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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80452C it is the complementary color #7FBAD3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80452C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #80452C shade: #854527, #96573A, #A7694D, #B87B60 and #C98D73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80452C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #80452C shade: #80452C, #6F3319, #5E2106, #4D0F00 and #3C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #80452C shade: #81452C, #812E2C and #812C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #80452C shade: #81452C, #815C2C, #81732C, #78812C and #61812C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #80452C shade matches the following richer shades: #81452C, #8F3F1E, #9D3A10 and #AB3402

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #80452C shade: #81452C, #734B3A, #655048, #575656 and #495C64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #80452C shade: #812C41, #812D2C, #81442C, #815A2C and #81712C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #80452C shade: #432417, #623421, #81452C, #9F5636 and #BE6641

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #80452C shade: #80452C, #58812C and #2C3681

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #80452C shade: #80452C, #2C8144 and #442C81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #80452C shade: #80452C, #58812C, #2C6981 and #552C81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #80452C shade: #80452C, #3E812C, #2C6981 and #6E2C81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 66 / 50

HEX #80452C

RGB 128 69 44

HSL 17.86, 0.49%, 0.34%

LAB 36.04, 22.89, 26.01

 

Complementary color

CMYK 40 / 12 / 0 / 17

HEX #7FBAD3

RGB 127 186 211

HSL 197.86, 0.49%, 0.66%

LAB 72.45, -12.69, -18.6

 

CMYK 0 / 48 / 71 / 48

HEX #854527

RGB 133 69 39

HSL 19.15, 0.55%, 0.34%

LAB 36.72, 24.74, 29.89

 

CMYK 0 / 42 / 61 / 41

HEX #96573A

RGB 150 87 58

HSL 18.91, 0.44%, 0.41%

LAB 43.66, 23.16, 27.85

 

CMYK 0 / 37 / 54 / 35

HEX #A7694D

RGB 167 105 77

HSL 18.67, 0.37%, 0.48%

LAB 50.52, 21.8, 26.03

 

CMYK 0 / 33 / 48 / 28

HEX #B87B60

RGB 184 123 96

HSL 18.41, 0.38%, 0.55%

LAB 57.27, 20.64, 24.42

 

CMYK 0 / 30 / 43 / 21

HEX #C98D73

RGB 201 141 115

HSL 18.14, 0.44%, 0.62%

LAB 63.92, 19.63, 22.98

 

CMYK 0 / 46 / 66 / 50

HEX #80452C

RGB 128 69 44

HSL 17.86, 0.49%, 0.34%

LAB 36.04, 22.89, 26.01

 

CMYK 0 / 54 / 77 / 56

HEX #6F3319

RGB 111 51 25

HSL 18.14, 0.63%, 0.27%

LAB 28.95, 24.61, 28.25

 

CMYK 0 / 65 / 94 / 63

HEX #5E2106

RGB 94 33 6

HSL 18.41, 0.88%, 0.2%

LAB 21.87, 26.48, 29.55

 

CMYK 0 / 81 / 100 / 70

HEX #4D0F00

RGB 77 15 0

HSL 11.69, 1%, 0.15%

LAB 15.06, 28.1, 23.1

 

CMYK 0 / 100 / 100 / 76

HEX #3C0000

RGB 60 0 0

HSL 0, 1%, 0.12%

LAB 8.66, 28.53, 13.68

 

CMYK 0 / 47 / 66 / 49

HEX #81452C

RGB 129 69 44

HSL 17.65, 0.49%, 0.34%

LAB 36.19, 23.33, 26.22

 

CMYK 0 / 64 / 66 / 49

HEX #812E2C

RGB 129 46 44

HSL 1.41, 0.49%, 0.34%

LAB 31.35, 35.69, 20.29

 

CMYK 0 / 66 / 66 / 49

HEX #812C2C

RGB 129 44 44

HSL 0, 0.49%, 0.34%

LAB 31, 36.64, 19.84

 

CMYK 0 / 47 / 66 / 49

HEX #81452C

RGB 129 69 44

HSL 17.65, 0.49%, 0.34%

LAB 36.19, 23.33, 26.22

 

CMYK 0 / 29 / 66 / 49

HEX #815C2C

RGB 129 92 44

HSL 33.88, 0.49%, 0.34%

LAB 42.01, 9.79, 33.01

 

CMYK 0 / 11 / 66 / 49

HEX #81732C

RGB 129 115 44

HSL 50.12, 0.49%, 0.34%

LAB 48.4, -3.6, 40.08

 

CMYK 7 / 0 / 66 / 49

HEX #78812C

RGB 120 129 44

HSL 66.35, 0.49%, 0.34%

LAB 51.7, -15.43, 43.36

 

CMYK 25 / 0 / 66 / 49

HEX #61812C

RGB 97 129 44

HSL 82.59, 0.49%, 0.34%

LAB 50.01, -25.35, 41.05

 

CMYK 0 / 47 / 66 / 49

HEX #81452C

RGB 129 69 44

HSL 17.65, 0.49%, 0.34%

LAB 36.19, 23.33, 26.22

 

CMYK 0 / 56 / 79 / 44

HEX #8F3F1E

RGB 143 63 30

HSL 17.52, 0.65%, 0.34%

LAB 36.91, 31.79, 35.48

 

CMYK 0 / 63 / 90 / 38

HEX #9D3A10

RGB 157 58 16

HSL 17.87, 0.82%, 0.34%

LAB 38.25, 39.38, 44.07

 

CMYK 0 / 70 / 99 / 33

HEX #AB3402

RGB 171 52 2

HSL 17.75, 0.98%, 0.34%

LAB 39.78, 46.88, 51.02

 

