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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80A955 it is the complementary color #7F56AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80A955. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #80A955 shade: #85A950, #96BB63, #A7CD76, #B8DF89 and #C9F19C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80A955. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #80A955 shade: #80A955, #6F9742, #5E852F, #4D731C and #3C6109

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #80A955 shade: #80A955, #97A955, #A9A555, #A98E55 and #A97755

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #80A955 shade: #80A955, #69A955, #55A957, #55A96E and #55A985

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #80A955 shade matches the following richer shades: #80A955, #80BE40, #81D22C, #81E717 and #82FC02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #80A955 shade: #80A955, #80946A, #7F807E, #7F6B93 and #7E57A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #80A955 shade: #A9A555, #97A955, #80A955, #6AA955 and #55A956

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #80A955 shade: #567239, #6B8E47, #80A955, #94B770 and #A9C58C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #80A955 shade: #80A955, #55A98E and #A955A2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #80A955 shade: #80A955, #5580A9 and #A95580

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #80A955 shade: #80A955, #55A98E, #7E55A9 and #A95570

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #80A955 shade: #80A955, #55A9A8, #7E55A9 and #A95556

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 50 / 34

HEX #80A955

RGB 128 169 85

HSL 89.29, 0.33%, 0.5%

LAB 64.66, -28.47, 38.66

 

Complementary color

CMYK 25 / 49 / 0 / 33

HEX #7F56AA

RGB 127 86 170

HSL 269.29, 0.33%, 0.5%

LAB 44.33, 34.01, -38.89

 

CMYK 21 / 0 / 53 / 34

HEX #85A950

RGB 133 169 80

HSL 84.27, 0.36%, 0.49%

LAB 64.92, -27.1, 41.52

 

CMYK 20 / 0 / 47 / 27

HEX #96BB63

RGB 150 187 99

HSL 85.23, 0.39%, 0.56%

LAB 71.5, -27.18, 40.35

 

CMYK 19 / 0 / 42 / 20

HEX #A7CD76

RGB 167 205 118

HSL 86.21, 0.47%, 0.63%

LAB 77.98, -27.2, 39.18

 

CMYK 17 / 0 / 39 / 13

HEX #B8DF89

RGB 184 223 137

HSL 87.21, 0.57%, 0.71%

LAB 84.37, -27.19, 38.03

 

CMYK 17 / 0 / 35 / 5

HEX #C9F19C

RGB 201 241 156

HSL 88.24, 0.75%, 0.78%

LAB 90.66, -27.16, 36.91

 

CMYK 24 / 0 / 50 / 34

HEX #80A955

RGB 128 169 85

HSL 89.29, 0.33%, 0.5%

LAB 64.66, -28.47, 38.66

 

CMYK 26 / 0 / 56 / 41

HEX #6F9742

RGB 111 151 66

HSL 88.24, 0.39%, 0.43%

LAB 57.95, -28.42, 39.82

 

CMYK 29 / 0 / 65 / 48

HEX #5E852F

RGB 94 133 47

HSL 87.21, 0.48%, 0.35%

LAB 51.11, -28.26, 40.82

 

CMYK 33 / 0 / 76 / 55

HEX #4D731C

RGB 77 115 28

HSL 86.21, 0.61%, 0.28%

LAB 44.12, -27.92, 41.36

 

CMYK 38 / 0 / 91 / 62

HEX #3C6109

RGB 60 97 9

HSL 85.23, 0.83%, 0.21%

LAB 36.98, -27.24, 40.67

 

CMYK 24 / 0 / 50 / 34

HEX #80A955

RGB 128 169 85

HSL 89.29, 0.33%, 0.5%

LAB 64.66, -28.47, 38.66

 

CMYK 11 / 0 / 50 / 34

HEX #97A955

RGB 151 169 85

HSL 72.86, 0.33%, 0.5%

LAB 66.22, -19.39, 40.91

 

CMYK 0 / 2 / 50 / 34

HEX #A9A555

RGB 169 165 85

HSL 57.14, 0.33%, 0.5%

LAB 66.52, -9.84, 41.61

 

