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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #807923 it is the complementary color #7F86DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #807923. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #807923 shade: #85791E, #968B31, #A79D44, #B8AF57 and #C9C16A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #807923. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #807923 shade: #807923, #6F6710, #5E5500, #4D4300 and #3C3100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #807923 shade: #807923, #806023, #804623, #802D23 and #802323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #807923 shade: #807923, #6E8023, #548023, #3B8023 and #238023

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #807923 shade matches the following richer shades: #807923, #8D8415 and #9A8F08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #807923 shade: #807923, #726D30, #65623D, #58574A and #4B4C57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #807923 shade: #804623, #805F23, #807823, #6F8023 and #568023

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #807923 shade: #3F3B11, #5F5A1A, #807923, #A0972B and #C0B634

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #807923 shade: #807923, #23802D and #532380

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #807923 shade: #807923, #238078 and #782380

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #807923 shade: #807923, #23802D, #232A80 and #802375

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #807923 shade: #807923, #238049, #232A80 and #802359

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 73 / 50

HEX #807923

RGB 128 121 35

HSL 55.48, 0.57%, 0.32%

LAB 49.96, -7.99, 45.65

 

Complementary color

CMYK 42 / 39 / 0 / 14

HEX #7F86DC

RGB 127 134 220

HSL 235.48, 0.57%, 0.68%

LAB 58.72, 19.09, -44.83

 

CMYK 0 / 9 / 77 / 48

HEX #85791E

RGB 133 121 30

HSL 53.01, 0.63%, 0.32%

LAB 50.4, -5.91, 48.19

 

CMYK 0 / 7 / 67 / 41

HEX #968B31

RGB 150 139 49

HSL 53.47, 0.51%, 0.39%

LAB 57.24, -7.01, 47.77

 

CMYK 0 / 6 / 59 / 35

HEX #A79D44

RGB 167 157 68

HSL 53.94, 0.42%, 0.46%

LAB 63.96, -7.89, 46.85

 

CMYK 0 / 5 / 53 / 28

HEX #B8AF57

RGB 184 175 87

HSL 54.43, 0.41%, 0.53%

LAB 70.55, -8.59, 45.72

 

CMYK 0 / 4 / 47 / 21

HEX #C9C16A

RGB 201 193 106

HSL 54.95, 0.47%, 0.6%

LAB 77.04, -9.16, 44.52

 

CMYK 0 / 5 / 73 / 50

HEX #807923

RGB 128 121 35

HSL 55.48, 0.57%, 0.32%

LAB 49.96, -7.99, 45.65

 

CMYK 0 / 7 / 86 / 56

HEX #6F6710

RGB 111 103 16

HSL 54.95, 0.75%, 0.25%

LAB 42.94, -6.76, 45.42

 

CMYK 0 / 10 / 100 / 63

HEX #5E5500

RGB 94 85 0

HSL 54.26, 1%, 0.18%

LAB 35.75, -5.16, 43.52

 

CMYK 0 / 13 / 100 / 70

HEX #4D4300

RGB 77 67 0

HSL 52.21, 1%, 0.15%

LAB 28.36, -3.01, 37.28

 

CMYK 0 / 18 / 100 / 76

HEX #3C3100

RGB 60 49 0

HSL 49, 1%, 0.12%

LAB 20.66, -0.69, 29.14

 

CMYK 0 / 5 / 73 / 50

HEX #807923

RGB 128 121 35

HSL 55.48, 0.57%, 0.32%

LAB 49.96, -7.99, 45.65

 

CMYK 0 / 25 / 73 / 50

HEX #806023

RGB 128 96 35

HSL 39.35, 0.57%, 0.32%

LAB 42.88, 6.37, 38.48

 

CMYK 0 / 45 / 73 / 50

HEX #804623

RGB 128 70 35

HSL 22.58, 0.57%, 0.32%

LAB 36.16, 21.73, 31.29

 

CMYK 0 / 65 / 73 / 50

HEX #802D23

RGB 128 45 35

HSL 6.45, 0.57%, 0.32%

LAB 30.85, 35.24, 25.27

 

CMYK 0 / 73 / 73 / 50

HEX #802323

RGB 128 35 35

HSL 0, 0.57%, 0.32%

LAB 29.19, 39.72, 23.32

 

CMYK 0 / 5 / 73 / 50

HEX #807923

RGB 128 121 35

HSL 55.48, 0.57%, 0.32%

LAB 49.96, -7.99, 45.65

 

CMYK 14 / 0 / 73 / 50

HEX #6E8023

RGB 110 128 35

HSL 71.61, 0.57%, 0.32%

LAB 50.54, -19.94, 45.72

 

CMYK 34 / 0 / 73 / 50

HEX #548023

RGB 84 128 35

HSL 88.39, 0.57%, 0.32%

LAB 48.82, -30.8, 43.42

 

CMYK 54 / 0 / 73 / 50

HEX #3B8023

RGB 59 128 35

HSL 104.52, 0.57%, 0.32%

LAB 47.61, -39.52, 41.8

 

CMYK 73 / 0 / 73 / 50

HEX #238023

RGB 35 128 35

HSL 120, 0.57%, 0.32%

LAB 46.87, -45.5, 40.8

 

CMYK 0 / 5 / 73 / 50

HEX #807923

RGB 128 121 35

HSL 55.48, 0.57%, 0.32%

LAB 49.96, -7.99, 45.65

 

CMYK 0 / 6 / 85 / 45

HEX #8D8415

RGB 141 132 21

HSL 55.5, 0.74%, 0.32%

LAB 54.26, -8.6, 54.78

 

CMYK 0 / 7 / 95 / 40

HEX #9A8F08

RGB 154 143 8

HSL 55.48, 0.9%, 0.32%

LAB 58.54, -8.84, 61.32

 

