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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #808D2F it is the complementary color #7F72D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #808D2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #808D2F shade: #858D2A, #969F3D, #A7B150, #B8C363 and #C9D576

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #808D2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #808D2F shade: #808D2F, #6F7B1C, #5E6909, #4D5700 and #3C4500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #808D2F shade: #808D2F, #8D812F, #8D672F, #8D4E2F and #8D342F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #808D2F shade: #808D2F, #678D2F, #4D8D2F, #348D2F and #2F8D43

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #808D2F shade matches the following richer shades: #808D2F, #8B9C1F, #96AC10 and #A1BB01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #808D2F shade: #808D2F, #757E3E, #6A6E4D, #5F5F5C and #54506C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #808D2F shade: #8D672F, #8D802F, #808D2F, #678D2F and #4E8D2F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #808D2F shade: #484F1A, #646E24, #808D2F, #9CAC39 and #B2C34B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #808D2F shade: #808D2F, #2F8D4E and #742F8D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #808D2F shade: #808D2F, #2F808D and #8D2F80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #808D2F shade: #808D2F, #2F8D4E, #3B2F8D and #8D2F6E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #808D2F shade: #808D2F, #2F8D6A, #3B2F8D and #8D2F51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 67 / 45

HEX #808D2F

RGB 128 141 47

HSL 68.3, 0.5%, 0.37%

LAB 55.93, -18, 46.69

 

Complementary color

CMYK 39 / 45 / 0 / 18

HEX #7F72D0

RGB 127 114 208

HSL 248.3, 0.5%, 0.63%

LAB 53.06, 27.55, -47.03

 

CMYK 6 / 0 / 70 / 45

HEX #858D2A

RGB 133 141 42

HSL 64.85, 0.54%, 0.36%

LAB 56.29, -16.12, 49.26

 

CMYK 6 / 0 / 62 / 38

HEX #969F3D

RGB 150 159 61

HSL 65.51, 0.45%, 0.43%

LAB 63.03, -16.81, 48.63

 

CMYK 6 / 0 / 55 / 31

HEX #A7B150

RGB 167 177 80

HSL 66.19, 0.38%, 0.5%

LAB 69.64, -17.34, 47.65

 

CMYK 6 / 0 / 49 / 24

HEX #B8C363

RGB 184 195 99

HSL 66.88, 0.44%, 0.58%

LAB 76.14, -17.75, 46.54

 

CMYK 6 / 0 / 45 / 16

HEX #C9D576

RGB 201 213 118

HSL 67.58, 0.53%, 0.65%

LAB 82.55, -18.07, 45.39

 

CMYK 9 / 0 / 67 / 45

HEX #808D2F

RGB 128 141 47

HSL 68.3, 0.5%, 0.37%

LAB 55.93, -18, 46.69

 

CMYK 10 / 0 / 77 / 52

HEX #6F7B1C

RGB 111 123 28

HSL 67.58, 0.63%, 0.3%

LAB 49.04, -17.26, 46.95

 

CMYK 10 / 0 / 91 / 59

HEX #5E6909

RGB 94 105 9

HSL 66.88, 0.84%, 0.22%

LAB 42, -16.22, 45.87

 

CMYK 11 / 0 / 100 / 66

HEX #4D5700

RGB 77 87 0

HSL 66.9, 1%, 0.17%

LAB 34.79, -14.78, 42.1

 

CMYK 13 / 0 / 100 / 73

HEX #3C4500

RGB 60 69 0

HSL 67.83, 1%, 0.14%

LAB 27.34, -13.03, 35.75

 

CMYK 9 / 0 / 67 / 45

HEX #808D2F

RGB 128 141 47

HSL 68.3, 0.5%, 0.37%

LAB 55.93, -18, 46.69

 

CMYK 0 / 9 / 67 / 45

HEX #8D812F

RGB 141 129 47

HSL 52.34, 0.5%, 0.37%

LAB 53.57, -5.73, 44.55

 

CMYK 0 / 27 / 67 / 45

HEX #8D672F

RGB 141 103 47

HSL 35.74, 0.5%, 0.37%

LAB 46.4, 9.08, 36.78

 

