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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #806865 it is the complementary color #7F979A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #806865. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #806865 shade: #856860, #967A73, #A78C86, #B89E99 and #C9B0AC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #806865. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #806865 shade: #806865, #6F5652, #5E443F, #4D322C and #3C2019

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #806865 shade: #806864 and #806464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #806865 shade: #806864, #806F64, #807664, #807E64 and #7B8064

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #806865 shade matches the following richer shades: #806864, #935952, #A54B3F, #B83C2D and #CA2E1A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #806865 shade: #806864, #6D7677, #5B848A, #48939C and #36A1AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #806865 shade: #806470, #806469, #806764, #806F64 and #807664

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #806865 shade: #524240, #695552, #806864, #957C79 and #A79290

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #806865 shade: #806865, #788064 and #646D80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #806865 shade: #806865, #648067 and #676480

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #806865 shade: #806865, #788064, #647D80 and #6D6480

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #806865 shade: #806865, #6F8064, #647D80 and #756480

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 21 / 50

HEX #806865

RGB 128 104 101

HSL 6.67, 0.12%, 0.45%

LAB 46.22, 9.05, 5.29

 

Complementary color

CMYK 18 / 2 / 0 / 40

HEX #7F979A

RGB 127 151 154

HSL 186.67, 0.12%, 0.55%

LAB 60.76, -7.75, -4.41

 

CMYK 0 / 22 / 28 / 48

HEX #856860

RGB 133 104 96

HSL 12.97, 0.16%, 0.45%

LAB 46.62, 10.32, 8.93

 

CMYK 0 / 19 / 23 / 41

HEX #967A73

RGB 150 122 115

HSL 12, 0.14%, 0.52%

LAB 53.64, 9.72, 7.92

 

CMYK 0 / 16 / 20 / 35

HEX #A78C86

RGB 167 140 134

HSL 10.91, 0.16%, 0.59%

LAB 60.51, 9.2, 6.99

 

CMYK 0 / 14 / 17 / 28

HEX #B89E99

RGB 184 158 153

HSL 9.68, 0.18%, 0.66%

LAB 67.23, 8.74, 6.14

 

CMYK 0 / 12 / 14 / 21

HEX #C9B0AC

RGB 201 176 172

HSL 8.28, 0.21%, 0.73%

LAB 73.83, 8.34, 5.35

 

CMYK 0 / 19 / 21 / 50

HEX #806865

RGB 128 104 101

HSL 6.67, 0.12%, 0.45%

LAB 46.22, 9.05, 5.29

 

CMYK 0 / 23 / 26 / 56

HEX #6F5652

RGB 111 86 82

HSL 8.28, 0.15%, 0.38%

LAB 38.97, 9.67, 6.28

 

CMYK 0 / 28 / 33 / 63

HEX #5E443F

RGB 94 68 63

HSL 9.68, 0.2%, 0.31%

LAB 31.52, 10.41, 7.42

 

CMYK 0 / 35 / 43 / 70

HEX #4D322C

RGB 77 50 44

HSL 10.91, 0.27%, 0.24%

LAB 23.81, 11.37, 8.78

 

CMYK 0 / 47 / 58 / 76

HEX #3C2019

RGB 60 32 25

HSL 12, 0.41%, 0.17%

LAB 15.82, 12.64, 10.56

 

CMYK 0 / 19 / 22 / 50

HEX #806864

RGB 128 104 100

HSL 8.57, 0.12%, 0.45%

LAB 46.19, 8.89, 5.85

 

CMYK 0 / 22 / 22 / 50

HEX #806464

RGB 128 100 100

HSL 0, 0.12%, 0.45%

LAB 45.11, 11.26, 4.31

 

CMYK 0 / 19 / 22 / 50

HEX #806864

RGB 128 104 100

HSL 8.57, 0.12%, 0.45%

LAB 46.19, 8.89, 5.85

 

CMYK 0 / 13 / 22 / 50

HEX #806F64

RGB 128 111 100

HSL 23.57, 0.12%, 0.45%

LAB 48.11, 4.77, 8.57

 

CMYK 0 / 8 / 22 / 50

HEX #807664

RGB 128 118 100

HSL 38.57, 0.12%, 0.45%

LAB 50.06, 0.7, 11.32

 

CMYK 0 / 2 / 22 / 50

HEX #807E64

RGB 128 126 100

HSL 55.71, 0.12%, 0.45%

LAB 52.32, -3.87, 14.46

 

CMYK 4 / 0 / 22 / 50

HEX #7B8064

RGB 123 128 100

HSL 70.71, 0.12%, 0.45%

LAB 52.47, -7.02, 14.61

 

CMYK 0 / 19 / 22 / 50

HEX #806864

RGB 128 104 100

HSL 8.57, 0.12%, 0.45%

LAB 46.19, 8.89, 5.85

 

CMYK 0 / 39 / 44 / 42

HEX #935952

RGB 147 89 82

HSL 6.46, 0.28%, 0.45%

LAB 44.17, 23.06, 14.19

 

CMYK 0 / 55 / 62 / 35

HEX #A54B3F

RGB 165 75 63

HSL 7.06, 0.45%, 0.45%

LAB 43.35, 36.2, 25.01

 

CMYK 0 / 67 / 76 / 28

HEX #B83C2D

RGB 184 60 45

HSL 6.47, 0.61%, 0.45%

LAB 43.67, 49.13, 36.63

 

CMYK 0 / 77 / 87 / 21

HEX #CA2E1A

RGB 202 46 26

HSL 6.82, 0.77%, 0.45%

LAB 45.06, 59.38, 48.83

 

