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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #805C3C it is the complementary color #7FA3C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #805C3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #805C3C shade: #855C37, #966E4A, #A7805D, #B89270 and #C9A483

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #805C3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #805C3C shade: #805C3C, #6F4A29, #5E3816, #4D2603 and #3C1400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #805C3C shade: #805C3C, #804A3C and #803C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #805C3C shade: #805C3C, #806E3C, #7F803C, #6D803C and #5A803C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #805C3C shade matches the following richer shades: #805C3C, #8F5B2D, #9E5A1D and #AE590E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #805C3C shade: #805C3C, #715D4B, #615E5A, #525F6A and #435F79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #805C3C shade: #803C40, #80493C, #805C3C, #806E3C and #80803C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #805C3C shade: #483321, #64482F, #805C3C, #9C7049 and #B2855C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #805C3C shade: #805C3C, #53803C and #403C80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #805C3C shade: #805C3C, #3C805C and #5C3C80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #805C3C shade: #805C3C, #53803C, #3C6080 and #693C80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #805C3C shade: #805C3C, #3E803C, #3C6080 and #7E3C80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 53 / 50

HEX #805C3C

RGB 128 92 60

HSL 28.24, 0.36%, 0.37%

LAB 42.11, 10.7, 24.13

 

Complementary color

CMYK 35 / 16 / 0 / 24

HEX #7FA3C3

RGB 127 163 195

HSL 208.24, 0.36%, 0.63%

LAB 65.47, -4.43, -20.38

 

CMYK 0 / 31 / 59 / 48

HEX #855C37

RGB 133 92 55

HSL 28.46, 0.41%, 0.37%

LAB 42.64, 12.5, 27.8

 

CMYK 0 / 27 / 51 / 41

HEX #966E4A

RGB 150 110 74

HSL 28.42, 0.34%, 0.44%

LAB 49.65, 11.35, 26.22

 

CMYK 0 / 23 / 44 / 35

HEX #A7805D

RGB 167 128 93

HSL 28.38, 0.3%, 0.51%

LAB 56.53, 10.41, 24.78

 

CMYK 0 / 21 / 39 / 28

HEX #B89270

RGB 184 146 112

HSL 28.33, 0.34%, 0.58%

LAB 63.28, 9.61, 23.46

 

CMYK 0 / 18 / 35 / 21

HEX #C9A483

RGB 201 164 131

HSL 28.29, 0.39%, 0.65%

LAB 69.9, 8.94, 22.26

 

CMYK 0 / 28 / 53 / 50

HEX #805C3C

RGB 128 92 60

HSL 28.24, 0.36%, 0.37%

LAB 42.11, 10.7, 24.13

 

CMYK 0 / 33 / 63 / 56

HEX #6F4A29

RGB 111 74 41

HSL 28.29, 0.46%, 0.3%

LAB 34.88, 11.96, 25.8

 

CMYK 0 / 40 / 77 / 63

HEX #5E3816

RGB 94 56 22

HSL 28.33, 0.62%, 0.23%

LAB 27.48, 13.59, 27.56

 

CMYK 0 / 51 / 96 / 70

HEX #4D2603

RGB 77 38 3

HSL 28.38, 0.93%, 0.16%

LAB 19.93, 15.67, 27.76

 

CMYK 0 / 67 / 100 / 76

HEX #3C1400

RGB 60 20 0

HSL 20, 1%, 0.12%

LAB 12.36, 18.37, 18.87

 

CMYK 0 / 28 / 53 / 50

HEX #805C3C

RGB 128 92 60

HSL 28.24, 0.36%, 0.37%

LAB 42.11, 10.7, 24.13

 

CMYK 0 / 42 / 53 / 50

HEX #804A3C

RGB 128 74 60

HSL 12.35, 0.36%, 0.37%

LAB 37.5, 21.36, 18.19

 

