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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8072ED it is the complementary color #7F8D12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8072ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8072ED shade: #8572E8, #9684FB, #A796FF, #B8A8FF and #C9BAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8072ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8072ED shade: #8072ED, #6F60DA, #5E4EC7, #4D3CB4 and #3C2AA1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8072ED shade: #8073EC, #A173EC, #C273EC, #E373EC and #EC73D5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8072ED shade: #8073EC and #7373EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8072ED shade matches the following richer shades: #8073EC and #7766F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8072ED shade: #8073EC, #8A7FE0, #948CD3, #9E99C6 and #A8A6B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8072ED shade: #73A7EC, #7387EC, #7F73EC, #9F73EC and #C073EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8072ED shade: #3F2AE3, #604EE8, #8073EC, #A197F1 and #C2BCF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8072ED shade: #8072ED, #EC73C8 and #97EC73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8072ED shade: #8072ED, #EC7F73 and #73EC7F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8072ED shade: #8072ED, #EC73C8, #E0EC73 and #73EC97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8072ED shade: #8072ED, #EC73A3, #E0EC73 and #73ECBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 52 / 0 / 7

HEX #8072ED

RGB 128 114 237

HSL 246.83, 0.77%, 0.69%

LAB 54.8, 36.03, -60.57

 

Complementary color

CMYK 10 / 0 / 87 / 45

HEX #7F8D12

RGB 127 141 18

HSL 66.83, 0.77%, 0.31%

LAB 55.69, -19.84, 56.25

 

CMYK 43 / 51 / 0 / 9

HEX #8572E8

RGB 133 114 232

HSL 249.66, 0.72%, 0.68%

LAB 54.91, 35.73, -57.57

 

CMYK 40 / 47 / 0 / 2

HEX #9684FB

RGB 150 132 251

HSL 249.08, 0.94%, 0.75%

LAB 61.61, 34.58, -57.32

 

CMYK 35 / 41 / 0 / 0

HEX #A796FF

RGB 167 150 255

HSL 249.71, 1%, 0.79%

LAB 67.46, 29.63, -50.14

 

CMYK 28 / 34 / 0 / 0

HEX #B8A8FF

RGB 184 168 255

HSL 251.03, 1%, 0.83%

LAB 73.16, 24.14, -41.09

 

CMYK 21 / 27 / 0 / 0

HEX #C9BAFF

RGB 201 186 255

HSL 253.04, 1%, 0.86%

LAB 78.9, 19.14, -32.09

 

CMYK 46 / 52 / 0 / 7

HEX #8072ED

RGB 128 114 237

HSL 246.83, 0.77%, 0.69%

LAB 54.8, 36.03, -60.57

 

CMYK 49 / 56 / 0 / 15

HEX #6F60DA

RGB 111 96 218

HSL 247.38, 0.62%, 0.62%

LAB 48.02, 37.41, -60.87

 

CMYK 53 / 61 / 0 / 22

HEX #5E4EC7

RGB 94 78 199

HSL 247.93, 0.52%, 0.54%

LAB 41.14, 38.96, -61.16

 

CMYK 57 / 67 / 0 / 29

HEX #4D3CB4

RGB 77 60 180

HSL 248.5, 0.5%, 0.47%

LAB 34.2, 40.67, -61.38

 

CMYK 63 / 74 / 0 / 37

HEX #3C2AA1

RGB 60 42 161

HSL 249.08, 0.59%, 0.4%

LAB 27.27, 42.44, -61.4

 

CMYK 46 / 51 / 0 / 7

HEX #8073EC

RGB 128 115 236

HSL 246.45, 0.76%, 0.69%

LAB 54.98, 35.15, -59.73

 

CMYK 32 / 51 / 0 / 7

HEX #A173EC

RGB 161 115 236

HSL 262.81, 0.76%, 0.69%

LAB 57.94, 42.97, -54.82

 

CMYK 18 / 51 / 0 / 7

HEX #C273EC

RGB 194 115 236

HSL 279.17, 0.76%, 0.69%

LAB 61.47, 51.45, -48.99

 

CMYK 4 / 51 / 0 / 7

HEX #E373EC

RGB 227 115 236

HSL 295.54, 0.76%, 0.69%

LAB 65.47, 60.23, -42.41

 

CMYK 0 / 51 / 10 / 7

HEX #EC73D5

RGB 236 115 213

HSL 311.4, 0.76%, 0.69%

LAB 65.67, 58.83, -29.22

 

CMYK 46 / 51 / 0 / 7

HEX #8073EC

RGB 128 115 236

HSL 246.45, 0.76%, 0.69%

LAB 54.98, 35.15, -59.73

 

CMYK 51 / 51 / 0 / 7

HEX #7373EC

RGB 115 115 236

HSL 240, 0.76%, 0.69%

LAB 53.99, 32.37, -61.37

 

CMYK 46 / 51 / 0 / 7

HEX #8073EC

RGB 128 115 236

HSL 246.45, 0.76%, 0.69%

LAB 54.98, 35.15, -59.73

 

CMYK 52 / 59 / 0 / 2

HEX #7766F9

RGB 119 102 249

HSL 246.94, 0.92%, 0.69%

LAB 52.13, 44.69, -71.59

 

CMYK 46 / 51 / 0 / 7

HEX #8073EC

RGB 128 115 236

HSL 246.45, 0.76%, 0.69%

LAB 54.98, 35.15, -59.73

 

CMYK 38 / 43 / 0 / 12

HEX #8A7FE0

RGB 138 127 224

HSL 246.8, 0.61%, 0.69%

LAB 58, 27.13, -48.15

 

