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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #807618 it is the complementary color #7F89E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #807618. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #807618 shade: #857613, #968826, #A79A39, #B8AC4C and #C9BE5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #807618. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #807618 shade: #807618, #6F6405, #5E5200, #4D4000 and #3C2E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #807618 shade: #807618, #805A18, #803E18, #802218 and #801818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #807618 shade: #807618, #6E8018, #528018, #368018 and #1A8018

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #807618 shade matches the following richer shades: #807618 and #8C800C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #807618 shade: #807618, #746C24, #676231, #5B583D and #4F4E49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #807618 shade: #803E18, #805A18, #807618, #6F8018 and #538018

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #807618 shade: #3B360B, #5D5611, #807618, #A3961F and #C5B625

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #807618 shade: #807618, #188022 and #4C1880

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #807618 shade: #807618, #188076 and #761880

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #807618 shade: #807618, #188022, #182280 and #801876

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #807618 shade: #807618, #188042, #182280 and #801856

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 81 / 50

HEX #807618

RGB 128 118 24

HSL 54.23, 0.68%, 0.3%

LAB 49.02, -6.83, 48.85

 

Complementary color

CMYK 45 / 41 / 0 / 9

HEX #7F89E7

RGB 127 137 231

HSL 234.23, 0.68%, 0.7%

LAB 60.04, 20.5, -48.87

 

CMYK 0 / 11 / 86 / 48

HEX #857613

RGB 133 118 19

HSL 52.11, 0.75%, 0.3%

LAB 49.48, -4.65, 50.98

 

CMYK 0 / 9 / 75 / 41

HEX #968826

RGB 150 136 38

HSL 52.5, 0.6%, 0.37%

LAB 56.32, -5.98, 51.36

 

CMYK 0 / 8 / 66 / 35

HEX #A79A39

RGB 167 154 57

HSL 52.91, 0.49%, 0.44%

LAB 63.03, -7.04, 50.83

 

CMYK 0 / 7 / 59 / 28

HEX #B8AC4C

RGB 184 172 76

HSL 53.33, 0.43%, 0.51%

LAB 69.62, -7.9, 49.88

 

CMYK 0 / 5 / 53 / 21

HEX #C9BE5F

RGB 201 190 95

HSL 53.77, 0.5%, 0.58%

LAB 76.11, -8.59, 48.76

 

CMYK 0 / 8 / 81 / 50

HEX #807618

RGB 128 118 24

HSL 54.23, 0.68%, 0.3%

LAB 49.02, -6.83, 48.85

 

CMYK 0 / 10 / 95 / 56

HEX #6F6405

RGB 111 100 5

HSL 53.77, 0.91%, 0.23%

LAB 42.01, -5.34, 47.51

 

CMYK 0 / 13 / 100 / 63

HEX #5E5200

RGB 94 82 0

HSL 52.34, 1%, 0.18%

LAB 34.83, -3.38, 42.86

 

CMYK 0 / 17 / 100 / 70

HEX #4D4000

RGB 77 64 0

HSL 49.87, 1%, 0.15%

LAB 27.42, -1.14, 36.49

 

CMYK 0 / 23 / 100 / 76

HEX #3C2E00

RGB 60 46 0

HSL 46, 1%, 0.12%

LAB 19.7, 1.29, 28.06

 

CMYK 0 / 8 / 81 / 50

HEX #807618

RGB 128 118 24

HSL 54.23, 0.68%, 0.3%

LAB 49.02, -6.83, 48.85

 

CMYK 0 / 30 / 81 / 50

HEX #805A18

RGB 128 90 24

HSL 38.08, 0.68%, 0.3%

LAB 41.16, 9.38, 41.69

 

CMYK 0 / 52 / 81 / 50

HEX #803E18

RGB 128 62 24

HSL 21.92, 0.68%, 0.3%

LAB 34.19, 25.76, 35.04

 

CMYK 0 / 73 / 81 / 50

HEX #802218

RGB 128 34 24

HSL 5.77, 0.68%, 0.3%

LAB 28.9, 39.63, 29.73

 

CMYK 0 / 81 / 81 / 50

HEX #801818

RGB 128 24 24

HSL 0, 0.68%, 0.3%

LAB 27.6, 43.26, 28.38

 

CMYK 0 / 8 / 81 / 50

HEX #807618

RGB 128 118 24

HSL 54.23, 0.68%, 0.3%

LAB 49.02, -6.83, 48.85

 

CMYK 14 / 0 / 81 / 50

HEX #6E8018

RGB 110 128 24

HSL 70.38, 0.68%, 0.3%

LAB 50.48, -20.51, 49.59

 

CMYK 36 / 0 / 81 / 50

HEX #528018

RGB 82 128 24

HSL 86.54, 0.68%, 0.3%

LAB 48.63, -32.27, 47.22

 

CMYK 58 / 0 / 81 / 50

HEX #368018

RGB 54 128 24

HSL 102.69, 0.68%, 0.3%

LAB 47.35, -41.8, 45.56

 

CMYK 80 / 0 / 81 / 50

HEX #1A8018

RGB 26 128 24

HSL 118.85, 0.68%, 0.3%

LAB 46.61, -47.95, 44.59

 

CMYK 0 / 8 / 81 / 50

HEX #807618

RGB 128 118 24

HSL 54.23, 0.68%, 0.3%

LAB 49.02, -6.83, 48.85

 

CMYK 0 / 9 / 91 / 45

HEX #8C800C

RGB 140 128 12

HSL 54.38, 0.84%, 0.3%

LAB 52.99, -7.09, 55.8

 

