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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #806EDD it is the complementary color #7F9122. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #806EDD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #806EDD shade: #856ED8, #9680EB, #A792FE, #B8A4FF and #C9B6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #806EDD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #806EDD shade: #806EDD, #6F5CCA, #5E4AB7, #4D38A4 and #3C2691

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #806EDD shade: #806EDD, #9E6EDD, #BC6EDD, #D96EDD and #DD6EC2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #806EDD shade: #806EDD and #6E6EDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #806EDD shade matches the following richer shades: #806EDD, #765FEB and #6C51F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #806EDD shade: #806EDD, #8A7CCE, #938BC0, #9D99B1 and #A7A8A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #806EDD shade: #6E98DD, #6E7BDD, #7F6EDD, #9C6EDD and #BA6EDD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #806EDD shade: #482FC9, #634CD5, #806EDD, #9D8FE4 and #BAB1EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #806EDD shade: #806EDD, #DD6EB6 and #8ADD6E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #806EDD shade: #806EDD, #DD7F6E and #6EDD7F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #806EDD shade: #806EDD, #DD6EB6, #CCDD6E and #6EDD95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #806EDD shade: #806EDD, #DD6E95, #CCDD6E and #6EDDB6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 50 / 0 / 13

HEX #806EDD

RGB 128 110 221

HSL 249.73, 0.62%, 0.65%

LAB 52.91, 33.8, -54.63

 

Complementary color

CMYK 12 / 0 / 77 / 43

HEX #7F9122

RGB 127 145 34

HSL 69.73, 0.62%, 0.35%

LAB 56.96, -21.26, 52.74

 

CMYK 38 / 49 / 0 / 15

HEX #856ED8

RGB 133 110 216

HSL 253.02, 0.58%, 0.64%

LAB 53.05, 33.62, -51.54

 

CMYK 36 / 46 / 0 / 8

HEX #9680EB

RGB 150 128 235

HSL 252.34, 0.73%, 0.71%

LAB 59.82, 32.58, -51.34

 

CMYK 34 / 43 / 0 / 0

HEX #A792FE

RGB 167 146 254

HSL 251.67, 0.98%, 0.78%

LAB 66.47, 31.64, -51.17

 

CMYK 28 / 36 / 0 / 0

HEX #B8A4FF

RGB 184 164 255

HSL 253.19, 1%, 0.82%

LAB 72.2, 26.36, -42.59

 

CMYK 21 / 29 / 0 / 0

HEX #C9B6FF

RGB 201 182 255

HSL 255.62, 1%, 0.86%

LAB 77.93, 21.33, -33.59

 

CMYK 42 / 50 / 0 / 13

HEX #806EDD

RGB 128 110 221

HSL 249.73, 0.62%, 0.65%

LAB 52.91, 33.8, -54.63

 

CMYK 45 / 54 / 0 / 21

HEX #6F5CCA

RGB 111 92 202

HSL 250.36, 0.51%, 0.58%

LAB 46.04, 35.07, -54.9

 

CMYK 49 / 60 / 0 / 28

HEX #5E4AB7

RGB 94 74 183

HSL 251.01, 0.43%, 0.5%

LAB 39.06, 36.48, -55.18

 

CMYK 53 / 66 / 0 / 36

HEX #4D38A4

RGB 77 56 164

HSL 251.67, 0.49%, 0.43%

LAB 32, 38.04, -55.41

 

CMYK 59 / 74 / 0 / 43

HEX #3C2691

RGB 60 38 145

HSL 252.34, 0.58%, 0.36%

LAB 24.92, 39.64, -55.45

 

CMYK 42 / 50 / 0 / 13

HEX #806EDD

RGB 128 110 221

HSL 249.73, 0.62%, 0.65%

LAB 52.91, 33.8, -54.63

 

CMYK 29 / 50 / 0 / 13

HEX #9E6EDD

RGB 158 110 221

HSL 265.95, 0.62%, 0.65%

LAB 55.73, 41.28, -49.96

 

CMYK 15 / 50 / 0 / 13

HEX #BC6EDD

RGB 188 110 221

HSL 282.16, 0.62%, 0.65%

LAB 59.03, 49.29, -44.52

 

CMYK 2 / 50 / 0 / 13

HEX #D96EDD

RGB 217 110 221

HSL 297.84, 0.62%, 0.65%

LAB 62.61, 57.22, -38.64

 

CMYK 0 / 50 / 12 / 13

HEX #DD6EC2

RGB 221 110 194

HSL 314.59, 0.62%, 0.65%

LAB 62.01, 53.81, -24.32

 

CMYK 42 / 50 / 0 / 13

HEX #806EDD

RGB 128 110 221

HSL 249.73, 0.62%, 0.65%

LAB 52.91, 33.8, -54.63

 

CMYK 50 / 50 / 0 / 13

HEX #6E6EDD

RGB 110 110 221

HSL 240, 0.62%, 0.65%

LAB 51.48, 29.73, -56.99

 

CMYK 42 / 50 / 0 / 13

HEX #806EDD

RGB 128 110 221

HSL 249.73, 0.62%, 0.65%

LAB 52.91, 33.8, -54.63

 

CMYK 50 / 60 / 0 / 8

HEX #765FEB

RGB 118 95 235

HSL 249.86, 0.78%, 0.65%

LAB 49.54, 44.39, -67.98

 

CMYK 57 / 67 / 0 / 2

HEX #6C51F9

RGB 108 81 249

HSL 249.64, 0.93%, 0.65%

LAB 46.86, 54.56, -80.23

 

CMYK 42 / 50 / 0 / 13

HEX #806EDD

RGB 128 110 221

HSL 249.73, 0.62%, 0.65%

LAB 52.91, 33.8, -54.63

 