CMYK 0 / 45 / 67 / 45

HEX #8D4E2F

RGB 141 78 47

HSL 19.79, 0.5%, 0.37%

LAB 40.11, 23.6, 29.57

 

CMYK 0 / 63 / 67 / 45

HEX #8D342F

RGB 141 52 47

HSL 3.19, 0.5%, 0.37%

LAB 34.65, 37.48, 22.98

 

CMYK 9 / 0 / 67 / 45

HEX #808D2F

RGB 128 141 47

HSL 68.3, 0.5%, 0.37%

LAB 55.93, -18, 46.69

 

CMYK 27 / 0 / 67 / 45

HEX #678D2F

RGB 103 141 47

HSL 84.26, 0.5%, 0.37%

LAB 54.17, -28.53, 44.3

 

CMYK 45 / 0 / 67 / 45

HEX #4D8D2F

RGB 77 141 47

HSL 100.85, 0.5%, 0.37%

LAB 52.77, -38.14, 42.37

 

CMYK 63 / 0 / 67 / 45

HEX #348D2F

RGB 52 141 47

HSL 116.81, 0.5%, 0.37%

LAB 51.82, -45.36, 41.07

 

CMYK 67 / 0 / 52 / 45

HEX #2F8D43

RGB 47 141 67

HSL 132.77, 0.5%, 0.37%

LAB 51.9, -43.89, 31.38

 

CMYK 9 / 0 / 67 / 45

HEX #808D2F

RGB 128 141 47

HSL 68.3, 0.5%, 0.37%

LAB 55.93, -18, 46.69

 

CMYK 11 / 0 / 80 / 39

HEX #8B9C1F

RGB 139 156 31

HSL 68.16, 0.67%, 0.37%

LAB 61.1, -21.74, 57.84

 

CMYK 13 / 0 / 91 / 33

HEX #96AC10

RGB 150 172 16

HSL 68.46, 0.83%, 0.37%

LAB 66.54, -25.38, 66.21

 

CMYK 14 / 0 / 99 / 27

HEX #A1BB01

RGB 161 187 1

HSL 68.39, 0.99%, 0.37%

LAB 71.64, -28.2, 72.37

 

CMYK 9 / 0 / 67 / 45

HEX #808D2F

RGB 128 141 47

HSL 68.3, 0.5%, 0.37%

LAB 55.93, -18, 46.69

 

CMYK 7 / 0 / 51 / 51

HEX #757E3E

RGB 117 126 62

HSL 68.44, 0.34%, 0.37%

LAB 50.75, -13.56, 33.43

 

CMYK 4 / 0 / 30 / 57

HEX #6A6E4D

RGB 106 110 77

HSL 67.27, 0.18%, 0.37%

LAB 45.29, -7.51, 17.94

 

CMYK 0 / 0 / 3 / 63

HEX #5F5F5C

RGB 95 95 92

HSL 60, 0.02%, 0.37%

LAB 40.23, -0.62, 1.71

 

CMYK 22 / 26 / 0 / 58

HEX #54506C

RGB 84 80 108

HSL 248.57, 0.15%, 0.37%

LAB 35.41, 8.24, -15.52

 

CMYK 0 / 27 / 67 / 45

HEX #8D672F

RGB 141 103 47

HSL 35.74, 0.5%, 0.37%

LAB 46.4, 9.08, 36.78

 

CMYK 0 / 9 / 67 / 45

HEX #8D802F

RGB 141 128 47

HSL 51.7, 0.5%, 0.37%

LAB 53.28, -5.17, 44.25

 

CMYK 9 / 0 / 67 / 45

HEX #808D2F

RGB 128 141 47

HSL 68.3, 0.5%, 0.37%

LAB 55.93, -18, 46.69

 

CMYK 27 / 0 / 67 / 45

HEX #678D2F

RGB 103 141 47

HSL 84.26, 0.5%, 0.37%

LAB 54.17, -28.53, 44.3

 

