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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8063A0 it is the complementary color #7F9C5F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8063A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8063A0 shade: #85639B, #9675AE, #A787C1, #B899D4 and #C9ABE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8063A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8063A0 shade: #8063A0, #6F518D, #5E3F7A, #4D2D67 and #3C1B54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8063A0 shade: #8064A0, #9064A0, #A0649F, #A0648E and #A0647E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8063A0 shade: #8064A0, #7064A0 and #6464A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8063A0 shade matches the following richer shades: #8064A0, #7F4FB4, #7E3BC8, #7D27DC and #7C13F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8063A0 shade: #8064A0, #81788B, #828C77, #83A063 and #84B44F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8063A0 shade: #6468A0, #7064A0, #8064A0, #9064A0 and #A064A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8063A0 shade: #57436E, #6C5387, #8064A0, #957DAF and #AA97BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8063A0 shade: #8063A0, #A06478 and #64A068

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8063A0 shade: #8063A0, #A08064 and #64A080

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8063A0 shade: #8063A0, #A06478, #84A064 and #64A08C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8063A0 shade: #8063A0, #A06466, #84A064 and #64A09E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 38 / 0 / 37

HEX #8063A0

RGB 128 99 160

HSL 268.52, 0.24%, 0.51%

LAB 47.04, 24.22, -28.72

 

Complementary color

CMYK 19 / 0 / 39 / 39

HEX #7F9C5F

RGB 127 156 95

HSL 88.52, 0.24%, 0.49%

LAB 60.88, -21.15, 28.69

 

CMYK 14 / 36 / 0 / 39

HEX #85639B

RGB 133 99 155

HSL 276.43, 0.22%, 0.5%

LAB 47.34, 24.65, -25.27

 

CMYK 14 / 33 / 0 / 32

HEX #9675AE

RGB 150 117 174

HSL 274.74, 0.26%, 0.57%

LAB 54.3, 23.93, -25.45

 

CMYK 13 / 30 / 0 / 24

HEX #A787C1

RGB 167 135 193

HSL 273.1, 0.32%, 0.64%

LAB 61.13, 23.27, -25.65

 

CMYK 13 / 28 / 0 / 17

HEX #B899D4

RGB 184 153 212

HSL 271.53, 0.41%, 0.72%

LAB 67.82, 22.68, -25.85

 

CMYK 13 / 26 / 0 / 9

HEX #C9ABE7

RGB 201 171 231

HSL 270, 0.56%, 0.79%

LAB 74.39, 22.13, -26.07

 

CMYK 20 / 38 / 0 / 37

HEX #8063A0

RGB 128 99 160

HSL 268.52, 0.24%, 0.51%

LAB 47.04, 24.22, -28.72

 

CMYK 21 / 43 / 0 / 45

HEX #6F518D

RGB 111 81 141

HSL 270, 0.27%, 0.44%

LAB 39.89, 25.04, -28.66

 

CMYK 23 / 48 / 0 / 52

HEX #5E3F7A

RGB 94 63 122

HSL 271.53, 0.32%, 0.36%

LAB 32.57, 25.96, -28.62

 

CMYK 25 / 56 / 0 / 60

HEX #4D2D67

RGB 77 45 103

HSL 273.1, 0.39%, 0.29%

LAB 25.06, 26.94, -28.57

 

CMYK 29 / 68 / 0 / 67

HEX #3C1B54

RGB 60 27 84

HSL 274.74, 0.51%, 0.22%

LAB 17.39, 27.88, -28.39

 

CMYK 20 / 38 / 0 / 37

HEX #8064A0

RGB 128 100 160

HSL 268, 0.24%, 0.51%

LAB 47.29, 23.62, -28.34

 

CMYK 10 / 38 / 0 / 37

HEX #9064A0

RGB 144 100 160

HSL 284, 0.24%, 0.51%

LAB 48.98, 28.76, -25.57

 

