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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #807069 it is the complementary color #7F8F96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #807069. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #807069 shade: #857064, #968277, #A7948A, #B8A69D and #C9B8B0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #807069. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #807069 shade: #807069, #6F5E56, #5E4C43, #4D3A30 and #3C281D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #807069 shade: #817069, #816A69 and #816969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #807069 shade: #817069, #817769, #817D69, #7E8169 and #788169

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #807069 shade matches the following richer shades: #817069, #946956, #A66143, #B95A30 and #CC531D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #807069 shade: #817069, #6E787C, #5B7F8F, #4886A2 and #358EB5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #807069 shade: #81696F, #816A69, #817069, #817669 and #817D69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #807069 shade: #534944, #6A5C57, #817069, #95857E and #A89A94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #807069 shade: #807069, #758169 and #696B81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #807069 shade: #807069, #698170 and #706981

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #807069 shade: #807069, #758169, #697981 and #756981

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #807069 shade: #807069, #6E8169, #697981 and #7C6981

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 18 / 50

HEX #807069

RGB 128 112 105

HSL 18.26, 0.1%, 0.46%

LAB 48.51, 5.01, 6.18

 

Complementary color

CMYK 15 / 5 / 0 / 41

HEX #7F8F96

RGB 127 143 150

HSL 198.26, 0.1%, 0.54%

LAB 58.38, -4.21, -5.66

 

CMYK 0 / 16 / 25 / 48

HEX #857064

RGB 133 112 100

HSL 21.82, 0.14%, 0.46%

LAB 48.88, 6.24, 9.73

 

CMYK 0 / 13 / 21 / 41

HEX #968277

RGB 150 130 119

HSL 21.29, 0.13%, 0.53%

LAB 55.87, 5.77, 8.75

 

CMYK 0 / 11 / 17 / 35

HEX #A7948A

RGB 167 148 138

HSL 20.69, 0.14%, 0.6%

LAB 62.7, 5.36, 7.86

 

CMYK 0 / 10 / 15 / 28

HEX #B8A69D

RGB 184 166 157

HSL 20, 0.16%, 0.67%

LAB 69.4, 5.01, 7.02

 

CMYK 0 / 8 / 12 / 21

HEX #C9B8B0

RGB 201 184 176

HSL 19.2, 0.19%, 0.74%

LAB 75.97, 4.69, 6.24

 

CMYK 0 / 13 / 18 / 50

HEX #807069

RGB 128 112 105

HSL 18.26, 0.1%, 0.46%

LAB 48.51, 5.01, 6.18

 

CMYK 0 / 15 / 23 / 56

HEX #6F5E56

RGB 111 94 86

HSL 19.2, 0.13%, 0.39%

LAB 41.31, 5.47, 7.13

 

CMYK 0 / 19 / 29 / 63

HEX #5E4C43

RGB 94 76 67

HSL 20, 0.17%, 0.32%

LAB 33.89, 6.03, 8.2

 

CMYK 0 / 25 / 38 / 70

HEX #4D3A30

RGB 77 58 48

HSL 20.69, 0.23%, 0.25%

LAB 26.21, 6.75, 9.44

 

CMYK 0 / 33 / 52 / 76

HEX #3C281D

RGB 60 40 29

HSL 21.29, 0.35%, 0.17%

LAB 18.22, 7.73, 10.97

 

CMYK 0 / 13 / 19 / 49

HEX #817069

RGB 129 112 105

HSL 17.5, 0.1%, 0.46%

LAB 48.61, 5.42, 6.33

 

CMYK 0 / 18 / 19 / 49

HEX #816A69

RGB 129 106 105

HSL 2.5, 0.1%, 0.46%

LAB 46.97, 8.95, 3.98

 

CMYK 0 / 19 / 19 / 49

HEX #816969

RGB 129 105 105

HSL 0, 0.1%, 0.46%

LAB 46.7, 9.54, 3.59

 

CMYK 0 / 13 / 19 / 49

HEX #817069

RGB 129 112 105

HSL 17.5, 0.1%, 0.46%

LAB 48.61, 5.42, 6.33

 

CMYK 0 / 8 / 19 / 49

HEX #817769

RGB 129 119 105

HSL 35, 0.1%, 0.46%

LAB 50.55, 1.35, 9.09

 

CMYK 0 / 3 / 19 / 49

HEX #817D69

RGB 129 125 105

HSL 50, 0.1%, 0.46%

LAB 52.24, -2.09, 11.46

 

CMYK 2 / 0 / 19 / 49

HEX #7E8169

RGB 126 129 105

HSL 67.5, 0.1%, 0.46%

LAB 53.12, -5.56, 12.66

 

CMYK 7 / 0 / 19 / 49

HEX #788169

RGB 120 129 105

HSL 82.5, 0.1%, 0.46%

LAB 52.63, -7.93, 11.91

 

CMYK 0 / 13 / 19 / 49

HEX #817069

RGB 129 112 105

HSL 17.5, 0.1%, 0.46%

LAB 48.61, 5.42, 6.33

 

CMYK 0 / 29 / 42 / 42

HEX #946956

RGB 148 105 86

HSL 18.39, 0.26%, 0.46%

LAB 48.35, 14.7, 17.52

 

CMYK 0 / 42 / 60 / 35

HEX #A66143

RGB 166 97 67

HSL 18.18, 0.42%, 0.46%

LAB 48.34, 25.02, 28.96

 

CMYK 0 / 51 / 74 / 27

HEX #B95A30

RGB 185 90 48

HSL 18.39, 0.59%, 0.46%

LAB 49.3, 35.42, 41.14

 

CMYK 0 / 59 / 86 / 20

HEX #CC531D

RGB 204 83 29

HSL 18.51, 0.75%, 0.46%

LAB 50.82, 45.54, 52.45

 