CMYK 0 / 47 / 66 / 49

HEX #81452C

RGB 129 69 44

HSL 17.65, 0.49%, 0.34%

LAB 36.19, 23.33, 26.22

 

CMYK 0 / 35 / 50 / 55

HEX #734B3A

RGB 115 75 58

HSL 17.89, 0.33%, 0.34%

LAB 35.95, 14.84, 17.05

 

CMYK 0 / 21 / 29 / 60

HEX #655048

RGB 101 80 72

HSL 16.55, 0.17%, 0.34%

LAB 35.93, 7.43, 8.04

 

CMYK 0 / 1 / 1 / 66

HEX #575656

RGB 87 86 86

HSL 0, 0.01%, 0.34%

LAB 36.66, 0.4, 0.14

 

CMYK 27 / 8 / 0 / 61

HEX #495C64

RGB 73 92 100

HSL 197.78, 0.16%, 0.34%

LAB 37.83, -5.17, -6.97

 

CMYK 0 / 66 / 50 / 49

HEX #812C41

RGB 129 44 65

HSL 345.18, 0.49%, 0.34%

LAB 31.46, 38.4, 6.81

 

CMYK 0 / 65 / 66 / 49

HEX #812D2C

RGB 129 45 44

HSL 0.71, 0.49%, 0.34%

LAB 31.17, 36.17, 20.06

 

CMYK 0 / 47 / 66 / 49

HEX #81442C

RGB 129 68 44

HSL 16.94, 0.49%, 0.34%

LAB 35.95, 23.91, 25.94

 

CMYK 0 / 30 / 66 / 49

HEX #815A2C

RGB 129 90 44

HSL 32.47, 0.49%, 0.34%

LAB 41.47, 10.97, 32.4

 

CMYK 0 / 12 / 66 / 49

HEX #81712C

RGB 129 113 44

HSL 48.71, 0.49%, 0.34%

LAB 47.83, -2.46, 39.46

 

CMYK 0 / 46 / 66 / 74

HEX #432417

RGB 67 36 23

HSL 17.73, 0.49%, 0.18%

LAB 17.99, 13.23, 14.95

 

CMYK 0 / 47 / 66 / 62

HEX #623421

RGB 98 52 33

HSL 17.54, 0.5%, 0.26%

LAB 27.19, 18.71, 20.91

 

CMYK 0 / 47 / 66 / 49

HEX #81452C

RGB 129 69 44

HSL 17.65, 0.49%, 0.34%

LAB 36.19, 23.33, 26.22

 

CMYK 0 / 46 / 66 / 38

HEX #9F5636

RGB 159 86 54

HSL 18.29, 0.49%, 0.42%

LAB 44.65, 27.25, 31.61

 

CMYK 0 / 46 / 66 / 25

HEX #BE6641

RGB 190 102 65

HSL 17.76, 0.49%, 0.5%

LAB 52.76, 32.04, 36.21

 

CMYK 0 / 46 / 66 / 50

HEX #80452C

RGB 128 69 44

HSL 17.86, 0.49%, 0.34%

LAB 36.04, 22.89, 26.01

 

CMYK 32 / 0 / 66 / 49

HEX #58812C

RGB 88 129 44

HSL 88.94, 0.49%, 0.34%

LAB 49.44, -28.98, 40.28

 

CMYK 66 / 58 / 0 / 49

HEX #2C3681

RGB 44 54 129

HSL 232.94, 0.49%, 0.34%

LAB 26.04, 21.38, -43.72

 

CMYK 0 / 46 / 66 / 50

HEX #80452C

RGB 128 69 44

HSL 17.86, 0.49%, 0.34%

LAB 36.04, 22.89, 26.01

 

CMYK 66 / 0 / 47 / 49

HEX #2C8144

RGB 44 129 68

HSL 136.94, 0.49%, 0.34%

LAB 47.82, -39.58, 25.71

 

CMYK 47 / 66 / 0 / 49

HEX #442C81

RGB 68 44 129

HSL 256.94, 0.49%, 0.34%

LAB 25.61, 32.67, -44.32

 

CMYK 0 / 46 / 66 / 50

HEX #80452C

RGB 128 69 44

HSL 17.86, 0.49%, 0.34%

LAB 36.04, 22.89, 26.01

 

CMYK 32 / 0 / 66 / 49

HEX #58812C

RGB 88 129 44

HSL 88.94, 0.49%, 0.34%

LAB 49.44, -28.98, 40.28

 

CMYK 66 / 19 / 0 / 49

HEX #2C6981

RGB 44 105 129

HSL 196.94, 0.49%, 0.34%

LAB 41.57, -11.69, -19.16

 

CMYK 34 / 66 / 0 / 49

HEX #552C81

RGB 85 44 129

HSL 268.94, 0.49%, 0.34%

LAB 27.62, 36.53, -40.97

 

CMYK 0 / 46 / 66 / 50

HEX #80452C

RGB 128 69 44

HSL 17.86, 0.49%, 0.34%

LAB 36.04, 22.89, 26.01

 

CMYK 52 / 0 / 66 / 49

HEX #3E812C

RGB 62 129 44

HSL 107.29, 0.49%, 0.34%

LAB 48.14, -38.16, 38.48

 

CMYK 66 / 19 / 0 / 49

HEX #2C6981

RGB 44 105 129

HSL 196.94, 0.49%, 0.34%

LAB 41.57, -11.69, -19.16

 

CMYK 15 / 66 / 0 / 49

HEX #6E2C81

RGB 110 44 129

HSL 286.59, 0.49%, 0.34%

LAB 31.12, 42.72, -35.17

 

Description

Color code: HEX #80452C | qconv.com Color code: HEX #80452C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 69 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 69 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 66 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 66% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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