CMYK 0 / 38 / 1 / 37

HEX #A0649F

RGB 160 100 159

HSL 301, 0.24%, 0.51%

LAB 50.79, 33.78, -22.04

 

CMYK 0 / 38 / 11 / 37

HEX #A0648E

RGB 160 100 142

HSL 318, 0.24%, 0.51%

LAB 50.15, 30.64, -13

 

CMYK 0 / 38 / 21 / 37

HEX #A0647E

RGB 160 100 126

HSL 334, 0.24%, 0.51%

LAB 49.61, 27.96, -4.29

 

CMYK 20 / 38 / 0 / 37

HEX #8064A0

RGB 128 100 160

HSL 268, 0.24%, 0.51%

LAB 47.29, 23.62, -28.34

 

CMYK 30 / 38 / 0 / 37

HEX #7064A0

RGB 112 100 160

HSL 252, 0.24%, 0.51%

LAB 45.77, 18.67, -30.83

 

CMYK 38 / 38 / 0 / 37

HEX #6464A0

RGB 100 100 160

HSL 240, 0.24%, 0.51%

LAB 44.75, 15.14, -32.5

 

CMYK 20 / 38 / 0 / 37

HEX #8064A0

RGB 128 100 160

HSL 268, 0.24%, 0.51%

LAB 47.29, 23.62, -28.34

 

CMYK 29 / 56 / 0 / 29

HEX #7F4FB4

RGB 127 79 180

HSL 268.51, 0.4%, 0.51%

LAB 43.36, 40.48, -46.33

 

CMYK 37 / 71 / 0 / 22

HEX #7E3BC8

RGB 126 59 200

HSL 268.51, 0.56%, 0.51%

LAB 40.79, 55.53, -62.16

 

CMYK 43 / 82 / 0 / 14

HEX #7D27DC

RGB 125 39 220

HSL 268.51, 0.72%, 0.51%

LAB 39.54, 68.05, -75.74

 

CMYK 48 / 92 / 0 / 6

HEX #7C13F0

RGB 124 19 240

HSL 268.51, 0.88%, 0.51%

LAB 39.65, 77.35, -86.96

 

CMYK 20 / 38 / 0 / 37

HEX #8064A0

RGB 128 100 160

HSL 268, 0.24%, 0.51%

LAB 47.29, 23.62, -28.34

 

CMYK 7 / 14 / 0 / 45

HEX #81788B

RGB 129 120 139

HSL 268.42, 0.08%, 0.51%

LAB 51.8, 7.28, -9.07

 

CMYK 7 / 0 / 15 / 45

HEX #828C77

RGB 130 140 119

HSL 88.57, 0.08%, 0.51%

LAB 56.91, -7.69, 9.99

 

CMYK 18 / 0 / 38 / 37

HEX #83A063

RGB 131 160 99

HSL 88.52, 0.24%, 0.51%

LAB 62.4, -21.08, 28.56

 

CMYK 27 / 0 / 56 / 29

HEX #84B44F

RGB 132 180 79

HSL 88.51, 0.4%, 0.51%

LAB 68.1, -32.83, 45.73

 

CMYK 38 / 35 / 0 / 37

HEX #6468A0

RGB 100 104 160

HSL 236, 0.24%, 0.51%

LAB 45.84, 12.68, -30.79

 

CMYK 30 / 38 / 0 / 37

HEX #7064A0

RGB 112 100 160

HSL 252, 0.24%, 0.51%

LAB 45.77, 18.67, -30.83

 

CMYK 20 / 38 / 0 / 37

HEX #8064A0

RGB 128 100 160

HSL 268, 0.24%, 0.51%

LAB 47.29, 23.62, -28.34

 

CMYK 10 / 38 / 0 / 37

HEX #9064A0

RGB 144 100 160

HSL 284, 0.24%, 0.51%

LAB 48.98, 28.76, -25.57

 

