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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80756F it is the complementary color #7F8A90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80756F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #80756F shade: #85756A, #96877D, #A79990, #B8ABA3 and #C9BDB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80756F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #80756F shade: #80756F, #6F635C, #5E5149, #4D3F36 and #3C2D23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #80756F shade: #80756F, #80706F and #806F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #80756F shade: #80756F, #80796F, #807E6F, #7D806F and #78806F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #80756F shade matches the following richer shades: #80756F, #936F5C, #A76948, #BA6435 and #CD5E21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #80756F shade: #80756F, #6C7B82, #598096, #4686A9 and #328CBD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #80756F shade: #806F72, #80706F, #80756F, #80796F and #807E6F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #80756F shade: #544C49, #6A615C, #80756F, #948A84 and #A79F9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #80756F shade: #80756F, #77806F and #6F7080

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #80756F shade: #80756F, #6F8075 and #756F80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #80756F shade: #80756F, #77806F, #6F7A80 and #786F80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #80756F shade: #80756F, #71806F, #6F7A80 and #7D6F80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 13 / 50

HEX #80756F

RGB 128 117 111

HSL 21.18, 0.07%, 0.47%

LAB 50.05, 3.14, 4.83

 

Complementary color

CMYK 12 / 4 / 0 / 44

HEX #7F8A90

RGB 127 138 144

HSL 201.18, 0.07%, 0.53%

LAB 56.78, -2.71, -4.58

 

CMYK 0 / 12 / 20 / 48

HEX #85756A

RGB 133 117 106

HSL 24.44, 0.11%, 0.47%

LAB 50.39, 4.3, 8.34

 

CMYK 0 / 10 / 17 / 41

HEX #96877D

RGB 150 135 125

HSL 24, 0.11%, 0.54%

LAB 57.36, 3.91, 7.42

 

CMYK 0 / 8 / 14 / 35

HEX #A79990

RGB 167 153 144

HSL 23.48, 0.12%, 0.61%

LAB 64.17, 3.58, 6.58

 

CMYK 0 / 7 / 11 / 28

HEX #B8ABA3

RGB 184 171 163

HSL 22.86, 0.13%, 0.68%

LAB 70.84, 3.28, 5.79

 

CMYK 0 / 6 / 9 / 21

HEX #C9BDB6

RGB 201 189 182

HSL 22.11, 0.15%, 0.75%

LAB 77.39, 3.02, 5.04

 

CMYK 0 / 9 / 13 / 50

HEX #80756F

RGB 128 117 111

HSL 21.18, 0.07%, 0.47%

LAB 50.05, 3.14, 4.83

 

CMYK 0 / 11 / 17 / 56

HEX #6F635C

RGB 111 99 92

HSL 22.11, 0.09%, 0.4%

LAB 42.88, 3.5, 5.71

 

CMYK 0 / 14 / 22 / 63

HEX #5E5149

RGB 94 81 73

HSL 22.86, 0.13%, 0.33%

LAB 35.49, 3.92, 6.68

 

CMYK 0 / 18 / 30 / 70

HEX #4D3F36

RGB 77 63 54

HSL 23.48, 0.18%, 0.26%

LAB 27.84, 4.46, 7.79

 

CMYK 0 / 25 / 42 / 76

HEX #3C2D23

RGB 60 45 35

HSL 24, 0.26%, 0.19%

LAB 19.88, 5.19, 9.11

 

CMYK 0 / 9 / 13 / 50

HEX #80756F

RGB 128 117 111

HSL 21.18, 0.07%, 0.47%

LAB 50.05, 3.14, 4.83

 

CMYK 0 / 13 / 13 / 50

HEX #80706F

RGB 128 112 111

HSL 3.53, 0.07%, 0.47%

LAB 48.67, 6.06, 2.84

 

CMYK 0 / 13 / 13 / 50

HEX #806F6F

RGB 128 111 111

HSL 0, 0.07%, 0.47%

LAB 48.39, 6.65, 2.45

 

