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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #808023 it is the complementary color #7F7FDC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #808023. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #808023 shade: #85801E, #969231, #A7A444, #B8B657 and #C9C86A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #808023. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #808023 shade: #808023, #6F6E10, #5E5C00, #4D4A00 and #3C3800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #808023 shade: #808023, #806723, #804D23, #803423 and #802323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #808023 shade: #808023, #678023, #4D8023, #348023 and #23802A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #808023 shade matches the following richer shades: #808023, #8D8D15 and #9A9A08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #808023 shade: #808023, #727230, #65653D, #58584A and #4B4B57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #808023 shade: #804E23, #806723, #808023, #678023 and #4E8023

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #808023 shade: #3F3F11, #5F5F1A, #808023, #A0A02B and #C0C034

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #808023 shade: #808023, #238035 and #5A2380

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #808023 shade: #808023, #238080 and #802380

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #808023 shade: #808023, #238035, #232380 and #80236D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #808023 shade: #808023, #238051, #232380 and #802351

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 73 / 50

HEX #808023

RGB 128 128 35

HSL 60, 0.57%, 0.32%

LAB 52.01, -11.83, 47.66

 

Complementary color

CMYK 42 / 42 / 0 / 14

HEX #7F7FDC

RGB 127 127 220

HSL 240, 0.57%, 0.68%

LAB 56.94, 23.23, -47.65

 

CMYK 0 / 4 / 77 / 48

HEX #85801E

RGB 133 128 30

HSL 57.09, 0.63%, 0.32%

LAB 52.42, -9.78, 50.07

 

CMYK 0 / 3 / 67 / 41

HEX #969231

RGB 150 146 49

HSL 57.62, 0.51%, 0.39%

LAB 59.22, -10.79, 49.82

 

CMYK 0 / 2 / 59 / 35

HEX #A7A444

RGB 167 164 68

HSL 58.18, 0.42%, 0.46%

LAB 65.89, -11.59, 49

 

CMYK 0 / 1 / 53 / 28

HEX #B8B657

RGB 184 182 87

HSL 58.76, 0.41%, 0.53%

LAB 72.45, -12.22, 47.94

 

CMYK 0 / 0 / 47 / 21

HEX #C9C86A

RGB 201 200 106

HSL 59.37, 0.47%, 0.6%

LAB 78.91, -12.73, 46.79

 

CMYK 0 / 0 / 73 / 50

HEX #808023

RGB 128 128 35

HSL 60, 0.57%, 0.32%

LAB 52.01, -11.83, 47.66

 

CMYK 0 / 1 / 86 / 56

HEX #6F6E10

RGB 111 110 16

HSL 59.37, 0.75%, 0.25%

LAB 45.04, -10.7, 47.22

 

CMYK 0 / 2 / 100 / 63

HEX #5E5C00

RGB 94 92 0

HSL 58.72, 1%, 0.18%

LAB 37.9, -9.25, 45.08

 

CMYK 0 / 4 / 100 / 70

HEX #4D4A00

RGB 77 74 0

HSL 57.66, 1%, 0.15%

LAB 30.58, -7.28, 39

 

CMYK 0 / 7 / 100 / 76

HEX #3C3800

RGB 60 56 0

HSL 56, 1%, 0.12%

LAB 22.96, -5.19, 31.6

 

CMYK 0 / 0 / 73 / 50

HEX #808023

RGB 128 128 35

HSL 60, 0.57%, 0.32%

LAB 52.01, -11.83, 47.66

 

CMYK 0 / 20 / 73 / 50

HEX #806723

RGB 128 103 35

HSL 43.87, 0.57%, 0.32%

LAB 44.82, 2.27, 40.48

 

CMYK 0 / 40 / 73 / 50

HEX #804D23

RGB 128 77 35

HSL 27.1, 0.57%, 0.32%

LAB 37.88, 17.63, 33.17

 

CMYK 0 / 59 / 73 / 50

HEX #803423

RGB 128 52 35

HSL 10.97, 0.57%, 0.32%

LAB 32.18, 31.72, 26.82

 

CMYK 0 / 73 / 73 / 50

HEX #802323

RGB 128 35 35

HSL 0, 0.57%, 0.32%

LAB 29.19, 39.72, 23.32

 

CMYK 0 / 0 / 73 / 50

HEX #808023

RGB 128 128 35

HSL 60, 0.57%, 0.32%

LAB 52.01, -11.83, 47.66

 

CMYK 20 / 0 / 73 / 50

HEX #678023

RGB 103 128 35

HSL 76.13, 0.57%, 0.32%

LAB 50.03, -22.99, 45.04

 

CMYK 40 / 0 / 73 / 50

HEX #4D8023

RGB 77 128 35

HSL 92.9, 0.57%, 0.32%

LAB 48.43, -33.45, 42.91

 

CMYK 59 / 0 / 73 / 50

HEX #348023

RGB 52 128 35

HSL 109.03, 0.57%, 0.32%

LAB 47.35, -41.53, 41.45

 

CMYK 73 / 0 / 67 / 50

HEX #23802A

RGB 35 128 42

HSL 124.52, 0.57%, 0.32%

LAB 46.93, -44.78, 37.81

 

CMYK 0 / 0 / 73 / 50

HEX #808023

RGB 128 128 35

HSL 60, 0.57%, 0.32%

LAB 52.01, -11.83, 47.66

 

CMYK 0 / 0 / 85 / 45

HEX #8D8D15

RGB 141 141 21

HSL 60, 0.74%, 0.32%

LAB 56.85, -13.44, 56.96

 

CMYK 0 / 0 / 95 / 40

HEX #9A9A08

RGB 154 154 8

HSL 60, 0.9%, 0.32%

LAB 61.65, -14.67, 63.7

 