CMYK 0 / 38 / 0 / 37

HEX #A064A0

RGB 160 100 160

HSL 300, 0.24%, 0.51%

LAB 50.83, 33.98, -22.56

 

CMYK 21 / 39 / 0 / 57

HEX #57436E

RGB 87 67 110

HSL 267.91, 0.24%, 0.35%

LAB 32.18, 18.1, -21.74

 

CMYK 20 / 39 / 0 / 47

HEX #6C5387

RGB 108 83 135

HSL 268.85, 0.24%, 0.43%

LAB 39.79, 21.38, -25.21

 

CMYK 20 / 38 / 0 / 37

HEX #8064A0

RGB 128 100 160

HSL 268, 0.24%, 0.51%

LAB 47.29, 23.62, -28.34

 

CMYK 15 / 29 / 0 / 31

HEX #957DAF

RGB 149 125 175

HSL 268.8, 0.24%, 0.59%

LAB 56.24, 19.19, -23.06

 

CMYK 11 / 21 / 0 / 25

HEX #AA97BF

RGB 170 151 191

HSL 268.5, 0.24%, 0.67%

LAB 65.31, 14.76, -18.1

 

CMYK 20 / 38 / 0 / 37

HEX #8063A0

RGB 128 99 160

HSL 268.52, 0.24%, 0.51%

LAB 47.04, 24.22, -28.72

 

CMYK 0 / 38 / 25 / 37

HEX #A06478

RGB 160 100 120

HSL 340, 0.24%, 0.51%

LAB 49.43, 27.03, -0.98

 

CMYK 38 / 0 / 35 / 37

HEX #64A068

RGB 100 160 104

HSL 124, 0.24%, 0.51%

LAB 60.65, -31.39, 23.22

 

CMYK 20 / 38 / 0 / 37

HEX #8063A0

RGB 128 99 160

HSL 268.52, 0.24%, 0.51%

LAB 47.04, 24.22, -28.72

 

CMYK 0 / 20 / 38 / 37

HEX #A08064

RGB 160 128 100

HSL 28, 0.24%, 0.51%

LAB 55.92, 8.28, 19.88

 

CMYK 38 / 0 / 20 / 37

HEX #64A080

RGB 100 160 128

HSL 148, 0.24%, 0.51%

LAB 61.14, -26.81, 10.61

 

CMYK 20 / 38 / 0 / 37

HEX #8063A0

RGB 128 99 160

HSL 268.52, 0.24%, 0.51%

LAB 47.04, 24.22, -28.72

 

CMYK 0 / 38 / 25 / 37

HEX #A06478

RGB 160 100 120

HSL 340, 0.24%, 0.51%

LAB 49.43, 27.03, -0.98

 

CMYK 18 / 0 / 38 / 37

HEX #84A064

RGB 132 160 100

HSL 88, 0.24%, 0.51%

LAB 62.48, -20.56, 28.15

 

CMYK 38 / 0 / 13 / 37

HEX #64A08C

RGB 100 160 140

HSL 160, 0.24%, 0.51%

LAB 61.43, -24.19, 4.29

 

CMYK 20 / 38 / 0 / 37

HEX #8063A0

RGB 128 99 160

HSL 268.52, 0.24%, 0.51%

LAB 47.04, 24.22, -28.72

 

CMYK 0 / 38 / 36 / 37

HEX #A06466

RGB 160 100 102

HSL 358, 0.24%, 0.51%

LAB 48.94, 24.5, 9.08

 

CMYK 18 / 0 / 38 / 37

HEX #84A064

RGB 132 160 100

HSL 88, 0.24%, 0.51%

LAB 62.48, -20.56, 28.15

 

CMYK 38 / 0 / 1 / 37

HEX #64A09E

RGB 100 160 158

HSL 178, 0.24%, 0.51%

LAB 61.93, -19.88, -5.12

 

Description

Color code: HEX #8063A0 | qconv.com Color code: HEX #8063A0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 99 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 99 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 38 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 38% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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