CMYK 0 / 19 / 22 / 50

HEX #806864

RGB 128 104 100

HSL 8.57, 0.12%, 0.45%

LAB 46.19, 8.89, 5.85

 

CMYK 8 / 1 / 0 / 53

HEX #6D7677

RGB 109 118 119

HSL 186, 0.04%, 0.45%

LAB 48.93, -3.15, -1.71

 

CMYK 34 / 4 / 0 / 46

HEX #5B848A

RGB 91 132 138

HSL 187.66, 0.21%, 0.45%

LAB 52.47, -12.56, -7.77

 

CMYK 54 / 6 / 0 / 39

HEX #48939C

RGB 72 147 156

HSL 186.43, 0.37%, 0.45%

LAB 56.73, -20.58, -11.87

 

CMYK 69 / 8 / 0 / 31

HEX #36A1AF

RGB 54 161 175

HSL 186.94, 0.53%, 0.45%

LAB 61.11, -25.34, -16.11

 

CMYK 0 / 22 / 13 / 50

HEX #806470

RGB 128 100 112

HSL 334.29, 0.12%, 0.45%

LAB 45.46, 13.35, -2.43

 

CMYK 0 / 22 / 18 / 50

HEX #806469

RGB 128 100 105

HSL 349.29, 0.12%, 0.45%

LAB 45.25, 12.11, 1.49

 

CMYK 0 / 20 / 22 / 50

HEX #806764

RGB 128 103 100

HSL 6.43, 0.12%, 0.45%

LAB 45.92, 9.48, 5.46

 

CMYK 0 / 13 / 22 / 50

HEX #806F64

RGB 128 111 100

HSL 23.57, 0.12%, 0.45%

LAB 48.11, 4.77, 8.57

 

CMYK 0 / 8 / 22 / 50

HEX #807664

RGB 128 118 100

HSL 38.57, 0.12%, 0.45%

LAB 50.06, 0.7, 11.32

 

CMYK 0 / 20 / 22 / 68

HEX #524240

RGB 82 66 64

HSL 6.67, 0.12%, 0.29%

LAB 29.56, 6.52, 3.81

 

CMYK 0 / 19 / 22 / 59

HEX #695552

RGB 105 85 82

HSL 7.83, 0.12%, 0.37%

LAB 38.04, 7.73, 4.85

 

CMYK 0 / 19 / 22 / 50

HEX #806864

RGB 128 104 100

HSL 8.57, 0.12%, 0.45%

LAB 46.19, 8.89, 5.85

 

CMYK 0 / 17 / 19 / 42

HEX #957C79

RGB 149 124 121

HSL 6.43, 0.12%, 0.53%

LAB 54.22, 9.13, 5.23

 

CMYK 0 / 13 / 14 / 35

HEX #A79290

RGB 167 146 144

HSL 5.22, 0.12%, 0.61%

LAB 62.33, 7.48, 3.93

 

CMYK 0 / 19 / 21 / 50

HEX #806865

RGB 128 104 101

HSL 6.67, 0.12%, 0.45%

LAB 46.22, 9.05, 5.29

 

CMYK 6 / 0 / 22 / 50

HEX #788064

RGB 120 128 100

HSL 77.14, 0.12%, 0.45%

LAB 52.23, -8.23, 14.24

 

CMYK 22 / 15 / 0 / 50

HEX #646D80

RGB 100 109 128

HSL 220.71, 0.12%, 0.45%

LAB 45.91, 1.03, -11.64

 

CMYK 0 / 19 / 21 / 50

HEX #806865

RGB 128 104 101

HSL 6.67, 0.12%, 0.45%

LAB 46.22, 9.05, 5.29

 

CMYK 22 / 0 / 20 / 50

HEX #648067

RGB 100 128 103

HSL 126.43, 0.12%, 0.45%

LAB 50.84, -15.37, 10.33

 

CMYK 20 / 22 / 0 / 50

HEX #676480

RGB 103 100 128

HSL 246.43, 0.12%, 0.45%

LAB 43.59, 7.5, -15.15

 

CMYK 0 / 19 / 21 / 50

HEX #806865

RGB 128 104 101

HSL 6.67, 0.12%, 0.45%

LAB 46.22, 9.05, 5.29

 

CMYK 6 / 0 / 22 / 50

HEX #788064

RGB 120 128 100

HSL 77.14, 0.12%, 0.45%

LAB 52.23, -8.23, 14.24

 

CMYK 22 / 2 / 0 / 50

HEX #647D80

RGB 100 125 128

HSL 186.43, 0.12%, 0.45%

LAB 50.61, -8.28, -4.62

 

CMYK 15 / 22 / 0 / 50

HEX #6D6480

RGB 109 100 128

HSL 259.29, 0.12%, 0.45%

LAB 44.12, 9.6, -14.28

 

CMYK 0 / 19 / 21 / 50

HEX #806865

RGB 128 104 101

HSL 6.67, 0.12%, 0.45%

LAB 46.22, 9.05, 5.29

 

CMYK 13 / 0 / 22 / 50

HEX #6F8064

RGB 111 128 100

HSL 96.43, 0.12%, 0.45%

LAB 51.54, -11.77, 13.17

 

CMYK 22 / 2 / 0 / 50

HEX #647D80

RGB 100 125 128

HSL 186.43, 0.12%, 0.45%

LAB 50.61, -8.28, -4.62

 

CMYK 9 / 22 / 0 / 50

HEX #756480

RGB 117 100 128

HSL 276.43, 0.12%, 0.45%

LAB 44.88, 12.46, -13.07

 

Description

Color code: HEX #806865 | qconv.com Color code: HEX #806865 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 104 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 104 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 21 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 21% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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