 41

HEX #96495E

RGB 150 73 94

HSL 343.64, 0.35%, 0.44%

LAB 41.31, 34.59, 2.86

 

CMYK 0 / 46 / 32 / 35

HEX #A75B71

RGB 167 91 113

HSL 342.63, 0.3%, 0.51%

LAB 48.12, 33.64, 1.42

 

CMYK 0 / 41 / 28 / 28

HEX #B86D84

RGB 184 109 132

HSL 341.6, 0.35%, 0.57%

LAB 54.86, 32.72, 0.23

 

CMYK 0 / 37 / 25 / 21

HEX #C97F97

RGB 201 127 151

HSL 340.54, 0.41%, 0.64%

LAB 61.51, 31.86, -0.81

 

CMYK 0 / 57 / 38 / 50

HEX #803750

RGB 128 55 80

HSL 339.45, 0.4%, 0.36%

LAB 33.78, 34.29, 0.35

 

CMYK 0 / 67 / 45 / 56

HEX #6F253D

RGB 111 37 61

HSL 340.54, 0.5%, 0.29%

LAB 26.85, 34.98, 2.43

 

CMYK 0 / 80 / 55 / 63

HEX #5E132A

RGB 94 19 42

HSL 341.6, 0.66%, 0.22%

LAB 20.09, 35.04, 5.43

 

CMYK 0 / 99 / 70 / 70

HEX #4D0117

RGB 77 1 23

HSL 342.63, 0.97%, 0.15%

LAB 13.6, 34.31, 9.7

 

CMYK 0 / 100 / 93 / 76

HEX #3C0004

RGB 60 0 4

HSL 356, 1%, 0.12%

LAB 8.73, 28.74, 12.16

 

CMYK 0 / 57 / 38 / 50

HEX #803750

RGB 128 55 80

HSL 339.45, 0.4%, 0.36%

LAB 33.78, 34.29, 0.35

 

CMYK 0 / 57 / 53 / 50

HEX #80373C

RGB 128 55 60

HSL 355.89, 0.4%, 0.36%

LAB 33.24, 32.05, 12.49

 

CMYK 0 / 57 / 57 / 50

HEX #803737

RGB 128 55 55

HSL 0, 0.4%, 0.36%

LAB 33.13, 31.58, 15.54

 

CMYK 0 / 57 / 38 / 50

HEX #803750

RGB 128 55 80

HSL 339.45, 0.4%, 0.36%

LAB 33.78, 34.29, 0.35

 

CMYK 0 / 57 / 22 / 50

HEX #803764

RGB 128 55 100

HSL 323.01, 0.4%, 0.36%

LAB 34.48, 37.14, -11.41

 

CMYK 0 / 57 / 7 / 50

HEX #803777

RGB 128 55 119

HSL 307.4, 0.4%, 0.36%

LAB 35.31, 40.35, -22.12

 

CMYK 9 / 57 / 0 / 50

HEX #753780

RGB 117 55 128

HSL 290.96, 0.4%, 0.36%

LAB 34.13, 38.84, -29.69

 

CMYK 24 / 57 / 0 / 50

HEX #613780

RGB 97 55 128

HSL 274.52, 0.4%, 0.36%

LAB 31.42, 33.14, -34.16

 

CMYK 0 / 57 / 38 / 50

HEX #803750

RGB 128 55 80

HSL 339.45, 0.4%, 0.36%

LAB 33.78, 34.29, 0.35

 

CMYK 0 / 72 / 48 / 44

HEX #8F284B

RGB 143 40 75

HSL 339.61, 0.56%, 0.36%

LAB 33.7, 45.72, 3.81

 

CMYK 0 / 84 / 56 / 38

HEX #9E1946

RGB 158 25 70

HSL 339.7, 0.73%, 0.36%

LAB 34.82, 54.45, 9.06

 

CMYK 0 / 94 / 62 / 32

HEX #AD0A42

RGB 173 10 66

HSL 339.39, 0.89%, 0.36%

LAB 36.92, 60.75, 15.04

 

CMYK 0 / 57 / 38 / 50

HEX #803750

RGB 128 55 80

HSL 339.45, 0.4%, 0.36%

LAB 33.78, 34.29, 0.35

 

CMYK 0 / 39 / 26 / 56

HEX #714554

RGB 113 69 84

HSL 339.55, 0.24%, 0.36%

LAB 34.82, 21.17, -0.95

 

CMYK 0 / 14 / 9 / 62

HEX #625459

RGB 98 84 89

HSL 338.57, 0.08%, 0.36%

LAB 37.22, 6.72, -0.78

 

CMYK 16 / 0 / 5 / 61

HEX #53635E

RGB 83 99 94

HSL 161.25, 0.09%, 0.36%

LAB 40.53, -7.21, 0.79

 