CMYK 0 / 9 / 13 / 50

HEX #80756F

RGB 128 117 111

HSL 21.18, 0.07%, 0.47%

LAB 50.05, 3.14, 4.83

 

CMYK 0 / 5 / 13 / 50

HEX #80796F

RGB 128 121 111

HSL 35.29, 0.07%, 0.47%

LAB 51.17, 0.83, 6.43

 

CMYK 0 / 2 / 13 / 50

HEX #807E6F

RGB 128 126 111

HSL 52.94, 0.07%, 0.47%

LAB 52.57, -2.04, 8.44

 

CMYK 2 / 0 / 13 / 50

HEX #7D806F

RGB 125 128 111

HSL 70.59, 0.07%, 0.47%

LAB 52.89, -4.35, 8.85

 

CMYK 6 / 0 / 13 / 50

HEX #78806F

RGB 120 128 111

HSL 88.24, 0.07%, 0.47%

LAB 52.49, -6.3, 8.22

 

CMYK 0 / 9 / 13 / 50

HEX #80756F

RGB 128 117 111

HSL 21.18, 0.07%, 0.47%

LAB 50.05, 3.14, 4.83

 

CMYK 0 / 24 / 37 / 42

HEX #936F5C

RGB 147 111 92

HSL 20.73, 0.23%, 0.47%

LAB 49.91, 11.54, 16.1

 

CMYK 0 / 37 / 57 / 35

HEX #A76948

RGB 167 105 72

HSL 20.84, 0.4%, 0.47%

LAB 50.44, 21.36, 28.77

 

CMYK 0 / 46 / 72 / 27

HEX #BA6435

RGB 186 100 53

HSL 21.2, 0.56%, 0.47%

LAB 51.62, 30.79, 41.12

 

CMYK 0 / 54 / 84 / 20

HEX #CD5E21

RGB 205 94 33

HSL 21.28, 0.72%, 0.47%

LAB 53.05, 40.71, 52.8

 

CMYK 0 / 9 / 13 / 50

HEX #80756F

RGB 128 117 111

HSL 21.18, 0.07%, 0.47%

LAB 50.05, 3.14, 4.83

 

CMYK 17 / 5 / 0 / 49

HEX #6C7B82

RGB 108 123 130

HSL 199.09, 0.09%, 0.47%

LAB 50.65, -3.93, -5.68

 

CMYK 41 / 15 / 0 / 41

HEX #598096

RGB 89 128 150

HSL 201.64, 0.26%, 0.47%

LAB 51.57, -7.65, -16.13

 

CMYK 59 / 21 / 0 / 34

HEX #4686A9

RGB 70 134 169

HSL 201.21, 0.41%, 0.47%

LAB 53.19, -9.96, -24.75

 

CMYK 74 / 26 / 0 / 26

HEX #328CBD

RGB 50 140 189

HSL 201.15, 0.58%, 0.47%

LAB 55.18, -10.03, -33.15

 

CMYK 0 / 13 / 11 / 50

HEX #806F72

RGB 128 111 114

HSL 349.41, 0.07%, 0.47%

LAB 48.48, 7.2, 0.78

 

CMYK 0 / 13 / 13 / 50

HEX #80706F

RGB 128 112 111

HSL 3.53, 0.07%, 0.47%

LAB 48.67, 6.06, 2.84

 

CMYK 0 / 9 / 13 / 50

HEX #80756F

RGB 128 117 111

HSL 21.18, 0.07%, 0.47%

LAB 50.05, 3.14, 4.83

 

CMYK 0 / 5 / 13 / 50

HEX #80796F

RGB 128 121 111

HSL 35.29, 0.07%, 0.47%

LAB 51.17, 0.83, 6.43

 

CMYK 0 / 2 / 13 / 50

HEX #807E6F

RGB 128 126 111

HSL 52.94, 0.07%, 0.47%

LAB 52.57, -2.04, 8.44

 

