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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #808AE5 it is the complementary color #7F751A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #808AE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #808AE5 shade: #858AE0, #969CF3, #A7AEFF, #B8C0FF and #C9D2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #808AE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #808AE5 shade: #808AE5, #6F78D2, #5E66BF, #4D54AC and #3C4299

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #808AE5 shade: #808AE4, #9180E4, #AC80E4, #C780E4 and #E280E4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #808AE5 shade: #808AE4 and #8080E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #808AE5 shade matches the following richer shades: #808AE4, #7380F1 and #6776FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #808AE5 shade: #808AE4, #8C93D8, #989DCC, #A5A7BF and #B1B1B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #808AE5 shade: #80BFE4, #80A5E4, #808AE4, #9080E4 and #AB80E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #808AE5 shade: #3B4AD6, #5D6ADD, #808AE4, #A2A9EC and #C4C9F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #808AE5 shade: #808AE5, #E480DA and #B2E480

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #808AE5 shade: #808AE5, #E4808A and #8AE480

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #808AE5 shade: #808AE5, #E480DA, #E4DA80 and #80E48A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #808AE5 shade: #808AE5, #E480BC, #E4DA80 and #80E4A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 40 / 0 / 10

HEX #808AE5

RGB 128 138 229

HSL 234.06, 0.66%, 0.7%

LAB 60.27, 19.57, -47.4

 

Complementary color

CMYK 0 / 8 / 80 / 50

HEX #7F751A

RGB 127 117 26

HSL 54.06, 0.66%, 0.3%

LAB 48.65, -6.66, 47.8

 

CMYK 41 / 38 / 0 / 12

HEX #858AE0

RGB 133 138 224

HSL 236.7, 0.59%, 0.7%

LAB 60.38, 19.4, -44.42

 

CMYK 38 / 36 / 0 / 5

HEX #969CF3

RGB 150 156 243

HSL 236.13, 0.79%, 0.77%

LAB 67.08, 18.61, -44.28

 

CMYK 35 / 32 / 0 / 0

HEX #A7AEFF

RGB 167 174 255

HSL 235.23, 1%, 0.83%

LAB 73.36, 16.1, -40.89

 

CMYK 28 / 25 / 0 / 0

HEX #B8C0FF

RGB 184 192 255

HSL 233.24, 1%, 0.86%

LAB 79.1, 10.89, -31.89

 

CMYK 21 / 18 / 0 / 0

HEX #C9D2FF

RGB 201 210 255

HSL 230, 1%, 0.89%

LAB 84.86, 6.19, -22.98

 

CMYK 44 / 40 / 0 / 10

HEX #808AE5

RGB 128 138 229

HSL 234.06, 0.66%, 0.7%

LAB 60.27, 19.57, -47.4

 

CMYK 47 / 43 / 0 / 18

HEX #6F78D2

RGB 111 120 210

HSL 234.55, 0.52%, 0.63%

LAB 53.46, 20.58, -47.61

 

CMYK 51 / 47 / 0 / 25

HEX #5E66BF

RGB 94 102 191

HSL 235.05, 0.43%, 0.56%

LAB 46.5, 21.76, -47.88

 

CMYK 55 / 51 / 0 / 33

HEX #4D54AC

RGB 77 84 172

HSL 235.58, 0.38%, 0.49%

LAB 39.41, 23.19, -48.2

 

CMYK 61 / 57 / 0 / 40

HEX #3C4299

RGB 60 66 153

HSL 236.13, 0.44%, 0.42%

LAB 32.16, 24.95, -48.56

 

CMYK 44 / 39 / 0 / 11

HEX #808AE4

RGB 128 138 228

HSL 234, 0.65%, 0.7%

LAB 60.22, 19.28, -46.92

 

CMYK 36 / 44 / 0 / 11

HEX #9180E4

RGB 145 128 228

HSL 250.2, 0.65%, 0.7%

LAB 59.03, 29.43, -48.72

 

CMYK 25 / 44 / 0 / 11

HEX #AC80E4

RGB 172 128 228

HSL 266.4, 0.65%, 0.7%

LAB 61.49, 36.7, -44.67

 

CMYK 13 / 44 / 0 / 11

HEX #C780E4

RGB 199 128 228

HSL 282.6, 0.65%, 0.7%

LAB 64.31, 44.34, -40.05

 

CMYK 1 / 44 / 0 / 11

HEX #E280E4

RGB 226 128 228

HSL 298.8, 0.65%, 0.7%

LAB 67.43, 52.14, -34.94

 

CMYK 44 / 39 / 0 / 11

HEX #808AE4

RGB 128 138 228

HSL 234, 0.65%, 0.7%

LAB 60.22, 19.28, -46.92

 

CMYK 44 / 44 / 0 / 11

HEX #8080E4

RGB 128 128 228

HSL 240, 0.65%, 0.7%

LAB 57.68, 25.18, -50.94

 

CMYK 44 / 39 / 0 / 11

HEX #808AE4

RGB 128 138 228

HSL 234, 0.65%, 0.7%

LAB 60.22, 19.28, -46.92

 

CMYK 52 / 47 / 0 / 5

HEX #7380F1

RGB 115 128 241

HSL 233.81, 0.82%, 0.7%

LAB 57.5, 26.14, -58.52

 

CMYK 59 / 53 / 0 / 1

HEX #6776FD

RGB 103 118 253

HSL 234, 0.97%, 0.7%

LAB 55, 33.63, -69.22

 

CMYK 44 / 39 / 0 / 11

HEX #808AE4

RGB 128 138 228

HSL 234, 0.65%, 0.7%

LAB 60.22, 19.28, -46.92

 

