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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80398D it is the complementary color #7FC672. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80398D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #80398D shade: #853988, #964B9B, #A75DAE, #B86FC1 and #C981D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80398D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #80398D shade: #80398D, #6F277A, #5E1567, #4D0354 and #3C0041

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #80398D shade: #80398D, #8D3983, #8D396D, #8D3956 and #8D3940

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #80398D shade: #80398D, #69398D, #53398D, #3C398D and #39398D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #80398D shade matches the following richer shades: #80398D, #8B299D, #9619AD and #A109BD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #80398D shade: #80398D, #75497D, #6A596D, #5E695C and #537A4C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #80398D shade: #52398D, #69398D, #7F398D, #8D3984 and #8D396E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #80398D shade: #4B2152, #652D6F, #80398D, #9A45AA and #AD5CBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #80398D shade: #80398D, #8D3C39 and #398D5D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #80398D shade: #80398D, #8D7F39 and #398D7F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #80398D shade: #80398D, #8D3C39, #478D39 and #398A8D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #80398D shade: #80398D, #8D5539, #478D39 and #39718D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 60 / 0 / 45

HEX #80398D

RGB 128 57 141

HSL 290.71, 0.42%, 0.39%

LAB 36.82, 43.58, -33.37

 

Complementary color

CMYK 36 / 0 / 42 / 22

HEX #7FC672

RGB 127 198 114

HSL 110.71, 0.42%, 0.61%

LAB 73.62, -38.52, 35.17

 

CMYK 2 / 58 / 0 / 47

HEX #853988

RGB 133 57 136

HSL 297.72, 0.41%, 0.38%

LAB 37.28, 43.98, -29.52

 

CMYK 3 / 52 / 0 / 39

HEX #964B9B

RGB 150 75 155

HSL 296.25, 0.35%, 0.45%

LAB 44.06, 43.42, -30.21

 

CMYK 4 / 47 / 0 / 32

HEX #A75DAE

RGB 167 93 174

HSL 294.81, 0.33%, 0.52%

LAB 50.8, 42.71, -30.73

 

CMYK 5 / 42 / 0 / 24

HEX #B86FC1

RGB 184 111 193

HSL 293.41, 0.4%, 0.6%

LAB 57.47, 41.96, -31.15

 

CMYK 5 / 39 / 0 / 17

HEX #C981D4

RGB 201 129 212

HSL 292.05, 0.49%, 0.67%

LAB 64.06, 41.19, -31.51

 

CMYK 9 / 60 / 0 / 45

HEX #80398D

RGB 128 57 141

HSL 290.71, 0.42%, 0.39%

LAB 36.82, 43.58, -33.37

 

CMYK 9 / 68 / 0 / 52

HEX #6F277A

RGB 111 39 122

HSL 292.05, 0.52%, 0.32%

LAB 30, 43.86, -32.54

 

CMYK 9 / 80 / 0 / 60

HEX #5E1567

RGB 94 21 103

HSL 293.41, 0.66%, 0.24%

LAB 23.32, 43.36, -31.18

 

CMYK 8 / 96 / 0 / 67

HEX #4D0354

RGB 77 3 84

HSL 294.81, 0.93%, 0.17%

LAB 16.91, 41.59, -29.01

 

CMYK 8 / 100 / 0 / 75

HEX #3C0041

RGB 60 0 65

HSL 295.38, 1%, 0.13%

LAB 11.57, 35.92, -24.62

 

CMYK 9 / 60 / 0 / 45

HEX #80398D

RGB 128 57 141

HSL 290.71, 0.42%, 0.39%

LAB 36.82, 43.58, -33.37

 

CMYK 0 / 60 / 7 / 45

HEX #8D3983

RGB 141 57 131

HSL 307.14, 0.42%, 0.39%

LAB 38.25, 45.35, -24.84

 

CMYK 0 / 60 / 23 / 45

HEX #8D396D

RGB 141 57 109

HSL 322.86, 0.42%, 0.39%

LAB 37.29, 41.76, -12.64

 

