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Color name
HEX #809B12

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #809B12 it is the complementary color #7F64ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #809B12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #809B12 shade: #859B0D, #96AD20, #A7BF33, #B8D146 and #C9E359

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #809B12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #809B12 shade: #809B12, #6F8900, #5E7700, #4D6500 and #3C5300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #809B12 shade: #809B12, #9B9112, #9B6C12, #9B4712 and #9B2212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #809B12 shade: #809B12, #5B9B12, #369B12, #129B13 and #129B37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #809B12 shade matches the following richer shades: #809B12 and #88A904

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #809B12 shade: #809B12, #778D20, #6F7F2E, #66713C and #5E634A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #809B12 shade: #9B6B12, #9B8F12, #829B12, #5D9B12 and #399B12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #809B12 shade: #435109, #61760D, #809B12, #9EC016 and #BCE41B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #809B12 shade: #809B12, #129B46 and #7D129B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #809B12 shade: #809B12, #12829B and #9B1282

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #809B12 shade: #809B12, #129B46, #2B129B and #9B1266

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #809B12 shade: #809B12, #129B6F, #2B129B and #9B123D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 88 / 39

HEX #809B12

RGB 128 155 18

HSL 71.82, 0.79%, 0.34%

LAB 59.96, -26.42, 59.83

 

Complementary color

CMYK 46 / 58 / 0 / 7

HEX #7F64ED

RGB 127 100 237

HSL 251.82, 0.79%, 0.66%

LAB 51.54, 43.9, -65.82

 

CMYK 14 / 0 / 92 / 39

HEX #859B0D

RGB 133 155 13

HSL 69.3, 0.85%, 0.33%

LAB 60.3, -24.39, 61.18

 

CMYK 13 / 0 / 82 / 32

HEX #96AD20

RGB 150 173 32

HSL 69.79, 0.69%, 0.4%

LAB 66.88, -25.42, 63

 

CMYK 13 / 0 / 73 / 25

HEX #A7BF33

RGB 167 191 51

HSL 70.29, 0.58%, 0.47%

LAB 73.36, -26.23, 63.53

 

CMYK 12 / 0 / 67 / 18

HEX #B8D146

RGB 184 209 70

HSL 70.79, 0.6%, 0.55%

LAB 79.75, -26.87, 63.31

 

CMYK 11 / 0 / 61 / 11

HEX #C9E359

RGB 201 227 89

HSL 71.3, 0.71%, 0.62%

LAB 86.04, -27.38, 62.67

 

CMYK 17 / 0 / 88 / 39

HEX #809B12

RGB 128 155 18

HSL 71.82, 0.79%, 0.34%

LAB 59.96, -26.42, 59.83

 

CMYK 19 / 0 / 100 / 46

HEX #6F8900

RGB 111 137 0

HSL 71.39, 1%, 0.27%

LAB 53.24, -25.29, 57.1

 

CMYK 21 / 0 / 100 / 53

HEX #5E7700

RGB 94 119 0

HSL 72.61, 1%, 0.23%

LAB 46.41, -23.78, 51.41

 

CMYK 24 / 0 / 100 / 60

HEX #4D6500

RGB 77 101 0

HSL 74.26, 1%, 0.2%

LAB 39.39, -22.25, 45.56

 

CMYK 28 / 0 / 100 / 67

HEX #3C5300

RGB 60 83 0

HSL 76.63, 1%, 0.16%

LAB 32.14, -20.69, 39.53

 

CMYK 17 / 0 / 88 / 39

HEX #809B12

RGB 128 155 18

HSL 71.82, 0.79%, 0.34%

LAB 59.96, -26.42, 59.83

 

CMYK 0 / 6 / 88 / 39

HEX #9B9112

RGB 155 145 18

HSL 55.62, 0.79%, 0.34%

LAB 59.22, -9.27, 60.12

 

