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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #804991 it is the complementary color #7FB66E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #804991. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #804991 shade: #85498C, #965B9F, #A76DB2, #B87FC5 and #C991D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #804991. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #804991 shade: #804991, #6F377E, #5E256B, #4D1358 and #3C0145

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #804991 shade: #804991, #91498F, #91497B, #914968 and #914954

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #804991 shade: #804991, #6D4991, #594991 and #494991

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #804991 shade matches the following richer shades: #804991, #8A37A3, #9325B5, #9C14C7 and #A602D8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #804991 shade: #804991, #775B80, #6E6C6E, #647E5C and #5B904A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #804991 shade: #594991, #6C4991, #7F4991, #914990 and #91497D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #804991 shade: #502D5A, #683B76, #804991, #9759AB and #A974B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #804991 shade: #804991, #91494D and #499162

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #804991 shade: #804991, #917F49 and #49917F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #804991 shade: #804991, #91494D, #5B9149 and #49918E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #804991 shade: #804991, #915B49, #5B9149 and #497F91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 50 / 0 / 43

HEX #804991

RGB 128 73 145

HSL 285.83, 0.33%, 0.43%

LAB 40.24, 35.9, -30.4

 

Complementary color

CMYK 30 / 0 / 40 / 29

HEX #7FB66E

RGB 127 182 110

HSL 105.83, 0.33%, 0.57%

LAB 68.82, -31.74, 31.04

 

CMYK 5 / 48 / 0 / 45

HEX #85498C

RGB 133 73 140

HSL 293.73, 0.31%, 0.42%

LAB 40.65, 36.38, -26.69

 

CMYK 6 / 43 / 0 / 38

HEX #965B9F

RGB 150 91 159

HSL 292.06, 0.27%, 0.49%

LAB 47.58, 35.58, -27.1

 

CMYK 6 / 39 / 0 / 30

HEX #A76DB2

RGB 167 109 178

HSL 290.43, 0.31%, 0.56%

LAB 54.41, 34.79, -27.44

 

CMYK 7 / 36 / 0 / 23

HEX #B87FC5

RGB 184 127 197

HSL 288.86, 0.38%, 0.64%

LAB 61.13, 34.04, -27.75

 

CMYK 7 / 33 / 0 / 15

HEX #C991D8

RGB 201 145 216

HSL 287.32, 0.48%, 0.71%

LAB 67.74, 33.32, -28.04

 

CMYK 12 / 50 / 0 / 43

HEX #804991

RGB 128 73 145

HSL 285.83, 0.33%, 0.43%

LAB 40.24, 35.9, -30.4

 

CMYK 12 / 56 / 0 / 51

HEX #6F377E

RGB 111 55 126

HSL 287.32, 0.39%, 0.35%

LAB 33.17, 36.68, -30.02

 

CMYK 12 / 65 / 0 / 58

HEX #5E256B

RGB 94 37 107

HSL 288.86, 0.49%, 0.28%

LAB 26.05, 37.23, -29.42

 

CMYK 13 / 78 / 0 / 65

HEX #4D1358

RGB 77 19 88

HSL 290.43, 0.64%, 0.21%

LAB 19.01, 37.14, -28.34

 

CMYK 13 / 99 / 0 / 73

HEX #3C0145

RGB 60 1 69

HSL 292.06, 0.97%, 0.14%

LAB 12.04, 36.25, -26.68

 

CMYK 12 / 50 / 0 / 43

HEX #804991

RGB 128 73 145

HSL 285.83, 0.33%, 0.43%

LAB 40.24, 35.9, -30.4

 

CMYK 0 / 50 / 1 / 43

HEX #91498F

RGB 145 73 143

HSL 301.67, 0.33%, 0.43%

LAB 42.41, 40.67, -25.63

 

CMYK 0 / 50 / 15 / 43

HEX #91497B

RGB 145 73 123

HSL 318.33, 0.33%, 0.43%

LAB 41.56, 37.09, -14.77

 