CMYK 35 / 32 / 0 / 15

HEX #8C93D8

RGB 140 147 216

HSL 234.47, 0.49%, 0.7%

LAB 62.84, 13.84, -36.06

 

CMYK 25 / 23 / 0 / 20

HEX #989DCC

RGB 152 157 204

HSL 234.23, 0.34%, 0.7%

LAB 65.86, 8.58, -24.64

 

CMYK 14 / 13 / 0 / 25

HEX #A5A7BF

RGB 165 167 191

HSL 235.38, 0.17%, 0.7%

LAB 69.04, 4.17, -12.52

 

CMYK 1 / 1 / 0 / 30

HEX #B1B1B3

RGB 177 177 179

HSL 240, 0.01%, 0.7%

LAB 72.26, 0.38, -1.03

 

CMYK 44 / 16 / 0 / 11

HEX #80BFE4

RGB 128 191 228

HSL 202.2, 0.65%, 0.7%

LAB 74.48, -10.56, -24.75

 

CMYK 44 / 28 / 0 / 11

HEX #80A5E4

RGB 128 165 228

HSL 217.8, 0.65%, 0.7%

LAB 67.35, 3.69, -35.73

 

CMYK 44 / 39 / 0 / 11

HEX #808AE4

RGB 128 138 228

HSL 234, 0.65%, 0.7%

LAB 60.22, 19.28, -46.92

 

CMYK 37 / 44 / 0 / 11

HEX #9080E4

RGB 144 128 228

HSL 249.6, 0.65%, 0.7%

LAB 58.95, 29.17, -48.86

 

CMYK 25 / 44 / 0 / 11

HEX #AB80E4

RGB 171 128 228

HSL 265.8, 0.65%, 0.7%

LAB 61.39, 36.42, -44.83

 

CMYK 72 / 65 / 0 / 16

HEX #3B4AD6

RGB 59 74 214

HSL 234.19, 0.65%, 0.54%

LAB 39.04, 41.06, -73.35

 

CMYK 58 / 52 / 0 / 13

HEX #5D6ADD

RGB 93 106 221

HSL 233.91, 0.65%, 0.62%

LAB 49.32, 28.75, -60.53

 

CMYK 44 / 39 / 0 / 11

HEX #808AE4

RGB 128 138 228

HSL 234, 0.65%, 0.7%

LAB 60.22, 19.28, -46.92

 

CMYK 31 / 28 / 0 / 7

HEX #A2A9EC

RGB 162 169 236

HSL 234.32, 0.66%, 0.78%

LAB 70.95, 12.68, -34.35

 

CMYK 19 / 17 / 0 / 5

HEX #C4C9F3

RGB 196 201 243

HSL 233.62, 0.66%, 0.86%

LAB 81.83, 6.84, -21.24

 

CMYK 44 / 40 / 0 / 10

HEX #808AE5

RGB 128 138 229

HSL 234.06, 0.66%, 0.7%

LAB 60.27, 19.57, -47.4

 

CMYK 0 / 44 / 4 / 11

HEX #E480DA

RGB 228 128 218

HSL 306, 0.65%, 0.7%

LAB 67.27, 50.97, -29.62

 

CMYK 22 / 0 / 44 / 11

HEX #B2E480

RGB 178 228 128

HSL 90, 0.65%, 0.7%

LAB 85.26, -32.82, 43.54

 

CMYK 44 / 40 / 0 / 10

HEX #808AE5

RGB 128 138 229

HSL 234.06, 0.66%, 0.7%

LAB 60.27, 19.57, -47.4

 

CMYK 0 / 44 / 39 / 11

HEX #E4808A

RGB 228 128 138

HSL 354, 0.65%, 0.7%

LAB 64.78, 39.49, 11.74

 

CMYK 39 / 0 / 44 / 11

HEX #8AE480

RGB 138 228 128

HSL 114, 0.65%, 0.7%

LAB 83.15, -46.17, 40.44

 

CMYK 44 / 40 / 0 / 10

HEX #808AE5

RGB 128 138 229

HSL 234.06, 0.66%, 0.7%

LAB 60.27, 19.57, -47.4

 

CMYK 0 / 44 / 4 / 11

HEX #E480DA

RGB 228 128 218

HSL 306, 0.65%, 0.7%

LAB 67.27, 50.97, -29.62

 

CMYK 0 / 4 / 44 / 11

HEX #E4DA80

RGB 228 218 128

HSL 54, 0.65%, 0.7%

LAB 86.1, -8.9, 45.36

 

CMYK 44 / 0 / 39 / 11

HEX #80E48A

RGB 128 228 138

HSL 126, 0.65%, 0.7%

LAB 82.87, -47.64, 35.01

 

CMYK 44 / 40 / 0 / 10

HEX #808AE5

RGB 128 138 229

HSL 234.06, 0.66%, 0.7%

LAB 60.27, 19.57, -47.4

 

CMYK 0 / 44 / 18 / 11

HEX #E480BC

RGB 228 128 188

HSL 324, 0.65%, 0.7%

LAB 66.18, 46.1, -14.5

 

CMYK 0 / 4 / 44 / 11

HEX #E4DA80

RGB 228 218 128

HSL 54, 0.65%, 0.7%

LAB 86.1, -8.9, 45.36

 

CMYK 44 / 0 / 26 / 11

HEX #80E4A8

RGB 128 228 168

HSL 144, 0.65%, 0.7%

LAB 83.39, -42.46, 20.34

 

Description

Color code: HEX #808AE5 | qconv.com Color code: HEX #808AE5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 138 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 138 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 40 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 40% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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