CMYK 0 / 60 / 39 / 45

HEX #8D3956

RGB 141 57 86

HSL 339.29, 0.42%, 0.39%

LAB 36.48, 38.64, 0.71

 

CMYK 0 / 60 / 55 / 45

HEX #8D3940

RGB 141 57 64

HSL 355, 0.42%, 0.39%

LAB 35.91, 36.33, 13.92

 

CMYK 9 / 60 / 0 / 45

HEX #80398D

RGB 128 57 141

HSL 290.71, 0.42%, 0.39%

LAB 36.82, 43.58, -33.37

 

CMYK 26 / 60 / 0 / 45

HEX #69398D

RGB 105 57 141

HSL 274.29, 0.42%, 0.39%

LAB 33.67, 37.39, -38.56

 

CMYK 41 / 60 / 0 / 45

HEX #53398D

RGB 83 57 141

HSL 258.57, 0.42%, 0.39%

LAB 31.09, 31.8, -42.85

 

CMYK 57 / 60 / 0 / 45

HEX #3C398D

RGB 60 57 141

HSL 242.14, 0.42%, 0.39%

LAB 28.93, 26.69, -46.45

 

CMYK 60 / 60 / 0 / 45

HEX #39398D

RGB 57 57 141

HSL 240, 0.42%, 0.39%

LAB 28.69, 26.1, -46.84

 

CMYK 9 / 60 / 0 / 45

HEX #80398D

RGB 128 57 141

HSL 290.71, 0.42%, 0.39%

LAB 36.82, 43.58, -33.37

 

CMYK 11 / 74 / 0 / 38

HEX #8B299D

RGB 139 41 157

HSL 290.69, 0.59%, 0.39%

LAB 36.95, 56.37, -42.8

 

CMYK 13 / 86 / 0 / 32

HEX #9619AD

RGB 150 25 173

HSL 290.68, 0.75%, 0.39%

LAB 38.19, 66.11, -50.31

 

CMYK 15 / 95 / 0 / 26

HEX #A109BD

RGB 161 9 189

HSL 290.67, 0.91%, 0.39%

LAB 40.32, 73.18, -56.25

 

CMYK 9 / 60 / 0 / 45

HEX #80398D

RGB 128 57 141

HSL 290.71, 0.42%, 0.39%

LAB 36.82, 43.58, -33.37

 

CMYK 6 / 42 / 0 / 51

HEX #75497D

RGB 117 73 125

HSL 290.77, 0.26%, 0.39%

LAB 37.89, 28.07, -21.95

 

CMYK 3 / 18 / 0 / 57

HEX #6A596D

RGB 106 89 109

HSL 291, 0.1%, 0.39%

LAB 40.1, 10.92, -8.82

 

CMYK 10 / 0 / 12 / 59

HEX #5E695C

RGB 94 105 92

HSL 110.77, 0.07%, 0.39%

LAB 43.15, -6.93, 5.89

 

CMYK 32 / 0 / 38 / 52

HEX #537A4C

RGB 83 122 76

HSL 110.87, 0.23%, 0.39%

LAB 47.34, -23.36, 20.95

 

CMYK 42 / 60 / 0 / 45

HEX #52398D

RGB 82 57 141

HSL 257.86, 0.42%, 0.39%

LAB 30.98, 31.56, -43.03

 

CMYK 26 / 60 / 0 / 45

HEX #69398D

RGB 105 57 141

HSL 274.29, 0.42%, 0.39%

LAB 33.67, 37.39, -38.56

 

CMYK 10 / 60 / 0 / 45

HEX #7F398D

RGB 127 57 141

HSL 290, 0.42%, 0.39%

LAB 36.67, 43.31, -33.61

 

CMYK 0 / 60 / 6 / 45

HEX #8D3984

RGB 141 57 132

HSL 306.43, 0.42%, 0.39%

LAB 38.3, 45.52, -25.38

 

