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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #808DEA it is the complementary color #7F7215. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #808DEA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #808DEA shade: #858DE5, #969FF8, #A7B1FF, #B8C3FF and #C9D5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #808DEA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #808DEA shade: #808DEA, #6F7BD7, #5E69C4, #4D57B1 and #3C459E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #808DEA shade: #7F8CEA, #8F7FEA, #AC7FEA, #C87FEA and #E57FEA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #808DEA shade: #7F8CEA and #7F7FEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #808DEA shade matches the following richer shades: #7F8CEA and #7383F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #808DEA shade: #7F8CEA, #8B95DE, #979ED2, #A3A7C6 and #AFB0BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #808DEA shade: #7FC6EA, #7FAAEA, #7F8EEA, #8E7FEA and #AA7FEA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #808DEA shade: #384DDE, #5C6DE4, #7F8CEA, #A3ACF0 and #C6CCF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #808DEA shade: #808DEA, #EA7FE3 and #B8EA7F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #808DEA shade: #808DEA, #EA7F8E and #8EEA7F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #808DEA shade: #808DEA, #EA7FE3, #EADC7F and #7FEA86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #808DEA shade: #808DEA, #EA7FC3, #EADC7F and #7FEAA6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 40 / 0 / 8

HEX #808DEA

RGB 128 141 234

HSL 232.64, 0.72%, 0.71%

LAB 61.29, 19.26, -48.55

 

Complementary color

CMYK 0 / 10 / 83 / 50

HEX #7F7215

RGB 127 114 21

HSL 52.64, 0.72%, 0.29%

LAB 47.75, -5.17, 48.66

 

CMYK 42 / 38 / 0 / 10

HEX #858DE5

RGB 133 141 229

HSL 235, 0.65%, 0.71%

LAB 61.39, 19.05, -45.6

 

CMYK 40 / 36 / 0 / 3

HEX #969FF8

RGB 150 159 248

HSL 234.49, 0.88%, 0.78%

LAB 68.06, 18.25, -45.46

 

CMYK 35 / 31 / 0 / 0

HEX #A7B1FF

RGB 167 177 255

HSL 233.18, 1%, 0.83%

LAB 74.11, 14.42, -39.71

 

CMYK 28 / 24 / 0 / 0

HEX #B8C3FF

RGB 184 195 255

HSL 230.7, 1%, 0.86%

LAB 79.86, 9.26, -30.72

 

CMYK 21 / 16 / 0 / 0

HEX #C9D5FF

RGB 201 213 255

HSL 226.67, 1%, 0.89%

LAB 85.62, 4.6, -21.83

 

CMYK 45 / 40 / 0 / 8

HEX #808DEA

RGB 128 141 234

HSL 232.64, 0.72%, 0.71%

LAB 61.29, 19.26, -48.55

 

CMYK 48 / 43 / 0 / 16

HEX #6F7BD7

RGB 111 123 215

HSL 233.08, 0.57%, 0.64%

LAB 54.5, 20.28, -48.77

 

CMYK 52 / 46 / 0 / 23

HEX #5E69C4

RGB 94 105 196

HSL 233.53, 0.46%, 0.57%

LAB 47.58, 21.49, -49.04

 

CMYK 56 / 51 / 0 / 31

HEX #4D57B1

RGB 77 87 177

HSL 234, 0.39%, 0.5%

LAB 40.52, 22.95, -49.36

 

CMYK 62 / 56 / 0 / 38

HEX #3C459E

RGB 60 69 158

HSL 234.49, 0.45%, 0.43%

LAB 33.32, 24.74, -49.71

 

CMYK 46 / 40 / 0 / 8

HEX #7F8CEA

RGB 127 140 234

HSL 232.71, 0.72%, 0.71%

LAB 60.97, 19.61, -49.07

 

CMYK 39 / 46 / 0 / 8

HEX #8F7FEA

RGB 143 127 234

HSL 248.97, 0.72%, 0.71%

LAB 58.94, 31.13, -52.22

 

CMYK 26 / 46 / 0 / 8

HEX #AC7FEA

RGB 172 127 234

HSL 265.23, 0.72%, 0.71%

LAB 61.56, 38.67, -47.89

 

CMYK 15 / 46 / 0 / 8

HEX #C87FEA

RGB 200 127 234

HSL 280.93, 0.72%, 0.71%

LAB 64.48, 46.4, -43.09

 

CMYK 2 / 46 / 0 / 8

HEX #E57FEA

RGB 229 127 234

HSL 297.2, 0.72%, 0.71%

LAB 67.86, 54.58, -37.57

 

CMYK 46 / 40 / 0 / 8

HEX #7F8CEA

RGB 127 140 234

HSL 232.71, 0.72%, 0.71%

LAB 60.97, 19.61, -49.07

 

CMYK 46 / 46 / 0 / 8

HEX #7F7FEA

RGB 127 127 234

HSL 240, 0.72%, 0.71%

LAB 57.69, 27.28, -54.28

 

CMYK 46 / 40 / 0 / 8

HEX #7F8CEA

RGB 127 140 234

HSL 232.71, 0.72%, 0.71%

LAB 60.97, 19.61, -49.07

 

CMYK 53 / 47 / 0 / 4

HEX #7383F6

RGB 115 131 246

HSL 232.67, 0.88%, 0.71%

LAB 58.54, 25.9, -59.62

 

CMYK 46 / 40 / 0 / 8

HEX #7F8CEA

RGB 127 140 234

HSL 232.71, 0.72%, 0.71%

LAB 60.97, 19.61, -49.07

 