CMYK 0 / 10 / 13 / 67

HEX #544C49

RGB 84 76 73

HSL 16.36, 0.07%, 0.31%

LAB 32.99, 2.73, 2.98

 

CMYK 0 / 8 / 13 / 58

HEX #6A615C

RGB 106 97 92

HSL 21.43, 0.07%, 0.39%

LAB 41.82, 2.64, 4.14

 

CMYK 0 / 9 / 13 / 50

HEX #80756F

RGB 128 117 111

HSL 21.18, 0.07%, 0.47%

LAB 50.05, 3.14, 4.83

 

CMYK 0 / 7 / 11 / 42

HEX #948A84

RGB 148 138 132

HSL 22.5, 0.07%, 0.55%

LAB 58.17, 2.65, 4.54

 

CMYK 0 / 5 / 8 / 35

HEX #A79F9A

RGB 167 159 154

HSL 23.08, 0.07%, 0.63%

LAB 66.02, 2, 3.63

 

CMYK 0 / 9 / 13 / 50

HEX #80756F

RGB 128 117 111

HSL 21.18, 0.07%, 0.47%

LAB 50.05, 3.14, 4.83

 

CMYK 7 / 0 / 13 / 50

HEX #77806F

RGB 119 128 111

HSL 91.76, 0.07%, 0.47%

LAB 52.41, -6.69, 8.1

 

CMYK 13 / 13 / 0 / 50

HEX #6F7080

RGB 111 112 128

HSL 236.47, 0.07%, 0.47%

LAB 47.66, 3.1, -8.93

 

CMYK 0 / 9 / 13 / 50

HEX #80756F

RGB 128 117 111

HSL 21.18, 0.07%, 0.47%

LAB 50.05, 3.14, 4.83

 

CMYK 13 / 0 / 9 / 50

HEX #6F8075

RGB 111 128 117

HSL 141.18, 0.07%, 0.47%

LAB 51.95, -8.53, 3.87

 

CMYK 9 / 13 / 0 / 50

HEX #756F80

RGB 117 111 128

HSL 261.18, 0.07%, 0.47%

LAB 47.89, 5.86, -8.53

 

CMYK 0 / 9 / 13 / 50

HEX #80756F

RGB 128 117 111

HSL 21.18, 0.07%, 0.47%

LAB 50.05, 3.14, 4.83

 

CMYK 7 / 0 / 13 / 50

HEX #77806F

RGB 119 128 111

HSL 91.76, 0.07%, 0.47%

LAB 52.41, -6.69, 8.1

 

CMYK 13 / 5 / 0 / 50

HEX #6F7A80

RGB 111 122 128

HSL 201.18, 0.07%, 0.47%

LAB 50.52, -2.76, -4.67

 

CMYK 6 / 13 / 0 / 50

HEX #786F80

RGB 120 111 128

HSL 271.76, 0.07%, 0.47%

LAB 48.16, 6.95, -8.1

 

CMYK 0 / 9 / 13 / 50

HEX #80756F

RGB 128 117 111

HSL 21.18, 0.07%, 0.47%

LAB 50.05, 3.14, 4.83

 

CMYK 12 / 0 / 13 / 50

HEX #71806F

RGB 113 128 111

HSL 112.94, 0.07%, 0.47%

LAB 51.95, -8.98, 7.38

 

CMYK 13 / 5 / 0 / 50

HEX #6F7A80

RGB 111 122 128

HSL 201.18, 0.07%, 0.47%

LAB 50.52, -2.76, -4.67

 

CMYK 2 / 13 / 0 / 50

HEX #7D6F80

RGB 125 111 128

HSL 289.41, 0.07%, 0.47%

LAB 48.62, 8.8, -7.37

 

Description

Color code: HEX #80756F | qconv.com Color code: HEX #80756F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 117 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 117 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 13 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 13% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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