CMYK 0 / 53 / 53 / 50

HEX #803C3C

RGB 128 60 60

HSL 0, 0.36%, 0.37%

LAB 34.29, 29.34, 13.91

 

CMYK 0 / 28 / 53 / 50

HEX #805C3C

RGB 128 92 60

HSL 28.24, 0.36%, 0.37%

LAB 42.11, 10.7, 24.13

 

CMYK 0 / 14 / 53 / 50

HEX #806E3C

RGB 128 110 60

HSL 44.12, 0.36%, 0.37%

LAB 47.06, 0.13, 30.28

 

CMYK 1 / 0 / 53 / 50

HEX #7F803C

RGB 127 128 60

HSL 60.88, 0.36%, 0.37%

LAB 52.15, -10.45, 36.33

 

CMYK 15 / 0 / 53 / 50

HEX #6D803C

RGB 109 128 60

HSL 76.76, 0.36%, 0.37%

LAB 50.71, -18.28, 34.27

 

CMYK 30 / 0 / 53 / 50

HEX #5A803C

RGB 90 128 60

HSL 93.53, 0.36%, 0.37%

LAB 49.42, -26.03, 32.43

 

CMYK 0 / 28 / 53 / 50

HEX #805C3C

RGB 128 92 60

HSL 28.24, 0.36%, 0.37%

LAB 42.11, 10.7, 24.13

 

CMYK 0 / 36 / 69 / 44

HEX #8F5B2D

RGB 143 91 45

HSL 28.16, 0.52%, 0.37%

LAB 43.52, 16.85, 34.67

 

CMYK 0 / 43 / 82 / 38

HEX #9E5A1D

RGB 158 90 29

HSL 28.37, 0.69%, 0.37%

LAB 45.18, 23.31, 44.76

 

CMYK 0 / 49 / 92 / 32

HEX #AE590E

RGB 174 89 14

HSL 28.13, 0.85%, 0.37%

LAB 47.2, 30.36, 52.7

 

CMYK 0 / 28 / 53 / 50

HEX #805C3C

RGB 128 92 60

HSL 28.24, 0.36%, 0.37%

LAB 42.11, 10.7, 24.13

 

CMYK 0 / 18 / 34 / 56

HEX #715D4B

RGB 113 93 75

HSL 28.42, 0.2%, 0.37%

LAB 40.97, 5.22, 13.39

 

CMYK 0 / 3 / 7 / 62

HEX #615E5A

RGB 97 94 90

HSL 34.29, 0.04%, 0.37%

LAB 40.06, 0.39, 2.71

 

CMYK 23 / 10 / 0 / 58

HEX #525F6A

RGB 82 95 106

HSL 207.5, 0.13%, 0.37%

LAB 39.61, -2.31, -7.93

 

CMYK 45 / 21 / 0 / 53

HEX #435F79

RGB 67 95 121

HSL 208.89, 0.29%, 0.37%

LAB 39.17, -2.88, -17.89

 

CMYK 0 / 53 / 50 / 50

HEX #803C40

RGB 128 60 64

HSL 356.47, 0.36%, 0.37%

LAB 34.38, 29.75, 11.48

 

CMYK 0 / 43 / 53 / 50

HEX #80493C

RGB 128 73 60

HSL 11.47, 0.36%, 0.37%

LAB 37.26, 21.95, 17.88

 

CMYK 0 / 28 / 53 / 50

HEX #805C3C

RGB 128 92 60

HSL 28.24, 0.36%, 0.37%

LAB 42.11, 10.7, 24.13

 

CMYK 0 / 14 / 53 / 50

HEX #806E3C

RGB 128 110 60

HSL 44.12, 0.36%, 0.37%

LAB 47.06, 0.13, 30.28

 

CMYK 0 / 0 / 53 / 50

HEX #80803C

RGB 128 128 60

HSL 60, 0.36%, 0.37%

LAB 52.23, -10.01, 36.45

 

