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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #809540 it is the complementary color #7F6ABF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #809540. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #809540 shade: #85953B, #96A74E, #A7B961, #B8CB74 and #C9DD87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #809540. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #809540 shade: #809540, #6F832D, #5E711A, #4D5F07 and #3C4D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #809540 shade: #809540, #959340, #957C40, #956540 and #954E40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #809540 shade: #809540, #699540, #529540, #409545 and #40955C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #809540 shade matches the following richer shades: #809540, #89A72E, #92B81D and #9BC90C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #809540 shade: #809540, #788451, #6F7362, #666174 and #5D5085

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #809540 shade: #957C40, #959340, #819540, #6B9540 and #549540

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #809540 shade: #4F5C27, #677933, #809540, #99B24C and #A9BF69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #809540 shade: #809540, #409565 and #874095

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #809540 shade: #809540, #408195 and #954081

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #809540 shade: #809540, #409565, #544095 and #954070

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #809540 shade: #809540, #40957F, #544095 and #954057

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 57 / 42

HEX #809540

RGB 128 149 64

HSL 74.82, 0.4%, 0.42%

LAB 58.47, -20.75, 41.68

 

Complementary color

CMYK 34 / 45 / 0 / 25

HEX #7F6ABF

RGB 127 106 191

HSL 254.82, 0.4%, 0.58%

LAB 50.19, 27.65, -41.85

 

CMYK 11 / 0 / 60 / 42

HEX #85953B

RGB 133 149 59

HSL 70.67, 0.43%, 0.41%

LAB 58.79, -19.08, 44.51

 

CMYK 10 / 0 / 53 / 35

HEX #96A74E

RGB 150 167 78

HSL 71.46, 0.36%, 0.48%

LAB 65.49, -19.47, 43.47

 

CMYK 10 / 0 / 48 / 27

HEX #A7B961

RGB 167 185 97

HSL 72.27, 0.39%, 0.55%

LAB 72.08, -19.76, 42.32

 

CMYK 9 / 0 / 43 / 20

HEX #B8CB74

RGB 184 203 116

HSL 73.1, 0.46%, 0.63%

LAB 78.56, -19.98, 41.14

 

CMYK 9 / 0 / 39 / 13

HEX #C9DD87

RGB 201 221 135

HSL 73.95, 0.56%, 0.7%

LAB 84.94, -20.14, 39.99

 

CMYK 14 / 0 / 57 / 42

HEX #809540

RGB 128 149 64

HSL 74.82, 0.4%, 0.42%

LAB 58.47, -20.75, 41.68

 

CMYK 15 / 0 / 66 / 49

HEX #6F832D

RGB 111 131 45

HSL 73.95, 0.49%, 0.35%

LAB 51.61, -20.36, 42.61

 

CMYK 17 / 0 / 77 / 56

HEX #5E711A

RGB 94 113 26

HSL 73.1, 0.63%, 0.27%

LAB 44.61, -19.77, 43

 

CMYK 19 / 0 / 93 / 63

HEX #4D5F07

RGB 77 95 7

HSL 72.27, 0.86%, 0.2%

LAB 37.44, -18.87, 42.06

 

CMYK 22 / 0 / 100 / 70

HEX #3C4D00

RGB 60 77 0

HSL 73.25, 1%, 0.15%

LAB 30.08, -17.51, 37.96

 

CMYK 14 / 0 / 57 / 42

HEX #809540

RGB 128 149 64

HSL 74.82, 0.4%, 0.42%

LAB 58.47, -20.75, 41.68

 

CMYK 0 / 1 / 57 / 42

HEX #959340

RGB 149 147 64

HSL 58.59, 0.4%, 0.42%

LAB 59.55, -10.7, 43.36

 

CMYK 0 / 17 / 57 / 42

HEX #957C40

RGB 149 124 64

HSL 42.35, 0.4%, 0.42%

LAB 53.14, 1.97, 35.95

 