CMYK 0 / 8 / 81 / 50

HEX #807618

RGB 128 118 24

HSL 54.23, 0.68%, 0.3%

LAB 49.02, -6.83, 48.85

 

CMYK 0 / 7 / 69 / 55

HEX #746C24

RGB 116 108 36

HSL 54, 0.53%, 0.3%

LAB 45.03, -6.23, 39.86

 

CMYK 0 / 5 / 52 / 60

HEX #676231

RGB 103 98 49

HSL 54.44, 0.36%, 0.3%

LAB 40.96, -5.49, 28.37

 

CMYK 0 / 3 / 33 / 64

HEX #5B583D

RGB 91 88 61

HSL 54, 0.2%, 0.3%

LAB 37, -3.6, 16.13

 

CMYK 0 / 1 / 8 / 69

HEX #4F4E49

RGB 79 78 73

HSL 50, 0.04%, 0.3%

LAB 33.12, -0.63, 3.1

 

CMYK 0 / 52 / 81 / 50

HEX #803E18

RGB 128 62 24

HSL 21.92, 0.68%, 0.3%

LAB 34.19, 25.76, 35.04

 

CMYK 0 / 30 / 81 / 50

HEX #805A18

RGB 128 90 24

HSL 38.08, 0.68%, 0.3%

LAB 41.16, 9.38, 41.69

 

CMYK 0 / 8 / 81 / 50

HEX #807618

RGB 128 118 24

HSL 54.23, 0.68%, 0.3%

LAB 49.02, -6.83, 48.85

 

CMYK 13 / 0 / 81 / 50

HEX #6F8018

RGB 111 128 24

HSL 69.81, 0.68%, 0.3%

LAB 50.55, -20.06, 49.68

 

CMYK 35 / 0 / 81 / 50

HEX #538018

RGB 83 128 24

HSL 85.96, 0.68%, 0.3%

LAB 48.69, -31.88, 47.29

 

CMYK 0 / 8 / 81 / 77

HEX #3B360B

RGB 59 54 11

HSL 53.75, 0.69%, 0.14%

LAB 22.28, -3.81, 26.36

 

CMYK 0 / 8 / 82 / 64

HEX #5D5611

RGB 93 86 17

HSL 54.47, 0.69%, 0.22%

LAB 36.03, -5.66, 38.26

 

CMYK 0 / 8 / 81 / 50

HEX #807618

RGB 128 118 24

HSL 54.23, 0.68%, 0.3%

LAB 49.02, -6.83, 48.85

 

CMYK 0 / 8 / 81 / 36

HEX #A3961F

RGB 163 150 31

HSL 54.09, 0.68%, 0.38%

LAB 61.39, -7.95, 58.86

 

CMYK 0 / 8 / 81 / 23

HEX #C5B625

RGB 197 182 37

HSL 54.38, 0.68%, 0.46%

LAB 73.19, -9.49, 68.6

 

CMYK 0 / 8 / 81 / 50

HEX #807618

RGB 128 118 24

HSL 54.23, 0.68%, 0.3%

LAB 49.02, -6.83, 48.85

 

CMYK 81 / 0 / 73 / 50

HEX #188022

RGB 24 128 34

HSL 125.77, 0.68%, 0.3%

LAB 46.64, -47.43, 40.91

 

CMYK 41 / 81 / 0 / 50

HEX #4C1880

RGB 76 24 128

HSL 270, 0.68%, 0.3%

LAB 22.82, 44.26, -48.19

 

CMYK 0 / 8 / 81 / 50

HEX #807618

RGB 128 118 24

HSL 54.23, 0.68%, 0.3%

LAB 49.02, -6.83, 48.85

 

CMYK 81 / 0 / 8 / 50

HEX #188076

RGB 24 128 118

HSL 174.23, 0.68%, 0.3%

LAB 48.19, -30.33, -2.67

 

CMYK 8 / 81 / 0 / 50

HEX #761880

RGB 118 24 128

HSL 294.23, 0.68%, 0.3%

LAB 29.57, 52.25, -36.94

 

CMYK 0 / 8 / 81 / 50

HEX #807618

RGB 128 118 24

HSL 54.23, 0.68%, 0.3%

LAB 49.02, -6.83, 48.85

 

CMYK 81 / 0 / 73 / 50

HEX #188022

RGB 24 128 34

HSL 125.77, 0.68%, 0.3%

LAB 46.64, -47.43, 40.91

 

CMYK 81 / 73 / 0 / 50

HEX #182280

RGB 24 34 128

HSL 234.23, 0.68%, 0.3%

LAB 19.63, 31.83, -53.63

 

CMYK 0 / 81 / 8 / 50

HEX #801876

RGB 128 24 118

HSL 305.77, 0.68%, 0.3%

LAB 30.76, 52.71, -28.62

 

CMYK 0 / 8 / 81 / 50

HEX #807618

RGB 128 118 24

HSL 54.23, 0.68%, 0.3%

LAB 49.02, -6.83, 48.85

 

CMYK 81 / 0 / 48 / 50

HEX #188042

RGB 24 128 66

HSL 144.23, 0.68%, 0.3%

LAB 47.01, -43.02, 25.68

 

CMYK 81 / 73 / 0 / 50

HEX #182280

RGB 24 34 128

HSL 234.23, 0.68%, 0.3%

LAB 19.63, 31.83, -53.63

 

CMYK 0 / 81 / 33 / 50

HEX #801856

RGB 128 24 86

HSL 324.23, 0.68%, 0.3%

LAB 29.2, 48.18, -10.38

 

Description

Color code: HEX #807618 | qconv.com Color code: HEX #807618 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 118 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 118 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 81 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 81% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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