CMYK 0 / 29 / 54 / 72

HEX #483321

RGB 72 51 33

HSL 27.69, 0.37%, 0.21%

LAB 23.19, 6.89, 15.1

 

CMYK 0 / 28 / 53 / 61

HEX #64482F

RGB 100 72 47

HSL 28.3, 0.36%, 0.29%

LAB 33.03, 8.59, 19.63

 

CMYK 0 / 28 / 53 / 50

HEX #805C3C

RGB 128 92 60

HSL 28.24, 0.36%, 0.37%

LAB 42.11, 10.7, 24.13

 

CMYK 0 / 28 / 53 / 39

HEX #9C7049

RGB 156 112 73

HSL 28.19, 0.36%, 0.45%

LAB 50.85, 12.72, 28.44

 

CMYK 0 / 25 / 48 / 30

HEX #B2855C

RGB 178 133 92

HSL 28.6, 0.36%, 0.53%

LAB 58.99, 12.15, 28.76

 

CMYK 0 / 28 / 53 / 50

HEX #805C3C

RGB 128 92 60

HSL 28.24, 0.36%, 0.37%

LAB 42.11, 10.7, 24.13

 

CMYK 35 / 0 / 53 / 50

HEX #53803C

RGB 83 128 60

HSL 99.71, 0.36%, 0.37%

LAB 49.01, -28.68, 31.84

 

CMYK 50 / 53 / 0 / 50

HEX #403C80

RGB 64 60 128

HSL 243.53, 0.36%, 0.37%

LAB 29.11, 21.23, -38.06

 

CMYK 0 / 28 / 53 / 50

HEX #805C3C

RGB 128 92 60

HSL 28.24, 0.36%, 0.37%

LAB 42.11, 10.7, 24.13

 

CMYK 53 / 0 / 28 / 50

HEX #3C805C

RGB 60 128 92

HSL 148.24, 0.36%, 0.37%

LAB 48.48, -30.51, 13.11

 

CMYK 28 / 53 / 0 / 50

HEX #5C3C80

RGB 92 60 128

HSL 268.24, 0.36%, 0.37%

LAB 31.96, 28.75, -33.35

 

CMYK 0 / 28 / 53 / 50

HEX #805C3C

RGB 128 92 60

HSL 28.24, 0.36%, 0.37%

LAB 42.11, 10.7, 24.13

 

CMYK 35 / 0 / 53 / 50

HEX #53803C

RGB 83 128 60

HSL 99.71, 0.36%, 0.37%

LAB 49.01, -28.68, 31.84

 

CMYK 53 / 25 / 0 / 50

HEX #3C6080

RGB 60 96 128

HSL 208.24, 0.36%, 0.37%

LAB 39.39, -3.14, -21.86

 

CMYK 18 / 53 / 0 / 50

HEX #693C80

RGB 105 60 128

HSL 279.71, 0.36%, 0.37%

LAB 33.55, 32.56, -30.72

 

CMYK 0 / 28 / 53 / 50

HEX #805C3C

RGB 128 92 60

HSL 28.24, 0.36%, 0.37%

LAB 42.11, 10.7, 24.13

 

CMYK 52 / 0 / 53 / 50

HEX #3E803C

RGB 62 128 60

HSL 118.24, 0.36%, 0.37%

LAB 47.99, -35.75, 30.36

 

CMYK 53 / 25 / 0 / 50

HEX #3C6080

RGB 60 96 128

HSL 208.24, 0.36%, 0.37%

LAB 39.39, -3.14, -21.86

 

CMYK 2 / 53 / 0 / 50

HEX #7E3C80

RGB 126 60 128

HSL 298.24, 0.36%, 0.37%

LAB 36.42, 38.86, -26.02

 

Description

Color code: HEX #805C3C | qconv.com Color code: HEX #805C3C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 92 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 92 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 53 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 53% 50% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

25% - Bath & Body Work...
Link: http://www.bathandbodyworks.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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