CMYK 0 / 32 / 57 / 42

HEX #956540

RGB 149 101 64

HSL 26.12, 0.4%, 0.42%

LAB 47.06, 15.17, 28.59

 

CMYK 0 / 48 / 57 / 42

HEX #954E40

RGB 149 78 64

HSL 9.88, 0.4%, 0.42%

LAB 41.55, 28.29, 21.61

 

CMYK 14 / 0 / 57 / 42

HEX #809540

RGB 128 149 64

HSL 74.82, 0.4%, 0.42%

LAB 58.47, -20.75, 41.68

 

CMYK 30 / 0 / 57 / 42

HEX #699540

RGB 105 149 64

HSL 91.06, 0.4%, 0.42%

LAB 56.95, -29.99, 39.53

 

CMYK 45 / 0 / 57 / 42

HEX #529540

RGB 82 149 64

HSL 107.29, 0.4%, 0.42%

LAB 55.74, -38.13, 37.83

 

CMYK 57 / 0 / 54 / 42

HEX #409545

RGB 64 149 69

HSL 123.53, 0.4%, 0.42%

LAB 55.09, -42.76, 34.37

 

CMYK 57 / 0 / 38 / 42

HEX #40955C

RGB 64 149 92

HSL 139.76, 0.4%, 0.42%

LAB 55.44, -38.97, 22.58

 

CMYK 14 / 0 / 57 / 42

HEX #809540

RGB 128 149 64

HSL 74.82, 0.4%, 0.42%

LAB 58.47, -20.75, 41.68

 

CMYK 18 / 0 / 72 / 35

HEX #89A72E

RGB 137 167 46

HSL 74.88, 0.57%, 0.42%

LAB 64.28, -27.29, 55.77

 

CMYK 21 / 0 / 84 / 28

HEX #92B81D

RGB 146 184 29

HSL 74.71, 0.73%, 0.42%

LAB 69.81, -32.43, 66.2

 

CMYK 23 / 0 / 94 / 21

HEX #9BC90C

RGB 155 201 12

HSL 74.6, 0.89%, 0.42%

LAB 75.31, -37, 73.85

 

CMYK 14 / 0 / 57 / 42

HEX #809540

RGB 128 149 64

HSL 74.82, 0.4%, 0.42%

LAB 58.47, -20.75, 41.68

 

CMYK 9 / 0 / 39 / 48

HEX #788451

RGB 120 132 81

HSL 74.12, 0.24%, 0.42%

LAB 53.05, -13.27, 26.09

 

CMYK 3 / 0 / 15 / 55

HEX #6F7362

RGB 111 115 98

HSL 74.12, 0.08%, 0.42%

LAB 47.65, -4.82, 8.9

 

CMYK 12 / 16 / 0 / 55

HEX #666174

RGB 102 97 116

HSL 255.79, 0.09%, 0.42%

LAB 42.21, 6.1, -9.98

 

CMYK 30 / 40 / 0 / 48

HEX #5D5085

RGB 93 80 133

HSL 254.72, 0.25%, 0.42%

LAB 37.4, 17.94, -27.83

 

CMYK 0 / 17 / 57 / 42

HEX #957C40

RGB 149 124 64

HSL 42.35, 0.4%, 0.42%

LAB 53.14, 1.97, 35.95

 

CMYK 0 / 1 / 57 / 42

HEX #959340

RGB 149 147 64

HSL 58.59, 0.4%, 0.42%

LAB 59.55, -10.7, 43.36

 

CMYK 13 / 0 / 57 / 42

HEX #819540

RGB 129 149 64

HSL 74.12, 0.4%, 0.42%

LAB 58.54, -20.34, 41.79

 

CMYK 28 / 0 / 57 / 42

HEX #6B9540

RGB 107 149 64

HSL 89.65, 0.4%, 0.42%

LAB 57.07, -29.22, 39.7

 