CMYK 0 / 16 / 50 / 34

HEX #A98E55

RGB 169 142 85

HSL 40.71, 0.33%, 0.5%

LAB 60.28, 2.6, 33.99

 

CMYK 0 / 30 / 50 / 34

HEX #A97755

RGB 169 119 85

HSL 24.29, 0.33%, 0.5%

LAB 54.33, 15.5, 26.44

 

CMYK 24 / 0 / 50 / 34

HEX #80A955

RGB 128 169 85

HSL 89.29, 0.33%, 0.5%

LAB 64.66, -28.47, 38.66

 

CMYK 38 / 0 / 50 / 34

HEX #69A955

RGB 105 169 85

HSL 105.71, 0.33%, 0.5%

LAB 63.37, -36.75, 36.78

 

CMYK 50 / 0 / 49 / 34

HEX #55A957

RGB 85 169 87

HSL 121.43, 0.33%, 0.5%

LAB 62.5, -42.7, 34.49

 

CMYK 50 / 0 / 35 / 34

HEX #55A96E

RGB 85 169 110

HSL 137.86, 0.33%, 0.5%

LAB 62.87, -38.9, 22.82

 

CMYK 50 / 0 / 21 / 34

HEX #55A985

RGB 85 169 133

HSL 154.29, 0.33%, 0.5%

LAB 63.34, -34.22, 10.84

 

CMYK 24 / 0 / 50 / 34

HEX #80A955

RGB 128 169 85

HSL 89.29, 0.33%, 0.5%

LAB 64.66, -28.47, 38.66

 

CMYK 33 / 0 / 66 / 25

HEX #80BE40

RGB 128 190 64

HSL 89.52, 0.5%, 0.5%

LAB 70.72, -40.16, 55.18

 

CMYK 39 / 0 / 79 / 18

HEX #81D22C

RGB 129 210 44

HSL 89.28, 0.65%, 0.5%

LAB 76.64, -49.49, 68.02

 

CMYK 44 / 0 / 90 / 9

HEX #81E717

RGB 129 231 23

HSL 89.42, 0.82%, 0.5%

LAB 82.85, -58.43, 77.96

 

CMYK 48 / 0 / 99 / 1

HEX #82FC02

RGB 130 252 2

HSL 89.28, 0.98%, 0.5%

LAB 89.1, -66.14, 85.07

 

CMYK 24 / 0 / 50 / 34

HEX #80A955

RGB 128 169 85

HSL 89.29, 0.33%, 0.5%

LAB 64.66, -28.47, 38.66

 

CMYK 14 / 0 / 28 / 42

HEX #80946A

RGB 128 148 106

HSL 88.57, 0.17%, 0.5%

LAB 58.8, -14.97, 19.92

 

CMYK 1 / 0 / 2 / 50

HEX #7F807E

RGB 127 128 126

HSL 90, 0.01%, 0.5%

LAB 53.45, -0.77, 0.95

 

CMYK 14 / 27 / 0 / 42

HEX #7F6B93

RGB 127 107 147

HSL 270, 0.16%, 0.5%

LAB 48.43, 16.06, -18.91

 

CMYK 25 / 48 / 0 / 35

HEX #7E57A7

RGB 126 87 167

HSL 269.25, 0.31%, 0.5%

LAB 44.29, 32.4, -37.19

 

CMYK 0 / 2 / 50 / 34

HEX #A9A555

RGB 169 165 85

HSL 57.14, 0.33%, 0.5%

LAB 66.52, -9.84, 41.61

 

CMYK 11 / 0 / 50 / 34

HEX #97A955

RGB 151 169 85

HSL 72.86, 0.33%, 0.5%

LAB 66.22, -19.39, 40.91

 

CMYK 24 / 0 / 50 / 34

HEX #80A955

RGB 128 169 85

HSL 89.29, 0.33%, 0.5%

LAB 64.66, -28.47, 38.66

 

CMYK 37 / 0 / 50 / 34

HEX #6AA955

RGB 106 169 85

HSL 105, 0.33%, 0.5%

LAB 63.42, -36.41, 36.86

 

