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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80858B it is the complementary color #7F7A74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80858B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #80858B shade: #858586, #969799, #A7A9AC, #B8BBBF and #C9CDD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80858B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #80858B shade: #80858B, #6F7378, #5E6165, #4D4F52 and #3C3D3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #80858B shade: #7E848A, #7E808A, #7F7E8A, #827E8A and #867E8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #80858B shade: #7E848A, #7E808A and #7E7E8A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #80858B shade matches the following richer shades: #7E848A, #6A829E, #5680B2, #437EC6 and #2F7CD9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #80858B shade: #7E848A, #928576, #A68763, #B9894F and #CD8B3B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #80858B shade: #7E8A8A, #7E878A, #7E848A, #7E808A and #7F7E8A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #80858B shade: #565A5F, #6A6F75, #7E848A, #94989E and #A9ADB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #80858B shade: #80858B, #877E8A and #898A7E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #80858B shade: #80858B, #8A7E84 and #848A7E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #80858B shade: #80858B, #877E8A, #8A857E and #818A7E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #80858B shade: #80858B, #8A7E8A, #8A857E and #7E8A7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 4 / 0 / 45

HEX #80858B

RGB 128 133 139

HSL 212.73, 0.05%, 0.52%

LAB 55.31, -0.6, -3.86

 

Complementary color

CMYK 0 / 4 / 9 / 50

HEX #7F7A74

RGB 127 122 116

HSL 32.73, 0.05%, 0.48%

LAB 51.49, 0.76, 3.95

 

CMYK 1 / 1 / 0 / 47

HEX #858586

RGB 133 133 134

HSL 240, 0%, 0.52%

LAB 55.57, 0.2, -0.54

 

CMYK 2 / 1 / 0 / 40

HEX #969799

RGB 150 151 153

HSL 220, 0.01%, 0.59%

LAB 62.44, 0.03, -1.18

 

CMYK 3 / 2 / 0 / 33

HEX #A7A9AC

RGB 167 169 172

HSL 216, 0.03%, 0.66%

LAB 69.16, -0.13, -1.8

 

CMYK 4 / 2 / 0 / 25

HEX #B8BBBF

RGB 184 187 191

HSL 214.29, 0.05%, 0.74%

LAB 75.76, -0.28, -2.39

 

CMYK 4 / 2 / 0 / 18

HEX #C9CDD2

RGB 201 205 210

HSL 213.33, 0.09%, 0.81%

LAB 82.24, -0.42, -2.96

 

CMYK 8 / 4 / 0 / 45

HEX #80858B

RGB 128 133 139

HSL 212.73, 0.05%, 0.52%

LAB 55.31, -0.6, -3.86

 

CMYK 8 / 4 / 0 / 53

HEX #6F7378

RGB 111 115 120

HSL 213.33, 0.04%, 0.45%

LAB 48.26, -0.45, -3.29

 

CMYK 7 / 4 / 0 / 60

HEX #5E6165

RGB 94 97 101

HSL 214.29, 0.04%, 0.38%

LAB 41.01, -0.3, -2.68

 

CMYK 6 / 4 / 0 / 68

HEX #4D4F52

RGB 77 79 82

HSL 216, 0.03%, 0.31%

LAB 33.52, -0.14, -2.05

 

CMYK 5 / 3 / 0 / 75

HEX #3C3D3F

RGB 60 61 63

HSL 220, 0.02%, 0.24%

LAB 25.73, 0.04, -1.38

 

CMYK 9 / 4 / 0 / 46

HEX #7E848A

RGB 126 132 138

HSL 210, 0.05%, 0.52%

LAB 54.84, -0.95, -4

 

CMYK 9 / 7 / 0 / 46

HEX #7E808A

RGB 126 128 138

HSL 230, 0.05%, 0.52%

LAB 53.72, 1.34, -5.65

 