CMYK 44 / 0 / 57 / 42

HEX #549540

RGB 84 149 64

HSL 105.88, 0.4%, 0.42%

LAB 55.84, -37.48, 37.96

 

CMYK 14 / 0 / 58 / 64

HEX #4F5C27

RGB 79 92 39

HSL 74.72, 0.4%, 0.26%

LAB 36.86, -14.18, 28.44

 

CMYK 15 / 0 / 58 / 53

HEX #677933

RGB 103 121 51

HSL 75.43, 0.41%, 0.34%

LAB 48, -18.07, 35.59

 

CMYK 14 / 0 / 57 / 42

HEX #809540

RGB 128 149 64

HSL 74.82, 0.4%, 0.42%

LAB 58.47, -20.75, 41.68

 

CMYK 14 / 0 / 57 / 30

HEX #99B24C

RGB 153 178 76

HSL 74.71, 0.4%, 0.5%

LAB 68.85, -23.93, 48.34

 

CMYK 12 / 0 / 45 / 25

HEX #A9BF69

RGB 169 191 105

HSL 75.35, 0.4%, 0.58%

LAB 74.01, -21.11, 40.74

 

CMYK 14 / 0 / 57 / 42

HEX #809540

RGB 128 149 64

HSL 74.82, 0.4%, 0.42%

LAB 58.47, -20.75, 41.68

 

CMYK 57 / 0 / 32 / 42

HEX #409565

RGB 64 149 101

HSL 146.12, 0.4%, 0.42%

LAB 55.61, -37.2, 17.81

 

CMYK 9 / 57 / 0 / 42

HEX #874095

RGB 135 64 149

HSL 290.12, 0.4%, 0.42%

LAB 39.56, 43.61, -33.83

 

CMYK 14 / 0 / 57 / 42

HEX #809540

RGB 128 149 64

HSL 74.82, 0.4%, 0.42%

LAB 58.47, -20.75, 41.68

 

CMYK 57 / 13 / 0 / 42

HEX #408195

RGB 64 129 149

HSL 194.12, 0.4%, 0.42%

LAB 50.64, -14.73, -17.07

 

CMYK 0 / 57 / 13 / 42

HEX #954081

RGB 149 64 129

HSL 314.12, 0.4%, 0.42%

LAB 40.64, 44, -19.81

 

CMYK 14 / 0 / 57 / 42

HEX #809540

RGB 128 149 64

HSL 74.82, 0.4%, 0.42%

LAB 58.47, -20.75, 41.68

 

CMYK 57 / 0 / 32 / 42

HEX #409565

RGB 64 149 101

HSL 146.12, 0.4%, 0.42%

LAB 55.61, -37.2, 17.81

 

CMYK 44 / 57 / 0 / 42

HEX #544095

RGB 84 64 149

HSL 254.12, 0.4%, 0.42%

LAB 33.4, 30.11, -44.03

 

CMYK 0 / 57 / 25 / 42

HEX #954070

RGB 149 64 112

HSL 326.12, 0.4%, 0.42%

LAB 39.96, 41.35, -10.35

 

CMYK 14 / 0 / 57 / 42

HEX #809540

RGB 128 149 64

HSL 74.82, 0.4%, 0.42%

LAB 58.47, -20.75, 41.68

 

CMYK 57 / 0 / 15 / 42

HEX #40957F

RGB 64 149 127

HSL 164.47, 0.4%, 0.42%

LAB 56.2, -31.22, 3.92

 

CMYK 44 / 57 / 0 / 42

HEX #544095

RGB 84 64 149

HSL 254.12, 0.4%, 0.42%

LAB 33.4, 30.11, -44.03

 

CMYK 0 / 57 / 42 / 42

HEX #954057

RGB 149 64 87

HSL 343.76, 0.4%, 0.42%

LAB 39.15, 38.08, 4.1

 

Description

Color code: HEX #809540 | qconv.com Color code: HEX #809540 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 149 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 149 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 57 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 57% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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