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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #805FAE it is the complementary color #7FA051. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #805FAE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #805FAE shade: #855FA9, #9671BC, #A783CF, #B895E2 and #C9A7F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #805FAE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #805FAE shade: #805FAE, #6F4D9B, #5E3B88, #4D2975 and #3C1762

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #805FAE shade: #805FAE, #955FAE, #AB5FAE, #AE5F9C and #AE5F87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #805FAE shade: #805FAE, #6B5FAE and #5F5FAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #805FAE shade matches the following richer shades: #805FAE, #7D4CC2, #7A38D5, #7725E8 and #7312FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #805FAE shade: #805FAE, #83729B, #878687, #8A9974 and #8DAD61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #805FAE shade: #5F68AE, #6B5FAE, #805FAE, #955FAE and #AA5FAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #805FAE shade: #583E7C, #6C4C98, #805FAE, #967BBC and #AC96CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #805FAE shade: #805FAE, #AE5F7D and #5FAE60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #805FAE shade: #805FAE, #AE805F and #5FAE80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #805FAE shade: #805FAE, #AE5F7D, #8DAE5F and #5FAE90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #805FAE shade: #805FAE, #AE5F66, #8DAE5F and #5FAEA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 45 / 0 / 32

HEX #805FAE

RGB 128 95 174

HSL 265.06, 0.33%, 0.53%

LAB 46.75, 30.03, -37.41

 

Complementary color

CMYK 21 / 0 / 49 / 37

HEX #7FA051

RGB 127 160 81

HSL 85.06, 0.33%, 0.47%

LAB 61.87, -24.93, 37.26

 

CMYK 21 / 44 / 0 / 34

HEX #855FA9

RGB 133 95 169

HSL 270.81, 0.3%, 0.52%

LAB 47.02, 30.28, -34.02

 

CMYK 20 / 40 / 0 / 26

HEX #9671BC

RGB 150 113 188

HSL 269.6, 0.36%, 0.59%

LAB 53.95, 29.44, -34.07

 

CMYK 19 / 37 / 0 / 19

HEX #A783CF

RGB 167 131 207

HSL 268.42, 0.44%, 0.66%

LAB 60.74, 28.68, -34.13

 

CMYK 19 / 34 / 0 / 11

HEX #B895E2

RGB 184 149 226

HSL 267.27, 0.57%, 0.74%

LAB 67.41, 27.98, -34.22

 

CMYK 18 / 32 / 0 / 4

HEX #C9A7F5

RGB 201 167 245

HSL 266.15, 0.8%, 0.81%

LAB 73.96, 27.33, -34.33

 

CMYK 26 / 45 / 0 / 32

HEX #805FAE

RGB 128 95 174

HSL 265.06, 0.33%, 0.53%

LAB 46.75, 30.03, -37.41

 

CMYK 28 / 50 / 0 / 39

HEX #6F4D9B

RGB 111 77 155

HSL 266.15, 0.34%, 0.45%

LAB 39.67, 30.99, -37.47

 

CMYK 31 / 57 / 0 / 47

HEX #5E3B88

RGB 94 59 136

HSL 267.27, 0.39%, 0.38%

LAB 32.45, 32.03, -37.52

 

CMYK 34 / 65 / 0 / 54

HEX #4D2975

RGB 77 41 117

HSL 268.42, 0.48%, 0.31%

LAB 25.1, 33.07, -37.49

 

CMYK 39 / 77 / 0 / 62

HEX #3C1762

RGB 60 23 98

HSL 269.6, 0.62%, 0.24%

LAB 17.72, 33.86, -37.22

 

CMYK 26 / 45 / 0 / 32

HEX #805FAE

RGB 128 95 174

HSL 265.06, 0.33%, 0.53%

LAB 46.75, 30.03, -37.41

 

CMYK 14 / 45 / 0 / 32

HEX #955FAE

RGB 149 95 174

HSL 281.01, 0.33%, 0.53%

LAB 49.04, 36.22, -33.65

 