CMYK 0 / 30 / 88 / 39

HEX #9B6C12

RGB 155 108 18

HSL 39.42, 0.79%, 0.34%

LAB 49.18, 11.37, 52

 

CMYK 0 / 54 / 88 / 39

HEX #9B4712

RGB 155 71 18

HSL 23.21, 0.79%, 0.34%

LAB 40.44, 32.11, 44.91

 

CMYK 0 / 78 / 88 / 39

HEX #9B2212

RGB 155 34 18

HSL 7.01, 0.79%, 0.34%

LAB 34.31, 48.46, 39.9

 

CMYK 17 / 0 / 88 / 39

HEX #809B12

RGB 128 155 18

HSL 71.82, 0.79%, 0.34%

LAB 59.96, -26.42, 59.83

 

CMYK 41 / 0 / 88 / 39

HEX #5B9B12

RGB 91 155 18

HSL 88.03, 0.79%, 0.34%

LAB 57.76, -41.03, 57.1

 

CMYK 65 / 0 / 88 / 39

HEX #369B12

RGB 54 155 18

HSL 104.23, 0.79%, 0.34%

LAB 56.36, -51.97, 55.33

 

CMYK 88 / 0 / 88 / 39

HEX #129B13

RGB 18 155 19

HSL 120.44, 0.79%, 0.34%

LAB 55.7, -57.62, 54.29

 

CMYK 88 / 0 / 65 / 39

HEX #129B37

RGB 18 155 55

HSL 136.2, 0.79%, 0.34%

LAB 55.93, -54.71, 41.86

 

CMYK 17 / 0 / 88 / 39

HEX #809B12

RGB 128 155 18

HSL 71.82, 0.79%, 0.34%

LAB 59.96, -26.42, 59.83

 

CMYK 20 / 0 / 98 / 34

HEX #88A904

RGB 136 169 4

HSL 72, 0.95%, 0.34%

LAB 64.66, -30.05, 65.95

 

CMYK 17 / 0 / 88 / 39

HEX #809B12

RGB 128 155 18

HSL 71.82, 0.79%, 0.34%

LAB 59.96, -26.42, 59.83

 

CMYK 16 / 0 / 77 / 45

HEX #778D20

RGB 119 141 32

HSL 72.11, 0.63%, 0.34%

LAB 55.15, -22.81, 51.52

 

CMYK 13 / 0 / 64 / 50

HEX #6F7F2E

RGB 111 127 46

HSL 71.85, 0.47%, 0.34%

LAB 50.4, -18.2, 40.85

 

CMYK 10 / 0 / 47 / 56

HEX #66713C

RGB 102 113 60

HSL 72.45, 0.31%, 0.34%

LAB 45.58, -13.22, 27.93

 

CMYK 5 / 0 / 25 / 61

HEX #5E634A

RGB 94 99 74

HSL 72, 0.14%, 0.34%

LAB 40.89, -6.74, 13.59

 

CMYK 0 / 31 / 88 / 39

HEX #9B6B12

RGB 155 107 18

HSL 38.98, 0.79%, 0.34%

LAB 48.92, 11.94, 51.79

 

CMYK 0 / 8 / 88 / 39

HEX #9B8F12

RGB 155 143 18

HSL 54.74, 0.79%, 0.34%

LAB 58.66, -8.2, 59.66

 

CMYK 16 / 0 / 88 / 39

HEX #829B12

RGB 130 155 18

HSL 70.95, 0.79%, 0.34%

LAB 60.1, -25.56, 60

 

CMYK 40 / 0 / 88 / 39

HEX #5D9B12

RGB 93 155 18

HSL 87.15, 0.79%, 0.34%

LAB 57.86, -40.31, 57.22

 

CMYK 63 / 0 / 88 / 39

HEX #399B12

RGB 57 155 18

HSL 102.92, 0.79%, 0.34%

LAB 56.44, -51.26, 55.44

 

