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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #807499 it is the complementary color #7F8B66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #807499. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #807499 shade: #857494, #9686A7, #A798BA, #B8AACD and #C9BCE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #807499. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #807499 shade: #807499, #6F6286, #5E5073, #4D3E60 and #3C2C4D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #807499 shade: #807599, #8A7599, #947599, #997594 and #99758A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #807499 shade: #807599, #777599 and #757599

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #807499 shade matches the following richer shades: #807599, #7A61AC, #734EBF, #6C3AD3 and #6527E6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #807499 shade: #807599, #878885, #8E9B72, #95AF5E and #9CC24B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #807499 shade: #757C99, #767599, #807599, #8A7599 and #937599

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #807499 shade: #584F6B, #6C6183, #807599, #968CAA and #ACA4BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #807499 shade: #807499, #997586 and #789975

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #807499 shade: #807499, #998075 and #759980

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #807499 shade: #807499, #997586, #8D9975 and #759987

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #807499 shade: #807499, #99757B, #8D9975 and #759992

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 24 / 0 / 40

HEX #807499

RGB 128 116 153

HSL 259.46, 0.15%, 0.53%

LAB 51.13, 12.43, -18.3

 

Complementary color

CMYK 9 / 0 / 27 / 45

HEX #7F8B66

RGB 127 139 102

HSL 79.46, 0.15%, 0.47%

LAB 56.02, -11.17, 18.38

 

CMYK 10 / 22 / 0 / 42

HEX #857494

RGB 133 116 148

HSL 271.88, 0.13%, 0.52%

LAB 51.4, 13.02, -14.92

 

CMYK 10 / 20 / 0 / 35

HEX #9686A7

RGB 150 134 167

HSL 269.09, 0.16%, 0.59%

LAB 58.34, 12.55, -15.25

 

CMYK 10 / 18 / 0 / 27

HEX #A798BA

RGB 167 152 186

HSL 266.47, 0.2%, 0.66%

LAB 65.13, 12.14, -15.6

 

CMYK 10 / 17 / 0 / 20

HEX #B8AACD

RGB 184 170 205

HSL 264, 0.26%, 0.74%

LAB 71.79, 11.76, -15.95

 

CMYK 10 / 16 / 0 / 12

HEX #C9BCE0

RGB 201 188 224

HSL 261.67, 0.37%, 0.81%

LAB 78.32, 11.41, -16.3

 

CMYK 16 / 24 / 0 / 40

HEX #807499

RGB 128 116 153

HSL 259.46, 0.15%, 0.53%

LAB 51.13, 12.43, -18.3

 

CMYK 17 / 27 / 0 / 47

HEX #6F6286

RGB 111 98 134

HSL 261.67, 0.16%, 0.45%

LAB 44, 12.95, -18.07

 

CMYK 18 / 30 / 0 / 55

HEX #5E5073

RGB 94 80 115

HSL 264, 0.18%, 0.38%

LAB 36.66, 13.54, -17.88

 

CMYK 20 / 35 / 0 / 62

HEX #4D3E60

RGB 77 62 96

HSL 266.47, 0.22%, 0.31%

LAB 29.08, 14.23, -17.73

 

CMYK 22 / 43 / 0 / 70

HEX #3C2C4D

RGB 60 44 77

HSL 269.09, 0.27%, 0.24%

LAB 21.2, 15.07, -17.63

 

CMYK 16 / 24 / 0 / 40

HEX #807599

RGB 128 117 153

HSL 258.33, 0.15%, 0.53%

LAB 51.4, 11.84, -17.89

 

CMYK 10 / 24 / 0 / 40

HEX #8A7599

RGB 138 117 153

HSL 275, 0.15%, 0.53%

LAB 52.32, 15.26, -16.41

 

CMYK 3 / 24 / 0 / 40

HEX #947599

RGB 148 117 153

HSL 291.67, 0.15%, 0.53%

LAB 53.3, 18.75, -14.83

 

CMYK 0 / 24 / 3 / 40

HEX #997594

RGB 153 117 148

HSL 308.33, 0.15%, 0.53%

LAB 53.64, 19.54, -11.35

 

CMYK 0 / 24 / 10 / 40

HEX #99758A

RGB 153 117 138

HSL 325, 0.15%, 0.53%

LAB 53.31, 17.66, -5.99

 

CMYK 16 / 24 / 0 / 40

HEX #807599

RGB 128 117 153

HSL 258.33, 0.15%, 0.53%

LAB 51.4, 11.84, -17.89

 

CMYK 22 / 24 / 0 / 40

HEX #777599

RGB 119 117 153

HSL 243.33, 0.15%, 0.53%

LAB 50.62, 8.83, -19.14

 

CMYK 24 / 24 / 0 / 40

HEX #757599

RGB 117 117 153

HSL 240, 0.15%, 0.53%

LAB 50.46, 8.17, -19.41

 

CMYK 16 / 24 / 0 / 40

HEX #807599

RGB 128 117 153

HSL 258.33, 0.15%, 0.53%

LAB 51.4, 11.84, -17.89

 

CMYK 29 / 44 / 0 / 33

HEX #7A61AC

RGB 122 97 172

HSL 260, 0.31%, 0.53%

LAB 46.53, 26.6, -36.62

 

CMYK 40 / 59 / 0 / 25

HEX #734EBF

RGB 115 78 191

HSL 259.65, 0.47%, 0.53%

LAB 42.54, 41.02, -54.14

 

CMYK 49 / 73 / 0 / 17

HEX #6C3AD3

RGB 108 58 211

HSL 259.61, 0.63%, 0.53%

LAB 39.44, 55.7, -70.81

 

CMYK 56 / 83 / 0 / 10

HEX #6527E6

RGB 101 39 230

HSL 259.48, 0.79%, 0.53%

LAB 37.72, 67.7, -84.56

 