CMYK 0 / 5 / 73 / 50

HEX #807923

RGB 128 121 35

HSL 55.48, 0.57%, 0.32%

LAB 49.96, -7.99, 45.65

 

CMYK 0 / 4 / 58 / 55

HEX #726D30

RGB 114 109 48

HSL 55.45, 0.41%, 0.32%

LAB 45.26, -6.82, 34.21

 

CMYK 0 / 3 / 40 / 60

HEX #65623D

RGB 101 98 61

HSL 55.5, 0.25%, 0.32%

LAB 40.96, -5.02, 21.5

 

CMYK 0 / 1 / 16 / 65

HEX #58574A

RGB 88 87 74

HSL 55.71, 0.09%, 0.32%

LAB 36.72, -2.16, 7.71

 

CMYK 14 / 13 / 0 / 66

HEX #4B4C57

RGB 75 76 87

HSL 235, 0.07%, 0.32%

LAB 32.6, 2.15, -6.62

 

CMYK 0 / 45 / 73 / 50

HEX #804623

RGB 128 70 35

HSL 22.58, 0.57%, 0.32%

LAB 36.16, 21.73, 31.29

 

CMYK 0 / 26 / 73 / 50

HEX #805F23

RGB 128 95 35

HSL 38.71, 0.57%, 0.32%

LAB 42.6, 6.96, 38.2

 

CMYK 0 / 6 / 73 / 50

HEX #807823

RGB 128 120 35

HSL 54.84, 0.57%, 0.32%

LAB 49.67, -7.43, 45.36

 

CMYK 13 / 0 / 73 / 50

HEX #6F8023

RGB 111 128 35

HSL 70.97, 0.57%, 0.32%

LAB 50.62, -19.49, 45.82

 

CMYK 33 / 0 / 73 / 50

HEX #568023

RGB 86 128 35

HSL 87.1, 0.57%, 0.32%

LAB 48.93, -30.02, 43.58

 

CMYK 0 / 6 / 73 / 75

HEX #3F3B11

RGB 63 59 17

HSL 54.78, 0.58%, 0.16%

LAB 24.4, -4.46, 25.78

 

CMYK 0 / 5 / 73 / 63

HEX #5F5A1A

RGB 95 90 26

HSL 55.65, 0.57%, 0.24%

LAB 37.52, -6.54, 36.03

 

CMYK 0 / 5 / 73 / 50

HEX #807923

RGB 128 121 35

HSL 55.48, 0.57%, 0.32%

LAB 49.96, -7.99, 45.65

 

CMYK 0 / 6 / 73 / 37

HEX #A0972B

RGB 160 151 43

HSL 55.38, 0.58%, 0.4%

LAB 61.46, -9.33, 54.74

 

CMYK 0 / 5 / 73 / 25

HEX #C0B634

RGB 192 182 52

HSL 55.71, 0.57%, 0.48%

LAB 72.83, -11.08, 63.36

 

CMYK 0 / 5 / 73 / 50

HEX #807923

RGB 128 121 35

HSL 55.48, 0.57%, 0.32%

LAB 49.96, -7.99, 45.65

 

CMYK 73 / 0 / 65 / 50

HEX #23802D

RGB 35 128 45

HSL 126.45, 0.57%, 0.32%

LAB 46.95, -44.43, 36.45

 

CMYK 35 / 73 / 0 / 50

HEX #532380

RGB 83 35 128

HSL 270.97, 0.57%, 0.32%

LAB 25.56, 40.56, -43.68

 

CMYK 0 / 5 / 73 / 50

HEX #807923

RGB 128 121 35

HSL 55.48, 0.57%, 0.32%

LAB 49.96, -7.99, 45.65

 

CMYK 73 / 0 / 6 / 50

HEX #238078

RGB 35 128 120

HSL 174.84, 0.57%, 0.32%

LAB 48.45, -28.36, -3.43

 

CMYK 6 / 73 / 0 / 50

HEX #782380

RGB 120 35 128

HSL 294.84, 0.57%, 0.32%

LAB 31.24, 48.9, -34.25

 

CMYK 0 / 5 / 73 / 50

HEX #807923

RGB 128 121 35

HSL 55.48, 0.57%, 0.32%

LAB 49.96, -7.99, 45.65

 

CMYK 73 / 0 / 65 / 50

HEX #23802D

RGB 35 128 45

HSL 126.45, 0.57%, 0.32%

LAB 46.95, -44.43, 36.45

 

CMYK 73 / 67 / 0 / 50

HEX #232A80

RGB 35 42 128

HSL 235.48, 0.57%, 0.32%

LAB 22.2, 27.76, -49.37

 

CMYK 0 / 73 / 9 / 50

HEX #802375

RGB 128 35 117

HSL 307.1, 0.57%, 0.32%

LAB 31.98, 48.91, -26.07

 

CMYK 0 / 5 / 73 / 50

HEX #807923

RGB 128 121 35

HSL 55.48, 0.57%, 0.32%

LAB 49.96, -7.99, 45.65

 

CMYK 73 / 0 / 43 / 50

HEX #238049

RGB 35 128 73

HSL 144.52, 0.57%, 0.32%

LAB 47.34, -40.02, 22.28

 

CMYK 73 / 67 / 0 / 50

HEX #232A80

RGB 35 42 128

HSL 235.48, 0.57%, 0.32%

LAB 22.2, 27.76, -49.37

 

CMYK 0 / 73 / 30 / 50

HEX #802359

RGB 128 35 89

HSL 325.16, 0.57%, 0.32%

LAB 30.67, 44.74, -10.11

 

Description

Color code: HEX #807923 | qconv.com Color code: HEX #807923 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 121 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 121 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 73 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 73% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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