CMYK 2 / 45 / 0 / 32

HEX #AB5FAE

RGB 171 95 174

HSL 297.72, 0.33%, 0.53%

LAB 51.72, 42.86, -29.27

 

CMYK 0 / 45 / 10 / 32

HEX #AE5F9C

RGB 174 95 156

HSL 313.67, 0.33%, 0.53%

LAB 51.36, 40.54, -19.25

 

CMYK 0 / 45 / 22 / 32

HEX #AE5F87

RGB 174 95 135

HSL 329.62, 0.33%, 0.53%

LAB 50.61, 37.14, -7.97

 

CMYK 26 / 45 / 0 / 32

HEX #805FAE

RGB 128 95 174

HSL 265.06, 0.33%, 0.53%

LAB 46.75, 30.03, -37.41

 

CMYK 39 / 45 / 0 / 32

HEX #6B5FAE

RGB 107 95 174

HSL 249.11, 0.33%, 0.53%

LAB 44.75, 24.17, -40.7

 

CMYK 45 / 45 / 0 / 32

HEX #5F5FAE

RGB 95 95 174

HSL 240, 0.33%, 0.53%

LAB 43.76, 21.06, -42.34

 

CMYK 26 / 45 / 0 / 32

HEX #805FAE

RGB 128 95 174

HSL 265.06, 0.33%, 0.53%

LAB 46.75, 30.03, -37.41

 

CMYK 36 / 61 / 0 / 24

HEX #7D4CC2

RGB 125 76 194

HSL 264.92, 0.49%, 0.53%

LAB 43.4, 45.2, -54.46

 

CMYK 43 / 74 / 0 / 16

HEX #7A38D5

RGB 122 56 213

HSL 265.22, 0.65%, 0.53%

LAB 40.85, 59.38, -69.6

 

CMYK 49 / 84 / 0 / 9

HEX #7725E8

RGB 119 37 232

HSL 265.23, 0.81%, 0.53%

LAB 39.7, 70.74, -82.36

 

CMYK 54 / 93 / 0 / 1

HEX #7312FC

RGB 115 18 252

HSL 264.87, 0.98%, 0.53%

LAB 39.76, 79.41, -93.58

 

CMYK 26 / 45 / 0 / 32

HEX #805FAE

RGB 128 95 174

HSL 265.06, 0.33%, 0.53%

LAB 46.75, 30.03, -37.41

 

CMYK 15 / 26 / 0 / 39

HEX #83729B

RGB 131 114 155

HSL 264.88, 0.17%, 0.53%

LAB 50.95, 15.09, -19.72

 

CMYK 0 / 1 / 0 / 47

HEX #878687

RGB 135 134 135

HSL 300, 0%, 0.53%

LAB 56.04, 0.57, -0.41

 

CMYK 10 / 0 / 24 / 40

HEX #8A9974

RGB 138 153 116

HSL 84.32, 0.15%, 0.53%

LAB 61.17, -12.18, 17.71

 

CMYK 18 / 0 / 44 / 32

HEX #8DAD61

RGB 141 173 97

HSL 85.26, 0.32%, 0.53%

LAB 66.83, -24.01, 35.43

 

CMYK 45 / 40 / 0 / 32

HEX #5F68AE

RGB 95 104 174

HSL 233.16, 0.33%, 0.53%

LAB 46.16, 15.47, -38.53

 

CMYK 39 / 45 / 0 / 32

HEX #6B5FAE

RGB 107 95 174

HSL 249.11, 0.33%, 0.53%

LAB 44.75, 24.17, -40.7

 

CMYK 26 / 45 / 0 / 32

HEX #805FAE

RGB 128 95 174

HSL 265.06, 0.33%, 0.53%

LAB 46.75, 30.03, -37.41

 

CMYK 14 / 45 / 0 / 32

HEX #955FAE

RGB 149 95 174

HSL 281.01, 0.33%, 0.53%

LAB 49.04, 36.22, -33.65

 