CMYK 16 / 24 / 0 / 40

HEX #807599

RGB 128 117 153

HSL 258.33, 0.15%, 0.53%

LAB 51.4, 11.84, -17.89

 

CMYK 1 / 0 / 2 / 47

HEX #878885

RGB 135 136 133

HSL 80, 0.01%, 0.53%

LAB 56.54, -0.95, 1.47

 

CMYK 8 / 0 / 26 / 39

HEX #8E9B72

RGB 142 155 114

HSL 79.02, 0.17%, 0.53%

LAB 62, -12.01, 20.01

 

CMYK 15 / 0 / 46 / 31

HEX #95AF5E

RGB 149 175 94

HSL 79.26, 0.34%, 0.53%

LAB 67.92, -22.24, 38.42

 

CMYK 20 / 0 / 61 / 24

HEX #9CC24B

RGB 156 194 75

HSL 79.16, 0.49%, 0.53%

LAB 73.65, -30.54, 54.2

 

CMYK 24 / 19 / 0 / 40

HEX #757C99

RGB 117 124 153

HSL 228.33, 0.15%, 0.53%

LAB 52.39, 4.04, -16.45

 

CMYK 23 / 24 / 0 / 40

HEX #767599

RGB 118 117 153

HSL 241.67, 0.15%, 0.53%

LAB 50.54, 8.5, -19.28

 

CMYK 16 / 24 / 0 / 40

HEX #807599

RGB 128 117 153

HSL 258.33, 0.15%, 0.53%

LAB 51.4, 11.84, -17.89

 

CMYK 10 / 24 / 0 / 40

HEX #8A7599

RGB 138 117 153

HSL 275, 0.15%, 0.53%

LAB 52.32, 15.26, -16.41

 

CMYK 4 / 24 / 0 / 40

HEX #937599

RGB 147 117 153

HSL 290, 0.15%, 0.53%

LAB 53.2, 18.4, -14.99

 

CMYK 18 / 26 / 0 / 58

HEX #584F6B

RGB 88 79 107

HSL 259.29, 0.15%, 0.36%

LAB 35.46, 10.04, -14.8

 

CMYK 18 / 26 / 0 / 49

HEX #6C6183

RGB 108 97 131

HSL 259.41, 0.15%, 0.45%

LAB 43.32, 11.8, -17.32

 

CMYK 16 / 24 / 0 / 40

HEX #807599

RGB 128 117 153

HSL 258.33, 0.15%, 0.53%

LAB 51.4, 11.84, -17.89

 

CMYK 12 / 18 / 0 / 33

HEX #968CAA

RGB 150 140 170

HSL 260, 0.15%, 0.61%

LAB 60.02, 9.76, -14.43

 

CMYK 9 / 13 / 0 / 26

HEX #ACA4BC

RGB 172 164 188

HSL 260, 0.15%, 0.69%

LAB 68.72, 7.55, -11.28

 

CMYK 16 / 24 / 0 / 40

HEX #807499

RGB 128 116 153

HSL 259.46, 0.15%, 0.53%

LAB 51.13, 12.43, -18.3

 

CMYK 0 / 24 / 12 / 40

HEX #997586

RGB 153 117 134

HSL 331.67, 0.15%, 0.53%

LAB 53.19, 16.94, -3.82

 

CMYK 22 / 0 / 24 / 40

HEX #789975

RGB 120 153 117

HSL 115, 0.15%, 0.53%

LAB 59.94, -18.74, 15.26

 

CMYK 16 / 24 / 0 / 40

HEX #807499

RGB 128 116 153

HSL 259.46, 0.15%, 0.53%

LAB 51.13, 12.43, -18.3

 

CMYK 0 / 16 / 24 / 40

HEX #998075

RGB 153 128 117

HSL 18.33, 0.15%, 0.53%

LAB 55.58, 7.79, 9.54

 

CMYK 24 / 0 / 16 / 40

HEX #759980

RGB 117 153 128

HSL 138.33, 0.15%, 0.53%

LAB 60, -17.72, 9.13

 

CMYK 16 / 24 / 0 / 40

HEX #807499

RGB 128 116 153

HSL 259.46, 0.15%, 0.53%

LAB 51.13, 12.43, -18.3

 

CMYK 0 / 24 / 12 / 40

HEX #997586

RGB 153 117 134

HSL 331.67, 0.15%, 0.53%

LAB 53.19, 16.94, -3.82

 

CMYK 8 / 0 / 24 / 40

HEX #8D9975

RGB 141 153 117

HSL 80, 0.15%, 0.53%

LAB 61.42, -10.86, 17.53

 

CMYK 24 / 0 / 12 / 40

HEX #759987

RGB 117 153 135

HSL 150, 0.15%, 0.53%

LAB 60.17, -16.29, 5.42

 

CMYK 16 / 24 / 0 / 40

HEX #807499

RGB 128 116 153

HSL 259.46, 0.15%, 0.53%

LAB 51.13, 12.43, -18.3

 

CMYK 0 / 24 / 20 / 40

HEX #99757B

RGB 153 117 123

HSL 350, 0.15%, 0.53%

LAB 52.87, 15.07, 2.16

 

CMYK 8 / 0 / 24 / 40

HEX #8D9975

RGB 141 153 117

HSL 80, 0.15%, 0.53%

LAB 61.42, -10.86, 17.53

 

CMYK 24 / 0 / 5 / 40

HEX #759992

RGB 117 153 146

HSL 168.33, 0.15%, 0.53%

LAB 60.46, -13.92, -0.39

 

Description

Color code: HEX #807499 | qconv.com Color code: HEX #807499 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 116 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 116 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 24 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 24% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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