CMYK 8 / 9 / 0 / 46

HEX #7F7E8A

RGB 127 126 138

HSL 245, 0.05%, 0.52%

LAB 53.24, 2.85, -6.35

 

CMYK 6 / 9 / 0 / 46

HEX #827E8A

RGB 130 126 138

HSL 260, 0.05%, 0.52%

LAB 53.5, 3.94, -5.95

 

CMYK 3 / 9 / 0 / 46

HEX #867E8A

RGB 134 126 138

HSL 280, 0.05%, 0.52%

LAB 53.84, 5.4, -5.4

 

CMYK 9 / 4 / 0 / 46

HEX #7E848A

RGB 126 132 138

HSL 210, 0.05%, 0.52%

LAB 54.84, -0.95, -4

 

CMYK 9 / 7 / 0 / 46

HEX #7E808A

RGB 126 128 138

HSL 230, 0.05%, 0.52%

LAB 53.72, 1.34, -5.65

 

CMYK 9 / 9 / 0 / 46

HEX #7E7E8A

RGB 126 126 138

HSL 240, 0.05%, 0.52%

LAB 53.16, 2.49, -6.48

 

CMYK 9 / 4 / 0 / 46

HEX #7E848A

RGB 126 132 138

HSL 210, 0.05%, 0.52%

LAB 54.84, -0.95, -4

 

CMYK 33 / 18 / 0 / 38

HEX #6A829E

RGB 106 130 158

HSL 212.31, 0.21%, 0.52%

LAB 53.49, -1.65, -17.76

 

CMYK 52 / 28 / 0 / 30

HEX #5680B2

RGB 86 128 178

HSL 212.61, 0.37%, 0.52%

LAB 52.54, -0.08, -30.87

 

CMYK 66 / 36 / 0 / 22

HEX #437EC6

RGB 67 126 198

HSL 212.98, 0.53%, 0.52%

LAB 52.05, 3.9, -43.16

 

CMYK 78 / 43 / 0 / 15

HEX #2F7CD9

RGB 47 124 217

HSL 212.82, 0.69%, 0.52%

LAB 51.87, 9.27, -54.28

 

CMYK 9 / 4 / 0 / 46

HEX #7E848A

RGB 126 132 138

HSL 210, 0.05%, 0.52%

LAB 54.84, -0.95, -4

 

CMYK 0 / 9 / 19 / 43

HEX #928576

RGB 146 133 118

HSL 32.14, 0.11%, 0.52%

LAB 56.28, 2.31, 9.86

 

CMYK 0 / 19 / 40 / 35

HEX #A68763

RGB 166 135 99

HSL 32.24, 0.27%, 0.52%

LAB 58.35, 6.73, 23.81

 

CMYK 0 / 26 / 57 / 27

HEX #B9894F

RGB 185 137 79

HSL 32.83, 0.43%, 0.52%

LAB 60.58, 11.73, 37.91

 

CMYK 0 / 32 / 71 / 20

HEX #CD8B3B

RGB 205 139 59

HSL 32.88, 0.59%, 0.52%

LAB 63.14, 17.92, 51.27

 

CMYK 9 / 0 / 0 / 46

HEX #7E8A8A

RGB 126 138 138

HSL 180, 0.05%, 0.52%

LAB 56.53, -4.35, -1.5

 

CMYK 9 / 2 / 0 / 46

HEX #7E878A

RGB 126 135 138

HSL 195, 0.05%, 0.52%

LAB 55.68, -2.66, -2.75

 

CMYK 9 / 4 / 0 / 46

HEX #7E848A

RGB 126 132 138

HSL 210, 0.05%, 0.52%

LAB 54.84, -0.95, -4

 

CMYK 9 / 7 / 0 / 46

HEX #7E808A

RGB 126 128 138

HSL 230, 0.05%, 0.52%

LAB 53.72, 1.34, -5.65

 