CMYK 33 / 40 / 0 / 19

HEX #8A7CCE

RGB 138 124 206

HSL 250.24, 0.46%, 0.65%

LAB 56.36, 24.04, -40.61

 

CMYK 23 / 28 / 0 / 25

HEX #938BC0

RGB 147 139 192

HSL 249.06, 0.3%, 0.65%

LAB 60.31, 14.41, -26.48

 

CMYK 11 / 14 / 0 / 31

HEX #9D99B1

RGB 157 153 177

HSL 250, 0.13%, 0.65%

LAB 64.26, 6.29, -11.95

 

CMYK 1 / 0 / 3 / 34

HEX #A7A8A3

RGB 167 168 163

HSL 72, 0.03%, 0.65%

LAB 68.65, -1.29, 2.45

 

CMYK 50 / 31 / 0 / 13

HEX #6E98DD

RGB 110 152 221

HSL 217.3, 0.62%, 0.65%

LAB 62.5, 4.73, -39.52

 

CMYK 50 / 44 / 0 / 13

HEX #6E7BDD

RGB 110 123 221

HSL 232.97, 0.62%, 0.65%

LAB 54.76, 21.89, -51.74

 

CMYK 43 / 50 / 0 / 13

HEX #7F6EDD

RGB 127 110 221

HSL 249.19, 0.62%, 0.65%

LAB 52.82, 33.57, -54.77

 

CMYK 29 / 50 / 0 / 13

HEX #9C6EDD

RGB 156 110 221

HSL 264.86, 0.62%, 0.65%

LAB 55.52, 40.77, -50.3

 

CMYK 16 / 50 / 0 / 13

HEX #BA6EDD

RGB 186 110 221

HSL 281.08, 0.62%, 0.65%

LAB 58.8, 48.74, -44.9

 

CMYK 64 / 77 / 0 / 21

HEX #482FC9

RGB 72 47 201

HSL 249.74, 0.62%, 0.49%

LAB 33.2, 53.46, -75.4

 

CMYK 54 / 64 / 0 / 16

HEX #634CD5

RGB 99 76 213

HSL 250.07, 0.62%, 0.57%

LAB 42.19, 45.27, -67.5

 

CMYK 42 / 50 / 0 / 13

HEX #806EDD

RGB 128 110 221

HSL 249.73, 0.62%, 0.65%

LAB 52.91, 33.8, -54.63

 

CMYK 31 / 37 / 0 / 11

HEX #9D8FE4

RGB 157 143 228

HSL 249.88, 0.61%, 0.73%

LAB 63.68, 24, -41.31

 

CMYK 21 / 25 / 0 / 7

HEX #BAB1EC

RGB 186 177 236

HSL 249.15, 0.61%, 0.81%

LAB 74.79, 15.28, -28.29

 

CMYK 42 / 50 / 0 / 13

HEX #806EDD

RGB 128 110 221

HSL 249.73, 0.62%, 0.65%

LAB 52.91, 33.8, -54.63

 

CMYK 0 / 50 / 18 / 13

HEX #DD6EB6

RGB 221 110 182

HSL 321.08, 0.62%, 0.65%

LAB 61.57, 51.97, -18.18

 

CMYK 38 / 0 / 50 / 13

HEX #8ADD6E

RGB 138 221 110

HSL 104.86, 0.62%, 0.65%

LAB 80.87, -45.53, 46.33

 

CMYK 42 / 50 / 0 / 13

HEX #806EDD

RGB 128 110 221

HSL 249.73, 0.62%, 0.65%

LAB 52.91, 33.8, -54.63

 

CMYK 0 / 43 / 50 / 13

HEX #DD7F6E

RGB 221 127 110

HSL 9.19, 0.62%, 0.65%

LAB 63.07, 34.55, 25.07

 

CMYK 50 / 0 / 43 / 13

HEX #6EDD7F

RGB 110 221 127

HSL 129.19, 0.62%, 0.65%

LAB 79.93, -51.34, 36.58

 

CMYK 42 / 50 / 0 / 13

HEX #806EDD

RGB 128 110 221

HSL 249.73, 0.62%, 0.65%

LAB 52.91, 33.8, -54.63

 

CMYK 0 / 50 / 18 / 13

HEX #DD6EB6

RGB 221 110 182

HSL 321.08, 0.62%, 0.65%

LAB 61.57, 51.97, -18.18

 

CMYK 8 / 0 / 50 / 13

HEX #CCDD6E

RGB 204 221 110

HSL 69.19, 0.62%, 0.65%

LAB 84.83, -21.6, 52.03

 

CMYK 50 / 0 / 33 / 13

HEX #6EDD95

RGB 110 221 149

HSL 141.08, 0.62%, 0.65%

LAB 80.29, -47.64, 25.84

 

CMYK 42 / 50 / 0 / 13

HEX #806EDD

RGB 128 110 221

HSL 249.73, 0.62%, 0.65%

LAB 52.91, 33.8, -54.63

 

CMYK 0 / 50 / 33 / 13

HEX #DD6E95

RGB 221 110 149

HSL 338.92, 0.62%, 0.65%

LAB 60.51, 47.45, -0.81

 

CMYK 8 / 0 / 50 / 13

HEX #CCDD6E

RGB 204 221 110

HSL 69.19, 0.62%, 0.65%

LAB 84.83, -21.6, 52.03

 

CMYK 50 / 0 / 18 / 13

HEX #6EDDB6

RGB 110 221 182

HSL 158.92, 0.62%, 0.65%

LAB 80.96, -40.99, 9.47

 

Description

Color code: HEX #806EDD | qconv.com Color code: HEX #806EDD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 110 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 110 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 50 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 50% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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