CMYK 50 / 0 / 49 / 34

HEX #55A956

RGB 85 169 86

HSL 120.71, 0.33%, 0.5%

LAB 62.49, -42.85, 34.99

 

CMYK 25 / 0 / 50 / 55

HEX #567239

RGB 86 114 57

HSL 89.47, 0.33%, 0.34%

LAB 44.67, -20.89, 28.19

 

CMYK 25 / 0 / 50 / 44

HEX #6B8E47

RGB 107 142 71

HSL 89.58, 0.33%, 0.42%

LAB 55, -25.01, 33.71

 

CMYK 24 / 0 / 50 / 34

HEX #80A955

RGB 128 169 85

HSL 89.29, 0.33%, 0.5%

LAB 64.66, -28.47, 38.66

 

CMYK 19 / 0 / 39 / 28

HEX #94B770

RGB 148 183 112

HSL 89.58, 0.33%, 0.58%

LAB 70.41, -24.36, 32.31

 

CMYK 14 / 0 / 29 / 23

HEX #A9C58C

RGB 169 197 140

HSL 89.47, 0.33%, 0.66%

LAB 76.23, -19.56, 25.56

 

CMYK 24 / 0 / 50 / 34

HEX #80A955

RGB 128 169 85

HSL 89.29, 0.33%, 0.5%

LAB 64.66, -28.47, 38.66

 

CMYK 50 / 0 / 16 / 34

HEX #55A98E

RGB 85 169 142

HSL 160.71, 0.33%, 0.5%

LAB 63.56, -32.17, 6.14

 

CMYK 0 / 50 / 4 / 34

HEX #A955A2

RGB 169 85 162

HSL 305, 0.33%, 0.5%

LAB 48.93, 45.24, -26.58

 

CMYK 24 / 0 / 50 / 34

HEX #80A955

RGB 128 169 85

HSL 89.29, 0.33%, 0.5%

LAB 64.66, -28.47, 38.66

 

CMYK 50 / 24 / 0 / 34

HEX #5580A9

RGB 85 128 169

HSL 209.29, 0.33%, 0.5%

LAB 52.1, -3.11, -26.37

 

CMYK 0 / 50 / 24 / 34

HEX #A95580

RGB 169 85 128

HSL 329.29, 0.33%, 0.5%

LAB 47.61, 39.66, -8.33

 

CMYK 24 / 0 / 50 / 34

HEX #80A955

RGB 128 169 85

HSL 89.29, 0.33%, 0.5%

LAB 64.66, -28.47, 38.66

 

CMYK 50 / 0 / 16 / 34

HEX #55A98E

RGB 85 169 142

HSL 160.71, 0.33%, 0.5%

LAB 63.56, -32.17, 6.14

 

CMYK 25 / 50 / 0 / 34

HEX #7E55A9

RGB 126 85 169

HSL 269.29, 0.33%, 0.5%

LAB 43.94, 34.06, -38.93

 

CMYK 0 / 50 / 34 / 34

HEX #A95570

RGB 169 85 112

HSL 340.71, 0.33%, 0.5%

LAB 47.11, 37.45, 0.59

 

CMYK 24 / 0 / 50 / 34

HEX #80A955

RGB 128 169 85

HSL 89.29, 0.33%, 0.5%

LAB 64.66, -28.47, 38.66

 

CMYK 50 / 0 / 1 / 34

HEX #55A9A8

RGB 85 169 168

HSL 179.29, 0.33%, 0.5%

LAB 64.27, -25.62, -7.34

 

CMYK 25 / 50 / 0 / 34

HEX #7E55A9

RGB 126 85 169

HSL 269.29, 0.33%, 0.5%

LAB 43.94, 34.06, -38.93

 

CMYK 0 / 50 / 49 / 34

HEX #A95556

RGB 169 85 86

HSL 359.29, 0.33%, 0.5%

LAB 46.45, 34.48, 15.4

 

Description

Color code: HEX #80A955 | qconv.com Color code: HEX #80A955 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 169 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 169 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 50 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 50% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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