CMYK 0 / 50 / 28 / 43

HEX #914968

RGB 145 73 104

HSL 334.17, 0.33%, 0.43%

LAB 40.87, 34.12, -4.08

 

CMYK 0 / 50 / 42 / 43

HEX #914954

RGB 145 73 84

HSL 350.83, 0.33%, 0.43%

LAB 40.29, 31.49, 7.52

 

CMYK 12 / 50 / 0 / 43

HEX #804991

RGB 128 73 145

HSL 285.83, 0.33%, 0.43%

LAB 40.24, 35.9, -30.4

 

CMYK 25 / 50 / 0 / 43

HEX #6D4991

RGB 109 73 145

HSL 270, 0.33%, 0.43%

LAB 37.95, 30.25, -34.17

 

CMYK 39 / 50 / 0 / 43

HEX #594991

RGB 89 73 145

HSL 253.33, 0.33%, 0.43%

LAB 35.86, 24.59, -37.63

 

CMYK 50 / 50 / 0 / 43

HEX #494991

RGB 73 73 145

HSL 240, 0.33%, 0.43%

LAB 34.45, 20.47, -39.95

 

CMYK 12 / 50 / 0 / 43

HEX #804991

RGB 128 73 145

HSL 285.83, 0.33%, 0.43%

LAB 40.24, 35.9, -30.4

 

CMYK 15 / 66 / 0 / 36

HEX #8A37A3

RGB 138 55 163

HSL 286.11, 0.5%, 0.43%

LAB 39.21, 51.59, -42.8

 

CMYK 19 / 80 / 0 / 29

HEX #9325B5

RGB 147 37 181

HSL 285.83, 0.66%, 0.43%

LAB 39.35, 63.87, -53.22

 

CMYK 22 / 90 / 0 / 22

HEX #9C14C7

RGB 156 20 199

HSL 285.59, 0.82%, 0.43%

LAB 40.72, 72.72, -61.49

 

CMYK 23 / 99 / 0 / 15

HEX #A602D8

RGB 166 2 216

HSL 285.98, 0.98%, 0.43%

LAB 42.93, 79.26, -67.68

 

CMYK 12 / 50 / 0 / 43

HEX #804991

RGB 128 73 145

HSL 285.83, 0.33%, 0.43%

LAB 40.24, 35.9, -30.4

 

CMYK 7 / 29 / 0 / 50

HEX #775B80

RGB 119 91 128

HSL 285.41, 0.17%, 0.43%

LAB 42.71, 18.62, -16.35

 

CMYK 0 / 2 / 0 / 57

HEX #6E6C6E

RGB 110 108 110

HSL 300, 0.01%, 0.43%

LAB 45.86, 1.18, -0.85

 

CMYK 21 / 0 / 27 / 51

HEX #647E5C

RGB 100 126 92

HSL 105.88, 0.16%, 0.43%

LAB 49.98, -16.33, 15.52

 

CMYK 37 / 0 / 49 / 44

HEX #5B904A

RGB 91 144 74

HSL 105.43, 0.32%, 0.43%

LAB 54.73, -31.54, 31.6

 

CMYK 39 / 50 / 0 / 43

HEX #594991

RGB 89 73 145

HSL 253.33, 0.33%, 0.43%

LAB 35.86, 24.59, -37.63

 

CMYK 26 / 50 / 0 / 43

HEX #6C4991

RGB 108 73 145

HSL 269.17, 0.33%, 0.43%

LAB 37.84, 29.96, -34.35

 

CMYK 12 / 50 / 0 / 43

HEX #7F4991

RGB 127 73 145

HSL 285, 0.33%, 0.43%

LAB 40.12, 35.6, -30.61

 

CMYK 0 / 50 / 1 / 43

HEX #914990

RGB 145 73 144

HSL 300.83, 0.33%, 0.43%

LAB 42.46, 40.86, -26.17

 