CMYK 45 / 0 / 67 / 45

HEX #4E8D2F

RGB 78 141 47

HSL 100.21, 0.5%, 0.37%

LAB 52.81, -37.81, 42.43

 

CMYK 9 / 0 / 67 / 69

HEX #484F1A

RGB 72 79 26

HSL 67.92, 0.5%, 0.21%

LAB 31.91, -11.3, 29.49

 

CMYK 9 / 0 / 67 / 57

HEX #646E24

RGB 100 110 36

HSL 68.11, 0.51%, 0.29%

LAB 44.22, -14.79, 38.57

 

CMYK 9 / 0 / 67 / 45

HEX #808D2F

RGB 128 141 47

HSL 68.3, 0.5%, 0.37%

LAB 55.93, -18, 46.69

 

CMYK 9 / 0 / 67 / 33

HEX #9CAC39

RGB 156 172 57

HSL 68.35, 0.5%, 0.45%

LAB 67.18, -21.14, 54.87

 

CMYK 9 / 0 / 62 / 24

HEX #B2C34B

RGB 178 195 75

HSL 68.5, 0.5%, 0.53%

LAB 75.45, -22.19, 56.61

 

CMYK 9 / 0 / 67 / 45

HEX #808D2F

RGB 128 141 47

HSL 68.3, 0.5%, 0.37%

LAB 55.93, -18, 46.69

 

CMYK 67 / 0 / 45 / 45

HEX #2F8D4E

RGB 47 141 78

HSL 139.79, 0.5%, 0.37%

LAB 52.07, -42.06, 25.73

 

CMYK 18 / 67 / 0 / 45

HEX #742F8D

RGB 116 47 141

HSL 284.04, 0.5%, 0.37%

LAB 33.28, 45.36, -39.1

 

CMYK 9 / 0 / 67 / 45

HEX #808D2F

RGB 128 141 47

HSL 68.3, 0.5%, 0.37%

LAB 55.93, -18, 46.69

 

CMYK 67 / 9 / 0 / 45

HEX #2F808D

RGB 47 128 141

HSL 188.3, 0.5%, 0.37%

LAB 49.45, -19.98, -14.25

 

CMYK 0 / 67 / 9 / 45

HEX #8D2F80

RGB 141 47 128

HSL 308.3, 0.5%, 0.37%

LAB 36.47, 49.32, -25.76

 

CMYK 9 / 0 / 67 / 45

HEX #808D2F

RGB 128 141 47

HSL 68.3, 0.5%, 0.37%

LAB 55.93, -18, 46.69

 

CMYK 67 / 0 / 45 / 45

HEX #2F8D4E

RGB 47 141 78

HSL 139.79, 0.5%, 0.37%

LAB 52.07, -42.06, 25.73

 

CMYK 58 / 67 / 0 / 45

HEX #3B2F8D

RGB 59 47 141

HSL 247.66, 0.5%, 0.37%

LAB 26.41, 32.88, -50.55

 

CMYK 0 / 67 / 22 / 45

HEX #8D2F6E

RGB 141 47 110

HSL 319.79, 0.5%, 0.37%

LAB 35.64, 46.51, -15.79

 

CMYK 9 / 0 / 67 / 45

HEX #808D2F

RGB 128 141 47

HSL 68.3, 0.5%, 0.37%

LAB 55.93, -18, 46.69

 

CMYK 67 / 0 / 25 / 45

HEX #2F8D6A

RGB 47 141 106

HSL 157.66, 0.5%, 0.37%

LAB 52.61, -36.18, 10.75

 

CMYK 58 / 67 / 0 / 45

HEX #3B2F8D

RGB 59 47 141

HSL 247.66, 0.5%, 0.37%

LAB 26.41, 32.88, -50.55

 

CMYK 0 / 67 / 43 / 45

HEX #8D2F51

RGB 141 47 81

HSL 338.3, 0.5%, 0.37%

LAB 34.58, 42.77, 1.15

 

Description

Color code: HEX #808D2F | qconv.com Color code: HEX #808D2F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 141 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 141 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 67 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 67% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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