CMYK 17 / 0 / 89 / 68

HEX #435109

RGB 67 81 9

HSL 71.67, 0.8%, 0.18%

LAB 32.03, -15.92, 36.53

 

CMYK 18 / 0 / 89 / 54

HEX #61760D

RGB 97 118 13

HSL 72, 0.8%, 0.26%

LAB 46.35, -21.58, 48.66

 

CMYK 17 / 0 / 88 / 39

HEX #809B12

RGB 128 155 18

HSL 71.82, 0.79%, 0.34%

LAB 59.96, -26.42, 59.83

 

CMYK 18 / 0 / 89 / 25

HEX #9EC016

RGB 158 192 22

HSL 72, 0.79%, 0.42%

LAB 72.91, -31.47, 70.56

 

CMYK 18 / 0 / 88 / 11

HEX #BCE41B

RGB 188 228 27

HSL 71.94, 0.79%, 0.5%

LAB 85.13, -35.85, 80.48

 

CMYK 17 / 0 / 88 / 39

HEX #809B12

RGB 128 155 18

HSL 71.82, 0.79%, 0.34%

LAB 59.96, -26.42, 59.83

 

CMYK 88 / 0 / 55 / 39

HEX #129B46

RGB 18 155 70

HSL 142.77, 0.79%, 0.34%

LAB 56.1, -52.66, 34.87

 

CMYK 19 / 88 / 0 / 39

HEX #7D129B

RGB 125 18 155

HSL 286.86, 0.79%, 0.34%

LAB 32.17, 60.1, -49.4

 

CMYK 17 / 0 / 88 / 39

HEX #809B12

RGB 128 155 18

HSL 71.82, 0.79%, 0.34%

LAB 59.96, -26.42, 59.83

 

CMYK 88 / 16 / 0 / 39

HEX #12829B

RGB 18 130 155

HSL 190.95, 0.79%, 0.34%

LAB 50.05, -19.71, -21.58

 

CMYK 0 / 88 / 16 / 39

HEX #9B1282

RGB 155 18 130

HSL 310.95, 0.79%, 0.34%

LAB 36.01, 61.69, -27.55

 

CMYK 17 / 0 / 88 / 39

HEX #809B12

RGB 128 155 18

HSL 71.82, 0.79%, 0.34%

LAB 59.96, -26.42, 59.83

 

CMYK 88 / 0 / 55 / 39

HEX #129B46

RGB 18 155 70

HSL 142.77, 0.79%, 0.34%

LAB 56.1, -52.66, 34.87

 

CMYK 72 / 88 / 0 / 39

HEX #2B129B

RGB 43 18 155

HSL 250.95, 0.79%, 0.34%

LAB 21.26, 50.28, -67.73

 

CMYK 0 / 88 / 34 / 39

HEX #9B1266

RGB 155 18 102

HSL 323.21, 0.79%, 0.34%

LAB 34.72, 58.2, -11.87

 

CMYK 17 / 0 / 88 / 39

HEX #809B12

RGB 128 155 18

HSL 71.82, 0.79%, 0.34%

LAB 59.96, -26.42, 59.83

 

CMYK 88 / 0 / 28 / 39

HEX #129B6F

RGB 18 155 111

HSL 160.73, 0.79%, 0.34%

LAB 56.8, -44.56, 13.7

 

CMYK 72 / 88 / 0 / 39

HEX #2B129B

RGB 43 18 155

HSL 250.95, 0.79%, 0.34%

LAB 21.26, 50.28, -67.73

 

CMYK 0 / 88 / 61 / 39

HEX #9B123D

RGB 155 18 61

HSL 341.17, 0.79%, 0.34%

LAB 33.43, 54.57, 12.94

 

Description

Color code: HEX #809B12 | qconv.com Color code: HEX #809B12 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 155 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 155 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 88 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 88% 39% C M Y K

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Provide designers and agencies with accurate color values.

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