CMYK 0 / 50 / 14 / 43

HEX #91497D

RGB 145 73 125

HSL 316.67, 0.33%, 0.43%

LAB 41.64, 37.43, -15.88

 

CMYK 11 / 50 / 0 / 65

HEX #502D5A

RGB 80 45 90

HSL 286.67, 0.33%, 0.26%

LAB 24.7, 24.65, -20.61

 

CMYK 12 / 50 / 0 / 54

HEX #683B76

RGB 104 59 118

HSL 285.76, 0.33%, 0.35%

LAB 32.65, 30.52, -25.9

 

CMYK 12 / 50 / 0 / 43

HEX #804991

RGB 128 73 145

HSL 285.83, 0.33%, 0.43%

LAB 40.24, 35.9, -30.4

 

CMYK 12 / 48 / 0 / 33

HEX #9759AB

RGB 151 89 171

HSL 285.37, 0.33%, 0.51%

LAB 47.83, 39.5, -33.77

 

CMYK 9 / 37 / 0 / 27

HEX #A974B9

RGB 169 116 185

HSL 286.09, 0.33%, 0.59%

LAB 56.51, 32.96, -28.2

 

CMYK 12 / 50 / 0 / 43

HEX #804991

RGB 128 73 145

HSL 285.83, 0.33%, 0.43%

LAB 40.24, 35.9, -30.4

 

CMYK 0 / 50 / 47 / 43

HEX #91494D

RGB 145 73 77

HSL 356.67, 0.33%, 0.43%

LAB 40.12, 30.7, 11.63

 

CMYK 50 / 0 / 32 / 43

HEX #499162

RGB 73 145 98

HSL 140.83, 0.33%, 0.43%

LAB 54.6, -33.66, 18.18

 

CMYK 12 / 50 / 0 / 43

HEX #804991

RGB 128 73 145

HSL 285.83, 0.33%, 0.43%

LAB 40.24, 35.9, -30.4

 

CMYK 0 / 12 / 50 / 43

HEX #917F49

RGB 145 127 73

HSL 45, 0.33%, 0.43%

LAB 53.69, -0.67, 31.73

 

CMYK 50 / 0 / 12 / 43

HEX #49917F

RGB 73 145 127

HSL 165, 0.33%, 0.43%

LAB 55.28, -27.16, 2.62

 

CMYK 12 / 50 / 0 / 43

HEX #804991

RGB 128 73 145

HSL 285.83, 0.33%, 0.43%

LAB 40.24, 35.9, -30.4

 

CMYK 0 / 50 / 47 / 43

HEX #91494D

RGB 145 73 77

HSL 356.67, 0.33%, 0.43%

LAB 40.12, 30.7, 11.63

 

CMYK 37 / 0 / 50 / 43

HEX #5B9149

RGB 91 145 73

HSL 105, 0.33%, 0.43%

LAB 55.03, -32.15, 32.5

 

CMYK 50 / 0 / 2 / 43

HEX #49918E

RGB 73 145 142

HSL 177.5, 0.33%, 0.43%

LAB 55.71, -23.25, -5.37

 

CMYK 12 / 50 / 0 / 43

HEX #804991

RGB 128 73 145

HSL 285.83, 0.33%, 0.43%

LAB 40.24, 35.9, -30.4

 

CMYK 0 / 37 / 50 / 43

HEX #915B49

RGB 145 91 73

HSL 15, 0.33%, 0.43%

LAB 44.21, 20.08, 19.6

 

CMYK 37 / 0 / 50 / 43

HEX #5B9149

RGB 91 145 73

HSL 105, 0.33%, 0.43%

LAB 55.03, -32.15, 32.5

 

CMYK 50 / 12 / 0 / 43

HEX #497F91

RGB 73 127 145

HSL 195, 0.33%, 0.43%

LAB 50.26, -12.75, -15.27

 

Description

Color code: HEX #804991 | qconv.com Color code: HEX #804991 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 73 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 73 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 50 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 50% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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