CMYK 0 / 60 / 22 / 45

HEX #8D396E

RGB 141 57 110

HSL 322.14, 0.42%, 0.39%

LAB 37.33, 41.91, -13.21

 

CMYK 9 / 60 / 0 / 68

HEX #4B2152

RGB 75 33 82

HSL 291.43, 0.43%, 0.23%

LAB 20.8, 28.33, -21.48

 

CMYK 9 / 59 / 0 / 56

HEX #652D6F

RGB 101 45 111

HSL 290.91, 0.42%, 0.31%

LAB 28.88, 35.91, -27.44

 

CMYK 9 / 60 / 0 / 45

HEX #80398D

RGB 128 57 141

HSL 290.71, 0.42%, 0.39%

LAB 36.82, 43.58, -33.37

 

CMYK 9 / 59 / 0 / 33

HEX #9A45AA

RGB 154 69 170

HSL 290.5, 0.42%, 0.47%

LAB 44.27, 50.46, -38.77

 

CMYK 8 / 51 / 0 / 26

HEX #AD5CBC

RGB 173 92 188

HSL 290.63, 0.42%, 0.55%

LAB 52.03, 47.73, -36.89

 

CMYK 9 / 60 / 0 / 45

HEX #80398D

RGB 128 57 141

HSL 290.71, 0.42%, 0.39%

LAB 36.82, 43.58, -33.37

 

CMYK 0 / 57 / 60 / 45

HEX #8D3C39

RGB 141 60 57

HSL 2.14, 0.42%, 0.39%

LAB 36.35, 34.2, 18.91

 

CMYK 60 / 0 / 34 / 45

HEX #398D5D

RGB 57 141 93

HSL 145.71, 0.42%, 0.39%

LAB 52.63, -36.97, 18.21

 

CMYK 9 / 60 / 0 / 45

HEX #80398D

RGB 128 57 141

HSL 290.71, 0.42%, 0.39%

LAB 36.82, 43.58, -33.37

 

CMYK 0 / 10 / 60 / 45

HEX #8D7F39

RGB 141 127 57

HSL 50, 0.42%, 0.39%

LAB 53.1, -3.89, 39.27

 

CMYK 60 / 0 / 10 / 45

HEX #398D7F

RGB 57 141 127

HSL 170, 0.42%, 0.39%

LAB 53.44, -28.85, -0.12

 

CMYK 9 / 60 / 0 / 45

HEX #80398D

RGB 128 57 141

HSL 290.71, 0.42%, 0.39%

LAB 36.82, 43.58, -33.37

 

CMYK 0 / 57 / 60 / 45

HEX #8D3C39

RGB 141 60 57

HSL 2.14, 0.42%, 0.39%

LAB 36.35, 34.2, 18.91

 

CMYK 50 / 0 / 60 / 45

HEX #478D39

RGB 71 141 57

HSL 110, 0.42%, 0.39%

LAB 52.6, -39, 37.46

 

CMYK 60 / 2 / 0 / 45

HEX #398A8D

RGB 57 138 141

HSL 182.14, 0.42%, 0.39%

LAB 52.92, -23.39, -9

 

CMYK 9 / 60 / 0 / 45

HEX #80398D

RGB 128 57 141

HSL 290.71, 0.42%, 0.39%

LAB 36.82, 43.58, -33.37

 

CMYK 0 / 40 / 60 / 45

HEX #8D5539

RGB 141 85 57

HSL 20, 0.42%, 0.39%

LAB 41.93, 20.33, 26.01

 

CMYK 50 / 0 / 60 / 45

HEX #478D39

RGB 71 141 57

HSL 110, 0.42%, 0.39%

LAB 52.6, -39, 37.46

 

CMYK 60 / 20 / 0 / 45

HEX #39718D

RGB 57 113 141

HSL 200, 0.42%, 0.39%

LAB 45.09, -9.71, -20.89

 

Description

Color code: HEX #80398D | qconv.com Color code: HEX #80398D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 57 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 57 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 60 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 60% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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