CMYK 0 / 13 / 19 / 49

HEX #817069

RGB 129 112 105

HSL 17.5, 0.1%, 0.46%

LAB 48.61, 5.42, 6.33

 

CMYK 11 / 3 / 0 / 51

HEX #6E787C

RGB 110 120 124

HSL 197.14, 0.06%, 0.46%

LAB 49.74, -2.85, -3.47

 

CMYK 36 / 11 / 0 / 44

HEX #5B7F8F

RGB 91 127 143

HSL 198.46, 0.22%, 0.46%

LAB 51.14, -8.43, -12.69

 

CMYK 56 / 17 / 0 / 36

HEX #4886A2

RGB 72 134 162

HSL 198.67, 0.38%, 0.46%

LAB 52.99, -11.74, -21.01

 

CMYK 71 / 22 / 0 / 29

HEX #358EB5

RGB 53 142 181

HSL 198.28, 0.55%, 0.46%

LAB 55.52, -13.48, -28.07

 

CMYK 0 / 19 / 14 / 49

HEX #81696F

RGB 129 105 111

HSL 345, 0.1%, 0.46%

LAB 46.87, 10.59, 0.24

 

CMYK 0 / 18 / 19 / 49

HEX #816A69

RGB 129 106 105

HSL 2.5, 0.1%, 0.46%

LAB 46.97, 8.95, 3.98

 

CMYK 0 / 13 / 19 / 49

HEX #817069

RGB 129 112 105

HSL 17.5, 0.1%, 0.46%

LAB 48.61, 5.42, 6.33

 

CMYK 0 / 9 / 19 / 49

HEX #817669

RGB 129 118 105

HSL 32.5, 0.1%, 0.46%

LAB 50.27, 1.93, 8.69

 

CMYK 0 / 3 / 19 / 49

HEX #817D69

RGB 129 125 105

HSL 50, 0.1%, 0.46%

LAB 52.24, -2.09, 11.46

 

CMYK 0 / 12 / 18 / 67

HEX #534944

RGB 83 73 68

HSL 20, 0.1%, 0.3%

LAB 31.86, 3.24, 4.52

 

CMYK 0 / 13 / 18 / 58

HEX #6A5C57

RGB 106 92 87

HSL 15.79, 0.1%, 0.38%

LAB 40.26, 4.75, 4.95

 

CMYK 0 / 13 / 19 / 49

HEX #817069

RGB 129 112 105

HSL 17.5, 0.1%, 0.46%

LAB 48.61, 5.42, 6.33

 

CMYK 0 / 11 / 15 / 42

HEX #95857E

RGB 149 133 126

HSL 18.26, 0.1%, 0.54%

LAB 56.75, 4.82, 5.97

 

CMYK 0 / 8 / 12 / 34

HEX #A89A94

RGB 168 154 148

HSL 18, 0.1%, 0.62%

LAB 64.62, 4.08, 5

 

CMYK 0 / 13 / 18 / 50

HEX #807069

RGB 128 112 105

HSL 18.26, 0.1%, 0.46%

LAB 48.51, 5.01, 6.18

 

CMYK 9 / 0 / 19 / 49

HEX #758169

RGB 117 129 105

HSL 90, 0.1%, 0.46%

LAB 52.4, -9.11, 11.55

 

CMYK 19 / 17 / 0 / 49

HEX #696B81

RGB 105 107 129

HSL 235, 0.1%, 0.46%

LAB 45.78, 4.2, -12.41

 

CMYK 0 / 13 / 18 / 50

HEX #807069

RGB 128 112 105

HSL 18.26, 0.1%, 0.46%

LAB 48.51, 5.01, 6.18

 

CMYK 19 / 0 / 13 / 49

HEX #698170

RGB 105 129 112

HSL 137.5, 0.1%, 0.46%

LAB 51.69, -12.3, 6.36

 

CMYK 13 / 19 / 0 / 49

HEX #706981

RGB 112 105 129

HSL 257.5, 0.1%, 0.46%

LAB 45.82, 7.87, -12.29

 

CMYK 0 / 13 / 18 / 50

HEX #807069

RGB 128 112 105

HSL 18.26, 0.1%, 0.46%

LAB 48.51, 5.01, 6.18

 

CMYK 9 / 0 / 19 / 49

HEX #758169

RGB 117 129 105

HSL 90, 0.1%, 0.46%

LAB 52.4, -9.11, 11.55

 

CMYK 19 / 6 / 0 / 49

HEX #697981

RGB 105 121 129

HSL 200, 0.1%, 0.46%

LAB 49.81, -4.05, -6.36

 

CMYK 9 / 19 / 0 / 49

HEX #756981

RGB 117 105 129

HSL 270, 0.1%, 0.46%

LAB 46.27, 9.67, -11.56

 

CMYK 0 / 13 / 18 / 50

HEX #807069

RGB 128 112 105

HSL 18.26, 0.1%, 0.46%

LAB 48.51, 5.01, 6.18

 

CMYK 15 / 0 / 19 / 49

HEX #6E8169

RGB 110 129 105

HSL 107.5, 0.1%, 0.46%

LAB 51.88, -11.8, 10.74

 

CMYK 19 / 6 / 0 / 49

HEX #697981

RGB 105 121 129

HSL 200, 0.1%, 0.46%

LAB 49.81, -4.05, -6.36

 

CMYK 4 / 19 / 0 / 49

HEX #7C6981

RGB 124 105 129

HSL 287.5, 0.1%, 0.46%

LAB 46.94, 12.21, -10.49

 

Description

Color code: HEX #807069 | qconv.com Color code: HEX #807069 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 112 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 112 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 18 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 18% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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