CMYK 8 / 9 / 0 / 46

HEX #7F7E8A

RGB 127 126 138

HSL 245, 0.05%, 0.52%

LAB 53.24, 2.85, -6.35

 

CMYK 9 / 5 / 0 / 63

HEX #565A5F

RGB 86 90 95

HSL 213.33, 0.05%, 0.35%

LAB 38.05, -0.46, -3.43

 

CMYK 9 / 5 / 0 / 54

HEX #6A6F75

RGB 106 111 117

HSL 212.73, 0.05%, 0.44%

LAB 46.6, -0.6, -3.99

 

CMYK 9 / 4 / 0 / 46

HEX #7E848A

RGB 126 132 138

HSL 210, 0.05%, 0.52%

LAB 54.84, -0.95, -4

 

CMYK 6 / 4 / 0 / 38

HEX #94989E

RGB 148 152 158

HSL 216, 0.05%, 0.6%

LAB 62.69, -0.24, -3.65

 

CMYK 5 / 2 / 0 / 31

HEX #A9ADB1

RGB 169 173 177

HSL 210, 0.05%, 0.68%

LAB 70.52, -0.63, -2.55

 

CMYK 8 / 4 / 0 / 45

HEX #80858B

RGB 128 133 139

HSL 212.73, 0.05%, 0.52%

LAB 55.31, -0.6, -3.86

 

CMYK 2 / 9 / 0 / 46

HEX #877E8A

RGB 135 126 138

HSL 285, 0.05%, 0.52%

LAB 53.93, 5.76, -5.26

 

CMYK 1 / 0 / 9 / 46

HEX #898A7E

RGB 137 138 126

HSL 65, 0.05%, 0.52%

LAB 57.08, -2.64, 6.29

 

CMYK 8 / 4 / 0 / 45

HEX #80858B

RGB 128 133 139

HSL 212.73, 0.05%, 0.52%

LAB 55.31, -0.6, -3.86

 

CMYK 0 / 9 / 4 / 46

HEX #8A7E84

RGB 138 126 132

HSL 330, 0.05%, 0.52%

LAB 54.02, 5.69, -1.6

 

CMYK 4 / 0 / 9 / 46

HEX #848A7E

RGB 132 138 126

HSL 90, 0.05%, 0.52%

LAB 56.67, -4.54, 5.66

 

CMYK 8 / 4 / 0 / 45

HEX #80858B

RGB 128 133 139

HSL 212.73, 0.05%, 0.52%

LAB 55.31, -0.6, -3.86

 

CMYK 2 / 9 / 0 / 46

HEX #877E8A

RGB 135 126 138

HSL 285, 0.05%, 0.52%

LAB 53.93, 5.76, -5.26

 

CMYK 0 / 4 / 9 / 46

HEX #8A857E

RGB 138 133 126

HSL 35, 0.05%, 0.52%

LAB 55.77, 0.56, 4.43

 

CMYK 7 / 0 / 9 / 46

HEX #818A7E

RGB 129 138 126

HSL 105, 0.05%, 0.52%

LAB 56.44, -5.66, 5.29

 

CMYK 8 / 4 / 0 / 45

HEX #80858B

RGB 128 133 139

HSL 212.73, 0.05%, 0.52%

LAB 55.31, -0.6, -3.86

 

CMYK 0 / 9 / 0 / 46

HEX #8A7E8A

RGB 138 126 138

HSL 300, 0.05%, 0.52%

LAB 54.2, 6.87, -4.83

 

CMYK 0 / 4 / 9 / 46

HEX #8A857E

RGB 138 133 126

HSL 35, 0.05%, 0.52%

LAB 55.77, 0.56, 4.43

 

CMYK 9 / 0 / 9 / 46

HEX #7E8A7E

RGB 126 138 126

HSL 120, 0.05%, 0.52%

LAB 56.21, -6.78, 4.93

 

Description

Color code: HEX #80858B | qconv.com Color code: HEX #80858B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 133 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 133 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 4 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 4% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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