CMYK 39 / 0 / 14 / 55

HEX #457262

RGB 69 114 98

HSL 158.67, 0.25%, 0.36%

LAB 44.49, -19.5, 4.01

 

CMYK 0 / 57 / 7 / 50

HEX #803777

RGB 128 55 119

HSL 307.4, 0.4%, 0.36%

LAB 35.31, 40.35, -22.12

 

CMYK 0 / 57 / 22 / 50

HEX #803764

RGB 128 55 100

HSL 323.01, 0.4%, 0.36%

LAB 34.48, 37.14, -11.41

 

CMYK 0 / 57 / 38 / 50

HEX #803750

RGB 128 55 80

HSL 339.45, 0.4%, 0.36%

LAB 33.78, 34.29, 0.35

 

CMYK 0 / 57 / 52 / 50

HEX #80373D

RGB 128 55 61

HSL 355.07, 0.4%, 0.36%

LAB 33.26, 32.14, 11.87

 

CMYK 0 / 47 / 57 / 50

HEX #804437

RGB 128 68 55

HSL 10.68, 0.4%, 0.36%

LAB 35.98, 24.37, 19.28

 

CMYK 0 / 57 / 37 / 73

HEX #461E2C

RGB 70 30 44

HSL 339, 0.4%, 0.2%

LAB 17.52, 20.99, -0.29

 

CMYK 0 / 58 / 37 / 61

HEX #632A3E

RGB 99 42 62

HSL 338.95, 0.4%, 0.28%

LAB 25.73, 28.12, -0.12

 

CMYK 0 / 57 / 38 / 50

HEX #803750

RGB 128 55 80

HSL 339.45, 0.4%, 0.36%

LAB 33.78, 34.29, 0.35

 

CMYK 0 / 57 / 38 / 38

HEX #9D4362

RGB 157 67 98

HSL 339.33, 0.4%, 0.44%

LAB 41.32, 40.69, 0.52

 

CMYK 0 / 54 / 35 / 29

HEX #B55475

RGB 181 84 117

HSL 339.59, 0.4%, 0.52%

LAB 48.82, 42.82, 0.28

 

CMYK 0 / 57 / 38 / 50

HEX #803750

RGB 128 55 80

HSL 339.45, 0.4%, 0.36%

LAB 33.78, 34.29, 0.35

 

CMYK 0 / 9 / 57 / 50

HEX #807537

RGB 128 117 55

HSL 50.96, 0.4%, 0.36%

LAB 48.99, -4.33, 35.24

 

CMYK 57 / 14 / 0 / 50

HEX #376E80

RGB 55 110 128

HSL 194.79, 0.4%, 0.36%

LAB 43.54, -12.63, -15.5

 

CMYK 0 / 57 / 38 / 50

HEX #803750

RGB 128 55 80

HSL 339.45, 0.4%, 0.36%

LAB 33.78, 34.29, 0.35

 

CMYK 38 / 0 / 57 / 50

HEX #508037

RGB 80 128 55

HSL 99.45, 0.4%, 0.36%

LAB 48.78, -30.4, 34.1

 

CMYK 57 / 38 / 0 / 50

HEX #375080

RGB 55 80 128

HSL 219.45, 0.4%, 0.36%

LAB 34.21, 5.78, -29.99

 

CMYK 0 / 57 / 38 / 50

HEX #803750

RGB 128 55 80

HSL 339.45, 0.4%, 0.36%

LAB 33.78, 34.29, 0.35

 

CMYK 0 / 9 / 57 / 50

HEX #807537

RGB 128 117 55

HSL 50.96, 0.4%, 0.36%

LAB 48.99, -4.33, 35.24

 

CMYK 57 / 0 / 20 / 50

HEX #378066

RGB 55 128 102

HSL 158.63, 0.4%, 0.36%

LAB 48.52, -29.44, 7.32

 

CMYK 57 / 48 / 0 / 50

HEX #374280

RGB 55 66 128

HSL 230.96, 0.4%, 0.36%

LAB 30.08, 15.09, -36.55

 

CMYK 0 / 57 / 38 / 50

HEX #803750

RGB 128 55 80

HSL 339.45, 0.4%, 0.36%

LAB 33.78, 34.29, 0.35

 

CMYK 9 / 0 / 57 / 50

HEX #758037

RGB 117 128 55

HSL 69.04, 0.4%, 0.36%

LAB 51.26, -15.32, 37.61

 

CMYK 57 / 0 / 20 / 50

HEX #378066

RGB 55 128 102

HSL 158.63, 0.4%, 0.36%

LAB 48.52, -29.44, 7.32

 

CMYK 48 / 57 / 0 / 50

HEX #423780

RGB 66 55 128

HSL 249.04, 0.4%, 0.36%

LAB 27.98, 24.99, -39.87

 

Description

Color code: HEX #803750 | qconv.com Color code: HEX #803750 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 55 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 55 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 38 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 38% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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