CMYK 37 / 33 / 0 / 13

HEX #8B95DE

RGB 139 149 222

HSL 232.77, 0.56%, 0.71%

LAB 63.56, 14.03, -38.29

 

CMYK 28 / 25 / 0 / 18

HEX #979ED2

RGB 151 158 210

HSL 232.88, 0.4%, 0.71%

LAB 66.28, 9.18, -27.34

 

CMYK 18 / 16 / 0 / 22

HEX #A3A7C6

RGB 163 167 198

HSL 233.14, 0.23%, 0.71%

LAB 69.11, 5.05, -16.3

 

CMYK 6 / 5 / 0 / 27

HEX #AFB0BA

RGB 175 176 186

HSL 234.55, 0.07%, 0.71%

LAB 72.03, 1.58, -5.22

 

CMYK 46 / 15 / 0 / 8

HEX #7FC6EA

RGB 127 198 234

HSL 200.19, 0.72%, 0.71%

LAB 76.58, -12.87, -24.78

 

CMYK 46 / 27 / 0 / 8

HEX #7FAAEA

RGB 127 170 234

HSL 215.89, 0.72%, 0.71%

LAB 68.9, 2.34, -36.62

 

CMYK 46 / 39 / 0 / 8

HEX #7F8EEA

RGB 127 142 234

HSL 231.59, 0.72%, 0.71%

LAB 61.48, 18.44, -48.26

 

CMYK 39 / 46 / 0 / 8

HEX #8E7FEA

RGB 142 127 234

HSL 248.41, 0.72%, 0.71%

LAB 58.85, 30.88, -52.35

 

CMYK 27 / 46 / 0 / 8

HEX #AA7FEA

RGB 170 127 234

HSL 264.11, 0.72%, 0.71%

LAB 61.36, 38.14, -48.21

 

CMYK 75 / 65 / 0 / 13

HEX #384DDE

RGB 56 77 222

HSL 232.41, 0.72%, 0.55%

LAB 40.28, 41.68, -75.9

 

CMYK 60 / 52 / 0 / 11

HEX #5C6DE4

RGB 92 109 228

HSL 232.5, 0.72%, 0.63%

LAB 50.47, 29.02, -62.63

 

CMYK 46 / 40 / 0 / 8

HEX #7F8CEA

RGB 127 140 234

HSL 232.71, 0.72%, 0.71%

LAB 60.97, 19.61, -49.07

 

CMYK 32 / 28 / 0 / 6

HEX #A3ACF0

RGB 163 172 240

HSL 232.99, 0.72%, 0.79%

LAB 71.95, 12.29, -34.98

 

CMYK 19 / 17 / 0 / 4

HEX #C6CCF5

RGB 198 204 245

HSL 232.34, 0.7%, 0.87%

LAB 82.8, 6.29, -20.82

 

CMYK 45 / 40 / 0 / 8

HEX #808DEA

RGB 128 141 234

HSL 232.64, 0.72%, 0.71%

LAB 61.29, 19.26, -48.55

 

CMYK 0 / 46 / 3 / 8

HEX #EA7FE3

RGB 234 127 227

HSL 303.93, 0.72%, 0.71%

LAB 68.18, 54.78, -33.15

 

CMYK 21 / 0 / 46 / 8

HEX #B8EA7F

RGB 184 234 127

HSL 88.04, 0.72%, 0.71%

LAB 87.27, -33.55, 46.62

 

CMYK 45 / 40 / 0 / 8

HEX #808DEA

RGB 128 141 234

HSL 232.64, 0.72%, 0.71%

LAB 61.29, 19.26, -48.55

 

CMYK 0 / 46 / 39 / 8

HEX #EA7F8E

RGB 234 127 142

HSL 351.59, 0.72%, 0.71%

LAB 65.46, 42.61, 10.55

 

CMYK 39 / 0 / 46 / 8

HEX #8EEA7F

RGB 142 234 127

HSL 111.59, 0.72%, 0.71%

LAB 85.06, -47.63, 43.38

 

CMYK 45 / 40 / 0 / 8

HEX #808DEA

RGB 128 141 234

HSL 232.64, 0.72%, 0.71%

LAB 61.29, 19.26, -48.55

 

CMYK 0 / 46 / 3 / 8

HEX #EA7FE3

RGB 234 127 227

HSL 303.93, 0.72%, 0.71%

LAB 68.18, 54.78, -33.15

 

CMYK 0 / 6 / 46 / 8

HEX #EADC7F

RGB 234 220 127

HSL 52.15, 0.72%, 0.71%

LAB 87.1, -7.63, 47.2

 

CMYK 46 / 0 / 43 / 8

HEX #7FEA86

RGB 127 234 134

HSL 123.93, 0.72%, 0.71%

LAB 84.52, -51.02, 39.14

 

CMYK 45 / 40 / 0 / 8

HEX #808DEA

RGB 128 141 234

HSL 232.64, 0.72%, 0.71%

LAB 61.29, 19.26, -48.55

 

CMYK 0 / 46 / 17 / 8

HEX #EA7FC3

RGB 234 127 195

HSL 321.87, 0.72%, 0.71%

LAB 66.98, 49.59, -17.15

 

CMYK 0 / 6 / 46 / 8

HEX #EADC7F

RGB 234 220 127

HSL 52.15, 0.72%, 0.71%

LAB 87.1, -7.63, 47.2

 

CMYK 46 / 0 / 29 / 8

HEX #7FEAA6

RGB 127 234 166

HSL 141.87, 0.72%, 0.71%

LAB 85.05, -45.71, 23.66

 

Description

Color code: HEX #808DEA | qconv.com Color code: HEX #808DEA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 141 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 141 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 40 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 40% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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