CMYK 30 / 34 / 0 / 17

HEX #948CD3

RGB 148 140 211

HSL 246.76, 0.45%, 0.69%

LAB 61.44, 18.85, -35.41

 

CMYK 20 / 23 / 0 / 22

HEX #9E99C6

RGB 158 153 198

HSL 246.67, 0.28%, 0.69%

LAB 65.06, 11.29, -22.48

 

CMYK 9 / 10 / 0 / 27

HEX #A8A6B9

RGB 168 166 185

HSL 246.32, 0.12%, 0.69%

LAB 68.82, 4.46, -9.49

 

CMYK 51 / 29 / 0 / 7

HEX #73A7EC

RGB 115 167 236

HSL 214.21, 0.76%, 0.69%

LAB 67.53, 1.82, -39.89

 

CMYK 51 / 43 / 0 / 7

HEX #7387EC

RGB 115 135 236

HSL 230.08, 0.76%, 0.69%

LAB 59, 20.43, -53.35

 

CMYK 46 / 51 / 0 / 7

HEX #7F73EC

RGB 127 115 236

HSL 245.95, 0.76%, 0.69%

LAB 54.9, 34.93, -59.86

 

CMYK 33 / 51 / 0 / 7

HEX #9F73EC

RGB 159 115 236

HSL 261.82, 0.76%, 0.69%

LAB 57.74, 42.47, -55.15

 

CMYK 19 / 51 / 0 / 7

HEX #C073EC

RGB 192 115 236

HSL 278.18, 0.76%, 0.69%

LAB 61.24, 50.93, -49.37

 

CMYK 72 / 81 / 0 / 11

HEX #3F2AE3

RGB 63 42 227

HSL 246.81, 0.77%, 0.53%

LAB 34.52, 62.54, -88.26

 

CMYK 59 / 66 / 0 / 9

HEX #604EE8

RGB 96 78 232

HSL 247.01, 0.77%, 0.61%

LAB 43.89, 49.38, -75.57

 

CMYK 46 / 51 / 0 / 7

HEX #8073EC

RGB 128 115 236

HSL 246.45, 0.76%, 0.69%

LAB 54.98, 35.15, -59.73

 

CMYK 33 / 37 / 0 / 5

HEX #A197F1

RGB 161 151 241

HSL 246.67, 0.76%, 0.77%

LAB 66.57, 23.86, -43.93

 

CMYK 21 / 24 / 0 / 4

HEX #C2BCF6

RGB 194 188 246

HSL 246.21, 0.76%, 0.85%

LAB 78.51, 13.93, -27.91

 

CMYK 46 / 52 / 0 / 7

HEX #8072ED

RGB 128 114 237

HSL 246.83, 0.77%, 0.69%

LAB 54.8, 36.03, -60.57

 

CMYK 0 / 51 / 15 / 7

HEX #EC73C8

RGB 236 115 200

HSL 317.85, 0.76%, 0.69%

LAB 65.17, 56.81, -22.7

 

CMYK 36 / 0 / 51 / 7

HEX #97EC73

RGB 151 236 115

HSL 102.15, 0.76%, 0.69%

LAB 85.91, -47.13, 50.23

 

CMYK 46 / 52 / 0 / 7

HEX #8072ED

RGB 128 114 237

HSL 246.83, 0.77%, 0.69%

LAB 54.8, 36.03, -60.57

 

CMYK 0 / 46 / 51 / 7

HEX #EC7F73

RGB 236 127 115

HSL 5.95, 0.76%, 0.69%

LAB 65.16, 40.66, 25.41

 

CMYK 51 / 0 / 46 / 7

HEX #73EC7F

RGB 115 236 127

HSL 125.95, 0.76%, 0.69%

LAB 84.57, -56.02, 42.53

 

CMYK 46 / 52 / 0 / 7

HEX #8072ED

RGB 128 114 237

HSL 246.83, 0.77%, 0.69%

LAB 54.8, 36.03, -60.57

 

CMYK 0 / 51 / 15 / 7

HEX #EC73C8

RGB 236 115 200

HSL 317.85, 0.76%, 0.69%

LAB 65.17, 56.81, -22.7

 

CMYK 5 / 0 / 51 / 7

HEX #E0EC73

RGB 224 236 115

HSL 65.95, 0.76%, 0.69%

LAB 90.36, -20.58, 56.6

 

CMYK 51 / 0 / 36 / 7

HEX #73EC97

RGB 115 236 151

HSL 137.85, 0.76%, 0.69%

LAB 84.93, -52.25, 31.08

 

CMYK 46 / 52 / 0 / 7

HEX #8072ED

RGB 128 114 237

HSL 246.83, 0.77%, 0.69%

LAB 54.8, 36.03, -60.57

 

CMYK 0 / 51 / 31 / 7

HEX #EC73A3

RGB 236 115 163

HSL 336.2, 0.76%, 0.69%

LAB 63.95, 51.71, -3.55

 

CMYK 5 / 0 / 51 / 7

HEX #E0EC73

RGB 224 236 115

HSL 65.95, 0.76%, 0.69%

LAB 90.36, -20.58, 56.6

 

CMYK 51 / 0 / 20 / 7

HEX #73ECBC

RGB 115 236 188

HSL 156.2, 0.76%, 0.69%

LAB 85.64, -45.13, 12.99

 

Description

Color code: HEX #8072ED | qconv.com Color code: HEX #8072ED | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 114 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 114 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 52 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 52% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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