CMYK 2 / 45 / 0 / 32

HEX #AA5FAE

RGB 170 95 174

HSL 296.96, 0.33%, 0.53%

LAB 51.59, 42.56, -29.47

 

CMYK 29 / 50 / 0 / 51

HEX #583E7C

RGB 88 62 124

HSL 265.16, 0.33%, 0.36%

LAB 31.75, 25.28, -31.21

 

CMYK 29 / 50 / 0 / 40

HEX #6C4C98

RGB 108 76 152

HSL 265.26, 0.33%, 0.45%

LAB 38.94, 29.96, -36.84

 

CMYK 26 / 45 / 0 / 32

HEX #805FAE

RGB 128 95 174

HSL 265.06, 0.33%, 0.53%

LAB 46.75, 30.03, -37.41

 

CMYK 20 / 35 / 0 / 26

HEX #967BBC

RGB 150 123 188

HSL 264.92, 0.33%, 0.61%

LAB 56.37, 23.66, -30.29

 

CMYK 15 / 26 / 0 / 21

HEX #AC96CA

RGB 172 150 202

HSL 265.38, 0.33%, 0.69%

LAB 65.63, 18.36, -23.74

 

CMYK 26 / 45 / 0 / 32

HEX #805FAE

RGB 128 95 174

HSL 265.06, 0.33%, 0.53%

LAB 46.75, 30.03, -37.41

 

CMYK 0 / 45 / 28 / 32

HEX #AE5F7D

RGB 174 95 125

HSL 337.22, 0.33%, 0.53%

LAB 50.29, 35.68, -2.48

 

CMYK 45 / 0 / 45 / 32

HEX #5FAE60

RGB 95 174 96

HSL 120.76, 0.33%, 0.53%

LAB 64.6, -40.59, 32.59

 

CMYK 26 / 45 / 0 / 32

HEX #805FAE

RGB 128 95 174

HSL 265.06, 0.33%, 0.53%

LAB 46.75, 30.03, -37.41

 

CMYK 0 / 26 / 45 / 32

HEX #AE805F

RGB 174 128 95

HSL 25.06, 0.33%, 0.53%

LAB 57.33, 13.57, 24.85

 

CMYK 45 / 0 / 26 / 32

HEX #5FAE80

RGB 95 174 128

HSL 145.06, 0.33%, 0.53%

LAB 65.17, -34.94, 16.22

 

CMYK 26 / 45 / 0 / 32

HEX #805FAE

RGB 128 95 174

HSL 265.06, 0.33%, 0.53%

LAB 46.75, 30.03, -37.41

 

CMYK 0 / 45 / 28 / 32

HEX #AE5F7D

RGB 174 95 125

HSL 337.22, 0.33%, 0.53%

LAB 50.29, 35.68, -2.48

 

CMYK 19 / 0 / 45 / 32

HEX #8DAE5F

RGB 141 174 95

HSL 85.06, 0.33%, 0.53%

LAB 67.1, -24.75, 36.78

 

CMYK 45 / 0 / 17 / 32

HEX #5FAE90

RGB 95 174 144

HSL 157.22, 0.33%, 0.53%

LAB 65.53, -31.53, 7.91

 

CMYK 26 / 45 / 0 / 32

HEX #805FAE

RGB 128 95 174

HSL 265.06, 0.33%, 0.53%

LAB 46.75, 30.03, -37.41

 

CMYK 0 / 45 / 41 / 32

HEX #AE5F66

RGB 174 95 102

HSL 354.68, 0.33%, 0.53%

LAB 49.67, 32.74, 10.37

 

CMYK 19 / 0 / 45 / 32

HEX #8DAE5F

RGB 141 174 95

HSL 85.06, 0.33%, 0.53%

LAB 67.1, -24.75, 36.78

 

CMYK 45 / 0 / 3 / 32

HEX #5FAEA8

RGB 95 174 168

HSL 175.44, 0.33%, 0.53%

LAB 66.16, -25.77, -4.49

 

Description

Color code: HEX #805FAE | qconv.com Color code: HEX #805FAE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 95 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 95 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 45 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 45% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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