CMYK 0 / 0 / 73 / 50

HEX #808023

RGB 128 128 35

HSL 60, 0.57%, 0.32%

LAB 52.01, -11.83, 47.66

 

CMYK 0 / 0 / 58 / 55

HEX #727230

RGB 114 114 48

HSL 60, 0.41%, 0.32%

LAB 46.74, -9.64, 35.9

 

CMYK 0 / 0 / 40 / 60

HEX #65653D

RGB 101 101 61

HSL 60, 0.25%, 0.32%

LAB 41.86, -6.76, 22.66

 

CMYK 0 / 0 / 16 / 65

HEX #58584A

RGB 88 88 74

HSL 60, 0.09%, 0.32%

LAB 37.02, -2.76, 8.14

 

CMYK 14 / 14 / 0 / 66

HEX #4B4B57

RGB 75 75 87

HSL 240, 0.07%, 0.32%

LAB 32.29, 2.79, -7.07

 

CMYK 0 / 39 / 73 / 50

HEX #804E23

RGB 128 78 35

HSL 27.74, 0.57%, 0.32%

LAB 38.13, 17.04, 33.44

 

CMYK 0 / 20 / 73 / 50

HEX #806723

RGB 128 103 35

HSL 43.87, 0.57%, 0.32%

LAB 44.82, 2.27, 40.48

 

CMYK 0 / 0 / 73 / 50

HEX #808023

RGB 128 128 35

HSL 60, 0.57%, 0.32%

LAB 52.01, -11.83, 47.66

 

CMYK 20 / 0 / 73 / 50

HEX #678023

RGB 103 128 35

HSL 76.13, 0.57%, 0.32%

LAB 50.03, -22.99, 45.04

 

CMYK 39 / 0 / 73 / 50

HEX #4E8023

RGB 78 128 35

HSL 92.26, 0.57%, 0.32%

LAB 48.49, -33.08, 42.98

 

CMYK 0 / 0 / 73 / 75

HEX #3F3F11

RGB 63 63 17

HSL 60, 0.58%, 0.16%

LAB 25.72, -6.95, 27.16

 

CMYK 0 / 0 / 73 / 63

HEX #5F5F1A

RGB 95 95 26

HSL 60, 0.57%, 0.24%

LAB 39.06, -9.43, 37.58

 

CMYK 0 / 0 / 73 / 50

HEX #808023

RGB 128 128 35

HSL 60, 0.57%, 0.32%

LAB 52.01, -11.83, 47.66

 

CMYK 0 / 0 / 73 / 37

HEX #A0A02B

RGB 160 160 43

HSL 60, 0.58%, 0.4%

LAB 63.99, -14.07, 57.17

 

CMYK 0 / 0 / 73 / 25

HEX #C0C034

RGB 192 192 52

HSL 60, 0.57%, 0.48%

LAB 75.55, -16.17, 65.94

 

CMYK 0 / 0 / 73 / 50

HEX #808023

RGB 128 128 35

HSL 60, 0.57%, 0.32%

LAB 52.01, -11.83, 47.66

 

CMYK 73 / 0 / 59 / 50

HEX #238035

RGB 35 128 53

HSL 131.61, 0.57%, 0.32%

LAB 47.04, -43.38, 32.63

 

CMYK 30 / 73 / 0 / 50

HEX #5A2380

RGB 90 35 128

HSL 275.48, 0.57%, 0.32%

LAB 26.55, 42.06, -42.04

 

CMYK 0 / 0 / 73 / 50

HEX #808023

RGB 128 128 35

HSL 60, 0.57%, 0.32%

LAB 52.01, -11.83, 47.66

 

CMYK 73 / 0 / 0 / 50

HEX #238080

RGB 35 128 128

HSL 180, 0.57%, 0.32%

LAB 48.7, -25.93, -7.77

 

CMYK 0 / 73 / 0 / 50

HEX #802380

RGB 128 35 128

HSL 300, 0.57%, 0.32%

LAB 32.59, 50.79, -32.02

 

CMYK 0 / 0 / 73 / 50

HEX #808023

RGB 128 128 35

HSL 60, 0.57%, 0.32%

LAB 52.01, -11.83, 47.66

 

CMYK 73 / 0 / 59 / 50

HEX #238035

RGB 35 128 53

HSL 131.61, 0.57%, 0.32%

LAB 47.04, -43.38, 32.63

 

CMYK 73 / 73 / 0 / 50

HEX #232380

RGB 35 35 128

HSL 240, 0.57%, 0.32%

LAB 20.51, 32.33, -52.15

 

CMYK 0 / 73 / 15 / 50

HEX #80236D

RGB 128 35 109

HSL 312.26, 0.57%, 0.32%

LAB 31.57, 47.62, -21.63

 

CMYK 0 / 0 / 73 / 50

HEX #808023

RGB 128 128 35

HSL 60, 0.57%, 0.32%

LAB 52.01, -11.83, 47.66

 

CMYK 73 / 0 / 37 / 50

HEX #238051

RGB 35 128 81

HSL 149.68, 0.57%, 0.32%

LAB 47.48, -38.39, 17.95

 

CMYK 73 / 73 / 0 / 50

HEX #232380

RGB 35 35 128

HSL 240, 0.57%, 0.32%

LAB 20.51, 32.33, -52.15

 

CMYK 0 / 73 / 37 / 50

HEX #802351

RGB 128 35 81

HSL 330.32, 0.57%, 0.32%

LAB 30.36, 43.73, -5.33

 

Description

Color code: HEX #808023 | qconv.com Color code: HEX #808023 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 128 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 128 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 73 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 73% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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